Get 10% OFF Aputure and Amaran: APalexzarfati10 Get 10% OFF GVM: ALEXZARFATI Documentary Filmmaking Course: www.documentaryfilmmaker.co/ Join the Discord: discord.gg/7apTr23H This video was graded with my cinema Luts: www.alexzarfati.com/luts Follow me on Instagram: instagram.com/alexzarfati/ Follow me on TikTok: www.tiktok.com/@alex.zarfati My Camera Bodies Ursa 12K amzn.to/3AyXpnT Bmpcc 6K Pro amzn.to/3TuW7Do My Lenses Sigma lens 24-70mm amzn.to/4433N4a Sigma lens 50mm amzn.to/3CCR7X1 Sigma lens 24mm amzn.to/3RmYl5R Sigma lens 50-100mm amzn.to/3PTUpIF My Drone Mavic Pro 3 amzn.to/3AyXpnT My Audio Gear Rode NTG3 amzn.to/42KGkDx Cheaper Lav System amzn.to/3Q1eYD1 Better Lav System amzn.to/3e0bcwd Zoom Recorder amzn.to/3CHmC2q Patch Cable amzn.to/3R4a1uy Get this for Rodelink lav set amzn.to/3pSyO8H Boom Pole amzn.to/3wFwoy8 My Monitor Feelworld Cut6 Monitor amzn.to/3n9qmnj Feelworld Monitor amzn.to/3PZLa9C SDI Cable amzn.to/3R16cWV HDMI Cable amzn.to/3pVpzoo My Lights GVM 650B: amzn.to/44kYvke FEELWORLD: 225B amzn.to/3GSPxlKFeelworld FEELWORLD FL 125B amzn.to/3Gu2MI9 Amaran 300C amzn.to/4ax1Gtq Aputure 300D II amzn.to/3RfaXeY Aputure Mini Lights amzn.to/3RlUDte Nanlite Projector mount amzn.to/44BAxTd Aputure light dome amzn.to/3cxC3zs Aputure light dome Mini amzn.to/3ATJIl1 Tripods and C-stands Tripod Small rig amzn.to/3Nbf5MJ Tripod amzn.to/3AtMRXn Cheap C-stand amzn.to/3PYuYWq Better C-stand amzn.to/3Rvw4d8 Accessories Ursa sticky circles for lav amzn.to/3Ax6Iov Sandbags amzn.to/3e6Fzky Clamps amzn.to/3QYSZxS Gaff Tape amzn.to/3wETbdo Painters Tape amzn.to/3wHAQMN Tool Set amzn.to/3AwYLQ9 As an Amazon Associate I earn from qualifying purchases #commisionsearned
1. Lighting is only one part of cinematography. 2. Videographer is someone who directs, shoots, edits while cinematographer is only responsible for the image. 3. Camera does matter and choice of your camera will be one of the most important part of cinematography, as well as lenses and diffusions filters and of course lighting. What you really wanted to say I guess is the difference between beginner/amateur cinematographer VS experience/professional one. You put really good effort into this video and is very educational from lighting stand point. Sorry to be that guy but I had to call out on the videography vs cinematography as I see a lot of other videos, considering videographer is a beginner cinematographer, which is really not the case.
That’s a good point and camera and lenses of course matter but beginners always seem to think that buying a new camera will elevate their work when it’s just not true. The real difference in your work is going to come from things like studying, lighting, composition, and how to tell a story with your shots. In so many words, I do agree with you. I think a videographer is not necessarily a beginner, but someone who is sort of a jack of all trades and doesn’t really focus on just the cinematography aspect of filmmaking.
100% true. It is more about the beginner vs experience, because there are plenty of one man band very experienced documentary filmmakers, who shoot beautiful compositions, relying on natural light and direct and edit their own films. @@Alexzarfatifilms It is matter of skills.
@@dathofilms to be honest a lot of the times the UA-cam, title and thumbnail have to be catchy enough to grab someone’s attention and they’re not always 100% on the mark with exactly what the videos gonna be about. Ultimately I do agree with you.
