@@_abholen_ Hey man! We understand that Live15 might be more expensive than other controllers. Still, we are a small company that prefers to make long-lasting, high-quality products rather than searching to fill the market with more cheap-made obsolescent technology. That of course affects the price. Our design philosophy is present in the materials and components we choose, in the possibility to self-repair your controller instead of having to purchase a whole new one when something gets damaged, and more. We hope to be able to be part of your setup some day :D
@@_abholen_ honestly for as much as this controller has packed all into one 1600 is not ridiculous. Plus the wood housing , it’s a beautiful piece of gear
@@couchtrax Yeah absolutley! I did not want to say the price is too high for the value you get. The price is just too high for my budget :) But the idea of a controller in this price range is growing on me! :D
Came across via algorithm blessing, and wow, this is such an amazing device, pure love. I was thinking about producing a MIDI device, feeling the dissatisfaction with the options out there, and this one is like half of what I was thinking about. Amazing work, and the wood cases look great. Feature suggestion or idea for the future: you already have additional parameter control if you tap the second/3/4 encoder. However, I think it would be cool to have it work in this way: It's inspired by OP-Z's parameter control. Let's say you press the second encoder, and it moves you to the second "page" of parameter controls, and all four encoders now control different parameters. Not sure if you can change encoder colors on your device, but if you can, this would be even greater. For example: 1. White page - 4 parameters. Press the second encoder: 2. Yellow page - 4 more parameters. Press the second encoder: 3. Blue page - 4 more parameters. Press the second encoder: 4. Magenta page - 4 more parameters. Press the second encoder - wraps around to the white one. So, much more parameters, and you can jump between them more easily. And, as in the OP-Z case, if you have the colors consistent with how you map them - for example, White is Oscillator control, Yellow - Envelope, Blue - LFO, Magenta - effects sends - it will be easier to have this kind of map in your head. As a different approach: Press the second encoder - 4 additional parameters. Press the third encoder - another set of parameters. Press the fourth - more parameters. In this way, you don't need to loop parameter pages and can access them faster, but have only 3 pages. Hope I explained this correctly, but again - it looks amazing. I will purchase as soon as I am able to. Have a great day!
To put it in perspective: there are 20+48+16+208 = 292 controls, which means on average you pay $1600/292 = $5.5 per control. And there is the case/electronics/IO ports/software/R&D/marketing/... costs. So I do think the price is fair (given the quality checks out), but it is def a lot for a casual hobbyist like me. But I can imagine for (semi) professionals, it could be just the thing.
Sorry! Push 3 standalone currently lacks the feature to adding third-party Remote Scripts like the Live15 integration we developed. We hope they improve it soon!
@@Yaeltex I was going to ask this! Perhaps you'd like to make a Controller designed to augment the Push 3? With the Faders, Mute and Arm buttons, and other controls not built in. The launch buttons would be redundant, 2 sets of those aren't needed
We have a model called TURN that is specially designed as a PUSH expansion with lots of knobs and faders, but we still need Ableton to support independent Remote Script in order to work with the PUSH 3 standalone version
I can’t imagine a universe where I would pay $1.6k for a controller. For this price I’d assume you’d at least have motorized faders and an audio interface… nope! You’re making Teenage Engineering look like they make reasonably priced gear!
I mean, it looks nice but the price is a joke, for A LOT less than that you can get a pair of Akai mini and midimix and do exactly the same, just saying
I would like to try it with some unique and energetic music that could also demonstrate the full potential of this controller. I would like to help you put out a new demo of it, if you want to reach out.
making it modular to add units would've been cool. ..I think 32 tracks side by side would be amazing ..it's the mixer more than anything ...power input round the back ..so two units can sit together without any gap.Nice piece of kit. Numerical input pad ?
just wow, I want one !! I wish I had the cash, do you take body parts instead of cash? I'm considering what I dont need limb-wise lol. Dont get me wrong worth every penny, money is just a little tight, ill just have to save up thats all.... :)
Yeah that would be nice, we will add them to our framework in the future :) some brands are using touch strips but we don't really like them as volume faders. What do you think about touch strips?
