I met Ray Scott in his later years and have a piano score of "Powerhouse" signed by him. He told me, "If Carl Stalling hadn't have latched onto that tune in the '40s through Warners, no one would've ever heard it other than my record!"
The original version performed by Raymond Scott in the 1930's had a small band of six players. I've heard that version many times and a faithful modern re-creation by a band called the Beau Hunks. As great as the original and the Beau Hunks versions were, this classical-style version, with a full orchestra, brings more out of it. Lawrence Rapchak does not alter the notes or tempo of the original composition, yet the wider range of instruments puts a fresh spin on "Powerhouse" while fully honoring it. I love it!
There was an orchestral version that Richard Stone did that was used in a bunch of Cartoon Network bumpers in the late 90s/early 2000s and was later put out on a CD called "Cartoon Medley." It's really good, if you can find it.
Yep. It's literally the reason a great orchestra needs a great conductor. They know how to give the visual cues that show the orchestra the exact feel of the piece. Ballet is nice, but the real masters of musical movement are orchestra conductors.
It's strange that descriptors like "overdone" and "overblown" are used in regards to this arrangement. It's one of Scott's most perfect pieces. It is overblown because the Factory theme section in this piece is well...supposed to be overblown. The color and story is very clear in the music and Scott is very clear on the over the top quality of the music.
My students must do as final project a Rube Goldberg machine for some dumb problem. If one of them puts this as background music, I'll put them in the honor roll.
As an homage, Rush placed in their instrumental La Villa Strangiato. And after finding the rights had lapsed into public domaine but Scott was still alive, sent Scott a very sizable check anyway, because damit, he wrote Powerhouse.
For those who don't know: Rush quoted a bit of this main theme in their song La Villa Strangiato. It's definitely worth a listen to anyone who likes hard rock.
I'm just watching Looney Tunes in my Head , I learn so much about Classical music just watching Cartoons , that lead me to much More . Good music is good , it opens so many concepts . Peace Out .
He’s wayy more than that. Without the conductor this would become a garbled mess. The conductor is the brain that coordinates everything. If the conductor were to disappear in the middle of a song, it would be okay for about 10 seconds. Then one saxophone rushed ever so slightly, without the conductor the others can’t tell and try and match now all the horns are rushing. Same thing for the strings but they lag behind. Now the entire timing is fucked and it sounds like the south park kids playing the recorder.
So I’m watching and listening to this, just minding my own business when this rabbit zooms past my chair, and before I can even say “what the hell”, a huge anvil fell on me.
I also did The Pengiun, Huckleberry Duck, Dinner Music For A Pack Of Hungry Cannibals, The Toy Trumpet, Twilight In Turkey, and a scott medley containing all of the previous plus A Boy Scout In Switzerland and Powerhouse for Music Sales Corp approved by the Scott family. Though they have all been performed live in concert, they have not been recorded, and I do not know of any other UA-cam selections. I only found this one by sheer accident.
One of the tunes that made me fall in love with music for how it could make me feel. Then I found Don Ellis, Mike Oldfield and Frank Zappa. Makes me sad for today's kids.
There are two slot machine games "Invaders from planet Moolah" and "Invaders return from the planet Moolah" (Alien cow invaders - Ha Ha) which have this song play when you get to free play. This is it - ua-cam.com/video/CnJtemaZFOA/v-deo.htmlm0s
I heard this on a Spongebob SquarePants episode the other day. It reminded me of the Looney Tune cartoons of years gone by. Fantastic conductor! Awesome!
Daffy: "FULL STEAM AHEAD!!!" Porky: pulls the lever on the baby-sitting machine I feel sorry for anyone listening in the audience who didn't know at least one reference of where this came from.
I want to like this more if it was a decent audio mix done thru a mixing board. But it’s obviously good this way too as a very rare performance and full orchestra .
Thanks so much for the compliment. Would you believe that no music was available, even from the copyright holders, so I had to do this completely by ear from the Raymond Scott recording!
10 місяців тому
Sextet, actually, despite the name of the group. I guess Scott didn't count himself!
I agree. This is the OFFICIALLY approved arrangement by Robert Wendel, and it is overblown in some ways, overly-simplistic in others. But it's what's available. I did a full orchestration of Scott's "THE PENGUIN" which, grotesquely funny as it is, only proves that it's a Chamber work. Have you checked the Quintet performances of Penguin and Powerhouse on my channel? We were as absolutely faithful to the original versions as possible (Powerhouse is part of the "Interview" video). LR
For an orchestral arrangement, I definitely prefer the Carl Stalling version for Looney Tunes. I'm sure part of that is nostalgia, but they also manage to capture the more playful feel of the original piece. I imagine it's because it was arranged in a similar, story telling style.
