I went to Daniil's live performance in Castelfranco Italy last month....I was hypnotized by his magical touch and wonderful playing. He premiered his own piano sonata. Phoenomenal!!
Lucas Huber thanks I was Reading Swaffold, Language of the spirit. He recommended regarding Chopin to begin with Prelude op. 28. I did hearing the preludes once more with Trifonov. I like them very much. I'm so near to me, as I can. I also like them with Sokolov.
Have just listened to Yujia Wang's and S-J Cho's interpretations of this lovely opus (also on You Tube) It might be an interesting interlude for others to compare the three, and wonder at the range of acceptable interpretations available with such compositions, as i do. Enjoy! Cathy
Why the most of listeners so like to compare and so competitive? Daniil is one of a kind. He has his genuine style and it’s shame to consider him better or worst than other pianists. We just have to enjoy this performance or comprehend from this amazing pianist something new and exciting, that concerns only to Daniil.
He is the only pianist who makes sense of the problematic pedaling at 27.32 (Prelude in A flat) - and as usual, the way he does this is just pure enchantment.
I think Pletnev masters this particular moment (27:32) the best of all. (True, that whole Prelude with its crazy fingering....looks to be easy but I'm still struggling to..........)
Magiczna wręcz DELIKATNOŚĆ, subtelność tej kreacji i wielki dynamizm graniczący z objawieniem geniuszu, całego geniuszu Fryderyka Chopina. Takie olśniewające nagranie jak to, jest unikalne w skali światowej. Justyna Philipp
skromnie dorzucę, że uważam identycznie. Wysłuchałam może około setki różnych wersji PRELUDIÓW op. 28 i stwierdzam sobie: Trifonov zbliżył się najbardziej do zamysłu Autora. Poza tym, pomijając technikę, dysponuje takim wachlarzem emocji , kunsztem interpretacyjnym, swoistą charyzmą , w tak niezwykły sposób oddaje poetykę Fryderyka, że nie mógłby, zwyczajnie nie mógłby nie podzielić się tym Pięknem. Może bardziej, niż jakiekolwiek inne formy - PRELUDIA ukazują całą jego duszę ; tak Chopina, jak i Trifonova. Jedynie słyszalny oddech upewnia mnie, że to spod ludzkich palców wydostają się te boskie dźwięki.
+TheEicb I believe In the 3rd round of the Chopin Competition, playing all 24 preludes could fulfill one of the requirements. I know this excerpt is not from the Chopin competition, but that's one of the ways to get around the B minor and B flat minor sonatas.
One of the first pianists not to slow down in the final chord-jumps in no. 18. But that's only a detail. Wonderful performance. Happy for the couple of minor mishits, makes it all the more human!
I was looking forward to find some video for fun and accidentally I found his video related in recent video in my youtube register and I couldn't help but just listen to it from start to the end and it is worth
ua-cam.com/video/lS1ErbUe_mE/v-deo.htmlsi=cQM6vs06rzRBuUeg and this an other Prelude. Both have been played by this phänomenal Daniil Trifonov at the Verbier Festival 2013. Really, He played all of the Preludes, but only this 2 are in You Tube. I admire and Love him since many Years.😊
Better, I think, than DG's Carnegie Hall Preludes: less edgy and more spaciously recorded. The delicacy of his finger work makes you lean into the keyboard, eyes closed, the way Trifonov does. Is he playing a Fazioli?
In my opinion, he is more successful when he is being thoughtful than when he is being flashy. He tends to play much too fast (because he can), which distorts the music into a near-jumble of notes. But to what end? To prove that he is "better"? It appears to be the "fashion" today! Oh dear! I won't deny he is a genius...
I agree. It's a matter of taste to a certain degree. No 3 and 5 are meaningless to me. I think no 5 has a great melody, but I don't hear it. There must be some deep thoughts here that I don't grasp. But pianistically.....waow!
Nbr 18. Who got the idea first, Chopin or Schumann?there is a piece by Mendelssohn that echos similarly to that of a Chopin piece. Again who borrowed from whom?
you sure you don't have bigger problems? Probably a hassle to do for the uploader. I'm just happy that this recording exists on youtube at all. Labels would help but the tone of your comment is absurdly self-entitled and arrogant.
I always wonder why some pianists (like Trifonov) want to play ALL the Preludes ... as they would be able to play them all perfectly .... here some moments of pure genious and happiness , and some disasters ....
Unlike Chopin’s other genres, the Préludes I believe are intended to be played as a cycle, and the best performances (e.g. Novaes live at Town Hall) sound that way. In fairness though, later in her career Novaes played selected Préludes.As for Danil, some may be fast and furious but on the whole, remarkable. He reminds me of Gilels - a bravura player most interesting when introspective.
