Hammond M100 Demonstration and mod reamp through C3, L100 and Leslie 760!
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- Опубліковано 6 вер 2024
- Steve Christie of Vintage Keys Studio demonstrates our Hammond M100 (Model number M102) from 1967.
In the video we see the Hammond as is (through its main amp and reverb amp) and then using a modified output, bypassing the onboard speakers, using an 8 ohm 10 watt resistor as a dummy load, and then out via another resistor to a jack, via a mic splitting transformer (backwards), into the auxiliary input on the C3 preamp, and out into the Leslie 760!
Steve has also wired a Leslie tremolo control switch (also attached to the c3).
For an added growl, we also insert an old converted L100 preaamp into the chain. Hey ho - nothing catches fire in this film so all is good.
Please do not try to connect valve amps together unless you know what you are doing, as there are parts that can cause fires and parts inside that WILL kill you. Dead.
Mics used are:
Oktava MK012 (x 2) on the Hammond Console, vocal mic Edge Solo (Antelope Audio) and a cheap and cheerful CPC dynamic bass drum mic on the Leslie cab.
Video and Editing by Louisa Revolta of Vintage Keys Studio film department.
Includes a promo film made by Steve in 2003 for his track 'The Tomorrow Pylons' from the album 'Children's Television Themes From A Parallel Dimension'
See stevechristies...
Video and soundtrack is (C) 2021 Vintage Keys Studio.
Yeah, Jon Lord (RIP) from Deep Purple used to run his Hammond (C3 or B3) through a divider network on the Hammond A & B outputs with a couple of 1k resistors to get a line level out, then run the output into two Fender twin guitar amps overdriving them like crazy to get that gnarly Hammond sound that he was renowned for. Used to drive the Hammond purists crazy... lel!
You mentioning the lack of earthing reminds me that when my little band actually persuaded a keyboard player to join us, we had our first rehearsal in a deconsecrated church in north London. We set up all our beaten up 1960’s gear and began playing, only to have our new keyboardist somehow connect himself between a vocal mic and his Hammond. It did not end well.
Hammond on grounding and fuses: "Fuses, what fuses? We don't need no stinikn' fuses !!!"
Tomorrow People.. now you're talking.. excellent rendition sir
Finally someone who knows how to pronounce "timbre." Thank you.
Timbre, I'm Falling in Love! (Patty Loveless, 1989)
It’s a year older than me and looks better 😂. Love the Hammond sound made famous by many. Great video Steve
Love my M-102 and Leslie 147
Really nice demo! I was just thinking of Emerson or Lord (albeit the L amp without daggers seemed odd) ;-)
Endless fun, quite a remarkable machine!!
I totally scored a l-102 for fifty bucks today.
LOVE THE GAINSBSOURG BIRKIN INTRO
That sound make me think of Granada Television's World in Action theme. You have got some great sounds from that set up.
Thanks! Funnily enough I almost started playing World in Action, then thought it only lasts about 10 seconds so played something else
@@VintageKeysStudio The outro theme is longer but softer and less well remembered, but yes, it's all pretty short.
The WIA theme is an excerpt of Nantucket Sleighride by Mountain
@@ChrisHopkinsBass That was the theme to LWT's Weekend World. Another quality tune for a current affairs programme.
Proper DEEP PURPLE VIBES ... awesome
It's always a blast watching your videos!!!👍
Thank you! And welcome to our club :)
Ah, valves! My very favourite technology! You can keep your chips and digitals and micro do-dahs. No, it's the lovely thermionic emission device for me! It's what I understand after years in the TV trade and day-release to tech college. I've even got a couple of City & Guilds certificates you know! Great videos, as always. Cheers!
Very good demonstrator with graceful manners like an actor! 🤠👌
Thank you. It must be all down to my classical training.
Bloody Hell, you're a real life mad professor!!! Bet your wife ran off years ago! All good stuff 👍. I had a L100 with two Leslie 145s in our kitchen as well, my wife hated it, she used to put our wet washing straight out of the washing machine on top of the speakers, I couldn't win and eventually sold it all off 😡. Now we've got a bigger house and I've got a proper work shop, I'm hankering for another L or M.100. Thank you.😎👍
Hahahaaaaa - vintage Keys Studio used to be in our dining room… and lounge… and bedrooms… and kitchen. DM us if you are in the uk as I know of an L100 for sale :) thanks
Yeah in the UK. In the North West. 😎👍
@@opus1952 contact us via our website vintagekeysstudio.com Cheers
I thought you were gonna say you were looking for another wife 😅
Lovely mate!
I want my minty M143 to go to a country that appreciates it.(like in €urope)
Guess I’ll need a big boat.
Shade of Jon Lord! I have an extra output on my B3, but it bypasses the Leslie speaker fo you can get a signal straight off the preamp and run it into another amp. It has another output that rolls of the high end so you can get more bass out of the organ. The company that restored my Hammond also sells an insert FX box that allows you to introduce guitar FX pedals in the signal chain which outputs through the Leslie. Sounds like you made a Franknorgan.
Love it!
AWESOME demo video!!!! 🔥🔥Subbed!
Have a look at the RCA out on the side of the volume pedal..I used to have a M160 and had a Leslie floor preamp attached to the RCA out on the pedal...It worked pretty well..And you'd also get the reverb too! Just discovered your channel...very nice.