No touch strips please. Motorized faders are only cool if they are really precise. Not shure i‘d need them. What would be great however is a 24 channel version with more sends and screens just above the faders. Also, what about grouping ? Interesting product though. I‘ll be following this.
Yep, that's what we feel too. Strips can be useful or expressive but not for something as precise as track volumes or automation. Maybe we end up adding both :P
Not gonna lie, I think this is possibly my favorite Ableton Mixer product seen so far. Even at 16-1700$, I think I would take this over any Akai, Push, or Novation. I need to see customer reviews and demos. But it looks like it would be inspiring to use. What doesn't it have that you would need? And very good looking I must add.
Let's say I'm using an ableton rack with all 16 macros. Does the control script allow to control them with the 16 encoders? In this video, I saw that you had to click one of the encoders to get to some of the other macros in one of the racks. Basically, I would love it if the encoders worked like the APC40 mk2 encoders (except in your case, there are more of them...I don't want to use banks, I only want the encoders to map automatically to the first rack in a channel). A visual 1:1 with what's on screen. I hope I explained that well enough. Thanks!
You can't even imagine what kind of pain in the ass for live performing artists is the absolute absence of all-in-one 16 channel midi controllers with pads & faders, and accepting a need to build Frankensteins from pushes, launchcontrols, and so on. Compromises, faderfoxes, unusable handmade meth den controllers from ebay. Endless reconfigurations. Using usb-hubs to route them all in a laptop on the stage. A fucking nightmare. I wholeheartedly thank you for your work, please don't listen to complaining bedroom producers down here. Literally no one has managed to create something even remotely as useful. It's the thing many of us have ever dreamt of. 1) Is it possible to make inactive (empty clip) pads lightless, probably with your script? 2) How soon will you implement display as you said? I guess it's better to wait for it than fomoing later 😂
I haven’t checked , but from ur comment I’m getting a $7k vibe . Am I close, don’t answer that . I’ll know soon when I specifically don’t buy it. It’s nice and convenient looking, but I have ten things that do all that stuff and my music stilll sucks lol
@@Yaeltex Maybe less but slightly bigger pads for fingers. And maybe a 2 way button to flick through the devices on each track to have control with the faders. I will buy one if you can make these options available for sure. Probably a lot of midi mapping editing needed to get that though.
it's impressive but the price point is enough to make it one of those exclusive high-brow rich snob territory. I will stick to my apc-40 mk2 like a poor pleb bedroom dubstep producer 🤣
i never understood why all the main brands mostly go with a huge 8x8 grid of pads and then add next to no faders and knobs, instead theres just weird buttons for navigating the software 10, 20 or more buttons to do what you can just do with one mouse lol such a waste of space and possibilities. this is actually exactly what i was searching for
Just a personal request since I haven't seen it anywhere but I'd love to see Turn used with a Push 2 to see how they work together. Your prodcuts are beautiful and Id love to purchase one but don't know how they compliment each other exactly
Can you easily program the left right switch that moves the channels to do blocks of 15? like section one is 1-15 and one click will take you to 16-31?
Cool looking build, quality looks high. But why have you made this vertically integrated rather than horizontally, reaching over the faders seems like it could be a bit awkward?
We've made other vertical-shaped models and they are great to use. Actually, vertical designs are trendy in many models designed by the community at The Factory. I would say that it depends on each one's work/play space and preference. A horizontal variant of this type of controller would be interesting to see! Maybe moving the top encoders to the side to keep the Ableton-like interface of clips on top of the mixer. If you want to sketch your own, you can do it at The Factory right away: factory.yaeltex.com Cheers
You can use the Novation Launchpad and Launch Control XL together for less than half the price. Downside is that you have to midi map the Launch Control differently when you have more than 8 tracks.