I think this orchestra tends to square off the rhythms and lack the dynamic contrasts that the old WB orchestra did. The "a" theme could have included the brass more in the rising lines. The"b" theme was very reminiscent, though, using more of the original stalling choices.
I love listening to this music when I fall onto conveyor belt.
Ha! Good one!
The conductor is having an absolute blast playing this.
He's definitely having a good time.
It is literally impossible to not have fun when you hear this song.
As I do when I take off my hat, you make a good point ! When a person loves what they do, the JOY can not be hidden !! :-)
Just in case you’re not sure where the drums/percussion is, the conductor points it out each and every time by his baton, his hand, and/or jumping.
@@Stryder46 ⁰
I met Ray Scott in his later years and have a piano score of "Powerhouse" signed by him. He told me, "If Carl Stalling hadn't have latched onto that tune in the '40s through Warners, no one would've ever heard it other than my record!"
And we are all the richer for it. Thank you, Ray, and thank you CARL!!!!!!!
@@kt9166 And Chuck Jones for letting Carl do it
I thought "Powerhouse" was a hit song before Warner Bros got ahold of it.
@@spikespa5208PSH
Extremely cool.
As a fan of jazz, and the Looney Tunes, I love this!
Amen brother
Percentage of reasons to watch:
50%: The music is iconic, fun, and catchy.
50%: That maniac of a Conductor! He's having so much fun!
You speak the truth, Kemo Sabe !! :-)
You forgot Madness Combat
Mr .rapchak met him at my elementary school when i was a kid
It is so easy to be obsessed with this song..
... and there's no such thing as 'too much bass'.
Here listening for the 500th time
As I do when I take off my hat, you make a good point !! :-)
How can you say that? I’ve only listened 26 times so far!
I first heard this song before and then 1 minute later, i became addicted to it by listening different covers of it for 24/7 straight
The original version performed by Raymond Scott in the 1930's had a small band of six players. I've heard that version many times and a faithful modern re-creation by a band called the Beau Hunks. As great as the original and the Beau Hunks versions were, this classical-style version, with a full orchestra, brings more out of it. Lawrence Rapchak does not alter the notes or tempo of the original composition, yet the wider range of instruments puts a fresh spin on "Powerhouse" while fully honoring it. I love it!
There was an orchestral version that Richard Stone did that was used in a bunch of Cartoon Network bumpers in the late 90s/early 2000s and was later put out on a CD called "Cartoon Medley." It's really good, if you can find it.
This feels a bit too big for this song
Yeah, ya gotta love da classix, doc!
To me especially with the horns
This is a mechanical age of course- Groucho Marx
"And now eager young space cadet, here's the course we shall pursue to find Planet X"
Camop 1992 and there trying to find the shaving cream atom
Because he's "DUCK DODGERS IN THE TWENTY FOURTH AND A HALF CENTURY!!!"
"Well I wish you'd explain it to me sometime, buster!"
99% of the comments: **talking about the video**
1% of the comments: 1:42 madness combat lol
I love this song and this is easily one of the best versions.
The conductor is a maniac.
Chuck Jones loved using this song in his shorts for some reason
Those of you commenting on the conductor's enthusiasm: all the best conductors/directors are like this. ALL OF THEM.
LEOPOLD!
LEOPOLD!
LEOPOLD!
Yep. It's literally the reason a great orchestra needs a great conductor. They know how to give the visual cues that show the orchestra the exact feel of the piece.
Ballet is nice, but the real masters of musical movement are orchestra conductors.
It's strange that descriptors like "overdone" and "overblown" are used in regards to this arrangement. It's one of Scott's most perfect pieces. It is overblown because the Factory theme section in this piece is well...supposed to be overblown. The color and story is very clear in the music and Scott is very clear on the over the top quality of the music.
The first time I saw the video I thought the conductor was on substance, just look, 1:42 such ambition and energy😮!
My students must do as final project a Rube Goldberg machine for some dumb problem. If one of them puts this as background music, I'll put them in the honor roll.
As an homage, Rush placed in their instrumental La Villa Strangiato. And after finding the rights had lapsed into public domaine but Scott was still alive, sent Scott a very sizable check anyway, because damit, he wrote Powerhouse.
You need to use Google.
Well, that's good because warner brothers never gave Jones any credit or royalty and this piece practically defines looney toons.
I meant Scott, sorry.
@@tungs1065 Warners wasn't required to pay royalties because it did a straight buyout of the music library that included "Powerhouse."
@@JoeLibbyThis is correct; Warner Bros bought Scott's catalogue, and I believe still owns the publishing rights.
