You should rather listen to this version: ua-cam.com/video/NoApEDx93K8/v-deo.html Much better clarity and no slurred voices like she does in the stretta.
I love this recording as well. However, if you pay close attention you will notice that she differs from Liszt's solo version in a number of places - Liszt's solo version cuts a small amount of music from the piano-orchestra original. Lisitsa restores those short sections eg. from 14:01 - she also adds octaves at certain place. This doesn't take anything away from her playing - it actually might add an extra layer of awesomeness. :) For Liszt's solo version if you have an affinity for clarity I would recommend Arnaldo Cohen's recording on Naxos. It is on youtube, as well as Spotify.
As someone who has, by playing a couple of Chopin etudes, tasted the incredible speeds, precision, and labor concert pianists put into their work - I still cannot comprehend what I just saw in this video. It seems supernatural. Valentina you are amazing - one of the great artists of our century.
Just repeated notes. You have to use staccato on same note but change fingers. It works on grands but not so much on uprights as repetition notes are to do with gravity of the actions and the hammer can be struck quicker due to depressing the key only halfway down before it can play the note again whereas uprights need the hammer jack to return
Listening to this again 10 years later I noticed that this is actually pretty much Lisitsa's own transcription! :) She should give herself credit in the video description! This is markedly different in many places to Liszt's own piano solo version! Funnily enough Lisitsa here is actually more faithful to Liszt's piano-orchestra version than Liszt is in his piano solo version. Liszt omitted the fantastic section from 14:01 to 14:13 in his solo version. She also adds a couple octaves here and there, and the final right hand figuration from 14:13 is entirely her own - as far as I can tell. An incredible effort on Lisitsa's part - great ideas, wonderfully executed.
She actually borrowed from the structure of the two piano version. And also is liberal with doubling bass notes which is a common thing. Still this is the best version I've heard ever
@@johnphilipps1810 You are right, the col legno section is included in the two-piano version. I haven't heard other pianists do it in the solo version - my favourite recording of this is Arnaldo Cohen, on his Naxos complete Liszt disc No.1 - as far as I am concerned everything on that disc is played to perfection. Great balance of non-tonal late Liszt and Glanzzeit barnstormers.
since you read it yourself, let me just add that your 3d movement of Bethoven sonata 27 in hamburg rehearsal is legendary. I've never heard thrills so precise and melodic lines so crystal clear in that movement in my whole life))
bro have you seen 황선용Seon-Yong Hwang, look at his youtube chanal and his performance of Amedee Mereaux's Etude Op. 63 no. 45? It might change your mind because he is the only non midi recording that I've heard play it well.
@@swagifier1170 That guy is good and all but his actual recordings are pretty bad. In fact I can say he's an amazing pianist that as viewers we have yet to experience the true potential of. Valentina is definitely in a league of her own, but it doesn't mean other leagues are beneath or above her. I should note this guy that seemingly vanished from the internet if you enjoy Seon-Yong Hwang. ua-cam.com/video/_VW2ms-jpCY/v-deo.html He did a lot of things few pianists dared to even try. Seon-Yong Hwang wasn't the first to do many of the things people think he was, just a lot of the really good guys from 5-12 years ago have disappeared to the bottom of the internet. Kinda sad to say we also only have mostly recordings from older pianists that aren't even alive today, meaning little to no video evidence of most rare music.
I wish you were my neighbour. I would catch pneumonia in the winter of course with my windows open hearing you play but so what. Thank you so much for these uploads.
there was a myth that one of Liszt's performances was so powerful that by the time he was done, he was on his third piano. It's actually quite believable after lisztening to this piece.
3:46 gets me everytime... I'm absolutely in love with this whole piece. It blews my mind everytime, this is genius! Liszt is incredible, Liszt is art. Valentina plays it perfectly, thats so inspiring
In the past I have been critical of Miss Lisitsa's phrasing and musicality, despite flawless technique. Her Totentanz is like listening to Liszt himself. There are a few pieces that need no orchestration accompaniment and Miss Lisitsa has proven this. At 10:56 she turns the keys into horns...this is why Miss Lisitsa is not going anywhere soon; she is one of the elite that play with ten fingers...not two hands. Thank you, and may your relationship with Franz continue to grow. Cheers!
This rendetion of Totentanz, is more than perfect. It's like you are telling your own story while you are playing it. From depressing parts with stressfull tones, till happy overtunes. Franz Liszt was at his time friends with both Alkan (Charles-Valentin Alkan) and Chopin, and you can clearly hear influence in his playing. And now you took it even futher to another level with your pefection and "feelings". Amazing.
...I dont know. I don´t have words. What a genius liszt was and your performance is so amazing... I heard this like 20 times and it´s getting better every time. Thanks Valentina. Thanks Liszt. Mesmerizing...really that what this is!
