Love him and his style. The fact that he works with Danny L Harle on so many projects is like a dream come true. They both produce such unique and immersive tracks that are an entire experience each time you listen to them. I love the innovation and deviation from what you might expect to come next.
The little synth that pops in around 1:44 sounds so good, even if just for a second. I wonder if that’s in the final track somewhere, or if it’s one of the failed experiments?
Honestly depending on how random it is, every time he would export it, it could be different. Some effects put out random artifacts differently each time you play it back.
Is there a reason you guys don't release the whole podcast on youtube, i've seen that its on the podcast however I myself and can speak on behalf of a lot of people really love the visual aspect of watching a podcast alongside listening to it. Pretty please with a cheery on top release the full podcast with flume on youtube, its only going to do you good.
Unfortunately we can’t post the whole video due to UA-cam’s copyright rules. The full videos contain a lot of the artists music which UA-cam takes down. But we are planning on uploading the full videos to patreon in the very near future!
Check out sonic charge Echobode VST. This is probably what he is using, given he is a fan of Sonic Charge Plugins. The VST gives whatever you put it on the ability to alter the LFO, creating a flanger-like effect that sounds pleasant, especially on drums. He is probably not only automating the feedback, but mixing in more of the effect as the track “builds”. Producers aren’t going to go too deep into plugins because at the end of the day your musical ideas are most important, and composing a full track without getting bored is actually the hardest part of production, not finding cool sounds or plugins to make your mixes better.
Please I would be infinitely grateful if someone could tell WHAT plug-in he is using to automate the bass to be different on each kick like that. It’s insane…
it's probably not what he uses but you should definitely check out Lagrange it has some really strange reverb modes with very interesting feedback tails and it's free as far as i remember
Achu, Carlos and 7ars thanks so much for the suggestions! : ) I mainly use LPX but recently learned Ableton ( I'm pretty sure I have PitchLoop89). I have to spend time with it! I love Echobode and keep forgetting to use it! I also love their Permut8. I'd never heard of Lagrange but it looks super cool and just picked it up. Any ideas on how he/s creating those Sophie-esque metallic perc noises? Thanks again!
@@antoniog2854 not sure tbh but i asume it‘s some kind of slight modulation of delay time with the feedback cranked up… another thing i know that i saw on a perto stream is using the serumfx reverb with the shortest size and shortest decay time to give like a really metallic tail and he distorts it after that with saturation. but i think you will just have to try some stuff out to get the tone youre looking for
in ableton convert your sustain chords to audio and then put warp mode on and select beats warp mode. select the one arrow to the right and when you play with the numbers thats close to these parametres, it recognizes random moves in the synth as transients and it makes the rhythm. It sounds like that. But flume also likes to draw midi off grid, so just pick some plucky synth and draw chords in piano roll and move them around without a grid and you may get something like that.
@@sugy52 I tried this and it was almost there, but it lacked the organic sounding rhythm, so instead of putting off grid notes, I added a volume shaper, and it's like 99% there. obv not exact but achieved the same effect. still it's not random
You can replicate this kind of sound if you know how to do patch modulation (all daws have this capability, fl, ableton, reason, etc). Essentially what it is, is stacked delays. Like a lot of them. All different delay tempos and feedbacks. Causes phasey metallic sounds (because of offsetting tempos and such). Route all the tempo knobs to one output knob and do the same with the feedback knob and you basically get a free metallic phasey plugin in your own daw! I might make a vid of it for FL Studio
there are no woerds to describe how much this fellow brother ofmione has affected infwected and projected the past and future all into my audio trackrecord throuhgout my exsisitance. i dont know how but he embodied so many sounds and scents and probably vague memorie si had as child in a childhoodi barely remeber sadly but its like weknew eachother growing up or something or he was my doppleganger from across rthe word or something unexplainable .because it makes me shake when i hear tracks hes made lie "highestbuilding"
His production is extremely unique and melodies often very beautiful. He finds/makes so weird and harsh sounds that somehow end up sounding really pretty. You never know what to expect. I´d recommend to get good headphones, sit back, play songs from Skin, HTIF and Palaces and focus on not only the melody or drums or vocals, but those little details around everything. As a producer i can´t but admire his sound choise and sound design. His music is beautiful, interesting, banging, tranquil, innovative and fun. So i think he is not overrated at all.