Trifonov is one of the the most technical virtuoses its unbelievable that a human is able to play like this but his interpretations aren't that nice in my opinion. Nr. 22 e g
Someone below remarked at how good his left hand is in 24. This isn't a good left hand. If you want to hear a good left hand, listen to Ashkenazy from his second recording of them. He also creates an amazing cascade effect on the big run of descending chromatic thirds while keeping full clarity in the left hand: ua-cam.com/video/JJwrEaP3QEs/v-deo.html
See if you can chek the bone headed comments on this post? There are several- makes one wonder? music man, osgrove- one wonders where you grew up- who yr parents were- i mean- i hate to throw insults- bu yr comments invite same- when would persons admit that they are a holes?
+Benjammin' NO, Sokolov can't be compared to any other pianist. He is from another world. For sure, Daniil Trifonov is absolutly brilliant and one of the best if not the best, young pianist.
+MardkoMBR Went to Sokolov concert in Rome last Friday. Excellent, as always, and was generous enough to give us 6 (yes, an unbelievable six encores) but nobody has Trifonov's pure magic (went to both Rach 3 performances in Berlin on April 11 and 12. Still reeling from the wonder of his playing.
Moi aussi je le préfère....Yerokhin est tout à fait fabuleux....il n'y a pas de mots pour décrire cet artiste; je vais écouter souvent , je le sais, ce cahier de préludes -qui en étaient venus à la longue à me lasser . GRAND MERCI pour cette découverte hors normes! C'est un renouveau pour mon écoute.
What happened to 17. in A flat major? This prelude was brutalized with a 'out of the chute' break-neck pace. It deserves the same tender care of Tempo rubato that 15. in D flat major ("Raindrop") received! He does recover at 27:32 with attention to the solid repeating bass note and slower tempo to the conclusion. Over all, he does well with most others.
but utterly inferior in touch and feel. The performances here are deeply felt, unique, tempo varied and sensually dynamic. Daniil plays them like he wrote them. Most others do not. Technical purity is second to emotional sensitivity all while his technique is perfect!
prelude n. 22 not good... sorry, but this is just a mess of musical notes, I play this prelude and it is full of musical meanings that you loose in a so fast and messy interpretation...
Beautiful beyond beautiful. This man and his music are miracles. He is Chopin reincarnated.
Never in my long life have I heard #1 so beautifully and uniquely performed. It made my day!
Yes it is rather special - trying to work out quite what he did - but so far I can't seem to do it!
Me too! I think the answer is "magic". He used magic, and I am a mere mortal
Astonishing that he was merely 21 or 22 years old here
It was so intimate from the first note, it took me by surprise. Truly beautiful.
Inner voices I’ve never heard arise from this gorgeous piano perfectly calibrated. Same with bass lines.
This is romantic playing at its best.
saw him play in Pittsburgh recently - he blew us away - and these Preludes - well... Astonishing!!
I went to Daniil's live performance in Castelfranco Italy last month....I was hypnotized by his magical touch and wonderful playing.
He premiered his own piano sonata. Phoenomenal!!
1. Agitato 0:00
2. Lento 0:40
3. Vivace 2:51
4. Largo 3:38
5. Allegro molto 5:35
6. Lento assai 6:03
7. Andantino 8:03
8. Molto agitato 8:46
9. Largo 10:29
10. Allegro molto 12:08
11. Vivace 12:35
12. Presto 13:13
13. Lento 14:23
14. Allegro 17:55
15. Sostenuto 18:25
16. Presto con fuoco 24:39
17. Allegretto 25:41
18. Allegro molto 28:50
19. Vivace 29:36
20. Largo 30:34
21. Cantabile 32:42
22. Molto agitato 35:02
23. Moderato 35:39
24. Allegro appassionato 36:48
Thanks.
Lucas Huber thanks
I was Reading Swaffold, Language of the spirit. He recommended regarding Chopin to begin with Prelude op. 28. I did hearing the preludes once more with Trifonov. I like them very much. I'm so near to me, as I can. I also like them with Sokolov.
Why not put the Key Signatures?
Much appreciated.
He knows how to make a great piece,so beautiful!!!pavelvainberg❤❤❤❤🤩🤩🤩👏👏👏👏👍👍👍
I've never been moved more. Absolutely fantastic. Such playing. He perfectly makes so much of each gem!