Holy Christ. We are too attuned to perfection today. It's impossibly difficult just to play the notes of this piece. To make it an emotional journey, if we're honest, is more than many of the best pianists will achieve in a lifetime.
Classical music is more commonly used to describe multiple musical era's, not strictly the classical era. This *is* classical music, in the romantic style. If you are using the more exclusive term than yes, this would not be classical.
Come si può essere così bravi al pianoforte con brani così difficili…grande e profonda ammirazione per questi Pianisti che donano la vita per lo studio del pianoforte… ❤❤❤❤
I just can’t stop of listen this masterpiece. It’s not only about the perfect technique you use Valentina, it’s about the ability to make us feel this piece. And I have a problem with it, when I listen a piece of classic music played by you, I can’t listen other person playing the same piece, you make the pieces your own. This is something that I use to suffer also with opera. When I listen an opera sung by Maria Callas, I can’t hear other singer singing the same opera, she made all what she sung her own, she was as unique like an opera singer as you like a pianist. Thanks for give us these, for show your talent to the world ♥️
I can' t believe that in the presence of such virtuousity some one below is commenting how well the piano is tuned. She is ALWAYS marvelous. Her memorization and touch are impeccable. I love her.
Around 3:00 it starts to sound like an orchestra, which hardly seems possible from only two hands on one piano. Wonderful composition and performer. She plays with great power, and draws a rich sound from that piano!
I must say the piano itself sounds perfectly tuned, a very fluid full sound, great recording. Very Wow. You can see the thought behind the more menacing notes, how they come to life defined in her visual mental projection of the pattern's concept/schema.
I've come back to this video after 3 years, Totentanz is still my favorite piece by Liszt, and in large part I owe it to this great video, Valentina is a solid and wonderful performer, soon I'll start practicing this solo piano version :- )
I have been really fascinated by this piece in the orchestral version. However, this is the best playing of it that I have personally ever seen or listened to. I really like this solo version. Thank-you so much Valentina.
I do not have words adequate to properly describe Valentina's performance. Perfection is inadequate. As to some previous comments on the camera shots of Valentina's face..... Usually i do not like to see facial expressions of the pianist. Too often they seem to either be in pain or the theatrics of ecstasy are annoying, to say the least. But the expression of relaxed, quiet joy on Valentina is beautiful. One can see she is singing the piece in her head. When she is hitting all those big octave jumps around 10:00, you can see her mouthing Pa, Pa, Pa. When she goes through certain sections, there is a little smile. She is enjoying herself immensely, and it adds to my enjoyment.
This is a remarkable performance. Liszt, of course, has penned variations on a theme based upon an old and ancient chant - Dies Irae (Day of Wrath) - interpreting the positive and negative judgements of the Lord based on His book. Ms. Lisitsa, through her remarkable pianistic skills, and remarkable interpretation of the music of the composer, has brought forth the positive judgements (with great feeling and understanding) as well as the wrathful judgements, also with great feeling, and with significant power as well. Her body language and facial expression throughout the performance reflects the emotion of the work as it progresses. Never have seen such a sensitive and well-understood performance. Kudos to Ms. Lisitsa, whose skills and sensitivities were up to the task of Totentanz..
Je to nádherný zážitek slyšet a vidět tuto skladbu když ji hraje V.Lisitza . Vždy odivuji její techniku ale i to jak tuto skladbu a nejen tuto skutečně prožívá.Není moc takových klavíristek na světě..
Outstanding. Nothing less. I am now, and have been a fan for quite some time. I find it interesting that some folks have a propensity to micro-analyze this phenomenal young woman, when it is more than evident that what she is capable of is far beyond the ability of most professional pianists. Armchair warriors the lot of them. As for me, I remain privileged to have stumbled across this amazing person, quite capable of playing the piano at the very edge of the event horizon for human capability. Bravissimo Ms. Lisitsa, I salute you!
This is the best interpretation, from the most talented pianist alive today of my favourite piano piece of all time (I regard it as the most powerful piano work ever composed). Great work Lisitza and Liszt!
This is still for me the best interpretation and performance from Valentina, I keep listening to that one each year, looking at her face mimics on the hard parts, so glad I found this. Thank you Mrs Lisitsa!
amazing! Валентина, спасибо Вам огромное. Любая ваша запись обладает настолько точной энергетикой, что даже в таких мрачных композициях душе радостно за то, что уши слышат.
I can't express how much I love this peace and your performance. The more i listen to it the more i love it, without a doubt the best version ever. Thank you liszt and thank you Valentina for this amazing interpretation ❤️.
Music is never just "sufficient in itself". Posture, fingering, stance, arm movement, and more all come together to change the tone and feel of a piece.