![Lp. Сердце Вселенной #60 РОЖДЕНИЕ ЛОЛОЛОШКИ [Финал] • Майнкрафт](http://i.ytimg.com/vi/YoR0pAV9FVQ/mqdefault.jpg)
Support the show here 👉 www.patreon.com/tapenotes
He's so good at telling you about his production without actually telling you anything about his production
Hahahahah that's what I was just thinking about while watching 😂
I don’t know how he does it man. True goat
So good!
Love him and his style. The fact that he works with Danny L Harle on so many projects is like a dream come true. They both produce such unique and immersive tracks that are an entire experience each time you listen to them. I love the innovation and deviation from what you might expect to come next.
The little synth that pops in around 1:44 sounds so good, even if just for a second.
I wonder if that’s in the final track somewhere, or if it’s one of the failed experiments?
Honestly depending on how random it is, every time he would export it, it could be different. Some effects put out random artifacts differently each time you play it back.
it could be hidden deep in the mix, who knows hahah
that kick is wicked af
🧢
@@bendundas581 EVERYONE HOLD UP, BEN WANT'S SOME FUCKIN' ENERGY
CAP CAP CAP CAP CAP CAP?
If you say cap I don't trust you.
@@bendundas581 for real hahahahahaha - that sound sucks
The Snare as well
The bell is so good. I wish Danny would produce this kind of tempo.
holy heck this is sick af
They should've recorded his screen lol
This is really what I was hoping for :(
Sadly we couldn’t for this one :(
Other producers bell: 😴
Flume's "a bell": REAL SHIT 😎
Is there a reason you guys don't release the whole podcast on youtube, i've seen that its on the podcast however I myself and can speak on behalf of a lot of people really love the visual aspect of watching a podcast alongside listening to it. Pretty please with a cheery on top release the full podcast with flume on youtube, its only going to do you good.
this 🙏🙏
Unfortunately we can’t post the whole video due to UA-cam’s copyright rules. The full videos contain a lot of the artists music which UA-cam takes down. But we are planning on uploading the full videos to patreon in the very near future!
@@TapeNotesPodcast this would be the only patreon i’d ever subscribe to
@@jacobjuarez9950 same 🤣
@@TapeNotesPodcast let us know when it’s out
WE NEED A FLUME LOS-TAPES ALBUM/MIXTAPE
damn, predicted the future
@@bussygaming1739 what can I say 🫰
Please drop the whole interview
its on spotify
love how this helps in zero way whatsover hahaha sick
he said he put an LFO on the kick delay feedback parameter. there ya go
@@buckminsterowski damn i got a flume song out naw
Check out sonic charge Echobode VST. This is probably what he is using, given he is a fan of Sonic Charge Plugins. The VST gives whatever you put it on the ability to alter the LFO, creating a flanger-like effect that sounds pleasant, especially on drums. He is probably not only automating the feedback, but mixing in more of the effect as the track “builds”. Producers aren’t going to go too deep into plugins because at the end of the day your musical ideas are most important, and composing a full track without getting bored is actually the hardest part of production, not finding cool sounds or plugins to make your mixes better.
Please I would be infinitely grateful if someone could tell WHAT plug-in he is using to automate the bass to be different on each kick like that. It’s insane…
It’s called Echobode
When the picture of Danny l harle flashed made me laugh out loud
what delay plug in is he talking about at 0:56 ?
I’m pretty sure he’s talking about PitchLoop89 in Ableton
I think it's Echobode by Sonic Charge
it's probably not what he uses but you should definitely check out Lagrange it has some really strange reverb modes with very interesting feedback tails and it's free as far as i remember
Achu, Carlos and 7ars thanks so much for the suggestions! : ) I mainly use LPX but recently learned Ableton ( I'm pretty sure I have PitchLoop89). I have to spend time with it! I love Echobode and keep forgetting to use it! I also love their Permut8. I'd never heard of Lagrange but it looks super cool and just picked it up. Any ideas on how he/s creating those Sophie-esque metallic perc noises? Thanks again!