Děkuji Vám 🤍🕊️
Přináší krásu, klid a mír...🌸🌷
This was truly beautiful thank you Daniil! You find the heart that Chopin poured into his music instinctively. Cathy
Have just listened to Yujia Wang's and S-J Cho's interpretations of this lovely opus (also on You Tube) It might be an interesting interlude for others to compare the three, and wonder at the range of acceptable interpretations available with such compositions, as i do. Enjoy! Cathy
Why the most of listeners so like to compare and so competitive? Daniil is one of a kind. He has his genuine style and it’s shame to consider him better or worst than other pianists. We just have to enjoy this performance or comprehend from this amazing pianist something new and exciting, that concerns only to Daniil.
Полностью согласна с Вами Павел.
@@user-mh2ey9px6n me too
His playing is his own beautiful like you say. To compare makes no sense
Jedinečný... překrásné 🌸 děkuji Vám 🤍
He is the only pianist who makes sense of the problematic pedaling at 27.32 (Prelude in A flat) - and as usual, the way he does this is just pure enchantment.
I think Pletnev masters this particular moment (27:32) the best of all. (True, that whole Prelude with its crazy fingering....looks to be easy but I'm still struggling to..........)
I really think it’s cool and awesome , thank you 🙏 daniil ❤❤❤❤❤❤
Thank you for your reply and prayers and love to you all ❤️❤️❤️
Magiczna wręcz DELIKATNOŚĆ, subtelność tej kreacji i wielki dynamizm graniczący z objawieniem geniuszu, całego geniuszu Fryderyka Chopina. Takie olśniewające nagranie jak to, jest unikalne w skali światowej. Justyna Philipp
skromnie dorzucę, że uważam identycznie. Wysłuchałam może około setki różnych wersji PRELUDIÓW op. 28 i stwierdzam sobie: Trifonov zbliżył się najbardziej do zamysłu Autora. Poza tym, pomijając technikę, dysponuje takim wachlarzem emocji , kunsztem interpretacyjnym, swoistą charyzmą , w tak niezwykły sposób oddaje poetykę Fryderyka, że nie mógłby, zwyczajnie nie mógłby nie podzielić się tym Pięknem. Może bardziej, niż jakiekolwiek inne formy - PRELUDIA ukazują całą jego duszę ; tak Chopina, jak i Trifonova. Jedynie słyszalny oddech upewnia mnie, że to spod ludzkich palców wydostają się te boskie dźwięki.
Необычайно. индивидуально,интересно мыслит! А пианизм какой роскошный...
Just Superb!!! Thank you!!!
Beautiful playing!
Maravilloso! Único! Nadie lo hace igual ni mejor.
I love this!
Must be pure happiness: to be able to play all these preludes
+TheEicb I believe In the 3rd round of the Chopin Competition, playing all 24 preludes could fulfill one of the requirements. I know this excerpt is not from the Chopin competition, but that's one of the ways to get around the B minor and B flat minor sonatas.
+Vette gaddia It's OK, I've got his CD from Carneige Hall
+TheEicb Carnegie Hall I mean, my favourite is number 24
For a long time I've considered the Preludes to be Chopin's greatest achievement and one of man's greatest musical achievements of all time.
@@TheEicb same here
Primera vez que escucho a este pianista, muy linda versión de los preludios de Chopin.
This is total perfection!
Наслаждение каждым звуком. Даниил Трифонов восхищает!
Amazing how he switches mood 23 times!
One of the first pianists not to slow down in the final chord-jumps in no. 18. But that's only a detail. Wonderful performance. Happy for the couple of minor mishits, makes it all the more human!
Who wants to be human?
Just kidding.
Unico Daniil ❤
Maria Teresa Bertolini Fantàstic !!!!! 💕
3:23 - 3:25 Non avevo mai sentito così bene la sequenza delle due note do-si della mano destra! Geniale!!! Meraviglioso!
His touch is so masterful; restrained when necessary. Exuberant, desperate at others. No one comes close
Daniil's interpretation if you will , has no equal, end of story. This is genius in our midst so appreciate it please!
I was looking forward to find some video for fun and accidentally I found his video related in recent video in my youtube register and I couldn't help but just listen to it from start to the end and it is worth
Fantastic!
Maravellós!!!!
Excelente version!!
El mejor sonido chopiniano
Amasing~Thank you for uploading this~
He is just a great artist and he is a great soul ❤❤❤❤rogerhfisher👏👏👏👏👍👍👍👍☮️☮️☮️☮️☮️☮️☮️☮️☮️☮️
You are so right !❤❤❤❤❤❤❤❤❤
@@elisabethbaumer-sn8go thank you for your reply and prayers and love to you all ❤️❤️❤️❤️
ua-cam.com/video/68Ab7anN_GI/v-deo.htmlsi=_MekhWiOnMG_-OWNon this Link You can see him playing! Prelude Op 28 No 15.
