LOVEBITES - A Frozen Serenade lyrics & credits: Crystal tears Falling from the skies Veiling fears The emptiness inside Time is just passing by Killing me under the soft twilight A frozen melody Of doves and ravens dancing in melancholy A distant memory If only this snow could erase the pain I'd wake up in a serenade One life ends And one life begins Evanesce To our origins When I'm lost on my way Lead my heart and guide me with your grace A frozen melody Of doves and ravens dancing in melancholy A distant memory If only this snow could erase the pain I'd wake up in a serenade Just like a dream, just like a bird I'll keep on singing out Even if my voice cannot reach you Seasons may pass, but its beauty will never fade away All living things are precious and irreplaceable Just like a dream, just like a bird I'll keep on singing out Even if my voice cannot reach you White butterflies are fluttering under the silver sky If only I could wish to see you once more ----- lyrics: asami music: asami & Mao arrangement: LOVEBITES (miho, haruna, midori, miyako, asami) & Mao album: Electric Pentagram 01/29/2020 -----
LOVEBITES - A Frozen Serenade lyrics (Spanish): Lágrimas de cristal cayendo de los cielos Velando miedos El vacío interior El tiempo pasa Matándome bajo el suave crepúsculo Una melodía congelada De palomas y cuervos bailando melancólicamente Un recuerdo lejano Si tan solo esta nieve pudiera borrar el dolor Me despertaba en una serenata Una vida termina Y comienza una vida Evanescer A nuestros orígenes Cuando estoy perdido en mi camino Guía mi corazón y guíame con tu gracia Una melodía congelada De palomas y cuervos bailando melancólicamente Un recuerdo lejano Si tan solo esta nieve pudiera borrar el dolor Me despertaba en una serenata Como un sueño, como un pájaro Seguiré cantando Incluso si mi voz no puede alcanzarte Las estaciones pueden pasar, pero su belleza nunca se desvanecerá. Todos los seres vivos son preciosos e insustituibles. Como un sueño, como un pájaro Seguiré cantando Incluso si mi voz no puede alcanzarte Las mariposas blancas revolotean bajo el cielo plateado Si tan solo pudiera desear verte una vez más -----
@@JuansJukeboxTV Here is "Epilogue" LIVE 2019 with embedded English lyrics as well as [cc] that will translate to other languages: ua-cam.com/video/JIAJYBuuKGM/v-deo.html Here is same performance with only [cc] lyrics that also continues to next song which is "Don't Bite The Dust": ua-cam.com/video/1ynnXDfEnnY/v-deo.html "Epilogue" was the first song of the 3-song encore following an 85-minute main-set. The concert ends with "Under The Red Sky" which is a story of the catastrophe of being atomic bombed melded with the humility of finding hope for a better future through personal-responsibility & unity. "Under The Red Sky" LIVE 2019: ua-cam.com/video/u299XjBNiCg/v-deo.html A song that is originally from their 2018 EP "Battle Against Damnation" & often chosen to end a concert, especially in Japan, as they continue to do including their most recent public Tokyo show at Tokyo Garden Theater on September 1st, 2024.
Thank you for your reaction to ❤LOVEBITES❤. 🎸infinite Hi-end μsic strat infinite Trad fullsize ST. spec. Body Light Ash 1P Neck & Finger Board Rodsted Flame Maple PU Bare Knuckle Apach set JASCAR stainless steel frets Color Ice Metallic Blue Miyako-san like wood grain, so this guitar is also painted in Ice Metallic Blue with a semi-open bore finish using nitro-cellulose lacquer that brings out the grain of the wood. Kogiku, a traditional construction method with a history of more than 1,000 years, is a technique in which three mortises and grooves (convexes and concave) are placed on top of each other. This construction method is used for the neck and body of the guitar. The "Kogiku Logic" is the use of this construction method for the neck and body of a guitar.
Shout out to Miho! I agree. She's fantastic. As is everyone. I miss Miho, but at the same time, Fami is awesome. You'll enjoy seeing more of her on bass as well. This is an epic song. A true masterpiece, really. That middle section is so beautiful, but so is how the song escalates afterwards. Great reaction!
Who will miss Miho (who left the band) when there is BEAUTIFUL YOUNG PERFECT bassist FAMI. FAMI is much better with playing with TWIN sisters, Why to glorify musician who left the band by her own will.
