I think this is the best video I’ve seen from your channel so far since I came across. Starting to jump into color grading and this video definitely shows tons of value. It completely change how I will look at scenes on movies from now on and have references for future projects. Thanks a lot. 🙌🏻
The interesting thing is Jill pushed the skin tones cyan often when the backgrounds were red but orange when the backgrounds were cyan. That's honestly kinda brilliant I would never be that bold.
This reminds me of referencing audio when doing a mix. This did connect the dots on how to create a library and how to use it. I was just collecting screenshots and putting them in a folder and then dropping them on a timeline. This is super valuable! Thank you! 👍🏼
I like what you're doing here, this makes a lot of sense to look at other peoples work and check out the scopes, I never really thought about doing this!
3:46 Thank you Qazi. I've been trying to figure out how you do before and afters for a hot minute, and I'm so glad you added the keyboard shortcut there. You're the best!
@@theqazman I can’t wait to enroll in your course! I’ve got some client work lined up now through January that’s gonna allow me to invest back into my skill set and you’re at the top of my list! Thanks for all the value you share on UA-cam for free. It’s insane how much knowledge you share with us. Very appreciated
Love this Qazi, so helpful to know what you're looking for when looking at a gorgeous image and your thought process, would love to see more videos like this one, thanks Qazi!
Amazing video, amazing work and a great way to explain that we need Scopes always in our job. "Scopes never lies", is what a i told to my students. Thnx for your videos. They are a must in grading world.
The exercise at the end of the video was the best thing I have learned to do with my footage. Thank you very much for your work, and valuable things that you deliver to us!
1:43 - I know this isn't the objective of the video but holy hell that's a massive TIL there Qazman. I can now include that as part of my review process for my team's wedding films. Thanks a bunch for showing that.
Love your videos, such a great source of knowledge. Just joined the FCM and looking forward to diving into that. Would love to see a video where you do a breakdown of the “New” orange and teal look :)
Superb video! I just noticed,the scene where the other hotel owner in introduced is a similar colour blocking and progression of colours found in the Paris church courtyard scene !!! The cool blue and shadows then at the end, the deep red orange sunrise! This vid is soo good thank you
I have a question, in many videos I saw that the inicial video before any coloring was desaturated but my camera (Canon Eos Rebel T6) doesn't have that profile and I freeze thinking how do I even start the same process you are teaching, I know I can download "free" footage but what about when my only tool doesn't have the Clog or AppleRes resolution? Thanks.
Qazi, you should watch The Green Knight and The Northman. You would enjoy them so much you won't be able to avoid wanting to talk about them here in the channel.
Love your work. Thank you. About to sign up for your master class! You know that Joker scene when he’s been beaten and lying in the ally? Trying to emulate that scene!! Show us how brother!!
That quick photo of trump 10 seconds in......LOVE IT hahahahhahahahah! dude you just put out straight fire. You literally converted me from an adobe user to a Resolve user so fast. I feel like resolve is THE BEST software out there. Forget the color grading, we all know at this point its become the standard for color grading. But editing too? I cant go back to Adobe anymore
Great video! I’m following you a lot and improved the quality of my videos of quite a bit from were I started. Could you explain how to setup the interface of the color page like what you have?
I started learning colour grade for 10 days i was recording and grading from iphone 8bit, i always sucked at it, i just downloaded a 10 bit log video and graded and pulled out a fabulous grade, please let me know if u know video on 8bit grade with best knowledge
Im curious why people dont use Srgb as timeline color space? Since thats how its gonna look when exported and on the internet? Or am i missing something by not using rec709?
Hey, I have an urgent question/problem. In Davinci Resolve 18 I often integrate CST nodes into my node tree (last or second to last node). The way I see it tutorials is that after transforming the clip correctly to REC709 the nodes prior are also displayed as 709 instead of the low contrast and low saturation log image. But in my case most of the time it is not happening and I still see that LOG image and if I add more contrast and saturation the first node looks fine but when it comes to the CST node everything is way too punchy because all the corrections seem to be on top of the transformed 709 image. Sometimes it’s working but most of the time it’s not. What am I doing wrong?
Hello! Thanks for the top content) I have a question. Do you think, this is a film level of saturation? Or it is just for a youtube trailer? I mean, color density might be different in the final result... I compared trailer from John Wick 3 with the movie - difference is there. Do you think, it is worth exploring?)
I don't think it's just for the trailer. I also, noticed the same levels of saturation with John Wick 3 and I had ripped that straight from the Blu ray.