V excited by this ! - A suggestion for mk2: add one or more LCD displays - eg for scribble strips etc and knob encoder labels and this thing becomes awesome. Love that someone is finally going for 16 tracks in one view/go instead of 8. In a MK2 - Displays would add cost for sure -but the minimisation of need to memorise and commit to muscle memory - specially in production stage - it would be worth the money for many i think
Very impressive controller. I’ve gone in a different direction for my live set, but I could definitely see picking one of these up in the future. Awesome design!
Our modular hardware system is based in groups of 4 components, so we preferred to have 15+master rather than leaving the master separated. You can absolutely use it as a 16 track mixer too (with the master control somewhere else)
this looks rad though is there any way to remap the encoders? I'd rather 8/16 encoders map automatically to whichever device is selected than defaulting to partial control of 4 devices. This and motorised faders would be an instant buy for me at this price point
From a dj perspective I can tell you what would be great to have, on the cue side the cue master knob, browsing and ability to look up and load tracks from the browser menu not just move within a set, loop controls, the ability to load a track and set a loop anywhere at will and loop size control, half, double, move, those sends would be better of emulating eq controls, low, mid, high, infinite cut. Think of it of what djs already have and make it possible unless this device is solely designed for producers where there is much of the same already. Also, think of the possibilities of livestreaming a set and the ability to have microphone input that you can route away from the master like using a send and the ability to receive a live call and route it so the caller can be heard on the stream but not hear themselves back, no feedback just like you are able to do today using a pa mixer and routing the sends to be the audio stream and leaving the in call out of the send/audio stream. Maybe am asking for too much but I know it is possible and if you do am sure you will have a winning product at least from the dj perspective.
Those are all good ideas! Live15 is designed with live set artists in mind. We invite you to enter The Factory and sketch your dream DJ/live streaming controller right away. factory.yaeltex.com
The colors of the clip-launch buttons don't match the clips onscreen? They should match. The color coding is how I know where I'm at with Push. This has no display, so you need that. I like the fact that it's big--16 channels wide is great, but with no display I need the colors. Does it take up just one control surface slot? That would be cool. I could replace three controllers with this. You know what would be bad-ass? If the 16 x 8 clip-launch area could also be a sequencer-control surface. I bet you're working on that with some max for live sequencers. Would the Live API allow for controlling midi clip piano-roll editing with this? If it could and it were well-implemented I would be forced to buy this. But I need the color coding or I can't use it. I hope you can color-code the LED rings on the encoders, too.
Hey! Auto color of the clips matching Ableton is already included and we will announce it soon, the video was shot before that :) We are definitely working in turning that grid into a big sequencer 🙃
@@Yaeltex That's good. Very compelling product. Is the whole thing under the control of a single control surface script? Does it just take up one of the six slots?
Are you using encoders or endless pots? The thing I loved about Akai APC 40mk2 was super smooth controls. Can it handle changing multiple encoders at the same time?
Neat idea! Looks like it would be useful, particularly in a live situation. Surprised there's no pan control on the mixer. Could you re-assign one of the sends to pan?
We developed the Yaeltex Universal Remote Script (YURS) to create customizable scripts for Ableton, and we used that same tool to develop the Ableton integration for the Live15. The next video will be about the YURS itself. You can check more info here forum.yaeltex.com/t/yurs-yaeltex-universal-remote-script-for-ableton-live/161 @@bo-bodad8253
good morning :-) me again. So how do i recognize (pretty fast -during live set ) for example, wich lane is wich ? i used to set a colour on top ( pink for channel 8 in push controller) without colouring each clip pink in the whole channel. Having 15 channels can get quite confusing maybe ? So it would be easiest to switch all clips in same colour vertical i gues. ?
ESTA MAQUINA ESTA GENIAL Y QUE MEJOR QUE SU MANUFACTURA SEA LATAM UNA GRAN FELICITACION A YAELTEX Y SUS DESAROLLADORES ES UNA PODEROSA MIXER!!! SALUDOS DESDE MEXICO
It looks amazing! I wonder how does this controller integrates with Native Instruments or other VST plugins. Do you have to map everything manually? thanks!