A big part of cinematographer vs videography is you need to see everything with videography. It’s event data capture where cinematography is more art so the subject could be a total silhouette if the style of the film will allow it. That doesn’t really work for corporate interviews
The key difference between a cinematographer and a videographer is a cinematographer shoots to film and a videographer shoots to media (tape or solid state).
@@kurtwallrath1844 Roger Deakins one of the most acknowledged cinematographers today shoots a lot on the Arri Alexa. SSD media type digital camera. Control over your tools is what’s needed for cinematographers like control over T-stop control over focus control over everything. Videographers mostly just shoot to capture the moment so they rely more on auto tools. Less creative choices. Saying “cinematographers use film videographers use tape,SSD” is discounting all of the cinematographers that used all legitimate cameras from Red,Arri,Sony
@@elliotalderson2479 you speak the truth....the progress of technology has made these formerly tech-defined categories become invalid. But for better or worse, we keep using the same words, which creates argument and confusion.
I think in these terms. A cinematographer is creating an artistic image often much different from the reality. A videographer is usually attempting to show unadorned, unmodified reality as closely as possible
Alex this was excellent and super helpful. I’m a photographer moving into video, and while I’m very accustomed to how lighting with strobes is a huge help for still photos, lighting for video is new to me-yet I can see that it’s still essential is raising production value and is something I’ll want to pursue. I know that making a well-produced, helpful video like this is a TON of work. Thank you!!
I did a degree in cinematography but evidently I wasn't that good for school and honestly, I barely learned anything, I cant believe I'm learning more through UA-cam. Great informed and explained video on cinematography and even greater for the people like myself with short attention spams .
@@Alexzarfatifilms Honestly I can't call myself a cinematographer when I'm starting to learn the basics once more haha!! I did a degree on it and then a masters on photography, I love photography but I have 0 clue on the technical side of photography, how did I pass these degrees? Pure luck I think! . So I'm just an enthusiast of the art of photography :)
Just a minor correction - negative fill does not "absorb" light. While DP's talk about it like that, that is not what is occuring on a technical level. Negative fill SUBTRACTS fill. Great video.
EXCELLENT VIDEO Love this video... but please Note... that even though the background music is really nice... it is a little too loud, interfering with your voice making it hard to hear you at times. We just want to HEAR YOU TALK... and learn all these fascinating and knowledgeably things you know. Thank you again, for making this great video
There is a reason why the professional responsible for the lighting and immersion in the movies is called "Director of Photography". As they are photographers that work together with the "Cinematographer" that is responsible for the camera operations (camera angles, field of view, perspective etc is by DP). Then there are the other professionals that work with those two, like Scene Artist or Set Decorator and then Prop Master. The most important person in the movie production, is the producer. He is the #1 decision maker, who hires everyone to create the movie as the producer has seen it to be done. Director is responsible to get the actors and lines work for the view that producer had when seeking the director and everyone else to produce his chosen and funded movie. Producer in the TV shows is even more critical, as they have the all seasons, characters etc in their minds, where director can be changed on every episode. This is as well why Director of Photography is the key for visuals as great one will get the looks and stories done as wanted by producer and director. And many big budget productions halts when Director of Photography is required on other productions or gets sick etc. Basically everything that visually is seen in the movies, is work of the Director of Photographer, not work of the cinematographer or director. That is as well why every photographer should learn to handle flashes and lighting, as you can't get away with f/1.8 or f/1.2 lenses and say you are good portrait shooter. No... You need to know how to handle not just one light, but handle a dozen lights/sources and come up with the photo.
I learned lighting and composition from a master still photographer back in the 1970s and if I had to distill what I learned into one sentence it would be: “What contrasts most strongly with the background will attract the viewer’s attention first, the question then become what do you want them to see and dwell on next?” The main difference between still and motion pictures is that in movies the second part is accomplished by changing the point of view because the scenes are so short there isn’t time to wander the frame to find context, thus the use of strong contrast in tone and color between actor and background in most short scenes and camera movement in longer ones too direct the attention of the viewer.
