Schönberg: Pelleas und Melisande ∙ hr-Sinfonieorchester ∙ David Afkham
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- Опубліковано 1 січ 2020
- Arnold Schönberg:
Pelleas und Melisande op. 5 ∙
Sinfonische Dichtung für Orchester
nach dem Drama von Maurice Maeterlinck ∙
hr-Sinfonieorchester - Frankfurt Radio Symphony ∙
David Afkham, Dirigent ∙
hr-Sinfoniekonzert ∙
Alte Oper Frankfurt, 13. Dezember 2019 ∙
Website: www.hr-sinfonieorchester.de ∙
Facebook: / hrsinfonieorchester
This Romantic side of Schoenberg is not as well known as his later, more serialist works. That’s a shame, and needs to be rectified. Performances like this help, Bravo!
actually his serialist side is as romantic as this one
It's not as well known *about*. But in as much as Schoenberg gets performed at all these days, it's these the works that make it. Verklärte Nacht, Quartet No. 1, and so on. If anything, Pierrot Lunaire and Gurreliederd some times. But seldom a 12-tone piece.
This performance is marvelous, my favorite orchestral piece from the expressionists. Would love to hear it in a concert hall some day. To bad Schoenberg still after all this time isn’t played to often. A true master of tonality.
Congragulations for this concert, always a perfect recording with great camerawork, in fact each video is a musical feast with this suberb orchestra and conductors. Keep the good work on, please, hr people.
Some highlights:
0:38 Destiny Motif (Schiksal Motiv)
2:02 Melisande Motif
3:13 / 3:47 Golaud
4:35 Ring Motif
8:05 Pelleas
11:48 Fountain Scene
13:04 Melisande loses the Ring
17:20 Richard Strauss quote?
17:34 Golaud and Melisande in the vaults
27:16 Golaud kills Pelleas
35:40 The death of Melisande
Thank you so much, Bartje. Very helpful!
Quando em meus trabalhos focalizo os três desajustados vienenses, não deixo de citar esta obra como marco salvador desse trio. Pelleas e Melisande é, sem dúvida nenhuma, a afirmativa da genialidade desse grupo que não poupou saberes, e o tonalismo que precedeu o movimento que lançaram em direção ao dodecafonismo lhes outorga o reconhecimento de grandes mestres. A produção desse trio ainda enfrenta restrições, mas há que se considerar a dificuldade de interpretar obras de grande complexidade, às quais nem todos os regentes são capazes, até por convicções que premiam o formalismo, mas a interpretação Afkham com esta magnífica orquestra pode amoldar a preferência dos ainda voltados ao formalismo, e criar um novo conceito sobre a arte de ouvir o que está alem de "sempre os mesmos"! A diversidade sempre mostrou caminhos a serem explorados, e grandes mestres da rebeldia merecem que suas criações estejam sempre disponíveis nas programações das grandes orquestras, para que delas, essas criações, todos possam auditivamente usufruir.
Glorious. I am very fond of Schonberg, his early and later music.
Such brilliance. To be a fly on the wall in Vienna when he gathered, I forget who-Berg and another-and reimagined the scale. And another thing. I’ve been viewing these performances by the Frankfurt Radio Orchestra for quite some time. I’ve got it bad for the lovely flautist. Such expressive wind and eyebrows. Love is a strong word, but the only one that will do.
so does the cameraman
Pelleas, the most beautiful song of all time
Buenos días, gracias por alegrar la mañana.
The principal flautist does it for me every time. She is amazing, not just to look at , but her perfect playing and accompanying body movements are mesmerising.
Clive, the principal Flautist is the world renowned Clara Andrada and she is something very special!
@@anandsamuel1978 thanks for that.
@@BritinIsrael my pleasure
Nice to have a more modern recording of this.
Love your halls! Video and product👍 %100! Not to mention the stupendous performances!
Dramatische und wunderschöne Aufführung dieses spätromantischen Meisterwerks mit ein bisschen mysteriösen doch perfekt artikulierten Tönen aller Instrumente. Der geniale Maestro dirigiert das hoch funktionelle Orchester im gut phrasierten Tempo und mit möglichst effektiver Dynamik. Das ist auch Schönberg!
Obrigado amigos e amigas musicistas! Gratidão pelo belissimo trabalho!
Thank you.