Do You have a version without the clip Launcher section? I never use clips, I only work in arrangement view and this mixer would be an excellent addition for me without the clip launcher section.
Hi @potsjacks6830! We give you lots of controls and we picked some of the features in the script, but you can pick others! For example, instead of 3 sends you could use 1 send, 1 cutoff and 1 pan per channel. Also there is a free-to-use encoder that you could assign to any functionality you'd like.
@@Yaeltex but no dedicated pan knob. Having pan for each channel right there at your fingertips would be invaluable tool for mixing engineer. Its whatever i use Bitwig anyways.
Thanks for the amazing feedback we are getting on the LIVE15. We plan to keep adding features, If you have any suggestions drop them right here 👇
A more affordable option 🥺
@@_abholen_ Hey man! We understand that Live15 might be more expensive than other controllers. Still, we are a small company that prefers to make long-lasting, high-quality products rather than searching to fill the market with more cheap-made obsolescent technology. That of course affects the price. Our design philosophy is present in the materials and components we choose, in the possibility to self-repair your controller instead of having to purchase a whole new one when something gets damaged, and more. We hope to be able to be part of your setup some day :D
@@Yaeltex I can totally understand that and im sure that this device is worth its price!
I hope wish so also haha ! We will see :)
@@_abholen_ honestly for as much as this controller has packed all into one 1600 is not ridiculous. Plus the wood housing , it’s a beautiful piece of gear
@@couchtrax Yeah absolutley! I did not want to say the price is too high for the value you get. The price is just too high for my budget :)
But the idea of a controller in this price range is growing on me! :D
Beautiful design. I also like very much 15 tracks layout and faders. Really good job on this one.
Came across via algorithm blessing, and wow, this is such an amazing device, pure love. I was thinking about producing a MIDI device, feeling the dissatisfaction with the options out there, and this one is like half of what I was thinking about. Amazing work, and the wood cases look great.
Feature suggestion or idea for the future: you already have additional parameter control if you tap the second/3/4 encoder. However, I think it would be cool to have it work in this way:
It's inspired by OP-Z's parameter control. Let's say you press the second encoder, and it moves you to the second "page" of parameter controls, and all four encoders now control different parameters. Not sure if you can change encoder colors on your device, but if you can, this would be even greater. For example:
1. White page - 4 parameters. Press the second encoder:
2. Yellow page - 4 more parameters. Press the second encoder:
3. Blue page - 4 more parameters. Press the second encoder:
4. Magenta page - 4 more parameters. Press the second encoder - wraps around to the white one.
So, much more parameters, and you can jump between them more easily. And, as in the OP-Z case, if you have the colors consistent with how you map them - for example, White is Oscillator control, Yellow - Envelope, Blue - LFO, Magenta - effects sends - it will be easier to have this kind of map in your head.
As a different approach:
Press the second encoder - 4 additional parameters.
Press the third encoder - another set of parameters.
Press the fourth - more parameters.
In this way, you don't need to loop parameter pages and can access them faster, but have only 3 pages.
Hope I explained this correctly, but again - it looks amazing. I will purchase as soon as I am able to. Have a great day!
Hey thanks for the ideas, they sound interesting. We'll test them :)
Nice to have it in one device, but I use 2 APC40 mk2 and love the additional controls that I have... I also use it to control 16 tracks in ableton 😏
WOW! This certainly is MEGA 🙌
Really interesting piece of kit for live artists!
Looks great, well done!
$1600 is kind of crazy for a midi controller
To put it in perspective: there are 20+48+16+208 = 292 controls, which means on average you pay $1600/292 = $5.5 per control. And there is the case/electronics/IO ports/software/R&D/marketing/... costs.
So I do think the price is fair (given the quality checks out), but it is def a lot for a casual hobbyist like me. But I can imagine for (semi) professionals, it could be just the thing.
looks nice :)
Oh god I want one.
You are Awesome bro!
how are the sends sliders and not knobs? awesome controller!
im referring to Live not the controller
uf, qué bomba ❤️🔥
Make 1 or FL!
