New episode about CELING BOUNCE to help you create that MOVIE DARK look! Just 1 of the 100's of episodes on our Learn Film platform! Link to our course in the video description above!
I was looking into this literally the other day, and couldn't get a straight answer. This video has taught me more about filming night scenes than film school haha. The white balance tip is amazing, I cant thank you guys enough. Keep up the great work.
This is one of those tips that is incredibly helpful. I have always wondered how to create night scenes. My night scenes always look bad in my opinion and I think this is what I’ve been missing. I really appreciate it!
Do you think this would work in a interior daytime shooting into a window too or do you think the best way would be light pointing at subject with diffusion to make it look more natural? or perhaps a book light?
This is great, used the same method when doing an interview to help with the ambient light to help lift that shadows. LCD pointed at the ceiling and a cob light using a parabolic umbrella with diffusion for the subject.
Thanks for making this video. It's all great knowledge, but the part about controlling the colour temperature in-camera to achieve a specific effect, rather than just white-balancing and hoping for the best, was a revelation for me!
New episode about CELING BOUNCE to help you create that MOVIE DARK look! Just 1 of the 100's of episodes on our Learn Film platform! Link to our course in the video description above!
This is great! I found this out by accident one day. Thank you for the breakdown about how it works.
I was looking into this literally the other day, and couldn't get a straight answer.
This video has taught me more about filming night scenes than film school haha.
The white balance tip is amazing, I cant thank you guys enough. Keep up the great work.
This is one of those tips that is incredibly helpful. I have always wondered how to create night scenes. My night scenes always look bad in my opinion and I think this is what I’ve been missing. I really appreciate it!
Do you think this would work in a interior daytime shooting into a window too or do you think the best way would be light pointing at subject with diffusion to make it look more natural? or perhaps a book light?
This is great, used the same method when doing an interview to help with the ambient light to help lift that shadows.
LCD pointed at the ceiling and a cob light using a parabolic umbrella with diffusion for the subject.
do more videos like this!! i love the format and this was better vs similar videos from other channels 😅
One of the best, clear and useful tutorial about cinematography that i ever seen. Thanks so much.
This is super duper useful!!! Thank you🙌🏻
Thanks for making this video. It's all great knowledge, but the part about controlling the colour temperature in-camera to achieve a specific effect, rather than just white-balancing and hoping for the best, was a revelation for me!
I've been looking for this forever. Movie dark...now I know! Thanks so much.
Really interesting video! Thank you a lot for this Ceiling Bounce Tip. Now I understand the theory of lightning a lot more!
This was really helpful.
Glad!
this is a very good well made helpful video thank you
Thank you for this episode :)
This is very helpful.
Thank you
Great video - Thank you!
Amazing tips. thanks!
This is very helpful, thank you.
Awesome! How would you translate that to the measurement in a light meter? Would you set the bounced light to 2 stops below your working aperture?
very good, could you share the link of the video where you talked about Bringing in the fill to reduce the contrast ratio.
Thanks for this nice 👍
So if you’re bouncing a source four into the ceiling would it be smart to throw a CTB on it? Either full or half?
Niceeee
Can never forget to use lower isos for clean shadows
Can you explain Lower isos? Just getting into lighting as cinematographer😅.
@ there’s countless videos on the topic.