Great tutorial. One thing to add is that the backish side light that we see in nearly every Hollywood film is called reverse key lighting (see the Interstellar scene at 3:30 in the timeline). You place the camera on the fill side of the subject to catch the key light wrapping around the reverse side of the face.
- [00:01] 💡 Understanding the key difference between a videographer and a cinematographer: lighting. - [00:44] 🌟 Foundational concept: Cinematography should be motivated by the story, with lighting serving a purpose. - [02:28] 🌅 Backlighting: Essential Hollywood technique for creating a cinematic look, adding depth and dimension. - [03:01] 🚫 Negative Fill: Controlling light by absorbing it, adding shadow for depth and contrast. - [03:54] 🎥 Motivated Lighting: Imitating or accentuating existing light sources to enhance scenes authentically. - [05:26] 🎨 Using color: Utilize color in lighting, set design, and wardrobe to create depth, contrast, and mood.
Great breakdown. So many posting videos on youtube describe themselves as cinematographers without much apparent understanding of lighting or composition.
I loved how John Wick used the blue and red lighting to show whether John was in control of a fight. They used this light cue subtly, but when you know it's there it becomes so obvious. Great vid btw, really enjoyed it. A+
Thanks Alex. Really appreciated your insights and thesis. I'm an experieced (award winning stills) photographer with a good understanding of light, but still found this helpful. I guess it's all about image/lghting design and intent rather than just using what's there, without considering how appropriate or otherwise the lighting is. I'm sold on doing the best you can albeit constrained by time, budget, clients etc etc. I'm a newbie (to moving vs stills imaging) attempting to learn more about video. I find the terms 'Cinematography' vs 'Videography' a little 'loaded' and perhaps even a tad pretentious. I agree with other commentators that it can (mistakenly IMO) be an allusion to experienced operators vs novices, which isn't helpful. I appreciate great lighting, have now invested in 4 Apurture lights and I'm attempting to further improve my lighting skills - learning how to position and modify intentionally etc. But as a small, amateur, shooter/operator it's difficult since one needs to understand a range or stuff = like audio and editing too. I occasionally collaborate with others, having joined an amateur film making group, which I'm hopeful will further my 'growth'. IMO it's unrealistic to try and compete with Holywood lighting and set designs (without the budget) so there are real limitations to what is achievable, without devoting substantial time costs (to help offset limited budget). But, nonetheless, the principles of cinematography (as it pertains to lighting) are apreciated even if it means I'm often needing to 'cut corners' for reasons of pragmatism.
man i hope my instructor doesnt know you or your videos because if he does he will surely be able to tell you taught me about cinematography and not him but he does think I'm like really super f***ing smart and got all i was explaining in class from him, oh yeah he's even smarter than me but thank you for this video you made it really easy to understand and that ability is the universal sign of a true smart man..Thanks
I've always had a love for film as well as photography. Im now at a point in life where i do not want to have any regrets, and im steeping out of my comfort zone and embarking on a new chapter into being a videograoher as my side gig to my main job. I always lived with regret and not pursuing my dreams right out of my high school . Instead i followed the norm of society and got a degree in which i dont even use. So its now or never.
Surprised I've never come across your channel before now. Great information and great video. I'm just a guy on the internet but I didn't think the talking head, b-roll, titles, or stills dragged at all. Very well paced and put together.
Great!, after watching this video i truly feel like i learnt something really valuable. they way you explain makes even noobs like me feel like i can do this after just watching 1 video. I hope you continue to post such videos in future where we can get to learn new things. i subscribed.
Thank you for this. I am a student, beginner filmmaker and I tend to get the two confused. I want to become a better cinematographer. This was helpful insight.
Use of light and use of composition. Playing foreground elements off of background elements. Play with perspective. Design elements. Leading lines. Cinematographers shoot scenes as if they are taking a photograph.
Excellent overview video, with the key information easy to remember. Perhaps the best I've seen in cinematography tips in terms of the simple and general tips you can takeaway to instantly apply to your work. Thanks!
Great video. But I'm a bit puzzled by showing an RYB color wheel instead of an RGB one in a video about lighting. Your dissection of the use of complementary colors in the John Wick shot is excellent, and the colors are obviously not red and green, but red and cyan, which are opposite each other on the RGB color wheel.