Nice
How much does it weigh? Who is making the script for Ableton? Could he/she do it for Bitwig, too? ;D
Absolutely fantastic! Shall we be friends?
Could such a controller be designed for use in Bitwig, with similar functionalities?
Sure! We will develop an integration for Bitwig soon. We love it
@@Yaeltexawesome 👍 yes please to bitwig integration 🙏
Why would I buy this when the Push (controller) is more than half the price!!!
Does it work with Push 3 standalone?
Sorry! Push 3 standalone currently lacks the feature to adding third-party Remote Scripts like the Live15 integration we developed. We hope they improve it soon!
@@Yaeltex I was going to ask this! Perhaps you'd like to make a Controller designed to augment the Push 3? With the Faders, Mute and Arm buttons, and other controls not built in. The launch buttons would be redundant, 2 sets of those aren't needed
We have a model called TURN that is specially designed as a PUSH expansion with lots of knobs and faders, but we still need Ableton to support independent Remote Script in order to work with the PUSH 3 standalone version
$1,623.00 🥲
Would be absolutely awesome if you can do smaller version, 9-10 faders and definitely motorized.
I will buy no matter how much cost.
I can’t imagine a universe where I would pay $1.6k for a controller.
For this price I’d assume you’d at least have motorized faders and an audio interface… nope! You’re making Teenage Engineering look like they make reasonably priced gear!
I mean, it looks nice but the price is a joke, for A LOT less than that you can get a pair of Akai mini and midimix and do exactly the same, just saying
I would like to try it with some unique and energetic music that could also demonstrate the full potential of this controller. I would like to help you put out a new demo of it, if you want to reach out.
making it modular to add units would've been cool. ..I think 32 tracks side by side would be amazing ..it's the mixer more than anything ...power input round the back ..so two units can sit together without any gap.Nice piece of kit. Numerical input pad ?
I’ve been looking for a controller exactly like this and now it exists! Can’t wait to see how much live performance potential this unlocks!
Akai apc 40? for not 1600 euro...
finally a mixer with 2-3 sends each channel without switching, perfect for live!! , looks gorgeous in total !!! good work
Thanks martin!
I ordered a custom large format one! Really pumped about it! :)
Thanks Giulio! We are looking forward to building it already :D
Would love it with motorized faders
This is exactly what would make me buy it. But it's a no go without motorized faders and that price.
Agree wholeheartedly
When someone will finally build an Ableton controller like this one but with MOTORIZED FADERS????
just wow, I want one !! I wish I had the cash, do you take body parts instead of cash? I'm considering what I dont need limb-wise lol.
Dont get me wrong worth every penny, money is just a little tight, ill just have to save up thats all.... :)
Sorry, we don't :P
$1600 and not even motorized faders? No thanks.
Was waiting for him to demo its secondary use as a midi controller with the buttons as pads for playing.
How did you change the send knobs?
Really innovative. Great to see a company like this.
Thanks!
Will be a version with Motorized faders? probably smaller with only 8 or 10 active tracks.
Yeah that would be nice, we will add them to our framework in the future :) some brands are using touch strips but we don't really like them as volume faders. What do you think about touch strips?
No touch strips please. Motorized faders are only cool if they are really precise. Not shure i‘d need them. What would be great however is a 24 channel version with more sends and screens just above the faders. Also, what about grouping ?
Interesting product though. I‘ll be following this.
@@Yaeltex Not touch strips. There is no feeling on them.
Yep, that's what we feel too. Strips can be useful or expressive but not for something as precise as track volumes or automation. Maybe we end up adding both :P
Not gonna lie, I think this is possibly my favorite Ableton Mixer product seen so far. Even at 16-1700$, I think I would take this over any Akai, Push, or Novation. I need to see customer reviews and demos. But it looks like it would be inspiring to use. What doesn't it have that you would need?
And very good looking I must add.