Love from Switzerland! ❤️❤️
ua-cam.com/video/lS1ErbUe_mE/v-deo.htmlsi=cQM6vs06rzRBuUeg and this an other Prelude. Both have been played by this phänomenal Daniil Trifonov at the Verbier Festival 2013. Really, He played all of the Preludes, but only this 2 are in You Tube. I admire and Love him since many Years.😊
Absolutely amazing. Never heard a such piano playing after the late Maestro Sviatoslav Richter died.
Stunning
Just wonderful :)
... son presentes que nos da la vida ...
Трифонов прекрасно играет музыку Шопена.
OMG 24's left hand absolutely amazing
But also check out Pollini's older DG record, esp. the last 3 preludes.
Absolutamente excepcional. Acordémonos de él. Dará que hablar...
flora gutierrez Hoy, ya es una realidad impresionante i maravillosa!!! Gran Trifonov!!!
Thank you for uploading me.
Fantástica interpretação, incrível o nº 15, gota d'água com efeito perfeito e assim também 1, 2, 3, 4, 6, 7, 8, 9, 10, 11, 12, 13, 14, 16, 17, 18, 19, 20, 21, 22, 23 e 24.
Браво!
possibly the best- and that's saying ALOT response requested
+Cat why? becuz the perf is - as Chopin wished - "facilement"hy Permut -light (even in the darkest passages)
fantastic
Спасибо. 🌹
¡Qué sentimiento el preludio 15!!!!! me encantó
since Geza Anda First pianist to stress the Melodic Lines again. very, very good in par With the best
unique playing Daniił is
i like the breathing sound hhhh
😂
Magnificence from Chopin AND Trifonov. Sensitivity in lyricism and pyrotechnics.
Amasing~~
When persons quibble abt such a performance as this- one is reminded that critics are to music as pigeons are to statues- all they can do is ehit.
so true!!!
Doesn't that degrade the statue though?
@@wyej yes
Wow.......
❤️
Pilar Uribe 💕💕
Better, I think, than DG's Carnegie Hall Preludes: less edgy and more spaciously recorded. The delicacy of his finger work makes you lean into the keyboard, eyes closed, the way Trifonov does. Is he playing a Fazioli?
Actually, jack, I do believe he is playing a piano..
@@blakley42 Fazioli is a tipe of piano
In my opinion, he is more successful when he is being thoughtful than when he is being flashy. He tends to play much too fast (because he can), which distorts the music into a near-jumble of notes. But to what end? To prove that he is "better"? It appears to be the "fashion" today! Oh dear! I won't deny he is a genius...
I agree. It's a matter of taste to a certain degree. No 3 and 5 are meaningless to me. I think no 5 has a great melody, but I don't hear it. There must be some deep thoughts here that I don't grasp. But pianistically.....waow!
Majic!
Nbr 18. Who got the idea first, Chopin or Schumann?there is a piece by Mendelssohn that echos similarly to that of a Chopin piece. Again who borrowed from whom?
I thought the same thing. It's very similar to Schumann's 'Aufschwung' from Fantasiestucke op. 12
12:35 • 13:13
30:34
So beautiful
As good as anyone
That's what I get for putting my phone there...
Im not usually so drunk so forgive my sins and \I will worship u every night
No. 22 sounded really confused.
Consider the negative comments and ask yourself? why are there person in favor of donald trump?
unconsciousness or stupidity, or anger in front of superiority of a genius ...
No. Lang-Lang.
How in earth do you post a multi piece video without labeling or making a comment when each piece starts? My biggest pet peeve on UA-cam.
On*
you sure you don't have bigger problems? Probably a hassle to do for the uploader. I'm just happy that this recording exists on youtube at all. Labels would help but the tone of your comment is absurdly self-entitled and arrogant.
you need to get a life if this is what you need to comment about on youtube.
agreed
cody55909 h
I always wonder why some pianists (like Trifonov) want to play ALL the Preludes ... as they would be able to play them all perfectly .... here some moments of pure genious and happiness , and some disasters ....
Unlike Chopin’s other genres, the Préludes I believe are intended to be played as a cycle, and the best performances (e.g. Novaes live at Town Hall) sound that way. In fairness though, later in her career Novaes played selected Préludes.As for Danil, some may be fast and furious but on the whole, remarkable. He reminds me of Gilels - a bravura player most interesting when introspective.
Pollini.
Amen.