Unglaublich wie Pianisten wie sie es schaffen, eine Art Portal zu öffnen, durch das sie enorme Energien aufnehmen und verarbeiten können. Etwas, wovon auch Brahms und Beethoven selbst sprachen. Eine Göttliche Kraft die sich in diesem Moment durch Sie ausdrückt. Ich frage mich gerade wie sie es schafft dabei so entspannt zu bleiben. Sie lässt sich von dem Werk selbst kaum mitreißen. Ich sitze hier zucke ständig auf. Ein Action Film zu sehen ist nichts dagegen. Als ich bei Lisitsa bei einem Solo Konzert direkt vor dem Flügel in drei Meter abstand vor ihr saß, hat es mich Buchstäblich auseinandergerissen. Absolut nicht! vergleichbar mit dem bisschen, was hier bei der Tonspur rüber kommt, selbst mit einem Soundsystem von sonst was. Live sehen, unbedingt! Ganz vorne am besten!
Certainly one of the greatest performances ever of this incredible piece, absolutely the best I have heard, this performance is beyond fantastic. I can only imagine the time and discipline that must have gone into the practicing of this piece and the development of this extremely talented pianist.
I don't know haw is possible to criticize a pianist like Valentina! She's amazing, great interpretation and superb technique. To me, she is one of the greatest pianist nowadays. BRAVISSIMA!
Вязёмская стильница .. Вязёмская стильница, модница, дива - живой эталон для любых знатоков. Всегда самоценна, богата, красива в мехах иль шитье из шелков, лоскутков. На подиум всходит в сезонных показах сеньорой Милана, имперской женой, порою в атласных нарядах, в алмазах, порою в одеждах с обычной ценой. Но в каждом моменте легка и шикарна! И каждый смотрящий в восторге, любви! Почти кинодева в швейцарском Локарно, где солнце и море, и зрительский вид. Прелестница в поступи, лике, осанке, что не отвести очарованный взгляд. Звезда Подмосковья с шикарной огранкой постельно глядит, сняв последний наряд... ..
In the world there are not many people who can perform these pieces with clarity and naturalness even studying 12-14 hours a day. Valentina you are great
Amen. Listz was the first rock star and still remains an icon. He would have loved progressive rock; his style is timeless. When he turned 50 he became so moody and contemplative and poured the foundation for impressionism and the modernist movement with the pieces he wrote later in life. Thank goodness for artists as good as Valentina who channel the spirit of his younger (an older) years - it is a challenge few are up to.
Valentina, you have owned my heart and danced my spirit for the past three years. Thank you for these beautiful gifts, they have truly enriched my life.
Magnific! I turn Lisitsa on and just listen while I'm working on the computer, but have to keep going back to watch her magnificent playing... I can't get any work done. Bravo!
I hope that no one will notice this comment of mine... I adore this piece and listen to it all the time, but it never sounds as great as it does when I'm drunk. I'm almost drunk now and I'm truly thoughtfully listening to every note now and religiously watching the miraculous movements of Valentina's fingers. I even managed to finally see the ghostly figure she looks at every few minutes...She briefly glances at him at 1:13, 2:16, 2:51, 10:04
Hello people who downvoted this, I'm assuming that is because you prefer another rendition of Totentanz by another soloist. Could you please do me a favour and list here the ones that you think are better and why? Personally I like Enrico Pace's version on YT a tad more, but this in no way makes me to press the downvote button. Please enlighten me.
Considering this is an interpretation of the arrangement for piano solo, and the fact that there doesn't seem to be that many more solo interpretations, I'm just as surprised as you that this gets downvotes...
i think they accidentally pressed the downvote button because they were unable to see clear with the tears in their eyes after listening to this masterpiece
Don't try to undermine the effort of hers by stupid comments please. You aren't born with shit. You put in hard work, dedication - and if you love what you do, you'll strive to get even better. I hate nothing more than "He/She's born with the talent" I heard that off of my playing and I always wondered if people thought there was musical Jesus that came like "Bruh here's some skill for your upcoming life, when you're born you're gonna be awesome" Nope. Some people learn somethings better than others, some might be called that they're born with it. But in the end, all of them must needs to put the time and effort in, in order to exel in their craft. :)
The first time I heard this piece I found it hard to like, for it's macabre, sinister nature ("Dance of the Dead"?!) and insane technical demands (I was new to Liszt at the time). But with time, I realised the sheer brilliance and epic-ness of this piece, and how Liszt was able to push the musical capabilities of the piano to a whole other level. This sort of music would fit a movie soudtrack! Utter brilliance from a single instrument.
What an amazing talent she is. I can listen to Liszt, Beethoven, Rachmaninoff, Chopin, and Mozart for a 1000 years and never tire of them. Absolutely timeless.
That is superhuman playing. Who could imagine a woman, a blond, and with a name like Valentina could play this epic Goethe poem. She has expressed it so superbly, and with so expansive an imagination.
Fred MyOpinion What the fuck is with the "who could imagine a woman blond with name valentina being able to play"? Women go through their periods which is more blood and pain than most men see in their entire life.