This more of what I want in the world of photography, not shilling for a certain brand, but how the pros make incredible scenes. I believe this is what made the original Blade Runner and scenes in Star Wars with Luke vs. Vader so impactful. Thanks for breaking that down in this video.
This is such a great analysis. I’m saving this so that I can references on a regular basis! Thanks for putting all this together in one place in such a great package.
Great video, although I hoped to find an explanation of the thumbnail (why the camera's 2700K WB is not in sync with the 3200K key light)... Nevertheless, subscribed. 💯
forcing a comparison between a videographer and a cinematographer is like comparing a downhill skier to a cross country skier or a quarter miler to a marathon runner…they both use skis and sneakers but do entirely different things for different reasons.
Get 10% OFF Aputure and Amaran: APalexzarfati10
Get 10% OFF GVM: ALEXZARFATI
Documentary Filmmaking Course: www.documentaryfilmmaker.co/
Join the Discord: discord.gg/7apTr23H
This video was graded with my cinema Luts: www.alexzarfati.com/luts
Follow me on Instagram: instagram.com/alexzarfati/
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As an Amazon Associate I earn from qualifying purchases #commisionsearned
1. Lighting is only one part of cinematography. 2. Videographer is someone who directs, shoots, edits while cinematographer is only responsible for the image. 3. Camera does matter and choice of your camera will be one of the most important part of cinematography, as well as lenses and diffusions filters and of course lighting. What you really wanted to say I guess is the difference between beginner/amateur cinematographer VS experience/professional one. You put really good effort into this video and is very educational from lighting stand point. Sorry to be that guy but I had to call out on the videography vs cinematography as I see a lot of other videos, considering videographer is a beginner cinematographer, which is really not the case.
That’s a good point and camera and lenses of course matter but beginners always seem to think that buying a new camera will elevate their work when it’s just not true. The real difference in your work is going to come from things like studying, lighting, composition, and how to tell a story with your shots.
In so many words, I do agree with you. I think a videographer is not necessarily a beginner, but someone who is sort of a jack of all trades and doesn’t really focus on just the cinematography aspect of filmmaking.
100% true. It is more about the beginner vs experience, because there are plenty of one man band very experienced documentary filmmakers, who shoot beautiful compositions, relying on natural light and direct and edit their own films. @@Alexzarfatifilms It is matter of skills.
@@dathofilms to be honest a lot of the times the UA-cam, title and thumbnail have to be catchy enough to grab someone’s attention and they’re not always 100% on the mark with exactly what the videos gonna be about. Ultimately I do agree with you.
A videographer is uncle Bob filming his nieces birthday party on his phone
@@shawn3d😂😂😂😂
A big part of cinematographer vs videography is you need to see everything with videography. It’s event data capture where cinematography is more art so the subject could be a total silhouette if the style of the film will allow it. That doesn’t really work for corporate interviews
The key difference between a cinematographer and a videographer is a cinematographer shoots to film and a videographer shoots to media (tape or solid state).
@@kurtwallrath1844 Roger Deakins one of the most acknowledged cinematographers today shoots a lot on the Arri Alexa. SSD media type digital camera. Control over your tools is what’s needed for cinematographers like control over T-stop control over focus control over everything. Videographers mostly just shoot to capture the moment so they rely more on auto tools. Less creative choices. Saying “cinematographers use film videographers use tape,SSD” is discounting all of the cinematographers that used all legitimate cameras from Red,Arri,Sony
@@elliotalderson2479 you speak the truth....the progress of technology has made these formerly tech-defined categories become invalid. But for better or worse, we keep using the same words, which creates argument and confusion.
I think in these terms.
A cinematographer is creating an artistic image often much different from the reality. A videographer is usually attempting to show unadorned, unmodified reality as closely as possible
Alex this was excellent and super helpful. I’m a photographer moving into video, and while I’m very accustomed to how lighting with strobes is a huge help for still photos, lighting for video is new to me-yet I can see that it’s still essential is raising production value and is something I’ll want to pursue. I know that making a well-produced, helpful video like this is a TON of work. Thank you!!
