Just subscribed! I recently got two contracts completely RANDOMLY. Producers approached me. Didn’t know synch contracts even existed, didn’t know I could make money with just piano instrumental music... Now I’m looking to see how I can do this more often. This would be a nice dream job. Looking forward to learning from you
J....keep in mind it's REALLY important you KNOW what you're signing in this biz. Make sure you understand it all. I know TOO many ppl who signed stuff they shouldn't have.
If you plan on working directly with US Libraries, it might be advised to join ASCAP/BMI. Call GEMA and ask them what their policy is for joining the US PROs.
@@SyncMyMusic cool. right now I am mixing a song for my first time and I was planing on sending my mixed song to a company for them to master it and I was wandering if I had to respect the proper or accepted loudness before sending it to them or do you think it is up them fo fix the perfect loudness part? thank you so much
@@mtiop.1514 Yes you need to send your files completely mastered and ready for TV play. We teach you those kinds of things inside Sync Academy: www.syncacademy.me
Suggestion on who to use if I care most about: ~1 album a month, Chinese market, game/commercial score, and user-generated apps that use music (TikTok, Smule, etc)?
This is nothing but God, I really just scrolled on your page. I'm a upcoming artist. But i have been putting in work for 7 years now. My question is I'm a singer and Songwriter, I have no skills in making beats. But I have experience in vocal producing and writing songs and Logic Pro x. So will I be able to place my music? I also live in the I.E and im in desperate need of a producer. Maybe we can link up.
I have a Music Library Directory syncmymusic.com/musicdirectory & Sync Edge (My personal Library Recommendations) syncedge.me . I don't currently offer 1 on 1 consultations.
@@SyncMyMusic in a video you said you need to research who you work with and not just throw your music out aimlessly to make sure your clients are moving your music to clients proactively and not not just shelving your music in a cattle call catalog
@@juanimewu1425 Correct. You can either research the Libraries for yourself in my Music Directory (or through your own search) or you can get that research done for you through Sync Edge.
@@SyncMyMusic so what do you suggest every producer should know about a client before they work with them or do you have some kind of video or course covering this already
Great content, had some placements myself and then it just stopped now I know why :O) What are your thoughts about Sync Agents been pitched by a few but they seem questionable
I've come around to Sync Agents - I think the right one would be great for an artist or band that doesn't necessary want to focus 100% on Sync Licensing. I'm actually creating a new free course right now w/ Mark of Sync Summit to show an artist exactly how to work with the right kind of Agent.
Hey Jesse, definitely going to join Syndicate in the future but had a great question for you that some artist are also wondering. If you are an artist that leased a beat but doesnt have exclusive rights (but the contract says x amount of streams, video, etc) to the beat, if you get a placement for tv etc. can they try and take part of that money that you earn from this placement? Thanks, Mic
In general, Libraries won't want tracks from you that you've already leased out. I would create NEW tracks that are specifically pitched to TV/Film Libraries - you'll just avoid that issue altogether.
You're 100% right. My bias probably comes from my college days when Fruity Loops was the "free" DAW option. I know it's a much more advanced program now.
Get Videos 2-5 NOW: www.syncmymusic.com/free5daycourse
Just subscribed! I recently got two contracts completely RANDOMLY. Producers approached me. Didn’t know synch contracts even existed, didn’t know I could make money with just piano instrumental music... Now I’m looking to see how I can do this more often. This would be a nice dream job. Looking forward to learning from you
J....keep in mind it's REALLY important you KNOW what you're signing in this biz. Make sure you understand it all. I know TOO many ppl who signed stuff they shouldn't have.
Thanks very much 🙏🎶🙏
Thank you for this 🙏🏽💯
This is very very informative, thank you! 🙌🏾
You're welcome!
First time on your channel & really appreciate your insight and advice here!
Welcome and glad to have you with us!
I absolutely think you absolutely love the word absolutely. :) Thanks for the useful video man.
Absolutely;-)
@@SyncMyMusic touche my friend
Do i need to be with ascap or BMI if I’m already with the GEMA in Europe?
If you plan on working directly with US Libraries, it might be advised to join ASCAP/BMI. Call GEMA and ask them what their policy is for joining the US PROs.
Jesse, it is always stimulating to watch your videos. Thank you
Thanks Oscar!
Can somebody from India also become a member of BMI or ASCAP or does that have to be specific for every country?
Yes you can become a member from BMI or ASCAP from wherever you're from in the world.
Love the video man! I appreciate the willingness to provide this knowledge bro!
The music business has changed this is true. Your teaching and insight is very important for artist to be successful. Thank you.
Glad to help!
how have you been. I wanted to know if it is a good thing to use saturation on both vocal and instrumental mixes please. thank you
It can be useful as long as it helps make your track feel more complete.
