Hello, I recently bought an x100t, I have a question that I have not been able to find an answer to. I can't set my aperture to 2 even though the dial says it's at 2, why is it? I hope you can help me, thanks for the video. greetings from Mexico
I’ve recently added a Fuji X-E4 to my camera collection with street photography in mind (my main camera is the big, robust, full frame Pentax K-1 which is a bit obvious and intimidating for street) and I keep hearing about ‘Fuji colours’ from Fuji aficionados. What’s this ‘Fuji colour’ all about? Are we talking about it’s Film Simulation JPEGs? No matter which brand people use they talk about the colour output being this or that but it’s always seemed irrelevant to me as a serious photographer I shoot raw so my RAID drive is packed with 15yrs of organised digital negative raw files as my Lightroom library and the colour I get is a result of my Lightroom processing to suit the image. Or have dedicated Fuji shooters abandoned raw digital negatives in favour of in camera baked JPEGs? It’s truely interesting to me why that is
I really love to watch your video because it is very good with smooth explanation 😉
Thank you! 😃
Hopefully a preset pack come very very very VERY Soon 😍
First view. Keep it up!
Wow amazing🤗💜... I hope I have a fujifilm too🥺🤧
Hello, I recently bought an x100t, I have a question that I have not been able to find an answer to.
I can't set my aperture to 2 even though the dial says it's at 2, why is it?
I hope you can help me, thanks for the video. greetings from Mexico
I’ve recently added a Fuji X-E4 to my camera collection with street photography in mind (my main camera is the big, robust, full frame Pentax K-1 which is a bit obvious and intimidating for street) and I keep hearing about ‘Fuji colours’ from Fuji aficionados. What’s this ‘Fuji colour’ all about? Are we talking about it’s Film Simulation JPEGs?
No matter which brand people use they talk about the colour output being this or that but it’s always seemed irrelevant to me as a serious photographer I shoot raw so my RAID drive is packed with 15yrs of organised digital negative raw files as my Lightroom library and the colour I get is a result of my Lightroom processing to suit the image. Or have dedicated Fuji shooters abandoned raw digital negatives in favour of in camera baked JPEGs? It’s truely interesting to me why that is