I did a degree in cinematography but evidently I wasn't that good for school and honestly, I barely learned anything, I cant believe I'm learning more through UA-cam. Great informed and explained video on cinematography and even greater for the people like myself with short attention spams .
lol that’s great to hear so glad you found value in this! Are you a cinematographer?
@@Alexzarfatifilms Honestly I can't call myself a cinematographer when I'm starting to learn the basics once more haha!! I did a degree on it and then a masters on photography, I love photography but I have 0 clue on the technical side of photography, how did I pass these degrees? Pure luck I think! . So I'm just an enthusiast of the art of photography :)
I really hope you success in telling the world your story through visuals. @@soundsbynature3714
Just a minor correction - negative fill does not "absorb" light. While DP's talk about it like that, that is not what is occuring on a technical level. Negative fill SUBTRACTS fill. Great video.
I'm confused, I thought that was exactly what it was doing. Neg fill subtracts fill by absorbing the light, no?
EXCELLENT VIDEO
Love this video... but please Note... that even though the background music is really nice... it is a little too loud, interfering with your voice making it hard to hear you at times.
We just want to HEAR YOU TALK... and learn all these fascinating and knowledgeably things you know.
Thank you again, for making this great video
There is a reason why the professional responsible for the lighting and immersion in the movies is called "Director of Photography". As they are photographers that work together with the "Cinematographer" that is responsible for the camera operations (camera angles, field of view, perspective etc is by DP). Then there are the other professionals that work with those two, like Scene Artist or Set Decorator and then Prop Master.
The most important person in the movie production, is the producer. He is the #1 decision maker, who hires everyone to create the movie as the producer has seen it to be done. Director is responsible to get the actors and lines work for the view that producer had when seeking the director and everyone else to produce his chosen and funded movie. Producer in the TV shows is even more critical, as they have the all seasons, characters etc in their minds, where director can be changed on every episode.
This is as well why Director of Photography is the key for visuals as great one will get the looks and stories done as wanted by producer and director. And many big budget productions halts when Director of Photography is required on other productions or gets sick etc. Basically everything that visually is seen in the movies, is work of the Director of Photographer, not work of the cinematographer or director.
That is as well why every photographer should learn to handle flashes and lighting, as you can't get away with f/1.8 or f/1.2 lenses and say you are good portrait shooter. No... You need to know how to handle not just one light, but handle a dozen lights/sources and come up with the photo.
One of the most well-explained videos I've ever seen on lighting. Well done.
Incredibly direct and to the point. Thank you🎉
The difference betweek a cinematographer and videographer is that cinematographers create a feeling, while videographers capture it
Thank you.
I wanted a video like this and I feel like I got something
Videos dealing with lighting are invaluable
No problem brother glad you enjoyed it🙌🏻
I learned lighting and composition from a master still photographer back in the 1970s and if I had to distill what I learned into one sentence it would be: “What contrasts most strongly with the background will attract the viewer’s attention first, the question then become what do you want them to see and dwell on next?”
The main difference between still and motion pictures is that in movies the second part is accomplished by changing the point of view because the scenes are so short there isn’t time to wander the frame to find context, thus the use of strong contrast in tone and color between actor and background in most short scenes and camera movement in longer ones too direct the attention of the viewer.
Great tutorial. One thing to add is that the backish side light that we see in nearly every Hollywood film is called reverse key lighting (see the Interstellar scene at 3:30 in the timeline). You place the camera on the fill side of the subject to catch the key light wrapping around the reverse side of the face.
- [00:01] 💡 Understanding the key difference between a videographer and a cinematographer: lighting.
- [00:44] 🌟 Foundational concept: Cinematography should be motivated by the story, with lighting serving a purpose.
- [02:28] 🌅 Backlighting: Essential Hollywood technique for creating a cinematic look, adding depth and dimension.
- [03:01] 🚫 Negative Fill: Controlling light by absorbing it, adding shadow for depth and contrast.