Trifonov is one of the the most technical virtuoses its unbelievable that a human is able to play like this but his interpretations aren't that nice in my opinion. Nr. 22 e g
Someone below remarked at how good his left hand is in 24. This isn't a good left hand. If you want to hear a good left hand, listen to Ashkenazy from his second recording of them. He also creates an amazing cascade effect on the big run of descending chromatic thirds while keeping full clarity in the left hand:
ua-cam.com/video/JJwrEaP3QEs/v-deo.html
He is amazing! But I heard better than him, another incredible pianist, Seong-jin Cho, first prize Chopin! He is absoiute!
he and Cho have great versions of the 24 preludes
See if you can chek the bone headed comments on this post? There are several- makes one wonder? music man, osgrove- one wonders where you grew up- who yr parents were- i mean- i hate to throw insults- bu yr comments invite same- when would persons admit that they are a holes?
+Cathy Permut It's hard to admit that you are an a hole?
Better than Sokolov?
+Benjammin' NO, Sokolov can't be compared to any other pianist. He is from another world. For sure, Daniil Trifonov is absolutly brilliant and one of the best if not the best, young pianist.
Perhaps not, but the Prelude fast passages at 38:00 and afterward in this video are utterly masterful. Hats off & Well done, Trifonov !!
+MardkoMBR Went to Sokolov concert in Rome last Friday. Excellent, as always, and was generous enough to give us 6 (yes, an unbelievable six encores) but nobody has Trifonov's pure magic (went to both Rach 3 performances in Berlin on April 11 and 12. Still reeling from the wonder of his playing.
Yo prefiero a Sergei Yerokhin
ua-cam.com/video/uc_wMg2DrHc/v-deo.html
Moi aussi je le préfère....Yerokhin est tout à fait fabuleux....il n'y a pas de mots pour décrire cet artiste; je vais écouter souvent , je le sais, ce cahier de préludes -qui en étaient venus à la longue à me lasser . GRAND MERCI pour cette découverte hors normes! C'est un renouveau pour mon écoute.
What happened to 17. in A flat major? This prelude was brutalized with a 'out of the chute' break-neck pace. It deserves the same tender care of Tempo rubato that 15. in D flat major ("Raindrop") received! He does recover at 27:32 with attention to the solid repeating bass note and slower tempo to the conclusion. Over all, he does well with most others.
o gee- everybody is a critic- here comes a quibbler?!?!?!?
This is great great playing, but still I prefer Yeol Eum Son. I really dont know why.
Actually we don’t care who you prefer,Staffan; just enjoy it!
L
Who?
Yuja Wang's rendition is cleaner and more fierce (no. 16 and 24)
but utterly inferior in touch and feel. The performances here are deeply felt, unique, tempo varied and sensually dynamic. Daniil plays them like he wrote them. Most others do not. Technical purity is second to emotional sensitivity all while his technique is perfect!
@@vladdrakul7851я Ваш единомышленник.Петербург.
浣式呼吸法
Why raccoon?
@@user-mh2ey9px6n lol raccoon is the nickname given by his Chinese fans
Son Horrible...trop réverbéré.
@Gloria: I'm sorry but Danil's interpretive skills are so imbued with inappropriate emotional excess, I could wring them out like a wet cloth.
+Paddy Cosgrove paddy - return to kindergarten
Cathy Permut In order to play "Ring-around-the-Rosies" with l'il Danny-boy? No thanks.
For you sir I recommend a computerized rendition of the score.
do it just a little approaching, you'll be glad !!
Sorry for you that you don't have this sublime happiness listening to that marvelous interpretation.
Technically brilliant, but interpretively a bit of a mess...
+Music Man How so? I think this performance is fantastic.
+Music Man where do you live?
Cathy Permut He comes from far away.
I love it when people give their own subjective opinions as facts without explaining anything.
I, supposed, you possess the late Sergei Rachmaninoff music's knowledge?
24 прелюдии Соколова останутся недосягаемыми.
prelude n. 22 not good... sorry, but this is just a mess of musical notes, I play this prelude and it is full of musical meanings that you loose in a so fast and messy interpretation...
1. Agitato 0:00
2. Lento 0:40
3. Vivace 2:51
4. Largo 3:38
5. Allegro molto 5:35
6. Lento assai 6:03
7. Andantino 8:03
8. Molto agitato 8:46
9. Largo 10:29
10. Allegro molto 12:08
11. Vivace 12:35
12. Presto 13:13
13. Lento 14:23
14. Allegro 17:55
15. Sostenuto 18:25
16. Presto con fuoco 24:39
17. Allegretto 25:41
18. Allegro molto 28:50
19. Vivace 29:36
20. Largo 30:34
21. Cantabile 32:42
22. Molto agitato 35:02
23. Moderato 35:39
24. Allegro appassionato 36:48
40:04