Hey I noticed you say you have tutorial on how to bring things in and out of Davinci from FCPX? Where is that? I never saw that and have been asking for a long time following your channel. Specially with Sony footage which is a "nightmare" because of the timecode problems. The whole process of having to reimport the media and then 0000 out the time code in each clip is such a pain. This has been a problem for over 10 years and cannot understand why Blackmagic has NOT fixed that yet. I would and I imagine many would love to be able to work in FCPX export xml to Resolve, color grade and back to FCPX. But as it is, it is a PIA literally. I end up grading 90% of my work with color finale or other tools in FCPX because of the hassle, problems, mis read scaling etc etc when trying it in Resolve.
@@theqazman Pretty sure I have watched everyone from your site, will check again, Thanks! Would still love to see a workflow video that works here on your channel if you get a chance, I bet more than half of your followers are using Sony cameras if not more. Just checked them again? What is the title? I cannot see anything referring to round trip process from with FCPX nor Premiere. Thanks in advance!! Maybe a link here?
Mr. Qazi, why not you take few Indian Films (especially Tamil film trailers) and breakdown the grades ? It would be better for all people what's happening in the other film worlds.
It's sad, but soon AI will be able to apply almost every look to your footage. Everyone will be able to just download a look and apply it on whatever footage. The only people surviving this trend will be people who initially create the looks. Very very soon. Photographers I know already doing it.
bro I just went through your webinar and you told in the end we will able to download free luts "and one for all-node" it wasn't there. Just had the sign up option to your master-class. I hope you didn't click baited man🥲
Oh Jesus 😂 Link is literally burned into the video along with an actual link you can click on. If you still couldn't follow then dm me on IG and I'll send you a link. Also, I'd appreciate if you think more of people than everyone is out there to get you. 😀
I think this is the best video I’ve seen from your channel so far since I came across. Starting to jump into color grading and this video definitely shows tons of value. It completely change how I will look at scenes on movies from now on and have references for future projects. Thanks a lot. 🙌🏻
Happy to help. 😀
The interesting thing is Jill pushed the skin tones cyan often when the backgrounds were red but orange when the backgrounds were cyan. That's honestly kinda brilliant I would never be that bold.
I agree. She's unapologetic with her color choices and I love it. ♥️
This reminds me of referencing audio when doing a mix. This did connect the dots on how to create a library and how to use it. I was just collecting screenshots and putting them in a folder and then dropping them on a timeline. This is super valuable! Thank you! 👍🏼
Happy to help bro. Hope you're well. 😀
@@theqazman I am blessed. This year has been amazing. I got 7 week old boy!
Blade Runner and all the John Wick films were the biggest inspirations for being a Colorist to me! Love this video, Qazi. Definitely an eye opener
Happy to help bro. FCM fam ✊🏾
@@theqazman When you said Jill Key Pulled the skin tones for the NY cool shot, you mean she used layer mixer-qualifiers?
I like what you're doing here, this makes a lot of sense to look at other peoples work and check out the scopes, I never really thought about doing this!
3:46
Thank you Qazi. I've been trying to figure out how you do before and afters for a hot minute, and I'm so glad you added the keyboard shortcut there. You're the best!
Appreciate the love bro.
@@theqazman I can’t wait to enroll in your course! I’ve got some client work lined up now through January that’s gonna allow me to invest back into my skill set and you’re at the top of my list! Thanks for all the value you share on UA-cam for free. It’s insane how much knowledge you share with us. Very appreciated
Love this Qazi, so helpful to know what you're looking for when looking at a gorgeous image and your thought process, would love to see more videos like this one, thanks Qazi!
Absolutely, bro. 😀
Amazing video, amazing work and a great way to explain that we need Scopes always in our job. "Scopes never lies", is what a i told to my students. Thnx for your videos. They are a must in grading world.
Please do a look like this I love it. Appreciate the tutorial it helps a lot. People think Saturation is bad
Will do. Thanks.
Really appreciate the passion u given from the way u explain things mate👍👍
The exercise at the end of the video was the best thing I have learned to do with my footage. Thank you very much for your work, and valuable things that you deliver to us!
Glad to hear that bro.
Your videos are always so straight forward no bs tons of information.
This video is super inspiring and instructive. You are a CHAMP!!
Happy to help.
great analysis, thanx Qazi !
Of course. ♥️
That Intro applies across all industries and categories. Well said Qazi.
🙏🏾
1:43 - I know this isn't the objective of the video but holy hell that's a massive TIL there Qazman. I can now include that as part of my review process for my team's wedding films. Thanks a bunch for showing that.