That has to be one of the greatest, if not the best Steinway Model D I have heard. The sound acoustics of the hall and the piano technician really allowed that piano to sing just right for her. Best interpretation of Totentanz!
This is so powerful! As a piece for solo piano it is perhaps a little eccentric and extreme but when performed like this, you can see the vision Liszt had in composing it. It becomes this thing of Herculean majesty. I love the theatricality of your performance, from the grotesque and Gothic to the plaintive and acquiescent. Magnificent.
This actually is the best Totentanz's version ever, I've never listened another recording with that tempo and clarity, I love it.
Forgot my version did ya?
You should rather listen to this version: ua-cam.com/video/NoApEDx93K8/v-deo.html
Much better clarity and no slurred voices like she does in the stretta.
too much pedal at certain place and im ignoring many technical mistakes and the lack of nuances in her playing. Its too fast at certains parts too
I love this recording as well. However, if you pay close attention you will notice that she differs from Liszt's solo version in a number of places - Liszt's solo version cuts a small amount of music from the piano-orchestra original. Lisitsa restores those short sections eg. from 14:01 - she also adds octaves at certain place. This doesn't take anything away from her playing - it actually might add an extra layer of awesomeness. :) For Liszt's solo version if you have an affinity for clarity I would recommend Arnaldo Cohen's recording on Naxos. It is on youtube, as well as Spotify.
I prefer G. Cifra much more..and I really love orchestral version of Enrico Pace in Liszt Piano Competition
Never get tired of this piece.
I've come back to it so many times; particularity this rendition. So good!
Except if you play it...
You Liszten to this a lot? ;D (Sorry, I had to)
Same, I’ve listened to it upwards or 100+ times now haha
Nobody can ever be tired of Valentina
As someone who has, by playing a couple of Chopin etudes, tasted the incredible speeds, precision, and labor concert pianists put into their work - I still cannot comprehend what I just saw in this video. It seems supernatural. Valentina you are amazing - one of the great artists of our century.
Yes,that supernatural belief got me wondering.!I always thought Liszt was not from our world!
It was mediocre, no offense
Hi Cardstacker, this is literally my fav version
@@Damian_Theodoridis Hey Damian yep it's amazing. I'm sure you've already started learning it?
@@Cardstacker oh yes im in to it now
7:13 this is seriously one of the coolest things I've heard on the piano. I never knew you could play tones like that
very nice texture
Thats my technique
@@JSBach-pd4yg yeah
Just repeated notes. You have to use staccato on same note but change fingers. It works on grands but not so much on uprights as repetition notes are to do with gravity of the actions and the hammer can be struck quicker due to depressing the key only halfway down before it can play the note again whereas uprights need the hammer jack to return
@@ciararespect4296 true
Listening to this again 10 years later I noticed that this is actually pretty much Lisitsa's own transcription! :) She should give herself credit in the video description! This is markedly different in many places to Liszt's own piano solo version! Funnily enough Lisitsa here is actually more faithful to Liszt's piano-orchestra version than Liszt is in his piano solo version. Liszt omitted the fantastic section from 14:01 to 14:13 in his solo version. She also adds a couple octaves here and there, and the final right hand figuration from 14:13 is entirely her own - as far as I can tell. An incredible effort on Lisitsa's part - great ideas, wonderfully executed.
There are also other pianists who also played this part 14:01
I also noticed the very epic right hand at 14:13.
Respect as a musician who can do that
She actually borrowed from the structure of the two piano version. And also is liberal with doubling bass notes which is a common thing. Still this is the best version I've heard ever
@@johnphilipps1810 You are right, the col legno section is included in the two-piano version. I haven't heard other pianists do it in the solo version - my favourite recording of this is Arnaldo Cohen, on his Naxos complete Liszt disc No.1 - as far as I am concerned everything on that disc is played to perfection. Great balance of non-tonal late Liszt and Glanzzeit barnstormers.
Its a miracle the grand piano didnt catch fire. Very well done!
no-one comes a thousand miles closer to her skills. she is in the league of her own.
since you read it yourself, let me just add that your 3d movement of Bethoven sonata 27 in hamburg rehearsal is legendary. I've never heard thrills so precise and melodic lines so crystal clear in that movement in my whole life))
bro have you seen 황선용Seon-Yong Hwang, look at his youtube chanal and his performance of Amedee Mereaux's Etude Op. 63 no. 45? It might change your mind because he is the only non midi recording that I've heard play it well.
@@swagifier1170 That guy is good and all but his actual recordings are pretty bad.
In fact I can say he's an amazing pianist that as viewers we have yet to experience the true potential of.
Valentina is definitely in a league of her own, but it doesn't mean other leagues are beneath or above her.
I should note this guy that seemingly vanished from the internet if you enjoy Seon-Yong Hwang.
ua-cam.com/video/_VW2ms-jpCY/v-deo.html He did a lot of things few pianists dared to even try.