@@VeljkoNikolic-is5px Kind of an unbelievable comment. Miho was a founding member, and will always be missed by any Lovebites fan who was there early on, but as I said, Fami is welcome and equally amazing, just in different ways. It does not have to be one or the other and both can be loved and appreciated.
Because “Electric Pentagram” came out in winter, Asami wanted a sad winter ballad. Asami wanted classic guitar on the track, so Miyako recorded the acoustic guitar on the track. Live, Midori has to play it, because Miyako is busy on the piano. 🤘
Thumbs up for recognizing what Miho brought to this song, and to LOVEBITES' music in general. Her bass lines are very well outlined and resounding in this one, but they are always running in the background, not just mimicking the drums, but, as you noted, "jumping" over to the guitars, or plowing their own way and steering the song. In other cases, it would be very subtle and tasteful little runs/ mini solos that go just "under the surface", often with the solo section, to add the grain of toughness, or sometimes sadness. Like in "Holy War" towards the end of the final solo - once I noticed that beautiful little chord sequence Miho produces, as if improvised, it raised the song for me even more. I must say, in the newer versions, even Fami does not outline that fleeting moment so much, as she is wont to normally. Maybe it is all matter of interpretation, but Miho brought the goods as it came to bass playing. She is indelible in the band's history, as the leader, prominent songwriter, and the consummate pro, playing even through the toughest of times.
I am not a musician, but I try to pay attention, so I get very happy when I get to pick up the bass lines clearly, and they were very distinct in this recording.
On the albums Miyako plays all the acoustic guitars and they usually use backingtrack to the intro to Addicted. Midori does great on the live recordings for sure.
Another great Reaction Juan. Miyako's guitar here is an Infinite guitar, specially designed for 'infinite' sustain. Also, the line that Midori is playing on the acoustic is actually written and played by Miyako on the CD . . but even Miyako can't play the guitar and piano at the same time . . WAIT . . there is a song where she does exactly that! Sometime you should react to Burden of Time - Live Studio Version during Covid in 2020 ua-cam.com/video/4OBf_Gn8efs/v-deo.html or Live at Minavi Blitz in 2018 ua-cam.com/video/4OBf_Gn8efs/v-deo.html (Midori hasn't bleached her hair yet, and M&M are playing in their original stage positions, opposite from now)
Epilogue the only true Ballad by Lovebites starts with both Midori and Miyako on Acoustic guitar before Miyako moves to Keyboards while Midori stays on Acoustic during the intro later they both transfer to Electric Guitars Lovebites Epilogue ua-cam.com/video/JIAJYBuuKGM/v-deo.html
Thank you for this reaction video & your willingness & efforts in making 'lyric-videos' to promote bands. To make your efforts the best possible, please seek-out, even asking the fans of the band, what is the highest quality upload of the song you intend to put your effort into promoting. Example: This upload of "A Frozen Serenade" is in 720p with embedded lyrics. Here is the same performance uploaded in 1080p with [cc] lyrics that can be translated to other languages. ua-cam.com/video/sEjN7dAh4ok/v-deo.html Since you provide the link to original video in your description, with this other upload viewers can go there & change the [cc] to whatever is their 'first-language'. Some of the higher-quality uploads are from a time when labels blocked or gave 'strikes' so some are "unlisted" to avoid that fate. Many fans of the band will have those links available to offer you the best quality. The link above is a 'public' listing, found with a common search. Did not come up at top for me until I set the [cc] filter, but it is there to be found. If you are going to put effort into modifying a video, might as well begin with highest quality. dreg👁
Hi Dreg. I understand, I would always prefer to react and link back to the band's official channel, but there was no video in this case. So I went with the one with more views. I did notice later that there was a higher quality one but I didn't know why had less views or came up later in the search results. I don't think it would be fair for me to change the link now because I actually used the video I linked.