Love your videos, such a great source of knowledge. Just joined the FCM and looking forward to diving into that. Would love to see a video where you do a breakdown of the “New” orange and teal look :)
Welcome to FCM, brother. Appreciate the love and yeah man it'll happen soon.
At this point I consider you my mentor 🙌🏾
😀🙏🏾
This is a brilliant video. Thank you for the insight Waqas.
My pleasure
Superb video! I just noticed,the scene where the other hotel owner in introduced is a similar colour blocking and progression of colours found in the Paris church courtyard scene !!! The cool blue and shadows then at the end, the deep red orange sunrise! This vid is soo good thank you
You're welcome. 😀
This is excellent, man!
You gave me so many good ideas! Thank you!
Of course. Happy to help. 😀
Typo in the title Qazi!
Fixed. Thank you.
You the man Qazi
Awesome episode! Yeah lets do tutorial on this orange/teal!!!!!
Will do.
As always, you provide us all things transparently,🙌 Thanks Qazi,❤️ God bless you,
Jatin Babbar from FCM🙂
Happy to help bro. FCM fam ✊🏾
I see you with the ASRV!
Ayyyy 😀💪🏾
Phenomenal! Please do a tutorial.
Will do.
Dope breakdown. I dug the process of building anlook database based on others work that empower to make certain creative decisions.
Happy to help brother. 💪🏾
So awesome!!! Thank you
You're welcome
Great video, it really helps a lot. Thanks for putting up this top class content!
Appreciate the love. ♥️
so good! super helpful thanks!
Yes! Please! give us another teal & orange🙇♂️
Will do my dude
it a great great technique to develop skill and taste....awesome awesome knowledge u have been sharing for all these years...Thank u so much♥
Happy to help bro
I loved this video. This is a great way to learn and practice. And to create some references, thanks ^^!
You're welcome bro
i also watch it and loved the color grading
mbappe analogy is so Next level 💪🏿🔥🔥
Excellent material. I've been wondering how to build a lookbook.
There you go 🔥
It’s fascinating to see how. Even tho is the different int and ext,they will keep the same Red same yellow in the every shot.
Jill is a master. ♥️
Amazing tutorial with amazing message. Subbed!
Let's go!
I have a question, in many videos I saw that the inicial video before any coloring was desaturated but my camera (Canon Eos Rebel T6) doesn't have that profile and I freeze thinking how do I even start the same process you are teaching, I know I can download "free" footage but what about when my only tool doesn't have the Clog or AppleRes resolution?
Thanks.
Qazi, you should watch The Green Knight and The Northman. You would enjoy them so much you won't be able to avoid wanting to talk about them here in the channel.
thank you for the recos bro I'll check them out.
Nice Vespa!
This was 🔥🔥🔥👏🏼
LFG 🔥
Love your work. Thank you. About to sign up for your master class! You know that Joker scene when he’s been beaten and lying in the ally? Trying to emulate that scene!! Show us how brother!!
LFG! 🔥 Hit me up as soon as you join. FCM. I'll look into it and add it to my list.
Love it !!!
I would love to see the original footage!
I’d love to see a look recreation of this!
Will do bro
I'd love to see you grade some Flog2 footage from the XH2S!
The free version has a "scene cut detection feature" since long ago, is this different from the AI based cut detection you are using?
Nice, thanks!
No problem!
That quick photo of trump 10 seconds in......LOVE IT hahahahhahahahah! dude you just put out straight fire. You literally converted me from an adobe user to a Resolve user so fast. I feel like resolve is THE BEST software out there. Forget the color grading, we all know at this point its become the standard for color grading. But editing too? I cant go back to Adobe anymore
😂 that's wassup bro! Happy to hear that. 💪🏾
i couldn't agree more, defiantly the best video yet. Is there anything like this in your course? im thinking about buying it.
The Masterclass with loaded with gems I never share on my UA-cam. 😀💪🏾
How can I get clips of great movies to put in my timeline and see the scopes of these movies?
Totally loved it man. Do you have any high quality shots with RGB lights for us to play with?
Thinking about offering practice footage through a UA-cam subscription plan.
Para Carlos del futuro, cómo guardar power grades aparece en el min 25
Great video! I’m following you a lot and improved the quality of my videos of quite a bit from were I started. Could you explain how to setup the interface of the color page like what you have?
Thank you for the love bro. For that watch my free workshop or even better get the Masterclass. Right now doing a black Friday sale.
Wow, great content
Thanks
This was great
Thank you.
How did you pull the trailer to get it into your DaVinci?!