- [03:54] 🎥 Motivated Lighting: Imitating or accentuating existing light sources to enhance scenes authentically.
- [05:26] 🎨 Using color: Utilize color in lighting, set design, and wardrobe to create depth, contrast, and mood.
love & appreciate your content... Right ON !!!
Thanks brother
Thank you for such an indepth explanation!
I thought cinematography was an art, but it is an art plus science. Great analysis and video! thanks a lot.
Great breakdown. So many posting videos on youtube describe themselves as cinematographers without much apparent understanding of lighting or composition.
Thank you so much! Great video!
I loved how John Wick used the blue and red lighting to show whether John was in control of a fight. They used this light cue subtly, but when you know it's there it becomes so obvious. Great vid btw, really enjoyed it. A+
This is a great reminder about lighting
I am glad I have watched this at a time when am going to shoot tomorrow
Great video Alex!💪
So informative and to the point. Excited to play with lighting going forward. Thanks!
FANTASTIC VIDEO, THANKS!!!
Thanks Alex. Really appreciated your insights and thesis. I'm an experieced (award winning stills) photographer with a good understanding of light, but still found this helpful. I guess it's all about image/lghting design and intent rather than just using what's there, without considering how appropriate or otherwise the lighting is. I'm sold on doing the best you can albeit constrained by time, budget, clients etc etc.
I'm a newbie (to moving vs stills imaging) attempting to learn more about video. I find the terms 'Cinematography' vs 'Videography' a little 'loaded' and perhaps even a tad pretentious. I agree with other commentators that it can (mistakenly IMO) be an allusion to experienced operators vs novices, which isn't helpful. I appreciate great lighting, have now invested in 4 Apurture lights and I'm attempting to further improve my lighting skills - learning how to position and modify intentionally etc. But as a small, amateur, shooter/operator it's difficult since one needs to understand a range or stuff = like audio and editing too. I occasionally collaborate with others, having joined an amateur film making group, which I'm hopeful will further my 'growth'. IMO it's unrealistic to try and compete with Holywood lighting and set designs (without the budget) so there are real limitations to what is achievable, without devoting substantial time costs (to help offset limited budget). But, nonetheless, the principles of cinematography (as it pertains to lighting) are apreciated even if it means I'm often needing to 'cut corners' for reasons of pragmatism.
man i hope my instructor doesnt know you or your videos because if he does he will surely be able to tell you taught me about cinematography and not him but he does think I'm like really super f***ing smart and got all i was explaining in class from him, oh yeah he's even smarter than me but thank you for this video you made it really easy to understand and that ability is the universal sign of a true smart man..Thanks
I've just discovered a hidden gem in the cinemagraphy world here!
Thanks brother🙌🏻
I've always had a love for film as well as photography. Im now at a point in life where i do not want to have any regrets, and im steeping out of my comfort zone and embarking on a new chapter into being a videograoher as my side gig to my main job. I always lived with regret and not pursuing my dreams right out of my high school . Instead i followed the norm of society and got a degree in which i dont even use. So its now or never.
Nicely done. Showing the true difference here is great!
Awesome video keep up the good work. Never disappointed from watching your channel 👍🏾
Thank you my man
thank you. highly underrated channel
Surprised I've never come across your channel before now. Great information and great video. I'm just a guy on the internet but I didn't think the talking head, b-roll, titles, or stills dragged at all. Very well paced and put together.
That’s awesome man. I’m so glad you found the channel. Great to have you.🙏🏻
Great!, after watching this video i truly feel like i learnt something really valuable. they way you explain makes even noobs like me feel like i can do this after just watching 1 video. I hope you continue to post such videos in future where we can get to learn new things. i subscribed.
really excellent, I had a Cinematographer demonstrate these principles in real life in a bar! Hoping to work with him soon, on a set
Listen, this was a great freaking video. But also the music had me feeling so calm and focused haha!
you make it so much easier to understand, thank you
My pleasure
Thank you for this. I am a student, beginner filmmaker and I tend to get the two confused. I want to become a better cinematographer. This was helpful insight.