@@JuansJukeboxTV It is ironic that "most views" is a way to choose. It is self-perpetuating. Even though the quality is lower (not finding fault with anyone or anything here) the use of it & putting link in description 'feeds' the "most views" scenario. (could add both links in description with info on differing qualities?) By the "most views" method, including when a reactor is deciding "what song", disregards newer songs/uploads. With LOVEBITES, from their earliest years their label/channel did not upload any LIVE videos so all were from fans uploading excerpts from DVD/Blu-ray. Not until 2020 did they upload "Official" LIVE, 2 from "Five of a Kind" then 2 from "Heavy Metal Never Dies" while they still took-down many/most fan uploads and even gave 'strikes' at times. This has resulted is distorting "most views" because many 'unofficial uploads' are re-uploads after the previous was 'taken-down'. Some fans even lost their channel from multiple 'strikes' but created another & uploaded again. We have these fans to THANK for persevering to allow us to become aware of all these fantastic songs. "Break The Wall" for example, unlike any other of their songs! It was when they began auditions for a bassist was when they stopped blocking & taking-down fan uploads, now tolerating them & also uploading 4 LIVE songs from each new LIVE release to their own channel. Each of their songs is so unique among their 65 song catalogue, example of "A Frozen Serenade" shows a 'side' of the band that no other song shows. It would not be known to anyone IF 'most views" and 'Official channel' were the deciding-criteria. I have another channel with videos featuring Haruna's drumming and some song I've added [cc] lyrics. ua-cam.com/play/PLDrelmq7IszKuEUqRuDCXMtVuvQC0u-Ye.html All these videos are 'copyright claimed' by Victor (their label) but none have been blocked or taken-down. I include the disclosure in description: "Copyright-protected content found. The owner allows the content to be used on UA-cam." which is quoted from the copyright page under the 'channel content'. With LOVEBITES I would say, choose the one's with LEAST views for promotion. The others have already been viewed many times & those who choose based on "most views" will continue promoting them. Here is an example of "least views" that I consider 2 of their most exceptional songs, neither with Music Video or LIVE at this time. "Paranoia > Dystopia Symphony" fan upload (me) with time-lapse 'mood' visuals & [cc] lyrics for both songs, in one upload as they are on the CD ('Glory, Glory to the World, 2021). ua-cam.com/video/yu0NwiC18y0/v-deo.html I also think most u2b viewers & reactors are depriving themselves of a significant aspect of LOVEBITES in watching one-song-at-a-time. They affirm that "LIVE" is when their compositions are completed and they never just play one-song LIVE. Their LIVE performances are where we begin to comprehend what they bring to us, eclectic songs/subjects, stamina in continual perfection throughout 2-hours shows. Here is another, 3-songs all written by Miho, as performed, segued after 80-min of performing. Again, an attempt to give people an idea of what they present in a LIVE show, (Trio of Miho 😉) "The Apocalypse > M.D.O. > Don't Bite The Dust" LIVE 2021 [cc] lyrics: ua-cam.com/video/ttBL0Q744xA/v-deo.html (total time: 15-minutes) 🐺 dreg👁
I came to your reaction to listen to LOVEBITES song A FROZEN SERENADE. Not to listen uninteresting band (to me) The Warning, who very frequently play with others, because for me they are BAD (at least NOT GOOD enough)
Welcome back Veljko, it is good to know you have grown since our last chat. It's a shame you didn't understand the video. I was not showing you the music of Dead Poets Society but the style of video I did instead and offering you the chance of doing a similar one for the band you do like. As always, it's nice to see you around.
@@VeljkoNikolic-is5px I showed 20 seconds of the style of video I could do if the Wolfpack is interested. It would be silly to show you a Lyrics video without the sound that is being represented in the Lyrics.
![FIRST TIME REACTION TO LOVEBITES / Holy War [Live at Zepp DiverCity Tokyo 2020]](http://i.ytimg.com/vi/KxHBvAtFoQc/mqdefault.jpg)
![FIRST TIME REACTION TO LOVEBITES / Holy War [Live at Zepp DiverCity Tokyo 2020]](/img/tr.png)
LOVEBITES - A Frozen Serenade lyrics & credits:
Crystal tears Falling from the skies
Veiling fears The emptiness inside
Time is just passing by
Killing me under the soft twilight
A frozen melody
Of doves and ravens dancing in melancholy
A distant memory
If only this snow could erase the pain
I'd wake up in a serenade
One life ends
And one life begins
Evanesce
To our origins
When I'm lost on my way
Lead my heart and guide me with your grace
A frozen melody
Of doves and ravens dancing in melancholy
A distant memory
If only this snow could erase the pain
I'd wake up in a serenade
Just like a dream, just like a bird
I'll keep on singing out
Even if my voice cannot reach you
Seasons may pass, but its beauty will never fade away
All living things are precious and irreplaceable
Just like a dream, just like a bird
I'll keep on singing out
Even if my voice cannot reach you
White butterflies are fluttering under the silver sky
If only I could wish to see you once more
-----
lyrics: asami
music: asami & Mao
arrangement: LOVEBITES (miho, haruna, midori, miyako, asami) & Mao
album: Electric Pentagram 01/29/2020
-----
LOVEBITES - A Frozen Serenade lyrics (Spanish):
Lágrimas de cristal cayendo de los cielos
Velando miedos El vacío interior
El tiempo pasa
Matándome bajo el suave crepúsculo
Una melodía congelada
De palomas y cuervos bailando melancólicamente
Un recuerdo lejano
Si tan solo esta nieve pudiera borrar el dolor
Me despertaba en una serenata
Una vida termina
Y comienza una vida
Evanescer
A nuestros orígenes
Cuando estoy perdido en mi camino
Guía mi corazón y guíame con tu gracia
Una melodía congelada
De palomas y cuervos bailando melancólicamente
Un recuerdo lejano
Si tan solo esta nieve pudiera borrar el dolor
Me despertaba en una serenata
Como un sueño, como un pájaro
Seguiré cantando
Incluso si mi voz no puede alcanzarte
Las estaciones pueden pasar, pero su belleza nunca se desvanecerá.
