Sorry I couldn't watch along live when this video premiered. I had a major leak in the studio due to torrential rain this afternoon. I hope you enjoyed this and found it helpful, I will reply to all comments over this weekend. Thanks for watching.
I truly enjoy watching this process you've developed. It's fascinating to see how you begin, then ruthlessly obscure previous layers and reinforce certain elements. Multiple layers create a compelling sense of depth and the abstract drawing style is unique. It's also fun to see how you spend time with your faithful companion while waiting for paint to dry! Great work Sir!
You've told everyone that you are an artist, you make art, you have a studio, you have a website, you have approached galleries, but you may still be having a tough time marketing your work. The thing to remember is that most collectors not only buy the artwork, but the artist too! The same goes for galleries. They not only sell the artwork, but the artist as well. That is why you, the artist, have to take the time to give the gallery something to market about you. Give the collector something to buy. Even an emerging artists can have an instant resume, and emerge as a listed artist. Most serious collectors want to be sure that the artist who's work they are buying is a serious artist who will be around for the long haul. The artist who takes the time to become listed, a documented artist, is saying "hey, I am here to stay!" It is another way to give credibility to your work, and an important one. This also raises the value of your work, and in the long run, enables you to ask more for it. The following are links to several publishers where you can submit your biography in order to become a listed artist. It may take some time to process the biography so please be patient. # 1 Marquis Who's Who # 2 The Blue Book Of North American Artists/ askart.com # 3 Art Price.com ArtPrice doesn't make it easy for artists to submit their biography and resume.But contact them via their website to find out how to submit. This is THE !most important site to be listed on. ArtPrice.com is the main resource for most auction houses, appraisers, and collectors. It is well worth the extra effort it will take you. It is free to submit your biography to any of these sites. It is free to be listed.
You make some excellent and valid points, selling yourself is just as important as your artwork these days. The influences of social media seem to have overtaken the traditional means of gallery exposure. I have had a bad experience with a gallery and its made me a little cautious about the way I try to promote myself. The UA-cam channel is no longer achieving the high views or subscribers that it used to and that does make me realise that I now need to look to other ways to promote myself to increase the interest in my work, so registering with the websites you mentioned would be something to consider. I thank you for your advice, it is really appreciated.
I enjoyed every bit of the production of this vid from the doggy interludes to the inside outside perspective to the well placed music and the sounds of the the charcoal and brushes. I didn't want it to end. A sincere thankyou
Hello Dan. This piece demonstrates the freedom and fun of working on a large scale work, in an open and free environment. I hesitate to say this, however, in a way I felt that your movements were much more fluid than when you worked in a confined environment. You may disagree of course, it's all subjective, I was not the artist. It was so nice to see tantalising glimpses of the garden. I liked the green garden shed, it looked so intriguing. ' Quote: " And I think the little house knew something,.Don't you?"
Hi Gordon, sorry for the late reply. I have now realized my mistake when I first read this and I know exactly what you mean. I am still not used to working with this amount of space (even though the studio is really quite small) Filming gives me more freedom to show work from different angles and I enjoy showing the views beyond the studio. The leak caused a few problems but that is fixed now. More demos on the way this month.
Really enjoy your process. I've been using alot of charcoal in my paintings since watching you. I find that the charoal still smudges a bit after sealing with hairspray. Any recommendations?
I appreciate watching your process Dan. I can see a lot of labour has gone into this piece with so many layers of paint and marks. I love the different colors that are blended and peek through and the end result is awesome! Is it hard to stop? And what would we do without our dogs?! ...their joy is contagious and inspiring! Thanks so much for sharing this video and hope your roof leak is mended!
I think it is so easy to overwork these compositions, I advise leaving them alone for a few week so that you can look at them with a fresh eye and make any adjustments if needed. My little rescue dog Buzz is a very important part of my creative process, the leaking roof (now fixed) not so much!
This was wonderful, Dan! All at once I feel calm, entertained, and inspired! Thank you for sharing the process of this dynamic piece! I hope the leak in your studio wasn’t too bad.
I loved every stage of this painting. The fact that you use a primary color scheme is very interesting. I've been tring to limit the colors I'm using as well. It seems to change the way I work and I like the results so far. Thank you again for sharing your process. I hope the rain didn't ruin anything in your studio.
Thank you. It is sometimes difficult to restrict your colours but I really do think it makes a difference, I love to work in monochrome and in a strange way this does help when moving on to work with colour,
Are you using fixative on the charcoal layers? I wondered because the paint does not seem to pick up charcoal or smear it when you paint over seemingly fresh charcoal drawing.
