The Strymon Deco is the best sounding echo I’ve ever used that doesn’t have any actual tape or tubes. It’s not marketed as a tape echo device, so it hasn’t garnered the popularity among rockabilly players that it should have. Unlike most echo pedals, it’s not trying to emulate an old tape echo unit like an echoplex or copycat… it’s doing the thing that you hear on pretty much every record from the 50’s. It’s like running two Ampex 350 tape machines, with one using the record playback thus creating tape echo. Every studio from Sun to RCA to Bradley’s Barn did this, and aside from actually owning two 350s, this is the closest thing I’ve ever heard to the sound on all those records. It does the tape saturation, the slight wobble and imperfections, and optional high and low pass filters for further aging. It’s pricey but worth it, especially in a studio setting. Can’t recommend it enough!
I’m an American and it makes me happy and proud to see that the music that I love has spread all over the world and you do it justice brother! Best wishes from California!
@@ducktailcat as an American country boy and a rockabilly boy I'm also proud that there's a whole world of community out there that will the same type of music as country boys do
Bravo Randy for ignoring the haters. I'm an American guitarist(for 39 yrs now) and it's simple... ALL music is for the whole world. (Afterall, we Americans sure embraced the British Invasion didn't we?) Anyway, you're doing a great service to those wanting to learn Rockabilly guitar. And FWIW, this American says, "Rock on my Brother!". Cheers Randy!
Europeans kept the Rockabilly sound going when it about died at home and what goes around comes around, they are now helping teach the revived interest here in the U.S.. It’s a small world and we are all in this sound together. Thank you! By the way I went to the same Jr High School as Buddy, frequented the Cotton Club and went to concerts at the Fair Park Coliseum in Lubbock. It was a hub of activity to the sound. The sound died out in the region in the late 60’s as far as a concert and club goer went. There may have still been some recording going on at some of the small studios that popped up on 19th Street and in other areas of West Texas, but for the listener the mainstream sound had moved on from what was once a hotbed for it. So thanks Randy for keeping the sound safe no matter where in the world you are, you are doing more to bring it back and spread the sound than anyone near me. I left Lubbock in the rear view mirror and spent 30 years in the military and found rockabilly in small venue clubs all over England and Germany in the late 70s and early 80s. Hardly any when I returned to the States in the late 80s. So if it was here it was hiding damn well in pockets somewhere far from me. It was the early 2000s before we started seeing a sprinkling of Rockabilly and Surf in small clubs around Tulsa where I retired from the Air Force. Very, very few groups still here, but lots of people gaining interest again. So thank’s again Randy, I missed the sound so much I’m trying to transition from a listener to a player and you really help fulfill the gap local instruction that went MIA years ago here.
Thank you very much for your long comment. I was in Lubbock and Tulsa in October, visiting Lubbock High, Cain's Ballroom and the Tulsa Fairground Pavillion. I has a great time. It's a shame that the Cotton Club is not there anymore. Have a great weekend!
This American appreciates and loves the work you do preserving American music history and culture and I haven't seen a better source for rockabilly music lessons out there! Rockabilly is loved everywhere from Mexico to Germany, Japan to the US, to the Ukraine and so on. What a unifying force of peace and love great music is!
Thanks, as always Randy. Stunned to hear the nature of the feedback you mentioned up front. You are the consummate professional, generous, dedicated and a great teacher.
Opinions are like toes. Most of us have more than one. Who cares where you eat your breakfast. This American appreciates your lessons and passion you share. Thank you sir. If you’re ever in Kentucky I’d be glad to share some of our bourbon. Oh wait you can have Whiskey there as well. Small minded people give me a headache. Stay safe and keep ‘em coming sir.
Thank you for your kind comment. I've been to Kentucky a few times to see Bill Monroes Birthplace and to see the thumb pickers in Muhlenberg County. Goot times!
@Randy Richter - Hey Randy, I too have been to Kentucky and to Bill Monroe‘s Birthplace as well as the International Bluegrass Music Museum in Owensboro Kentucky! It was about 650 miles for me to get there, but that is nothing compared to your trip!
God bless you.this is fabulous. You are such a brilliant teacher and resource for the rockabilly/guitar/music world. Thank you for being generous enough to reach out to other artists and letting them share what they do. I hope to one day be good enough to feature on your brilliant channel.
I'm glad to see the Tone City Tiny Spring getting some love. It's a damn good pedal, I've had mine for 5-6 years now and it's just got something to it that makes an amp sound better. Currently, my fav slapback is a the Boss DM-2w.