To this day, whenever I'm hard at work at a task, I think of this song.
Fucking great interpretation of Powerhouse
For those who don't know: Rush quoted a bit of this main theme in their song La Villa Strangiato. It's definitely worth a listen to anyone who likes hard rock.
I'm just watching Looney Tunes in my Head , I learn so much about Classical music just watching Cartoons , that lead me to much More . Good music is good , it opens so many concepts . Peace Out .
As Snagglepuss would say, "Indubitably !"
Help me guys I’m addicted to this song !
*presses the replay button for you*
You're welcome.
Warner Bros. cartoon characters should have been dashing around during this performance, preferably having some sort of machinery involved.
Amen to that !! :-)
Simple solutions just edit in any classic Wiley Coyote cartoon
I think of Mac and Tosh in the canning factory every time I hear this.
Probably egg factories.
The conductor is under the "Looney Tunes effect" LOL
Leopold! Leopold! Leopold!
Exatamente
@@QuarrellaDeVil 😁😁
Yes ! He seems to be channeling Chuck Jones !! :-)
Jubal Calif as Chuck Jones said you every note is important you must love every note
😂🎉🎉❤❤❤ Love how animated the conductor is! Great piece of musical history! Thank You for sharing!
Man conducted the shit outta that. Wow.
The conductor is one more instrument playing his part perfectly in this performance.
He’s wayy more than that. Without the conductor this would become a garbled mess.
The conductor is the brain that coordinates everything. If the conductor were to disappear in the middle of a song, it would be okay for about 10 seconds. Then one saxophone rushed ever so slightly, without the conductor the others can’t tell and try and match now all the horns are rushing. Same thing for the strings but they lag behind. Now the entire timing is fucked and it sounds like the south park kids playing the recorder.
Play it at 1.25 or 1.5 speed and sounds like in the cartoons. I love it!
My favorite part starts at 1:29. The conductor sure got a good workout.
Sheer Brilllance , just the concept , beyond Progressive
I know there's an acronym for laughing out loud. There should be one for clapping.
Bravo!
arthurjeremypearson CLAP Clap Like A Psycho
COL
Literally Clapping out Loud
👏
I wondered where this music came from for decades - the Internet proved its use in allowing me to find out. Great piece.
So I’m watching and listening to this, just minding my own business when this rabbit zooms past my chair, and before I can even say “what the hell”, a huge anvil fell on me.
Ha! That's rich!
1:26 here it comes.
What?
Gotta love it when the conductor dances along to the song as he conducts
He's got those "happy feet" !!
I see the damn coughing audience has a composition of they're own in the beginning
I also did The Pengiun, Huckleberry Duck, Dinner Music For A Pack Of Hungry Cannibals, The Toy Trumpet, Twilight In Turkey, and a scott medley containing all of the previous plus A Boy Scout In Switzerland and Powerhouse for Music Sales Corp approved by the Scott family. Though they have all been performed live in concert, they have not been recorded, and I do not know of any other UA-cam selections. I only found this one by sheer accident.
1:53 I love this man..
This is apparently the Northbrook (Illinois) Symphony Orchestra, of which Mr. Rapchak has been Music Director since 2004.
I would have loved seeing this live!!!!
Me too !!
*REALITY HAS BEEN COMPRISED*
*THE CLOWN HAS BEEN ENGAGED*
OMFG CLOWN!!!!
*HAAAAAANK*
There was a man who sought the sheriff….
Y O U CA N N O T K I L L T H E C L O WN
ARE YOU GONNA COMPLAIN ABOUT IT???
Well done. The people behind this performance must appreciate the brilliance of the original composition.
Perfect tune for machining bowling pins to.
👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾 BRAVO
It's a brilliant piece of music.
I love this song. Thank you, Looney Toons!!!!
And Mr. Stalling.
Love Raymond Scott's Powerhouse number brings back lots of youthful memories, thanks for the post!!!
I have a notion to second that emotion !! :-)
That’s what I call an animated conductor!
As Snagglepuss would say, "Indubitably!"
The conductor goes hard.
Rush Fans.... We all come in around the 1:40 mark
Daffy Duck, I believe we've found your true owner.
“No, not the works, in the name of humanity!”
Ha !!
Hahahahhahaha
One of the tunes that made me fall in love with music for how it could make me feel. Then I found Don Ellis, Mike Oldfield and Frank Zappa. Makes me sad for today's kids.
There are two slot machine games "Invaders from planet Moolah" and "Invaders return from the planet Moolah" (Alien cow invaders - Ha Ha) which have this song play when you get to free play. This is it - ua-cam.com/video/CnJtemaZFOA/v-deo.htmlm0s
today's kids can still discover all of these things.