Todos los seres vivos son preciosos e insustituibles.
Como un sueño, como un pájaro
Seguiré cantando
Incluso si mi voz no puede alcanzarte
Las mariposas blancas revolotean bajo el cielo plateado
Si tan solo pudiera desear verte una vez más
-----
"Epilogue" starts with both of them playing the acoustic guitar!
Nice, I love Epilogue but I haven't seen a live version yet.
@@JuansJukeboxTV And you should
@@TL-MetalHead Oh, I know. But the whole Reaction thing, you know? I'll have to wait a little longer.
@@JuansJukeboxTV Here is "Epilogue" LIVE 2019 with embedded English lyrics as well as [cc] that will translate to other languages: ua-cam.com/video/JIAJYBuuKGM/v-deo.html
Here is same performance with only [cc] lyrics that also continues to next song which is
"Don't Bite The Dust": ua-cam.com/video/1ynnXDfEnnY/v-deo.html
"Epilogue" was the first song of the 3-song encore following an 85-minute main-set.
The concert ends with "Under The Red Sky" which is a story of the catastrophe of being atomic bombed melded with the humility of finding hope for a better future through personal-responsibility & unity.
"Under The Red Sky" LIVE 2019: ua-cam.com/video/u299XjBNiCg/v-deo.html
A song that is originally from their 2018 EP "Battle Against Damnation" & often chosen to end a concert, especially in Japan, as they continue to do including their most recent public Tokyo show at Tokyo Garden Theater on September 1st, 2024.
@@dregeye Thank you!
This song is an epic masterpiece.
This is another masterpiece by amazing Lovebites.
Nice reaction! This performance should be put in a space capsule and shot out into space so other civilizations in other galaxies can enjoy it. 🤘🐺🤘
Epic, majestic, beautiful & masterpiece. 👍🤘
Thank you for your reaction to
❤LOVEBITES❤.
🎸infinite Hi-end μsic strat
infinite Trad fullsize ST.
spec.
Body Light Ash 1P
Neck & Finger Board Rodsted Flame Maple
PU Bare Knuckle Apach set
JASCAR stainless steel frets
Color Ice Metallic Blue
Miyako-san like wood grain, so this guitar is also painted in Ice Metallic Blue with a semi-open bore finish using nitro-cellulose lacquer that brings out the grain of the wood.
Kogiku, a traditional construction method with a history of more than 1,000 years, is a technique in which three mortises and grooves (convexes and concave) are placed on top of each other.
This construction method is used for the neck and body of the guitar.
The "Kogiku Logic" is the use of this construction method for the neck and body of a guitar.
Cool info!
Beautifully executed 🏴 🤘 🐺
Shout out to Miho! I agree. She's fantastic. As is everyone. I miss Miho, but at the same time, Fami is awesome. You'll enjoy seeing more of her on bass as well. This is an epic song. A true masterpiece, really. That middle section is so beautiful, but so is how the song escalates afterwards. Great reaction!
She was great on this one. Thanks for taking the time.
Who will miss Miho (who left the band) when there is BEAUTIFUL YOUNG PERFECT bassist FAMI. FAMI is much better with playing with TWIN sisters, Why to glorify musician who left the band by her own will.
