I used to do the break, before I learned properly the seamless experience of the middle voice. Ive always noticed most prof vocalists dont usually posses a developed mixed voice. Bel canto has helped me with range, but still the MIXED development was overlooked. This was forcing me to avoid, subconsciously certain keys and styles, really handicapped me. Chest and head MUST have the bridge. So grateful for you!!!! Thank you ⚘🙏🏻🧡🎤🎶
I think that knowing how to use that type of placement in your voice doesn’t make you a better singer as such BUT it surely allows diversity in the way you could interpret a song
THANK YOU SO MUCH FOR THIS! always look forward to these videos that combine theory of what is happening as well as practical application from your side that we (as watchers) can practice with in real-time. 👏🏽
The flow phonation feels or hears more like a vibration to me. This is a fantastic unpicking of what I've also noticed... It's about starting a song in the flow and then building on the beginning. I feel like The Weeknd does the flow throughout in his songs... I also feel like all the singing lessons I have had to achieve connection and depth in my mix and higher registers have almost stifled what I already had naturally. 😞
Tyler can you do a video giving any strategies on when the connection breaks in mixed voice. You don't seem to have this problem, but for me to go light and mix, there seems to be a transference of muscles that don't allow me to stay there and want to flip into head voice! Many thanks for the great insights!
I’m starting to get back into singing because when I sang it my voice felt so tight it would burn after singing for a couple minutes and I wouldn’t be loud either, even talking for too long would hurt. So I stopped for a long time. I’m starting again after a couple years and my voice isn’t as elastic as before, it’s like scratchy crackles a bit. But there’s a bit more freedom in my voice now than before. I just struggle with my mix. Have a big range but feels like a piano with broken keys and needing a good tune up 😆
Hi Tyler, I apologize for using this channel to ask you. I was thinking of buying one of your courses (the Mixed Voice one) and I would like to know if it contains any kind of subtitles, even if they are in English, or a transcript, since I don't understand much English when I listen to it, but I understand it perfectly when I read to it. I take this opportunity to congratulate you for your work on UA-cam, and I leave you my cordial greetings. Thank you !
Hello my friend. Unfortunately mix voice master class is primarily and audio course and so there are no subtitles or scripts available at the moment. So sorry for that.
You teaching is amazing. You are very good at communicating your ideas and these lessons are always helpful! Thank you! Oh and I’m sure you know this but your voice is beautiful!
Great video, the only frustrating thing is that every contemporary voice teacher uses different terminology. But they're really just talking about classical terms, which everyone already understands. Maybe its just me, but instead of "flow phonation" can we just say legato? lol. minor qualm though.
I am always willing to throw my terminology out the window for the student I'm working ith. I could care less what you call it as long as it is getting you the right result. Unfortunately the singing world is a terminology minefield .
@@tylerwysong it absolutely is hahaha. I also find that some students respond differently depending on the term so I try to pay attention to my individual students needs. Was mostly commenting because I laughed out loud hearing yet another new singing term to describe a familiar concept haha. Great stuff though, I subscribed!
Flow phonation comes from voice science and pedagogy, it is not specific to CCM styles. Legato is a more general musical concept (qualitative), whereas flow phonation refers to specific/measurable relationships of pressure and flow (quantitative) in singing.
@@RyanofRose Jackie Gartner-Schmidt has written several scholarly articles. You can start there. There is also an article in The Journal of Singing by Ingo Titze (2015 September (volume: 72 issue: 1 start page: 57). You can also look in pedagogical texts for myoelastic/aerodynamic phonation.
Good video man ❤️ I think the key for singing softly is simply to sing quietly, i'm saying this only because some people might think that what you're doing is releasing all that air without a minimum closure.
@@tylerwysong oh gotcha! So it wasn't a demonstration of how to sing softly, it's rather a way to help getting into the mix. I'm sorry i was off track 😅
Hi Tyler, 5:18 "The buzzy resonance is something that you hear rather than feel". Does that mean when you sing in mix voice, your throat feels nothing? The breathy tone is easy to go up because my throat is not bound by the buzzy feeling. Suddenly everything starts to make sense if the "mix voice" is just to produce buzzy sound without buzzy feeling, then you can go up as high as you want! It start to make sense in my mind and I can not do it yet. I am not sure if it is the correct understanding.