@@SyncMyMusic cool. right now I am mixing a song for my first time and I was planing on sending my mixed song to a company for them to master it and I was wandering if I had to respect the proper or accepted loudness before sending it to them or do you think it is up them fo fix the perfect loudness part? thank you so much
@@mtiop.1514 Yes you need to send your files completely mastered and ready for TV play. We teach you those kinds of things inside Sync Academy: www.syncacademy.me
Suggestion on who to use if I care most about: ~1 album a month, Chinese market, game/commercial score, and user-generated apps that use music (TikTok, Smule, etc)?
I went with Distrokid for my classical compositions and soundcloud repost for my electronic tracks (trying it out).
Crazy this only has 10k views 🤦🏽♂️ I feel like I’m learning a hidden secret right now lol
It's only for those who have eyes to see the opportunity 👍
Sync My Music I just signed up for the synce edge membership Look forward to learning more from you ✌🏾
Thank you so much for this
You're vey welcome!
You teach any classes ? I’d love to be a student
@@TICOMINUTZINURBUTT Yes I have 2 platforms that teach producers how to really do well in the Sync business: www.syncacademy.me and www.syncedge.me
Thank you for this great vid
Thanks for the info Jesse
Great video! Thank you! Very insightful
This is nothing but God, I really just scrolled on your page. I'm a upcoming artist. But i have been putting in work for 7 years now. My question is I'm a singer and Songwriter, I have no skills in making beats. But I have experience in vocal producing and writing songs and Logic Pro x. So will I be able to place my music?
I also live in the I.E and im in desperate need of a producer. Maybe we can link up.
Does anyone know what's this guys name ?
I do. Jesse Josefsson 😉
@@SyncMyMusic Thank you for answering.. Just emailed you :) waiting to hear back!
What's the name of the course that you did for researching clients (libraries/spvs)? Also do you do one one one consultations?
I have a Music Library Directory syncmymusic.com/musicdirectory & Sync Edge (My personal Library Recommendations) syncedge.me . I don't currently offer 1 on 1 consultations.
@@SyncMyMusic in a video you said you need to research who you work with and not just throw your music out aimlessly to make sure your clients are moving your music to clients proactively and not not just shelving your music in a cattle call catalog
@@juanimewu1425 Correct. You can either research the Libraries for yourself in my Music Directory (or through your own search) or you can get that research done for you through Sync Edge.
@@SyncMyMusic so what do you suggest every producer should know about a client before they work with them or do you have some kind of video or course covering this already
@@juanimewu1425 In videos 2-5 of this course I give you more insights into how to research libraries: www.syncmymusic.com/free5daycourse
Great content, had some placements myself and then it just stopped now I know why :O) What are your thoughts about Sync Agents been pitched by a few but they seem questionable
I've come around to Sync Agents - I think the right one would be great for an artist or band that doesn't necessary want to focus 100% on Sync Licensing. I'm actually creating a new free course right now w/ Mark of Sync Summit to show an artist exactly how to work with the right kind of Agent.
great info glad to see someone helping out there peers
Hey Jesse, definitely going to join Syndicate in the future but had a great question for you that some artist are also wondering. If you are an artist that leased a beat but doesnt have exclusive rights (but the contract says x amount of streams, video, etc) to the beat, if you get a placement for tv etc. can they try and take part of that money that you earn from this placement? Thanks, Mic
In general, Libraries won't want tracks from you that you've already leased out. I would create NEW tracks that are specifically pitched to TV/Film Libraries - you'll just avoid that issue altogether.
@@SyncMyMusic so exclusives are necessary for music libraries. Thanks for the info!
@@ReduceToAshesEnt Not all of them, but yes a vast majority will ask for exclusive distribution rights.
23:14 VERY IMPORTANT INFO
Indeed!
didnt Imagine Dragons became famous from that Assassins Creed ad?
ah nevermind it was Woodkid :D
Okay 3 minutes in.. I can tell ur trying to sell something.. but i’ll get some info out of it .. so ima gonna listen
Your videos are really great, that is why I subscribe,I want to be a musician can you help me educate me about music
i did not catch your name great video thoe ...
I love how he down plays FL (even fruity loops ). Lol... a DAW is a DAW people.
You're 100% right. My bias probably comes from my college days when Fruity Loops was the "free" DAW option. I know it's a much more advanced program now.
Title of video is misleading. This video doesn't tell you how to get your music on TV. It just tells you the benefits.
This is just part 1 of 5 of the course: www.syncmymusic.com/free5daycourse
Deshawn McDove = Negative Vibes
You = Important Positive Vibe. Can we get more of you in the world?