@@VeljkoNikolic-is5px Kind of an unbelievable comment. Miho was a founding member, and will always be missed by any Lovebites fan who was there early on, but as I said, Fami is welcome and equally amazing, just in different ways. It does not have to be one or the other and both can be loved and appreciated.
Gotta love a song with a groove and a killer riff.
A masterpiece.
a true masterpiece
Because “Electric Pentagram” came out in winter, Asami wanted a sad winter ballad. Asami wanted classic guitar on the track, so Miyako recorded the acoustic guitar on the track. Live, Midori has to play it, because Miyako is busy on the piano. 🤘
Thanks for the info! Do you know if there is any Spanish influence in the guitar composition?
@ I don’t know
Thumbs up for recognizing what Miho brought to this song, and to LOVEBITES' music in general. Her bass lines are very well outlined and resounding in this one, but they are always running in the background, not just mimicking the drums, but, as you noted, "jumping" over to the guitars, or plowing their own way and steering the song. In other cases, it would be very subtle and tasteful little runs/ mini solos that go just "under the surface", often with the solo section, to add the grain of toughness, or sometimes sadness. Like in "Holy War" towards the end of the final solo - once I noticed that beautiful little chord sequence Miho produces, as if improvised, it raised the song for me even more. I must say, in the newer versions, even Fami does not outline that fleeting moment so much, as she is wont to normally. Maybe it is all matter of interpretation, but Miho brought the goods as it came to bass playing. She is indelible in the band's history, as the leader, prominent songwriter, and the consummate pro, playing even through the toughest of times.
I am not a musician, but I try to pay attention, so I get very happy when I get to pick up the bass lines clearly, and they were very distinct in this recording.
Fami 1st Live with Lovebites was Hammer of Wrath from Knocking at Heavens Gate Part I 2023
Thanks for the info!
❤🤘🏼🐺🐺🐺🐺🐺🤘🏼❤
🤘🤘🤘🐺🐺🐺💥
Asami trained in ballet for many years before taking up singing. 🤘🤘🤘🤘🤘🤘
I think they both play acoustic guitar on Addicted. They both certainly do on Epilogue. 😊
On the albums Miyako plays all the acoustic guitars and they usually use backingtrack to the intro to Addicted. Midori does great on the live recordings for sure.
Another great Reaction Juan. Miyako's guitar here is an Infinite guitar, specially designed for 'infinite' sustain. Also, the line that Midori is playing on the acoustic is actually written and played by Miyako on the CD . . but even Miyako can't play the guitar and piano at the same time . . WAIT . . there is a song where she does exactly that! Sometime you should react to Burden of Time - Live Studio Version during Covid in 2020 ua-cam.com/video/4OBf_Gn8efs/v-deo.html or Live at Minavi Blitz in 2018 ua-cam.com/video/4OBf_Gn8efs/v-deo.html (Midori hasn't bleached her hair yet, and M&M are playing in their original stage positions, opposite from now)
Hahaha, I'll get to Burden of Time soon. That's a cool guitar. Thank you, Patrick.
Midori💚💚💚💚💚 Miho💜💜💜💜💜
Miyako was pregnant at that tour, played perfect as always.
So she was not only playing guitar, piano and backing vocals, she was also doing a kid... The ultimate multitasker.
Epilogue the only true Ballad by Lovebites starts with both Midori and Miyako on Acoustic guitar before Miyako moves to Keyboards while Midori stays on Acoustic during the intro later they both transfer to Electric Guitars Lovebites Epilogue ua-cam.com/video/JIAJYBuuKGM/v-deo.html
Thank you for this reaction video & your willingness & efforts in making 'lyric-videos' to promote bands.
To make your efforts the best possible, please seek-out, even asking the fans of the band, what is the highest quality upload of the song you intend to put your effort into promoting.
Example:
This upload of "A Frozen Serenade" is in 720p with embedded lyrics.
Here is the same performance uploaded in 1080p with [cc] lyrics that can be translated to other languages.
ua-cam.com/video/sEjN7dAh4ok/v-deo.html
Since you provide the link to original video in your description, with this other upload viewers can go there & change the [cc] to whatever is their 'first-language'. Some of the higher-quality uploads are from a time when labels blocked or gave 'strikes' so some are "unlisted" to avoid that fate. Many fans of the band will have those links available to offer you the best quality.