Thank you! I think I can get into flow phonation with the ring or buzz, but I don’t seem to be able to ratchet up the compression without the tone completely disintegrating. Is there any solution to this?
I can reach g4 without any problem then nothing ,I don't break my voice just stays at G4. I have tried lots of exercises from sirens to humming,the odd time I hit a4 still with no break.I sing lead in Barbershop where pitch and note alignment are everything do you have any thoughts on how to go past this break, where I don't break the note I am singing just stays the same.
What about mix with compressed vocal cords and high subglottal pressure without any air. Like when you use vocal fry and then add your voice. Is it bad? Cause I'm really confused about things: amount of air in a mix configuration, compression, cord closure etc. How to sing high notes without any harm to your voice. Because sometimes after singing B4 - E5 my falsetto becomes hoarse and vocal fry is not same quality. Thank you, Tyler :)
No It's not bad at all! I use it too. I think flow phonation version should be our baseline though. The better I get at the flow one the easier the more compressed ones get.
Note to self:
2:20 wrong things
4:20 breathy approach
5:50 same
6:05 no disconnecting
Love how he sings in his videos and not just teach, naturally you want to learn from someone who actually can do whatever they are try to teach
I used to do the break, before I learned properly the seamless experience of the middle voice.
Ive always noticed most prof vocalists dont usually posses a developed mixed voice.
Bel canto has helped me with range, but still the MIXED development was overlooked. This was forcing me to avoid, subconsciously certain keys and styles, really handicapped me. Chest and head MUST have the bridge.
So grateful for you!!!! Thank you ⚘🙏🏻🧡🎤🎶
Best vocal coach on yt , cheers from Poland !
Thani you!
I think that knowing how to use that type of placement in your voice doesn’t make you a better singer as such BUT it surely allows diversity in the way you could interpret a song
it is the inspirational end for me 😊😊😊😊🙏🏾
Keep up the awesome vids Tyler. Your channel merits so many more followers.
That's very kind, thanks so much.
Awesome tip!
Thank you my friend!! Appreciate you.
THANK YOU SO MUCH FOR THIS! always look forward to these videos that combine theory of what is happening as well as practical application from your side that we (as watchers) can practice with in real-time. 👏🏽
You're so welcome!
Thanks for the tips from Thailand Tyler!!
You bet!
The flow phonation feels or hears more like a vibration to me. This is a fantastic unpicking of what I've also noticed... It's about starting a song in the flow and then building on the beginning.
I feel like The Weeknd does the flow throughout in his songs...
I also feel like all the singing lessons I have had to achieve connection and depth in my mix and higher registers have almost stifled what I already had naturally. 😞
Tyler can you do a video giving any strategies on when the connection breaks in mixed voice. You don't seem to have this problem, but for me to go light and mix, there seems to be a transference of muscles that don't allow me to stay there and want to flip into head voice!
Many thanks for the great insights!
Tyler, can you please?
Yes!!
Thank you!! My Voice is getting so much better thanks you!
You're welcome!
eres grande man. saludos desde España
Mr. Wysong, thank you!
You are a very good teacher :)
Thank you!!
I’m starting to get back into singing because when I sang it my voice felt so tight it would burn after singing for a couple minutes and I wouldn’t be loud either, even talking for too long would hurt. So I stopped for a long time. I’m starting again after a couple years and my voice isn’t as elastic as before, it’s like scratchy crackles a bit. But there’s a bit more freedom in my voice now than before. I just struggle with my mix. Have a big range but feels like a piano with broken keys and needing a good tune up 😆
WoW!!! thank you
Another killer lesson from the best vocal coach I've ever come across!
Appreciate you my friend!!
Right on time! I needed this.
love your new set up
Thank you!!
I love your videos, thank you, man!
Thank you my friend!
You are the best Tyler ❤️
Thank you!
Love the new intro!! Appreciate your work :)
Thanks so much!
Really helpful...Thanks Tyler..!!
Glad it was helpful!
Hi Tyler, I apologize for using this channel to ask you. I was thinking of buying one of your courses (the Mixed Voice one) and I would like to know if it contains any kind of subtitles, even if they are in English, or a transcript, since I don't understand much English when I listen to it, but I understand it perfectly when I read to it. I take this opportunity to congratulate you for your work on UA-cam, and I leave you my cordial greetings. Thank you !
