@@PaultheMusicMan Thanks for the prompt solution. I hadn't changed that setting. I wasn't even aware it existed. Was it the recent update that changed it?
@PaultheMusicMan thanks, but that's not what i mean. If i use the plugin in Cubasis and play a chord, only the arpeggio is sent to the synth. That is what I want. But in Logic I always get the arpeggio plus the actual chord, so that means the midi through is active and I don't want that. I hope that makes it more clear
@@zero2herobeatspaul882 MidiStep allows MIDI input to control patterns start/stop/transpose etc. in Note On mode, and the control data is never sent to the MIDI Out, but it is sent to MidiSteps MIDI Thru port. So perhaps Logic is combining the output of both ports? I could possibly make this a Setting in the next version so it can be turned off, although this seems more like a bug in Logic to be honest.
@@zero2herobeatspaul882 So just to be clear, and MIDI input is only redirected to MidiSteps MIDI Thru port, and the sequencer output goes to the MidiStep MIDI Out port. So possibly Logic is combining both outputs and sending them to your synth? I could fix this by adding a Setting to allow turning MIDI Thru OFF. Please let me know if I haven't interpreted your issue correctly?
@@PaultheMusicMan That's exactly what seems to be going on. It sends the combined output and throughput. Maybe someone else with Logic can confirm or not. Anyway, a setting would be great. Thanks for your help.
Great update. If you generate accents lane and want it applied to HH but not to BD and SD, I suppose that’s not possible? I guess it is a UI challenge, setting different velocities for each voice in a chord on a step. Would you suggest using a separate MidiStep instance for the HH?
The accent was written to work with Velocity, Gate and Mod 1-8, in other words the melodic stuff and not so much the Drums. However it does work in a fashion since usually you want beat boundaries emphesised as this is what gives a sense of rhythm. Due to the way MidiStep works it generates a chord where there are multiple drum notes.
I have had success separating the drum voices in one instance from the percussion voices another, as you’ve already figured out. That allows you to use a different accent pattern for hihats, and has the additional benefit of making it possible to use double and half time for the different instances. You can also apply swing independently. Lots of possibilities!
I would love a random walk function to complement the random jumps.
Thanks Paul 😎just updated and must try these new features 👍👍
Hi Paul. Neon is muting AUM when used as a recorder. Please help! Thanks for all the great apps.
Check the Settngs for an option called Audio Monitor, when enabled it allows sound to pass through Neon.
@@PaultheMusicMan Thanks for the prompt solution. I hadn't changed that setting. I wasn't even aware it existed. Was it the recent update that changed it?
@@LikeItDeep No its not a recent addition, its been there since the beginning of time.
@@PaultheMusicMan Since the Big Bang!!! Are you God?
Very nice update. Thank you so much!
thx paul for the awesome sauce!
Can I turn off the midi through in Logic for iPad? I can’t find how to do it.
The best way to accomplish this is to switch to an empty pattern using AU params.
@PaultheMusicMan thanks, but that's not what i mean. If i use the plugin in Cubasis and play a chord, only the arpeggio is sent to the synth. That is what I want. But in Logic I always get the arpeggio plus the actual chord, so that means the midi through is active and I don't want that. I hope that makes it more clear
@@zero2herobeatspaul882 MidiStep allows MIDI input to control patterns start/stop/transpose etc. in Note On mode, and the control data is never sent to the MIDI Out, but it is sent to MidiSteps MIDI Thru port. So perhaps Logic is combining the output of both ports? I could possibly make this a Setting in the next version so it can be turned off, although this seems more like a bug in Logic to be honest.
@@zero2herobeatspaul882 So just to be clear, and MIDI input is only redirected to MidiSteps MIDI Thru port, and the sequencer output goes to the MidiStep MIDI Out port. So possibly Logic is combining both outputs and sending them to your synth? I could fix this by adding a Setting to allow turning MIDI Thru OFF. Please let me know if I haven't interpreted your issue correctly?
@@PaultheMusicMan That's exactly what seems to be going on. It sends the combined output and throughput. Maybe someone else with Logic can confirm or not. Anyway, a setting would be great. Thanks for your help.
Great update. If you generate accents lane and want it applied to HH but not to BD and SD, I suppose that’s not possible? I guess it is a UI challenge, setting different velocities for each voice in a chord on a step. Would you suggest using a separate MidiStep instance for the HH?
The accent was written to work with Velocity, Gate and Mod 1-8, in other words the melodic stuff and not so much the Drums. However it does work in a fashion since usually you want beat boundaries emphesised as this is what gives a sense of rhythm. Due to the way MidiStep works it generates a chord where there are multiple drum notes.
I have had success separating the drum voices in one instance from the percussion voices another, as you’ve already figured out. That allows you to use a different accent pattern for hihats, and has the additional benefit of making it possible to use double and half time for the different instances. You can also apply swing independently. Lots of possibilities!