Seon-Yong Hwang wasn't the first to do many of the things people think he was, just a lot of the really good guys from 5-12 years ago have disappeared to the bottom of the internet.
Kinda sad to say we also only have mostly recordings from older pianists that aren't even alive today, meaning little to no video evidence of most rare music.
what about hamelin tho
Kissin does. Kissin is on top of basically everyone
I keep coming back to this. So listenable and powerful. Amazing rendition.
me too, Aug-2024
Me too, also Aug 2024. Knocks my socks off every time!
I wish you were my neighbour. I would catch pneumonia in the winter of course with my windows open hearing you play but so what. Thank you so much for these uploads.
You would probably just hear the same section being played to perfection for hours on end lol
there was a myth that one of Liszt's performances was so powerful that by the time he was done, he was on his third piano. It's actually quite believable after lisztening to this piece.
Yes, but keep in mind that pianos nowadays are so much more robust than pianos back in his day
3:46 gets me everytime... I'm absolutely in love with this whole piece. It blews my mind everytime, this is genius! Liszt is incredible, Liszt is art. Valentina plays it perfectly, thats so inspiring
same as mee i love 3:46 i don't know why!!!!
Oh yeah !!!!! Me toooooo!
Oliver Moodie I still love it so much. I can't describe in words how genius this piece is.
Yeah ,,, I found out that this piece is a huge variation of a simple melody!!! it is so cool . (I'm Chinese my English is so so)
Richard Jia yeah i love the way liszt can transform a simple plainchant into a 15 minute piece!! mind-boggling!!
In the past I have been critical of Miss Lisitsa's phrasing and musicality, despite flawless technique. Her Totentanz is like listening to Liszt himself. There are a few pieces that need no orchestration accompaniment and Miss Lisitsa has proven this. At 10:56 she turns the keys into horns...this is why Miss Lisitsa is not going anywhere soon; she is one of the elite that play with ten fingers...not two hands. Thank you, and may your relationship with Franz continue to grow. Cheers!
I just saw her play this live. It was simply breath taking.
This is the combination of Best Composer and best pianist!!
Doğancan AKÇAY of course!
#TeamChopin
*_x Laczek_* 😂😂
This rendetion of Totentanz, is more than perfect. It's like you are telling your own story while you are playing it. From depressing parts with stressfull tones, till happy overtunes. Franz Liszt was at his time friends with both Alkan (Charles-Valentin Alkan) and Chopin, and you can clearly hear influence in his playing. And now you took it even futher to another level with your pefection and "feelings". Amazing.
...I dont know. I don´t have words. What a genius liszt was and your performance is so amazing... I heard this like 20 times and it´s getting better every time. Thanks Valentina. Thanks Liszt. Mesmerizing...really that what this is!
Ha ha I'm the same !!! This piece really became better,feels. I've listened this song for 25 times I guess 哈哈
Holy Christ. We are too attuned to perfection today. It's impossibly difficult just to play the notes of this piece. To make it an emotional journey, if we're honest, is more than many of the best pianists will achieve in a lifetime.
Her transcendental rendition of Totentanz boils my heart and vaporises my soul.
I don't know who this woman is... and I don't know how to play a piano.
But... this is just mindblowing stuff right here.
Love classical music
Classical music is more commonly used to describe multiple musical era's, not strictly the classical era.
This *is* classical music, in the romantic style. If you are using the more exclusive term than yes, this would not be classical.
Come si può essere così bravi al pianoforte con brani così difficili…grande e profonda ammirazione per questi Pianisti che donano la vita per lo studio del pianoforte… ❤❤❤❤
I just can’t stop of listen this masterpiece. It’s not only about the perfect technique you use Valentina, it’s about the ability to make us feel this piece. And I have a problem with it, when I listen a piece of classic music played by you, I can’t listen other person playing the same piece, you make the pieces your own. This is something that I use to suffer also with opera. When I listen an opera sung by Maria Callas, I can’t hear other singer singing the same opera, she made all what she sung her own, she was as unique like an opera singer as you like a pianist. Thanks for give us these, for show your talent to the world ♥️
I can' t believe that in the presence of such virtuousity some one below is commenting how well the piano is tuned.
She is ALWAYS marvelous. Her memorization and touch are impeccable. I love her.
Ed D: With you all the way. Genius. Period.
It can't be more perfect. This is the most perfectest thing I've ever heard.
I actually can play from 1:36 to 1:41, im pretty proud of myself
Felicidades, es una de las partes mas dificiles
***** Sense of humor, zero.
Fernando Lisa lol
***** if you didn't understand what Fernando Lisa meant, you have a serious intelligence deficit.
Fernando Lisa hahahaha xDD me too i think lel
There is simply no better performance of this piece on planet Earth today. PERIOD....
