How to make 10-bit & 8-bit footage look like film (FilmForever)
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- Опубліковано 7 кві 2022
- What are FilmForever power grades? FilmForever Power Grades is a set of film Emulation Power Grades that are created after deeply studying the Kodak 2383 LUT included in Davinci Resolve. After working on the feedback from major colorists, we've released a Volume 2 update to the FilmForever Power Grades.
Cameras used:
► 8-bit, GH3. 10-bit, Arri, BMPCC, RED.
FilmForever Film Emulation Power Grade Volume 2:
► coloristfactory.com/2383-film...
Artgrid, exclusive signup link for 2 Months extra
► bit.ly/3zOwJ13
Display Referred vs Scene Referred Workflow:
► www.filmriot.com/blog/scene-r....
From Print Film to LUT: Kodak 2383 History:
► coloristfactory.com/2022/02/1...
Compatible Softwares
► DaVinci Resolve
Instagram Color Palette Inspiration► / colorist.factory
What is Colorist Factory
► A lot of false advertising going around in the name of "cinematic look" pushed us to form Colorist Factory with the goal of simplifying color grading for storytellers.
Wow again great job with the update really loving the negative node. I have one request can you show how these power grade look on clog footage or on the new raw format on the C70 if that’s possible and is the negative node on the update? Just because when I tried to enable it it kept asking me that I need the plug-in.
Hi there, “negative Color” node is a part of creative Rebuild of 2383. What you are probably trying to enable is the “Film Negative” LUT node. That node is supposed to mimic tones of specific film stock. Those LUTs are a part of Ultimate Colorist Toolkit 3.0. We can share those LUTs if you want, just drop an email!
Also, sure we can also share some C70 test footage with 2383 applied over email, just drop a mail at support@filmblade.com
@@ColoristFoundry just sent it Thanks 😃
Just purchased the combo .. but I have a doubt when we begin to colour grade For a Nikon z6 8 bit footage shoot in flat picture profile in davinci resolve ,which profiles to choose as input colour space and input gamma on Color space transform node ?
Is there an input colour space for Fuji F-LOG? Would be great to know if I could match XT4 footage to BMPCC using this, as I use it as a B cam.
Same here using bmpcc 6k & Fuji xt4. Would be nice to know if i can match the cameras.
Are the film luts meant for rec 709?
At 5:26, you changed the input color space and input gamma for the BMPCC footage to Davinci Wide G and Intermediate respectively, but left the Output color space and gamma as ARRI - why is that please?
I have the same question, so confusing, I thought it should be set to Cineon Film Log.
Traditional Print Film Preview LUTs (Kodak 2383) expect film scans which are by default in “Cineon Log”. And we usually convert the color space of our camera to Cineon Log using CST to work with 2383 LUT.
The Power Grades, on the other hand, are supposed to work with Digital Camera footage. Thanks to Resolve and modern-day tools, we can completely eliminate the Cineon Log and directly begin with a digital camera color space or Davinci Wide Gamut or Aces for that matter. As long as the pipeline is working in a standard color space, what matters is that we are getting consistent results with 90% of the footage we feed in the pipeline.
So we went ahead and took Arri’s color space as a standard, to begin with. The question is, why Arri? We could have gone with Davinci Wide gamut or Aces, but we find Arri’s color space as a really good starting point for building a film look. There are a lot of reasons, a couple of them being Arri’s impeccable color science and how closely it is able to maintain film-like qualities, skin tones, etc. within a digital color space. Multiple articles have been released supporting this, Frame Voyager recently released a video talking about Arri’s color science: ua-cam.com/video/MUkiQz06pqk/v-deo.html
But yeah, that’s why Arri. We are already working on ACES and Davinci Wide Gamut Version of the Power Grades, they'll be out soon as well.
@@ColoristFoundry Thanks so much for your detailed information, it make senses thanks
@@ColoristFoundry Thanks champ. I'm going to try out that combo!
@@ColoristFoundry Big thanks for this info!! 🙏 I don't know if this is stupid question, but I'm new with Resolve so I was wondering your project's color settings.. 1. Color science: DaVinci YRGB ?? 2. Timeline color space: ?? 3. Output color space ??
Can this be used with Canon C500 mark II footage?
Yes :)
the upgrade is free for who like
bought me version 1, a month and a half ago?
Yes. It’s a free upgrade. It’s more of an update, we sent the email this morning. Share your email if you haven’t received the update yet.
This song is called Tinnitus? The constant note is like a knife in my ears….
Extremely sorry. Will make sure to minimise extremely higher frequencies next time :(
Lmao😂 If you want to know, it's actually WEARTHEGOOD - Beautiful Catastrophe
@@ColoristFoundry (It’s not a bad tune :) alone, it’s just that note that is stabbing me while i try to hear your voiceover ;) ) love the video :)
i use dslr with no raw or log and my colour garding looks like shit,