Let's say I'm using an ableton rack with all 16 macros. Does the control script allow to control them with the 16 encoders? In this video, I saw that you had to click one of the encoders to get to some of the other macros in one of the racks. Basically, I would love it if the encoders worked like the APC40 mk2 encoders (except in your case, there are more of them...I don't want to use banks, I only want the encoders to map automatically to the first rack in a channel). A visual 1:1 with what's on screen. I hope I explained that well enough. Thanks!
You can't even imagine what kind of pain in the ass for live performing artists is the absolute absence of all-in-one 16 channel midi controllers with pads & faders, and accepting a need to build Frankensteins from pushes, launchcontrols, and so on. Compromises, faderfoxes, unusable handmade meth den controllers from ebay. Endless reconfigurations. Using usb-hubs to route them all in a laptop on the stage. A fucking nightmare. I wholeheartedly thank you for your work, please don't listen to complaining bedroom producers down here. Literally no one has managed to create something even remotely as useful. It's the thing many of us have ever dreamt of.
1) Is it possible to make inactive (empty clip) pads lightless, probably with your script?
2) How soon will you implement display as you said? I guess it's better to wait for it than fomoing later 😂
Would really appreciate having options for individual pads, buttons and faders. And pressure sensitive pads
I haven’t checked , but from ur comment I’m getting a $7k vibe . Am I close, don’t answer that . I’ll know soon when I specifically don’t buy it. It’s nice and convenient looking, but I have ten things that do all that stuff and my music stilll sucks lol
It would be good if you could control drum kits with the mini pad buttons.
Good idea, we will try this!
@@Yaeltex Maybe less but slightly bigger pads for fingers. And maybe a 2 way button to flick through the devices on each track to have control with the faders. I will buy one if you can make these options available for sure. Probably a lot of midi mapping editing needed to get that though.
it's impressive but the price point is enough to make it one of those exclusive high-brow rich snob territory. I will stick to my apc-40 mk2 like a poor pleb bedroom dubstep producer 🤣
i never understood why all the main brands mostly go with a huge 8x8 grid of pads and then add next to no faders and knobs, instead theres just weird buttons for navigating the software 10, 20 or more buttons to do what you can just do with one mouse lol such a waste of space and possibilities.
this is actually exactly what i was searching for
Just a personal request since I haven't seen it anywhere but I'd love to see Turn used with a Push 2 to see how they work together. Your prodcuts are beautiful and Id love to purchase one but don't know how they compliment each other exactly
Can you easily program the left right switch that moves the channels to do blocks of 15? like section one is 1-15 and one click will take you to 16-31?
Yawn. What can it do for itself? Does it have I/O? 1600 seems a bit pricey if it's not its own Audio Interface also....
Cool looking build, quality looks high. But why have you made this vertically integrated rather than horizontally, reaching over the faders seems like it could be a bit awkward?
We've made other vertical-shaped models and they are great to use. Actually, vertical designs are trendy in many models designed by the community at The Factory. I would say that it depends on each one's work/play space and preference. A horizontal variant of this type of controller would be interesting to see! Maybe moving the top encoders to the side to keep the Ableton-like interface of clips on top of the mixer. If you want to sketch your own, you can do it at The Factory right away: factory.yaeltex.com
Cheers
I was thinking the same thing
What’s the story with the price?! Not a hope in the World I’d ever buy that, it’s insulting!
Jesus the price.
Noone buys it. 😂
😂😂😂 might as well get the Push 3.
You can use the Novation Launchpad and Launch Control XL together for less than half the price. Downside is that you have to midi map the Launch Control differently when you have more than 8 tracks.
Well you’ can’t compare big productions and small batches and it’s the price of a a flawless setup, the price of peace of mind .
Given its features I'd say its reasonable TBH.
Dudo que nadie en argentina pueda permitirse uno. Entiendo que tenéis que vivir, pero por ese precio como durante un año :(
V excited by this ! - A suggestion for mk2: add one or more LCD displays - eg for scribble strips etc and knob encoder labels and this thing becomes awesome. Love that someone is finally going for 16 tracks in one view/go instead of 8. In a MK2 - Displays would add cost for sure -but the minimisation of need to memorise and commit to muscle memory - specially in production stage - it would be worth the money for many i think
Very impressive controller. I’ve gone in a different direction for my live set, but I could definitely see picking one of these up in the future. Awesome design!
what have you got?