Around 3:00 it starts to sound like an orchestra, which hardly seems possible from only two hands on one piano. Wonderful composition and performer. She plays with great power, and draws a rich sound from that piano!
I must say the piano itself sounds perfectly tuned, a very fluid full sound, great recording. Very Wow.
You can see the thought behind the more menacing notes, how they come to life defined in her visual mental projection of the pattern's concept/schema.
And it must have an insanely fast action to play those notes that fast.
I've come back to this video after 3 years, Totentanz is still my favorite piece by Liszt, and in large part I owe it to this great video, Valentina is a solid and wonderful performer, soon I'll start practicing this solo piano version :- )
A great artist and a great human being,,,,not afraid to speak her mind.
I have been really fascinated by this piece in the orchestral version. However, this is the best playing of it that I have personally ever seen or listened to. I really like this solo version. Thank-you so much Valentina.
I do not have words adequate to properly describe Valentina's performance. Perfection is inadequate. As to some previous comments on the camera shots of Valentina's face..... Usually i do not like to see facial expressions of the pianist. Too often they seem to either be in pain or the theatrics of ecstasy are annoying, to say the least. But the expression of relaxed, quiet joy on Valentina is beautiful. One can see she is singing the piece in her head. When she is hitting all those big octave jumps around 10:00, you can see her mouthing Pa, Pa, Pa. When she goes through certain sections, there is a little smile. She is enjoying herself immensely, and it adds to my enjoyment.
This is a remarkable performance. Liszt, of course, has penned variations on a theme based upon an old and ancient chant - Dies Irae (Day of Wrath) - interpreting the positive and negative judgements of the Lord based on His book. Ms. Lisitsa, through her remarkable pianistic skills, and remarkable interpretation of the music of the composer, has brought forth the positive judgements (with great feeling and understanding) as well as the wrathful judgements, also with great feeling, and with significant power as well. Her body language and facial expression throughout the performance reflects the emotion of the work as it progresses. Never have seen such a sensitive and well-understood performance. Kudos to Ms. Lisitsa, whose skills and sensitivities were up to the task of Totentanz..
Her technical abilities are out of this world. She's magic.
8 year old comment 😱
@@knurft3 Lol so? The video is 11 years old, why not
Je to nádherný zážitek slyšet a vidět tuto skladbu když ji hraje V.Lisitza . Vždy odivuji její techniku ale i to jak tuto skladbu a nejen tuto skutečně prožívá.Není moc takových klavíristek na světě..
Valentina is such a great artist... It's amazing! She's a genius.
Outstanding. Nothing less.
I am now, and have been a fan for quite some time. I find it interesting that some folks have a propensity to micro-analyze this phenomenal young woman, when it is more than evident that what she is capable of is far beyond the ability of most professional pianists.
Armchair warriors the lot of them.
As for me, I remain privileged to have stumbled across this amazing person, quite capable of playing the piano at the very edge of the event horizon for human capability.
Bravissimo Ms. Lisitsa, I salute you!
First time listening this was in 2009. Still to this day i watch this performance once every month or so. Love this so much. Thanks Valentina!
I always found it a fated coincidence that her name is Lisitsa and she plays Listzt so phenomenally :D :D
No sheet music in front of her. Just beyond outstanding.
One of the finest performances ever, Lisitsa you are extraordinary
This is the best interpretation, from the most talented pianist alive today of my favourite piano piece of all time (I regard it as the most powerful piano work ever composed). Great work Lisitza and Liszt!
This is still for me the best interpretation and performance from Valentina, I keep listening to that one each year, looking at her face mimics on the hard parts, so glad I found this. Thank you Mrs Lisitsa!
amazing!
Валентина, спасибо Вам огромное. Любая ваша запись обладает настолько точной энергетикой, что даже в таких мрачных композициях душе радостно за то, что уши слышат.
I can't express how much I love this peace and your performance.
The more i listen to it the more i love it, without a doubt the best version ever.
Thank you liszt and thank you Valentina for this amazing interpretation ❤️.
Music is never just "sufficient in itself". Posture, fingering, stance, arm movement, and more all come together to change the tone and feel of a piece.
YAY! I FOUND IT AGAIN! AFTER 5 MISERABLE YEARS!!
It kept going up then coming down, didn't it?
Such joy when you find music you can’t remember the name of but you hear almost every day in your head
My mind has just exploded. I cannot believe how emotional and moving this piece was played. O_o
Unglaublich wie Pianisten wie sie es schaffen, eine Art Portal zu öffnen, durch das sie enorme Energien aufnehmen und verarbeiten können. Etwas, wovon auch Brahms und Beethoven selbst sprachen. Eine Göttliche Kraft die sich in diesem Moment durch Sie ausdrückt.
Ich frage mich gerade wie sie es schafft dabei so entspannt zu bleiben. Sie lässt sich von dem Werk selbst kaum mitreißen. Ich sitze hier zucke ständig auf. Ein Action Film zu sehen ist nichts dagegen.