@@antoniog2854 not sure tbh but i asume it‘s some kind of slight modulation of delay time with the feedback cranked up… another thing i know that i saw on a perto stream is using the serumfx reverb with the shortest size and shortest decay time to give like a really metallic tail and he distorts it after that with saturation. but i think you will just have to try some stuff out to get the tone youre looking for
I love that he’s saying nothing specific so you guys can’t just easily copy his stuff
Wish he would’ve mentioned what plug-in he’s using to do that?
echobode i think ?
maybe grain delay
this is the best shit ever
3:02 wow
What is he actually doing with this sound?
That's the beauty of abelton♥️
what is that pulgin he uses on the kick
3:33 how to create these bouncy glitchy thing, can someone guide me?
in ableton convert your sustain chords to audio and then put warp mode on and select beats warp mode. select the one arrow to the right and when you play with the numbers thats close to these parametres, it recognizes random moves in the synth as transients and it makes the rhythm. It sounds like that. But flume also likes to draw midi off grid, so just pick some plucky synth and draw chords in piano roll and move them around without a grid and you may get something like that.
@@sugy52 thanks!
@@sugy52 I tried this and it was almost there, but it lacked the organic sounding rhythm, so instead of putting off grid notes, I added a volume shaper, and it's like 99% there. obv not exact but achieved the same effect. still it's not random
@@sugy52 holy shit I recreated it, I resampled the audio from my thing and did your thing again and it's organic and random now! Thank you :)
@@chanduchor7593 No problem. Glad it helped.
ANYONE KNOW WHAT DELAY PLUGIN HE IS USING FOR THE DRUMS?
also interesting
Need to know too lol
@@cristobalgonzalez9895 it’s echo bode by Sonic Charge
@@jordanrattanavong2655 gracias king
You can replicate this kind of sound if you know how to do patch modulation (all daws have this capability, fl, ableton, reason, etc). Essentially what it is, is stacked delays. Like a lot of them. All different delay tempos and feedbacks. Causes phasey metallic sounds (because of offsetting tempos and such). Route all the tempo knobs to one output knob and do the same with the feedback knob and you basically get a free metallic phasey plugin in your own daw! I might make a vid of it for FL Studio
Anyone know the delay plug-in he’s talking about?
Pretty sure he's talking about Echobode!
nope. its an ableton only plugin called granular mirror maze. I found it a few months back and recognised it instantly haha
@@RJFmedia never heard of it. Sounds really interesting
@@roydavenport2469 theres a vid of it on youtube if u search it
Anyone know the delay he uses for his drums?
whatever it is it's the same thing dylan brady uses... i'm like 80% sure it's ableton grain delay
there are no woerds to describe how much this fellow brother ofmione has affected infwected and projected the past and future all into my audio trackrecord throuhgout my exsisitance. i dont know how but he embodied so many sounds and scents and probably vague memorie si had as child in a childhoodi barely remeber sadly but its like weknew eachother growing up or something or he was my doppleganger from across rthe word or something unexplainable .because it makes me shake when i hear tracks hes made lie "highestbuilding"
rehab
What the fuck are you talking about?
he never shows his secrets
Full version plz!!! can't find the video on Patreon website🥲
Demn ... that's how Einstein discovered E=MC^2
Yep.
*shophie influences*
It will help to see his screen
1:46
LOVE Flume. But, kind of a fruitless vid. Nothing to demonstrate the explanation
listen to the podcast dummy.
Mmm
why is he so awkward
i love it
One of the most overrated songwriter/producers out there - I just dont get it. What am i missing. Happy to learn
Got any producers you recommend?
His production is extremely unique and melodies often very beautiful. He finds/makes so weird and harsh sounds that somehow end up sounding really pretty. You never know what to expect. I´d recommend to get good headphones, sit back, play songs from Skin, HTIF and Palaces and focus on not only the melody or drums or vocals, but those little details around everything. As a producer i can´t but admire his sound choise and sound design. His music is beautiful, interesting, banging, tranquil, innovative and fun. So i think he is not overrated at all.
I'm not a fan of Flume's songs. "Hi This Is Flume" would show you what you're missing.
He use underground sound for pop edm and only some people survive with high achievement
It’s definitely a niche, but I love Flume…one of my favorites of all time.