Dan, I love your work, and watching your process. I have a question! it looks like at the early stages of putting down charcoal you haven’t fixed it so your paint mixes with the charcoal. Later you apply charcoal again and it appears that the charcoal has been fixed and dose t move with paint. I’m I correct in that observation? Thank you, for always being an inspiration. ❤️🎨❤️
Your work is amazing! I am learning to paint and trying to find my style, your work inspires me, I hope one day I’ll be half as good as you. Question, are some of the paints transparent? I’m curious about laying on layers and still being able to see the under painting.
Hey Dan, @DanTirels This is a very nice piece. I have a question. Did you use fixative on your charcoal before applying the acrylic paint? Thanks for the reply. Marc Belgium
I sometimes paint over unfixed charcoal for an interesting paint effect, but once I'm happy with the composition I will spray with a fixative, painting over again and building up the layers. Finish with a varnish to seal.
Sorry I couldn't watch along live when this video premiered. I had a major leak in the studio due to torrential rain this afternoon. I hope you enjoyed this and found it helpful, I will reply to all comments over this weekend. Thanks for watching.
I truly enjoy watching this process you've developed. It's fascinating to see how you begin, then ruthlessly obscure previous layers and reinforce certain elements. Multiple layers create a compelling sense of depth and the abstract drawing style is unique. It's also fun to see how you spend time with your faithful companion while waiting for paint to dry! Great work Sir!
You've told everyone that you are an artist, you make art, you have a studio, you have a
website, you have approached galleries, but you may still be having a tough time marketing your work.
The thing to remember is that most collectors not only buy the artwork, but the artist too! The same
goes for galleries. They not only sell the artwork, but the artist as well. That is why you, the artist, have to take the time to give the gallery something to market about you. Give the collector something to buy.
Even an emerging artists can have an instant resume, and emerge as a listed artist. Most serious collectors want to be sure that the artist who's work they are buying is a serious artist who will be around for the long haul. The artist who takes the time to become listed, a documented artist, is saying "hey, I am here to stay!" It is another way to give credibility to your work, and an important one. This also raises the value of your work, and in the long run, enables you to ask more for it.
The following are links to several publishers where you can submit your biography in order to
become a listed artist. It may take some time to process the biography so please be patient.
# 1 Marquis Who's Who
# 2 The Blue Book Of North American Artists/ askart.com
# 3 Art Price.com
ArtPrice doesn't make it easy for artists to submit their biography and resume.But contact them via their website to find out how to submit. This is THE !most important site to be listed on. ArtPrice.com is the main resource for most auction houses, appraisers, and collectors. It is well worth the extra effort it
will take you.
It is free to submit your biography to any of these sites. It is free to be listed.
You make some excellent and valid points, selling yourself is just as important as your artwork these days. The influences of social media seem to have overtaken the traditional means of gallery exposure. I have had a bad experience with a gallery and its made me a little cautious about the way I try to promote myself. The UA-cam channel is no longer achieving the high views or subscribers that it used to and that does make me realise that I now need to look to other ways to promote myself to increase the interest in my work, so registering with the websites you mentioned would be something to consider. I thank you for your advice, it is really appreciated.
I enjoyed every bit of the production of this vid from the doggy interludes to the inside outside perspective to the well placed music and the sounds of the the charcoal and brushes. I didn't want it to end. A sincere thankyou
Thank you very much! My little rescue dog Buzz is a big part of my creative process.
I am an Art Collector and enjoy the Interesting composition and process of this work. It is always wonderful to see Artists create.
Thank you very much! Glad you enjoy the demos. I always enjoy showing my creative process and try to encourage others.
Totally inspiring. Peaceful too.. Will now get the paints out after quite a break.
Thank you.
Hope you enjoy trying this technique.
I enjoyed watching you create. I'm liking the new video style.
Loved your whole process. That was amazing! ❤
Thank you so much!
love your studio pal that keeps watch over you. I really enjoy your process of painting & art. Thanks
Buzz doesn't always like to be in the studio, he would prefer to be outside chasing cats or squirrels.
INCREDIBLE!!
Thank you
this is my kind of video - watching the process without chatter. i learned a good deal. thx.
Glad you enjoyed it!
This is just what I needed, a megadose of inspiration to take me into the weekend! Thanks again Dan!
My pleasure!