Als ich bei Lisitsa bei einem Solo Konzert direkt vor dem Flügel in drei Meter abstand vor ihr saß, hat es mich Buchstäblich auseinandergerissen. Absolut nicht! vergleichbar mit dem bisschen, was hier bei der Tonspur rüber kommt, selbst mit einem Soundsystem von sonst was. Live sehen, unbedingt! Ganz vorne am besten!
Incredible - food for the soul
this solo version is way harder than orchestra piano version. Her performance is truly amazing!
Liszt was an incredible composer. We are lucky Valentina Lisitsa became a pianist, she plays him perfectly. Thank you, oh goddess!
Certainly one of the greatest performances ever of this incredible piece, absolutely the best I have heard, this performance is beyond fantastic. I can only imagine the time and discipline that must have gone into the practicing of this piece and the development of this extremely talented pianist.
I don't know haw is possible to criticize a pianist like Valentina! She's amazing, great interpretation and superb technique.
To me, she is one of the greatest pianist nowadays. BRAVISSIMA!
Вязёмская стильница
..
Вязёмская стильница, модница, дива -
живой эталон для любых знатоков.
Всегда самоценна, богата, красива
в мехах иль шитье из шелков, лоскутков.
На подиум всходит в сезонных показах
сеньорой Милана, имперской женой,
порою в атласных нарядах, в алмазах,
порою в одеждах с обычной ценой.
Но в каждом моменте легка и шикарна!
И каждый смотрящий в восторге, любви!
Почти кинодева в швейцарском Локарно,
где солнце и море, и зрительский вид.
Прелестница в поступи, лике, осанке,
что не отвести очарованный взгляд.
Звезда Подмосковья с шикарной огранкой
постельно глядит, сняв последний наряд...
..
at her 3:40 must say only one of liszt's most powerful moment's in his pieces ever
this and 7:13
omg!!! she is so fast she is nearly sonic omg!!! i really love this video what liszt have done of us it's an amazing piece
Just a wonderful musician. Whatever she plays comes to life.
Congratulations on your music knowledge, your energy, and your dexterity !!!
WOW. And she plays this all by memory. Damn.
Seriously!!! That's what i'm sayin! lol
rerenaissance there are so many people who comment on her videos, how could you expect her to remember you?
yes, the great plays all by memory....
Carpel tunnel? lol
Remembering notes is NO difficulty at all (believe me, I can learn the notes (just the notes, NOT to play this piece) in about a week).
In the world there are not many people who can perform these pieces with clarity and naturalness even studying 12-14 hours a day. Valentina you are great
thanks Valentina Lisitsa!..... Simply THANK YOU!
Magnificent performance!
Miss Lisitsa, DIVA!!!
Amen. Listz was the first rock star and still remains an icon. He would have loved progressive rock; his style is timeless. When he turned 50 he became so moody and contemplative and poured the foundation for impressionism and the modernist movement with the pieces he wrote later in life. Thank goodness for artists as good as Valentina who channel the spirit of his younger (an older) years - it is a challenge few are up to.
Valentina, you have owned my heart and danced my spirit for the past three years. Thank you for these beautiful gifts, they have truly enriched my life.
This is the most majestic thing i've witnessed a person do with with a piano. WOW
A quarter of an hour piece by Liszt. Played flawless. She is not human
Magnific! I turn Lisitsa on and just listen while I'm working on the computer, but have to keep going back to watch her magnificent playing... I can't get any work done. Bravo!
You should change name for Valentina LISZTisa :)
No
Silly
Copied comment
@@franzliszt5292 I agree.
I always mistake her name as Lisztsita when I search for her performs
Mesmerizing! I closed my eyes and could imagine that Liszt was performing. Bravo!👏❤🎹
I hope that no one will notice this comment of mine...
I adore this piece and listen to it all the time, but it never sounds as great as it does when I'm drunk. I'm almost drunk now and I'm truly thoughtfully listening to every note now and religiously watching the miraculous movements of Valentina's fingers. I even managed to finally see the ghostly figure she looks at every few minutes...She briefly glances at him at 1:13, 2:16, 2:51, 10:04
drunk crew reporting for duty. 5:01am and I just got home.
So you posted a comment on a video intending it to not be seen?
@@whyit487 Maybe that's because they were drunk...
Presto Drunko
@@whyit487 Glad you can read.
Hello people who downvoted this, I'm assuming that is because you prefer another rendition of Totentanz by another soloist. Could you please do me a favour and list here the ones that you think are better and why? Personally I like Enrico Pace's version on YT a tad more, but this in no way makes me to press the downvote button. Please enlighten me.
Considering this is an interpretation of the arrangement for piano solo, and the fact that there doesn't seem to be that many more solo interpretations, I'm just as surprised as you that this gets downvotes...