I’ve been trying to assemble something like this from individual controllers for months. Thank you for understanding and making exactly what I need!
why 15 and not 16 thats kinda odd
Our modular hardware system is based in groups of 4 components, so we preferred to have 15+master rather than leaving the master separated. You can absolutely use it as a 16 track mixer too (with the master control somewhere else)
This is sick I have been thinking about a such device and there it is! Looks great
Patrocínenme uno de estos :( están hermosos
this looks rad though is there any way to remap the encoders? I'd rather 8/16 encoders map automatically to whichever device is selected than defaulting to partial control of 4 devices. This and motorised faders would be an instant buy for me at this price point
Yes, you can modify the script at will. Swapping the functionality of the top encoders to control the selected device sounds great!
$1,623.00 ??
Try again Yaeltex
From a dj perspective I can tell you what would be great to have, on the cue side the cue master knob, browsing and ability to look up and load tracks from the browser menu not just move within a set, loop controls, the ability to load a track and set a loop anywhere at will and loop size control, half, double, move, those sends would be better of emulating eq controls, low, mid, high, infinite cut. Think of it of what djs already have and make it possible unless this device is solely designed for producers where there is much of the same already. Also, think of the possibilities of livestreaming a set and the ability to have microphone input that you can route away from the master like using a send and the ability to receive a live call and route it so the caller can be heard on the stream but not hear themselves back, no feedback just like you are able to do today using a pa mixer and routing the sends to be the audio stream and leaving the in call out of the send/audio stream. Maybe am asking for too much but I know it is possible and if you do am sure you will have a winning product at least from the dj perspective.
Those are all good ideas! Live15 is designed with live set artists in mind. We invite you to enter The Factory and sketch your dream DJ/live streaming controller right away. factory.yaeltex.com
love it
Damn, that’s a custom Lotus in a world of MIDI controllers!
I love your System of A Down songs, BTW! 🤘🤖🔥
Wake up! 🤘
Grab a brush and put a little make-up!@@Yaeltex
The colors of the clip-launch buttons don't match the clips onscreen? They should match. The color coding is how I know where I'm at with Push. This has no display, so you need that. I like the fact that it's big--16 channels wide is great, but with no display I need the colors. Does it take up just one control surface slot? That would be cool. I could replace three controllers with this.
You know what would be bad-ass? If the 16 x 8 clip-launch area could also be a sequencer-control surface. I bet you're working on that with some max for live sequencers. Would the Live API allow for controlling midi clip piano-roll editing with this? If it could and it were well-implemented I would be forced to buy this. But I need the color coding or I can't use it. I hope you can color-code the LED rings on the encoders, too.
Hey! Auto color of the clips matching Ableton is already included and we will announce it soon, the video was shot before that :)
We are definitely working in turning that grid into a big sequencer 🙃
@@Yaeltex That's good. Very compelling product. Is the whole thing under the control of a single control surface script? Does it just take up one of the six slots?
Yep, it currently uses only one control surface slot@@davidbaker231
JAJAJAJAJAJAAAA...Animo con alegrias...very good...
Are you using encoders or endless pots? The thing I loved about Akai APC 40mk2 was super smooth controls. Can it handle changing multiple encoders at the same time?
will it rack? rackmount version...
$1620 for a midi controller ?!
Is this the same design as the midi fighter twister?
Wow it looks absolutely amazing!!!
1.7k? 😅😅😅
Neat idea! Looks like it would be useful, particularly in a live situation. Surprised there's no pan control on the mixer. Could you re-assign one of the sends to pan?
Thanks! Sure, it's pretty easy to tweak the Remote Script and turn one of the send rows into pan control.