Use of light and use of composition. Playing foreground elements off of background elements.
Play with perspective. Design elements. Leading lines.
Cinematographers shoot scenes as if they are taking a photograph.
new creator here - just started a month ago - and i was always reflecting on how to improve. this video helped a lot - thank you!
Great 👍 still waiting for the notification since last year 😢
I know brother me too lol. We’re adding a lot more to the course to really give it a lot more value.
Lighting really makes a difference!
This is such an excellent breakdown of cinematography lighting, I appreciate you taking the time to make this video. Kudos.
Great video thanks!
Excellent overview video, with the key information easy to remember. Perhaps the best I've seen in cinematography tips in terms of the simple and general tips you can takeaway to instantly apply to your work. Thanks!
Thank you for these man, seriously educational. Trying to step my game up this year and this helps tremendously.
Do you recommend Tungsten or LED lights? I prefer LED lights.
It depends on what your going for but more often than not I use Bi colored LED
Learned a lot from this. Thank you.
Glad my brother
So cool ! thak you one more time !
Great video. But I'm a bit puzzled by showing an RYB color wheel instead of an RGB one in a video about lighting. Your dissection of the use of complementary colors in the John Wick shot is excellent, and the colors are obviously not red and green, but red and cyan, which are opposite each other on the RGB color wheel.
This more of what I want in the world of photography, not shilling for a certain brand, but how the pros make incredible scenes. I believe this is what made the original Blade Runner and scenes in Star Wars with Luke vs. Vader so impactful. Thanks for breaking that down in this video.
great video, but the position of the lights are the main reason for the contrast.
Thanks, Alex!
this is top tier info thank you
Great segment!
This one was good👍 Need to check more of your videos. Thx man🙌
Hey Alex, very inspirational content. Thx!
Very informative. Thank you. Learned a lot!
This is such a great analysis. I’m saving this so that I can references on a regular basis! Thanks for putting all this together in one place in such a great package.
Excellent. 🙂
Damn! 😮. He's actually right.
Thank you, this is a great source!
4:06 finally answering my question
Great breakdown!!
Great video, although I hoped to find an explanation of the thumbnail (why the camera's 2700K WB is not in sync with the 3200K key light)...
Nevertheless, subscribed. 💯
Thanks, this is really informative. I’ll try and use it when I can.
Quick question about your thumbnail. If you want a warmer look on skin, wouldn’t your camera have to be set to a higher Kelvin than the key light?
Wow, thanks. Really good explanation!
Famous cinematographer, Vittorio Storaro, said it all, declaring, "Cinematography is writing with light."
Great work. Subscribed. I'll use some of these tips in my aviation career course videos.
This is the best place to learn because i recently started my youtube channel
Great movie, thanks
NOTHING BUT GREAT VALUE!
❤👍 saludos desde España 🇪🇸
Great information Alex!
Very valuable.. Thankyou
0:45 whats the music playing called?
Dude, your background is amazing! And the video quality aswell!! Sub+1
The camera can’t be anything without the light supporting it. Cinematography is a talent you can only have once mastering photography and lighting
Classe. Thanks.
beautiful ....thanks...
forcing a comparison between a videographer and a cinematographer is like comparing a downhill skier to a cross country skier or a quarter miler to a marathon runner…they both use skis and sneakers but do entirely different things for different reasons.
its motivating me thanks for this ,Great content
Great Content thank you!
Glad you liked it!
This is great. Thank you ❤
Found it! background music (song) is called ero808 - OXYGEN
CinemaGod! you the best sir
this is amazing
this was so helpful thank you for sharing ❤
Thansk for sharing!
I thought you were the actor Jamie Dornan (50 shades of grey) has anyone ever told you that?
lol yeah I get that often
good stuff!
Well, a cinematographer creates a world, a cinematographer captures a given reality.
thank you
There is a flash frame at 2:17 seconds... but great video.
What is the back ground music plz Thanks !!!
Spoken to like a true videographer.
LOL.
amazing info.
Realistically, how easy is this to do on a budget?
Great video! Subbed!
What a great video
Glad you enjoyed it thank you man!