Didn't dislike this but Cziffra's interpretation is better. Much stronger melody, not to impress but to touch. I recommend you check it out.
i think they accidentally pressed the downvote button because they were unable to see clear with the tears in their eyes after listening to this masterpiece
Na verdade, acho que essas pessoas ouviram e viram essa peça tocada pelo próprio Liszt, só pode ser essa a explicação.
Definitely a Pace fan myself. I watched his hands a lot when I was learning this
This is unfathomable from my level of playing😂I don’t even have words for how amazing of a performance that was
That was absolutely brilliant! Phenominal and amazing!
It can't get no more perfect than this
I generally dont like fast paced classical pieces much, but I cant stop watching this one. Amazing performance. Thanks for sharing.
Limitless technique, born to do it easily. Blessed.
Don't try to undermine the effort of hers by stupid comments please. You aren't born with shit. You put in hard work, dedication - and if you love what you do, you'll strive to get even better. I hate nothing more than "He/She's born with the talent" I heard that off of my playing and I always wondered if people thought there was musical Jesus that came like "Bruh here's some skill for your upcoming life, when you're born you're gonna be awesome"
Nope. Some people learn somethings better than others, some might be called that they're born with it. But in the end, all of them must needs to put the time and effort in, in order to exel in their craft. :)
Sure...
The first time I heard this piece I found it hard to like, for it's macabre, sinister nature ("Dance of the Dead"?!) and insane technical demands (I was new to Liszt at the time).
But with time, I realised the sheer brilliance and epic-ness of this piece, and how Liszt was able to push the musical capabilities of the piano to a whole other level. This sort of music would fit a movie soudtrack! Utter brilliance from a single instrument.
What an amazing talent she is. I can listen to Liszt, Beethoven, Rachmaninoff, Chopin, and Mozart for a 1000 years and never tire of them. Absolutely timeless.
10:39 It's incredible to see the piano shaking due to so much effort.
Lisitsa said “playing the piano is easier than breathing.” This lady is no joke
one of the most powerful and beautiful piece of music I've ever heard. She is incredible!
nice rugs
such a random thing to say
lol i never really saw them
That is superhuman playing. Who could imagine a woman, a blond, and with a name like Valentina could play this epic Goethe poem. She has expressed it so superbly, and with so expansive an imagination.
Fred MyOpinion What the fuck is with the "who could imagine a woman blond with name valentina being able to play"? Women go through their periods which is more blood and pain than most men see in their entire life.
That has to be one of the greatest, if not the best Steinway Model D I have heard. The sound acoustics of the hall and the piano technician really allowed that piano to sing just right for her. Best interpretation of Totentanz!
How does one remembers every single details !!.??..without looking at the script.. i cant even remember what i ate yesterday!! Awesome.
I think the meaning of life is in this video.
How ironic if you pay attention to the name of Liszt's masterpiece which would be translated as "dance of the dead".
:D
inzidenz Lol, you're definitely right, but, even if I knew the meaning of the title, when I posted the comment I didn't thought about the irony...
lol ^^
I think the meaning is to go die because life is hard
Since life is struggle, then YES! it is indeed in it. You know it even though you don't know why.
This is so powerful! As a piece for solo piano it is perhaps a little eccentric and extreme but when performed like this, you can see the vision Liszt had in composing it. It becomes this thing of Herculean majesty. I love the theatricality of your performance, from the grotesque and Gothic to the plaintive and acquiescent. Magnificent.
I can listen to this for the rest of my life.
0:03
1:11 / 1:40
2:10 / 2:51
3:32
7:00 / 7:12 / 7:52 / 8:35 / 8:55
9:04 / 9:09 / 9:26 / 9:50
10:32 / 11:22 / 11:40 / 12:15 / 12:56
13:52 / 13:53 / 13:57
14:02 / 14:07 / 14:13 / 14:22
Passion & profession. Absolutely gorgeous performance filled with emotion
I would not be the least surprised that she had been Liszt.
The more often i hear this piece the more i like it!
next level, no words can describe how impressive she is.
I'm surprised almost nobody mentions 7:00 although it might be the most epic sequence of the piece
Sounds like pirate theme
7:13 wow! this was a great performance! bravo Valentina!!!
I believe it's brava* for women, and bravo for men... :P
Шикарное исполнение; огромное спасибо. Я не слышал чтобы кто-нибудь так играл это произведение соло без оркестра!!! Николай, Vancouver WA
You just have to liszten to this music!
Floris Vulto I was Haydn in my room and now I am Bach to read your comment.
DeluminatusGM I was liszten to this while chopin some tomatoes for lunch :).
I was Chopin onions to make some guacamole, and I got to Ravel in the taste of the avocado and lime
She is my favourite pianist
no adjectives to describe this performance - have listened to this dozens of times - many many thanks to you Valentina !!
omg, she plays freely without sheet music ❣❣