I started learning colour grade for 10 days i was recording and grading from iphone 8bit, i always sucked at it, i just downloaded a 10 bit log video and graded and pulled out a fabulous grade, please let me know if u know video on 8bit grade with best knowledge
Wondering where to download movies to take decent quality stills from?
WOW!, amazing video, please do the new TEAL/ORANGE tutorial........:)
Thanks and itching to. 😜
Im curious why people dont use Srgb as timeline color space? Since thats how its gonna look when exported and on the internet? Or am i missing something by not using rec709?
Hey, I have an urgent question/problem. In Davinci Resolve 18 I often integrate CST nodes into my node tree (last or second to last node). The way I see it tutorials is that after transforming the clip correctly to REC709 the nodes prior are also displayed as 709 instead of the low contrast and low saturation log image. But in my case most of the time it is not happening and I still see that LOG image and if I add more contrast and saturation the first node looks fine but when it comes to the CST node everything is way too punchy because all the corrections seem to be on top of the transformed 709 image. Sometimes it’s working but most of the time it’s not. What am I doing wrong?
Project settings have to be messed up. I don't know where
You are wrong mate, you can do the scene cut detection on free version as well, I do that everyday
Hey Qazi, love your work. How did you download a high-res copy of the trailer?
From YT using StreamFab
Killer content sir.
pls make a tutorial to recreate this color grad plssss would be fire!!!!
Will do.
Hello! Thanks for the top content) I have a question. Do you think, this is a film level of saturation? Or it is just for a youtube trailer? I mean, color density might be different in the final result... I compared trailer from John Wick 3 with the movie - difference is there. Do you think, it is worth exploring?)
I don't think it's just for the trailer. I also, noticed the same levels of saturation with John Wick 3 and I had ripped that straight from the Blu ray.
Good to know, thanks for a reply!)
How do you acquire high quality trailers? This one shows 8K.
11:46 *Paris
But what if they in NY but is sunny day
BRAVO
some people who don't understand how film was grade but they always stay with basic color and they don't want to lost detail on everything in video
Maybe I'm too smart ?! I can tell the warm tones from the cool tones without the scopes.....
Feeling called out by that Seattle comment at 14:39 😡
😂 my bad
Hey I noticed you say you have tutorial on how to bring things in and out of Davinci from FCPX? Where is that? I never saw that and have been asking for a long time following your channel. Specially with Sony footage which is a "nightmare" because of the timecode problems. The whole process of having to reimport the media and then 0000 out the time code in each clip is such a pain. This has been a problem for over 10 years and cannot understand why Blackmagic has NOT fixed that yet. I would and I imagine many would love to be able to work in FCPX export xml to Resolve, color grade and back to FCPX. But as it is, it is a PIA literally. I end up grading 90% of my work with color finale or other tools in FCPX because of the hassle, problems, mis read scaling etc etc when trying it in Resolve.
Watch the free workshop as I mentioned in the video. 😀
@@theqazman Pretty sure I have watched everyone from your site, will check again, Thanks! Would still love to see a workflow video that works here on your channel if you get a chance, I bet more than half of your followers are using Sony cameras if not more. Just checked them again? What is the title? I cannot see anything referring to round trip process from with FCPX nor Premiere. Thanks in advance!! Maybe a link here?
👍❤️
why are you using the micro panel?
My panel is in for a general maintenance.
There is nothing wrong to be a copy cat.
But make sure that you're copying the right cat.
❤❤
Mr. Qazi, why not you take few Indian Films (especially Tamil film trailers) and breakdown the grades ? It would be better for all people what's happening in the other film worlds.
ƤＲＯ𝓂Ｏ𝕤ᗰ
First view
0:06 the second you showed Donald Trump, not only I stopped watching, but also you lost me as a subscriber.
It's sad, but soon AI will be able to apply almost every look to your footage. Everyone will be able to just download a look and apply it on whatever footage. The only people surviving this trend will be people who initially create the looks.
Very very soon. Photographers I know already doing it.
bro I just went through your webinar and you told in the end we will able to download free luts "and one for all-node" it wasn't there. Just had the sign up option to your master-class. I hope you didn't click baited man🥲
Oh Jesus 😂 Link is literally burned into the video along with an actual link you can click on. If you still couldn't follow then dm me on IG and I'll send you a link.
Also, I'd appreciate if you think more of people than everyone is out there to get you. 😀
Awesome video! Thank you!
You're welcome
0:06 the second you showed Donald Trump, not only I stopped watching, but also you lost me as a subscriber.
What a beta male