The link above is a 'public' listing, found with a common search. Did not come up at top for me until I set the [cc] filter, but it is there to be found. If you are going to put effort into modifying a video, might as well begin with highest quality.
dreg👁
Hi Dreg. I understand, I would always prefer to react and link back to the band's official channel, but there was no video in this case. So I went with the one with more views. I did notice later that there was a higher quality one but I didn't know why had less views or came up later in the search results. I don't think it would be fair for me to change the link now because I actually used the video I linked.
@@JuansJukeboxTV It is ironic that "most views" is a way to choose. It is self-perpetuating. Even though the quality is lower (not finding fault with anyone or anything here) the use of it & putting link in description 'feeds' the "most views" scenario. (could add both links in description with info on differing qualities?)
By the "most views" method, including when a reactor is deciding "what song", disregards newer songs/uploads. With LOVEBITES, from their earliest years their label/channel did not upload any LIVE videos so all were from fans uploading excerpts from DVD/Blu-ray. Not until 2020 did they upload "Official" LIVE, 2 from "Five of a Kind" then 2 from "Heavy Metal Never Dies" while they still took-down many/most fan uploads and even gave 'strikes' at times. This has resulted is distorting "most views" because many 'unofficial uploads' are re-uploads after the previous was 'taken-down'. Some fans even lost their channel from multiple 'strikes' but created another & uploaded again. We have these fans to THANK for persevering to allow us to become aware of all these fantastic songs. "Break The Wall" for example, unlike any other of their songs!
It was when they began auditions for a bassist was when they stopped blocking & taking-down fan uploads, now tolerating them & also uploading 4 LIVE songs from each new LIVE release to their own channel.
Each of their songs is so unique among their 65 song catalogue, example of "A Frozen Serenade" shows a 'side' of the band that no other song shows. It would not be known to anyone IF 'most views" and 'Official channel' were the deciding-criteria.
I have another channel with videos featuring Haruna's drumming and some song I've added [cc] lyrics.
ua-cam.com/play/PLDrelmq7IszKuEUqRuDCXMtVuvQC0u-Ye.html
All these videos are 'copyright claimed' by Victor (their label) but none have been blocked or taken-down.
I include the disclosure in description: "Copyright-protected content found. The owner allows the content to be used on UA-cam." which is quoted from the copyright page under the 'channel content'.
With LOVEBITES I would say, choose the one's with LEAST views for promotion. The others have already been viewed many times & those who choose based on "most views" will continue promoting them.
Here is an example of "least views" that I consider 2 of their most exceptional songs, neither with Music Video or LIVE at this time. "Paranoia > Dystopia Symphony" fan upload (me) with time-lapse 'mood' visuals & [cc] lyrics for both songs, in one upload as they are on the CD ('Glory, Glory to the World, 2021).
ua-cam.com/video/yu0NwiC18y0/v-deo.html
I also think most u2b viewers & reactors are depriving themselves of a significant aspect of LOVEBITES in watching one-song-at-a-time. They affirm that "LIVE" is when their compositions are completed and they never just play one-song LIVE. Their LIVE performances are where we begin to comprehend what they bring to us, eclectic songs/subjects, stamina in continual perfection throughout 2-hours shows.
Here is another, 3-songs all written by Miho, as performed, segued after 80-min of performing.
Again, an attempt to give people an idea of what they present in a LIVE show,
(Trio of Miho 😉) "The Apocalypse > M.D.O. > Don't Bite The Dust" LIVE 2021 [cc] lyrics:
ua-cam.com/video/ttBL0Q744xA/v-deo.html (total time: 15-minutes)
🐺 dreg👁
@@dregeye I added the link to the description
I came to your reaction to listen to LOVEBITES song A FROZEN SERENADE. Not to listen uninteresting band (to me) The Warning, who very frequently play with others, because for me they are BAD (at least NOT GOOD enough)
Welcome back Veljko, it is good to know you have grown since our last chat. It's a shame you didn't understand the video. I was not showing you the music of Dead Poets Society but the style of video I did instead and offering you the chance of doing a similar one for the band you do like. As always, it's nice to see you around.
@@JuansJukeboxTV You could talk about others band, although I do not like it, but it is OK. But to listen music of others I do not like at all.
@@VeljkoNikolic-is5px I showed 20 seconds of the style of video I could do if the Wolfpack is interested. It would be silly to show you a Lyrics video without the sound that is being represented in the Lyrics.
Don’t stress Juan this is a troll, always makes ridiculous comments on just about every Lovebites reaction, just ignore.
@@whitedrguy6503 I don't.