Having an editable script is a big plus for flexibility. I love my Push 2 but there are times I wish I could change the way it works@@Yaeltex
We developed the Yaeltex Universal Remote Script (YURS) to create customizable scripts for Ableton, and we used that same tool to develop the Ableton integration for the Live15. The next video will be about the YURS itself. You can check more info here forum.yaeltex.com/t/yurs-yaeltex-universal-remote-script-for-ableton-live/161 @@bo-bodad8253
FaderFox ist zur Kontrolle mindesten genauso geeignet. warum so teuer?
BBBUUUUUAAAAAAAAAAAAA qué barbaridad
PUT MOTORIZED FADERS ON AND I AM SOLD!
normal x fader and 8 macros or at least 4 and 4
Well thought out and what I require in a controller...Beyond my price range at the moment but seems the best mixer at the moment
Cool! It's like an Akai APC40 but on steroids. 😉
I would suggest making the buttons show the same colour as whats on the tracks
This feature is already developed and included :)
Works also with Bitwig?
This looks great! I need a lot more knobs for my Ableton work though.
Why 15 instead of 16?
good morning :-) me again. So how do i recognize (pretty fast -during live set ) for example, wich lane is wich ? i used to set a colour on top ( pink for channel 8 in push controller) without colouring each clip pink in the whole channel. Having 15 channels can get quite confusing maybe ? So it would be easiest to switch all clips in same colour vertical i gues. ?
Yes, color-coding the clips could help to find a fast and accurate workflow.
tbh the push 2 even seems to be more interesting for this purpose and cheaper
ESTA MAQUINA ESTA GENIAL Y QUE MEJOR QUE SU MANUFACTURA SEA LATAM UNA GRAN FELICITACION A YAELTEX Y SUS DESAROLLADORES ES UNA PODEROSA MIXER!!! SALUDOS DESDE MEXICO
It looks amazing! I wonder how does this controller integrates with Native Instruments or other VST plugins. Do you have to map everything manually? thanks!
Yes, you can map it to whatever MIDI-capable software you use.
Do You have a version without the clip Launcher section? I never use clips, I only work in arrangement view and this mixer would be an excellent addition for me without the clip launcher section.
You can remix this controller and also literally design your own controller online at The Factory. Check the links in the description ;)
sweet. thx.@@Yaeltex
The price is just crazy for a midicontroler.😂😂😂
Very nice but overpriced, it's definitely a boutique item, not for the masses though at that price. I think they know that though. Good job
the masses wouldnt know what to do with it haha. We barely use 11% of our brains haha. But ja, I want 2 of these forsure! Need money tho. lol
Really Nice, I would prefer less scenes and clips, to earn some place, maybe 3 or 4 lines less. But really beautiful work! Well done!
Thanks! You can remix this controller and adapt it to your own needs at The Facetory: tiny.cc/remix-live15
I’ll duct tape 2 akai Midimix together with a Midi fighter before I spend 17 g on this
Jesus
$1,623.00
Awesome Work !!! cutting edge tech from Argentina !!!
Oof, I NEED this
are you planning to release also a mapping for bitwig studio?
Tienen el mejor gusto en colores además. Yaeltex es perfecto.
Wow, I want one! Is the launch grid full RGB? I dont see more colours then pink and blue. Great device!!!
Yes! We will show its full RGB capabilities in the next video.
THX
Wow
I hope you didn’t overlook panning
It has mapping capabilities, so I'm sure you can map it to panning yourself if they haven't pre-mapped panning.
@@hearmenow909 … they give you 3 returns, but no panning. Painting is far more important than having 3 returns..
Hi @potsjacks6830!
We give you lots of controls and we picked some of the features in the script, but you can pick others! For example, instead of 3 sends you could use 1 send, 1 cutoff and 1 pan per channel.
Also there is a free-to-use encoder that you could assign to any functionality you'd like.
@@Yaeltex but no dedicated pan knob. Having pan for each channel right there at your fingertips would be invaluable tool for mixing engineer.
Its whatever i use Bitwig anyways.