When I hear this, It takes me to Jumping Jupiter's. A cartoon short directed by Chuck Jones in 1956
Great job everyone
I heard this on a Spongebob SquarePants episode the other day. It reminded me of the Looney Tune cartoons of years gone by. Fantastic conductor! Awesome!
Clearly, one of the inspirations for the Beetlejuice theme 👌
And the “Breakfast Machine” in Pee Wee’s Big Adventure
Nah.
And for most of Danny Elfman's music !
WOW!
Ditto !! :-)
Imagine me being there I would be JAMIN'
Brilliant!
REALITY COMRPOMISED. CLOWN HAS BEEN ENGAGED.
ARE YOU GONNA COMPLAIN ABOUT IT HAAAANK
Seeing this makes me want to be a conductor!! ha ha
little dissapointed that the Conductor didn't make somebody hold a single note until they nearly passed out
That would have been magic
Yeah, Doc! That's culcha!
Interesting arrangement. I like it
I feel the same way !!
50% of these comments: how this song brings them nostalgia
the other 50%: haha lol funny clown
Funni jesus christ
1:29 if you want to go straight to the best part. :D
Awesome!
Magnificent.
From maybe more that one Warner Brothers' cartoon?:
"OHHHHHH, no you don't!!!"
Daffy: "FULL STEAM AHEAD!!!"
Porky: pulls the lever on the baby-sitting machine
I feel sorry for anyone listening in the audience who didn't know at least one reference of where this came from.
Just out of shot there's a bunch of Acme machinery
And the improbability drive
1:28 pay full price of admission just to hear this 42 seconds of music, and worth every penny.
I want to like this more if it was a decent audio mix done thru a mixing board. But it’s obviously good this way too as a very rare performance and full orchestra .
John Zorn always said this was so of the most difficult 20th Century music to play.....
This could easily be music for a machine boss in the cuphead dlc. Or a factory run and gun stage
Nevadan Clown
It wasnt...
@@DominikPac-Boy I know. but it could have been
@@nathanwithrow35 true
Leopold!
Fantastic arrangement! I love it. Even better than the quintett version. Are there more "symphonic"versions?
hollywoodinvienna check out James Horner's opening credits for Honey, I Shrunk the Kids. Not exactly Powerhouse but a homage
1:43 oh yea madness combat musicians
Yeah, all of them are from Nevada
New Madness fans be like:
Man I didn't know Madness was this old and popular back in the day!
What a interesting music heard somewhere else in Nevada
Lol
no, not the live orchestra, anything but the live orchestra!!!!
Nice arrangement when one considers the original was written for a quintet.
Thanks so much for the compliment. Would you believe that no music was available, even from the copyright holders, so I had to do this completely by ear from the Raymond Scott recording!
Sextet, actually, despite the name of the group. I guess Scott didn't count himself!
Funtastic! Are the score and parts available for purchase online?
1:25
Oddly enough, the first thought that comes to my head is "how odd to hear a xylophone in an orchestral piece."
SHOW US THE PERCUSSION SECTION!!! BY GAWD
Is this a Carl Stalling arrangement?
No... I did it under license from Music Sales Corp.
I agree. This is the OFFICIALLY approved arrangement by Robert Wendel, and it is overblown in some ways, overly-simplistic in others. But it's what's available.
I did a full orchestration of Scott's "THE PENGUIN" which, grotesquely funny as it is, only proves that it's a Chamber work. Have you checked the Quintet performances of Penguin and Powerhouse on my channel? We were as absolutely faithful to the original versions as possible (Powerhouse is part of the "Interview" video).
LR
That conductor reminds of that one Bugs Bunny cartoon. That one where he is a conductor...
For an orchestral arrangement, I definitely prefer the Carl Stalling version for Looney Tunes. I'm sure part of that is nostalgia, but they also manage to capture the more playful feel of the original piece. I imagine it's because it was arranged in a similar, story telling style.
I think this orchestra tends to square off the rhythms and lack the dynamic contrasts that the old WB orchestra did. The "a" theme could have included the brass more in the rising lines. The"b" theme was very reminiscent, though, using more of the original stalling choices.
A Rube Goldberg Machine brought me here...
This is great! But I prefer the version by the Philharmonicas. Check it out!
1:59 madness combat
Thank you raymond, cartoon network song
My theme music at work....
😂 !
Plot twist: the conductor is tricky
All i see when i hear this is Fifi La fume chasing Calamity Coyote.
Where can I get the CD?
very good, it's better than the original
I love how the drummer has to read his parts- he really doesn't know it.