Arnold Schonberg: I was given limited information in my meager music training. This work busted my ill informed myths. It didn't take me to, I gotta hear this again. However, it did take me into reshaping what I believed about Schonberg.
Listen again. You will become addicted, trust me.
Yes, Listen again. And compare it with Strauss (Frau ohne Schatten, for example), Zemlinsky (Lyrische Symphonie) , Mahler (9. Symphonie) or Josef Suk (Asrael). Encourage yourself! And read some articles about art in the late 19th Century. I wish you a good success.
Yes also check out Gurrelieder if you haven’t already!
Enfin un bon chef !
wow , so perfectly
Starts at 0:26
Ein wundervolles Stück Schönebergs
Back when Schönberg acknowledged that it was nice to have a home. Schönberg is like "D minor ain't that bad but let me keep running away from it." He occasionally returns, but surely, you can feel his tendencies. The guy just likes to be free floating. I guess it's hard to stay friends with a guy who keeps changing his mind about everything. You'd really have to be into it and frantically stick to it. Never got to be friends with it. In the end, it's just the old avantgarde dilemma. Is it art? Are we ever able to fully appreciate it? Or will we stick to our simple habits and refuse to acknowledge anything that is ... well ... different.
For me, it's no use. Remember Marcel Duchamp's Fountain? That's Schönberg to me. I don't think I quite comprehend ...
Not a single uptick. That's the thing with modern, avant garde art; no one will say he doesn't "get it," or like it, for fear of being rebuked and sneered at. It's "interesting." But with none of the familiar musical devices we all know and love and understand, what's to get? Maybe a new understanding? Quien sabe? Solo Dios?
Благодарю!
no se que tiene la música de abstracta, acá hay una maza densa, a veces suave y mucha alma y talento.
Abstracta ???
쇤베르크의 12음기법 적용 전의 음악인것 같네 1896년 녹턴때만 해도 정말 낭만 스러웠는데 전환기 시절의 작품인것 같다 독학으로 공부해서 몇백년 동안의 클래식 음악을 순식간에 뒤집어 놔버린 쇤베르크는 정말 대단하다
Wie macht Herr Afkham das mit seinen Haaren?🤭🤩
Die Haare sind unwichtig. Wichtig ist wie er die Sache musikalisch beherrscht.
グレの歌よりも読みにくいオーケストラ譜
私は分析を途中で投げ出した
シェーンベルクの代表作の１つ
リヒャルト・シュトラウスとマーラーとワグナーを混ぜたような響き
ドイツロマン派音楽の頂点の作品の１つ
Vozforum bring me here!
???
???
Schoneberg , great Jewish composer,,,❤
No me gusta la obra, pero la interpretación es maravillosa!!!
쉔베르크의 음악은 결국
조각조각의 멜로디를
어떻게 조합시켜 거대한
오케스트라 곡으로 작곡할까에 심혈을 기울였다 다만 그가 무조음악에 12음기법으로 작곡하기
전까지는~
Quand je commencé à faire mes geste de musique et des chansons et de suivre suivre mon Maître Monsieur Mozart je n'avais pas pensée que j'allée faire peur à tant de personnes qui sont bien pleines à craquer de pognon. de tout façon l'agent je ne courre pas après j'ai de quoi vivre jusqu'à fin de mes jours mes amis . Vous pouvez me croire . Aujourd'hui on veut m'empêcher de faire mes gestes d'amour et de tendresse parce qu'ils dérange beaucoup de beau Monde qui mènent les manettes de l'internet avec un écran noire quelle honte pour notre société et pour la liberté de nos enfants Père Noel Papy Jean qui aimernt de vrai tous les enfants du Monde Pauvres au riches
Isto que você diz é totalmente utópico, infelizmente.
No thanks....
that´s not music, that´s torture
Even if you think that - and that's really sad - perhaps you could allow MUSIC lovers the pleasure of not having to read it.
but... did you like it?
In the sense of Tristan, then yes. A beautiful torture.
Luckily the next piece on my play list is a nice Chopin piano solo so I can clean out my ears and settle my nerves. I couldn't take 10 minutes of this piece, so don't know if it improves, but it would have been a lot better if he had only let one brass instrument play at a time... I really didn't realize a french horn played by anyone over the age of about 9 could cause pain... They had always seemed such nice, soothing, inoffensive instruments... ;)
That's because you are not blessed with a good ear! Nothing wrong with that probabely you may enjoy sinestezia or something else.