Hello Dan. This piece demonstrates the freedom and fun of working on a large scale work, in an open and free environment. I hesitate to say this, however, in a way I felt that your movements were much more fluid than when you worked in a confined environment. You may disagree of course, it's all subjective, I was not the artist. It was so nice to see tantalising glimpses of the garden. I liked the green garden shed, it looked so intriguing. '
Quote: " And I think the little house knew something,.Don't you?"
Hi Gordon, sorry for the late reply. I have now realized my mistake when I first read this and I know exactly what you mean. I am still not used to working with this amount of space (even though the studio is really quite small) Filming gives me more freedom to show work from different angles and I enjoy showing the views beyond the studio. The leak caused a few problems but that is fixed now. More demos on the way this month.
Such absolute treat and a half! Thanks again as always...
Glad you enjoyed it!
You inspire me so much, thank you always for your videos
You are so welcome!
Really enjoy your process. I've been using alot of charcoal in my paintings since watching you. I find that the charoal still smudges a bit after sealing with hairspray. Any recommendations?
Yes I still use hairspray sometimes but for a final finish I spray with a couple of coats of matte acrylic varnish.
I appreciate watching your process Dan. I can see a lot of labour has gone into this piece with so many layers of paint and marks. I love the different colors that are blended and peek through and the end result is awesome! Is it hard to stop? And what would we do without our dogs?! ...their joy is contagious and inspiring! Thanks so much for sharing this video and hope your roof leak is mended!
I think it is so easy to overwork these compositions, I advise leaving them alone for a few week so that you can look at them with a fresh eye and make any adjustments if needed. My little rescue dog Buzz is a very important part of my creative process, the leaking roof (now fixed) not so much!
Love to see the process, Dan -- thanks so much for creating & posting this :)
-- James
Glad you enjoyed it!
This was wonderful, Dan! All at once I feel calm, entertained, and inspired! Thank you for sharing the process of this dynamic piece! I hope the leak in your studio wasn’t too bad.
Thank you. Good to know you enjoyed this demo. The roof is fixed (for now)
Love watching yourprocess amd i like this style of art. Thanks for sharing!
Thanks for watching!
Great and as always very inspiring. I will immediately take a brush in hand and create something.
Sounds great! Glad to have provided some inspiration.
Thank you for sharing. This is amazing
You are so welcome!
So creative, and Always a pleasure to watch. Cheers
Thank you
I loved every stage of this painting. The fact that you use a primary color scheme is very interesting. I've been tring to limit the colors I'm using as well. It seems to change the way I work and I like the results so far. Thank you again for sharing your process. I hope the rain didn't ruin anything in your studio.
Thank you. It is sometimes difficult to restrict your colours but I really do think it makes a difference, I love to work in monochrome and in a strange way this does help when moving on to work with colour,
I'm curious as to the title for this piece. Watching the creating was fascinating -- the depth of layers really adds impact. Excellent work!
Very cool painting, love the mirror effect.
Thank you so much 😀
love ur art dude, good works
Thank you so much 😀
❤❤❤
Are you using fixative on the charcoal layers? I wondered because the paint does not seem to pick up charcoal or smear it when you paint over seemingly fresh charcoal drawing.
Yes. Usually he uses hairspray.
Yes I do use a cheap hairspray (it does work)I usually apply a couple of coats of acrylic matte varnish spray to finish.
Dan, I love your work, and watching your process. I have a question! it looks like at the early stages of putting down charcoal you haven’t fixed it so your paint mixes with the charcoal. Later you apply charcoal again and it appears that the charcoal has been fixed and dose t move with paint. I’m I correct in that observation? Thank you, for always being an inspiration. ❤️🎨❤️
Awesome. What was that spray can you used, was it fixative?
Yes I always finish with a fixative or an acrylic matt varnish spray.
Art by me he’s beautiful.
Your work is amazing! I am learning to paint and trying to find my style, your work inspires me, I hope one day I’ll be half as good as you. Question, are some of the paints transparent? I’m curious about laying on layers and still being able to see the under painting.
Thank you. I mix the acrylic paint with a little water here, and spray the charcoal with fixative as I work.
I liked the more niuamced earlier part with the lighter colors esp the background
Hey Dan, @DanTirels
This is a very nice piece.
I have a question. Did you use fixative on your charcoal before applying the acrylic paint?
Thanks for the reply.
Marc
Belgium
I sometimes paint over unfixed charcoal for an interesting paint effect, but once I'm happy with the composition I will spray with a fixative, painting over again and building up the layers. Finish with a varnish to seal.
It would have been nice if you explained what you did along the way.