Hello my friend. Unfortunately mix voice master class is primarily and audio course and so there are no subtitles or scripts available at the moment. So sorry for that.
Thank you
Thank you for the tips
You bet!
You teaching is amazing. You are very good at communicating your ideas and these lessons are always helpful! Thank you!
Oh and I’m sure you know this but your voice is beautiful!
Thank you! That is very kind!
@@tylerwysong my pleasure.
What I hear :
breathy phonation = bad falsetto,
flow phonation = basic good placement for voice
so why the new terms ?
Thnk u
Great video, the only frustrating thing is that every contemporary voice teacher uses different terminology. But they're really just talking about classical terms, which everyone already understands. Maybe its just me, but instead of "flow phonation" can we just say legato? lol. minor qualm though.
I am always willing to throw my terminology out the window for the student I'm working ith. I could care less what you call it as long as it is getting you the right result. Unfortunately the singing world is a terminology minefield .
@@tylerwysong it absolutely is hahaha. I also find that some students respond differently depending on the term so I try to pay attention to my individual students needs. Was mostly commenting because I laughed out loud hearing yet another new singing term to describe a familiar concept haha. Great stuff though, I subscribed!
Flow phonation comes from voice science and pedagogy, it is not specific to CCM styles. Legato is a more general musical concept (qualitative), whereas flow phonation refers to specific/measurable relationships of pressure and flow (quantitative) in singing.
@@vincero1979 can you send me sources please? Thanks for the discussion
@@RyanofRose Jackie Gartner-Schmidt has written several scholarly articles. You can start there. There is also an article in The Journal of Singing by Ingo Titze (2015 September (volume: 72 issue: 1 start page: 57). You can also look in pedagogical texts for myoelastic/aerodynamic phonation.
Good video man ❤️
I think the key for singing softly is simply to sing quietly, i'm saying this only because some people might think that what you're doing is releasing all that air without a minimum closure.
I am actually going for no resistance here. I’m not focused on closure at all. But that is simply just this exercise using it as a range of motion.
@@tylerwysong oh gotcha! So it wasn't a demonstration of how to sing softly, it's rather a way to help getting into the mix. I'm sorry i was off track 😅
Hi Tyler,
5:18 "The buzzy resonance is something that you hear rather than feel". Does that mean when you sing in mix voice, your throat feels nothing? The breathy tone is easy to go up because my throat is not bound by the buzzy feeling. Suddenly everything starts to make sense if the "mix voice" is just to produce buzzy sound without buzzy feeling, then you can go up as high as you want! It start to make sense in my mind and I can not do it yet. I am not sure if it is the correct understanding.
Thé title of your song . You so good ❤️❤️❤️
Thank you! I think I can get into flow phonation with the ring or buzz, but I don’t seem to be able to ratchet up the compression without the tone completely disintegrating. Is there any solution to this?
Yes, video coming soon!
@@tylerwysong Many thanks, and thanks again for everything that you do!
@@tylerwysong I changed my notifications to All for your channel (mixed voice anticipation) ✨
I can reach g4 without any problem then nothing ,I don't break my voice just stays at G4.
I have tried lots of exercises from sirens to
humming,the odd time
I hit a4 still with no break.I sing lead in Barbershop where pitch
and note alignment are
everything do you have any thoughts on how to
go past this break, where I don't break the note I am singing just stays the same.
check on per bristow
What is the title of your song you sing so good
What about mix with compressed vocal cords and high subglottal pressure without any air. Like when you use vocal fry and then add your voice. Is it bad? Cause I'm really confused about things: amount of air in a mix configuration, compression, cord closure etc. How to sing high notes without any harm to your voice. Because sometimes after singing B4 - E5 my falsetto becomes hoarse and vocal fry is not same quality. Thank you, Tyler :)
No It's not bad at all! I use it too. I think flow phonation version should be our baseline though. The better I get at the flow one the easier the more compressed ones get.
@@tylerwysong really? I thought compressed sound is much easier to hold connected
@@invnm Not in my experience.
Great video. I really would like more focus on flow phonation... that really seems interesting.