Yes I think the rca on the pedal is an Input rather than an output, but it would work the other way, yes
It would be fun if you showed us the workings of your Lowrey L2 Wandering Genie (1978), when can we see it working?
Anyway i still like this Hammond! More Hammond demonstrations please!
It's queued up ready to be demonstrated in a few videos time.
@@VintageKeysStudio Yeah, I'm a Lowery fan as well. 😎👍
love your vids
Thanks, Richard
23:50 - No, it's not the ordinary kind of sawtooth we know from sound synthesis. It's about the literal one ;-)! Unfortunately my yesterday's comment with strong psychedelic reference got deleted by UA-cam. In difference to comments deleted by a channel this kind of deletion also occurs in the comment history. So you know who's to blame. But - as always - thank you very much for sharing this awesome review and demonstration of unique wiring and amplification! All the best :-)!
Dear Curtis. Thank you for both of your comments - I can't see anything wrong with the first one! Glad you enjoyed our latest instalment.
@@VintageKeysStudio Thanks for responding; I guess it's UA-cam mystery - on my side the first comment is gone. But good to know you've got it. All the best :-)!
Another interesting video. I used to play an L100 regularly. Not sure I'd have done the line out how you've arranged it - I'd have probably found the connection to the input of the power amp & split out from there, probably via a transformer (maybe a DI box - depends on signal level). Still, if it works ..
Thanks Tony. Yes, I did think of using the split input, but it would give a purer, less interesting sound. I did that on the Ondioline once (before power amp) and it took all the charm away and made it sound like a Casio keyboard or a stylophone
@@VintageKeysStudio Since I'm not a great fan of overdriven sound I didn't think of that, but it makes sense.
Je t'aime, moi non pus! Legend!!
Request: Weltmeister Claviset 200 Demonstration!
Currently in production...
Awesome. I HAVE ONE JUST LIKE THAT AND a Leslie I have a separate Leslie preamp pedal to use with my electric guitars. But it doesn't work. Could you help me out
bro not sure about the Jane Birken vocal. the original is a lovely tune
How dare you! ;)
@VintageKeyStudio I got an L 122 in a garage sale. It's in very good shape, all original, tonewheel is ok but the sound is very low and faint. I replaced some tubes and cleaned the RCA inputs and connectors, but still the same problem... The volume/expression pedal makes no effect and the pedal drawbar makes a hum (constant note) when pushed. Any tips on why the sound is so weak?
Replace (or find someone able to safely replace) all the electrolytic capacitors in the amp chassis, and the vibrato and percussion modules
@@VintageKeysStudio Thanks for the tip! Do you know where i could find a list of those capacitors?
hahahahahaha..... you got me at sausages!
I would love to have an old Hammond organ. However, I would probably have to be a radio technician to maintain this beautiful piece.
Are there still any spare parts available from Hammond?
Sadly not, Hammond was bought out by Yamaha(?) or someone and all of the old parts got destroyed years ago. You can get old replacement parts from eBay and new electronic bits from RS components etc
@@VintageKeysStudio 😞
Can you even do a Demonstration on the Deagan 515 Electravibes (1970)
,the Lowrey L2 Wandering Genie (1978) & the Weltmeister Claviset 200 (1960)?
hello, enjoying the videos, lots of knowledge. i have a question i didn't manage to research on my own and i don't know who to ask - you seem like the guy.
on transistor organs, can you typically pull line outs from each manual? i don't yet have an organ to prod and i assume it depends on its make and age, but i thought about running some cheap organ through effects, and i'd rather have two individual loops for each manual.
i'd be ok with some assembly, even having to build separate preamps or whatever. but are the manuals usually bundled together or do they have independent tone generation circuitry?
thank you
Thank you for your question. It depends what organ it is. The older the organ the more likely it is to have separate tone generation for each manual. The best thing to do is find the schematic for the instrument and see if it has two outputs mixed into one and to tap into them before they merge. You probably already know but when tapping into the circuitry it would be a good idea to use a capacitor to block any possible DC and use one that is rated somewhere near the voltage of that part of the circuit. I usually use a 0.1 uf with the line out after the capacitor. Best of luck! Go safely and tell us how you get on.
thanks for the advice! i'll hunt for service manuals first then, i get the feeling there's less of those around than organs.
Oh yes
I had a Hammond electronic organ from the 70’s and I would agree with you it didn’t sound all that great but it did lead to my love of organ music and in particular the Leslie speaker, I recall the belt on mine would slip during speed changes leading to a momentary ‘chuntering sound’ from the cabinet, such character. These days I see so many electronic organs for free, or very low cost, provided you take them away, I just wish I had room for them. I particularly liked your demo of the Yamaha C55 a series of organs which I shall always associate with mediocrity but I now know that I was wrong. I must keep my eye open for one!
Ahh yes - lovely old mechanical Leslies - any electone is good fun. The later ones with the grey finish and a sort of rolladex style menu didn’t look as nice, but had the same sounds and more functions
Thank you for your reply, it’s good to know that the newer versions are worth looking for.
That L100 amp seemed to cut off a lot of low frequencies?
Yes, it degrades the sound terribly!
Sausages?! 😝
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