Netherlands 🇳🇱 rock n roll & rhythm and blues player here. Love the way how you handled this video by inviting others. 👏 Have used a number of delays through the years, along with my '64 tank. Sound I got the best comments on was the Roland re20. Now using a ghs milkman, smaller and also does the job when gigging. Keep up your great authentic approach, wishing you the best with your band and YTchannel. Hope to watch you play live someday 🙂
The Nocturne Brain’s Mystery Brain pedal shouldn’t be left out of the discussion. Slightly pricey perhaps (hand made) but as well as having a dead eye copy of the Roland 301 space echo sound, it has a beautiful built in pre-amp that just sings. As a friend said recently, (asking me to turn it on) “hit the ‘50s switch” it truly is a beautiful tool. Peace Randy and thanks for another great video- stay safe.
I’ve got one and it’s very good. They market it as a plexi drive, but if you keep the gain low and turn up the volume you get a good cranked tweed type sound which cleans up great with your guitar volume. If you crank the gain it sounds like a cross between an orange and Marshall to me, but that’s not how I use it. The Delay is analog with dark repeats and gives a great low fi slap back, and you can add some good reverb drip too.
Hey Randy, I'm watching this for the first time 2 years after you uploaded it. I'm a UK rockabilly guitarist and also play in a 50s style R&B band. I've played with Dylan Kirk a few times, I mention this as I know you've recently put out his record etc.... I started out in my own band The Runawayz, now playing with Toto & The Raw Deals and King Joe & The Atlantics.... I've used a cheap and cheerful Behringer Vintage Delay for (almost) my whole playing career (so far). My first Fender Deluxe VM amp had built in Echo, but when I changed amps I brought the Behringer Pedal for around £20 brand new when I was around 15 years old and I still use it on every gig today. It's been stomped on thousands of times and have never had any issues. It sounds great. I would recommend it to any Advance or Beginner player. The price makes it affordable for anyone at all, and it sounds better than some pedals in the £50 - £150 range that I've played over the years. I hope this might help someone who's looking in these comments. Take care, keep rockin' 🎶
Oldie but Goldie 😎 I tried the JHS Milkman pedal now, this is definitv a keeper for Slapback, followed directly by Way Huge Aqua Puss and EHX Memory Boy.
Great topic Randy, I use a Danelectro Dan Echo for playing live and have a guitar amp emulator a Line 6 guitar port for practicing using the Scotty Moore setting.
From all the comment in this thread one can use any delay/echo pedal. Dialled in right it'll sound rockabilly. I mostly use a Carl Martin Red Repeat and Ibanez AD9. But a Keeley Memphis Sun is also nice and a Boss DD3.
Surf Rider III Deluxe gets that Rev Horton Heat kind of sound. Thanks for the video and I love the playing. Also GFS makes a cheap delay based on the Echoplex. Solid steel construction and I payed $40 for one about six years ago.
oh, Sean Mencher! I saw him live in Senigallia, Italy, at the Summer Jamboree 2009! A real guitar virtuoso! He was in my same hotel with his band, we spoke a little bit the day after the show! I remember the huge neck of his vintage Telecaster and his big hands!!! old Teles are impossible to play with normal sized hands...!!! Greetings Sean!
Ibanez AD80 or Boss DM3 for me, depending on the amp or guitar. Both have that vintage vibe like no other. The AD80 is warmer and maybe has a tad more vibe, but the DM3 has phenomenal clarity but not in the digital delay sort of way.
Thanks Randy! Cool video. I use a 1983 red boss analog delay pedal with the 3005 chip that was recommended to me by Jim Heath of the Reverend Horton Heat that he used on Smoke em you got em and was also used to make all the crazy sounds in that song Pychobilly Freakout
Hi Randy, I have had a Watkins copycat for some years they are good when working, but hell if something goes wrong as it's nigh impossible to find anyone who can fix it & spares are a problem too, I bought a Marshall Echohead after that & would not recommend it, it eats batteries at an alarming rate & if you lose your settings it takes ages trying to adjust back right(the last thing you need on stage) I then bought a Boss Space Echo RE20 for £205, what a brilliant piece of kit very strongly made, batteries last at least 2 months(alkaline) at home even stage use will give you good service & is easy to adjust to set up for Shadows, Elvis, Rockabilly .
4:46 that train whistle was awesome.... worth watching just for that! Edit PS regarding Germans... or any non Americans for that matter... teaching the Yanks. Let's remember pretty much all of us are too young to remember the original American 50s rockers the first time and thanks to records and now the internet we all have access to the same musical library to draw from. So it really doesn't matter where you are born now. But as an Englishman, we gave the world football, it is fair to say once the bloody Germans do it they usually do it better!!! :) Keep rockin Randy, you are probably the most authentic purest rockabilly teacher on youtube.
those making such ridiculous comments about yourself and rockabilly music most likely cannot play rockabilly, you Mr Richter keep doing the great work you do on your channel, its sounds so authentic, as for delay pedal i use an echoplex, i get a decent authentic 50's sound using that.
I absolutely love the Catalinbread Belle Epoch. Fantastic tape echo sound and sounds great when used as a preamp to hit the front end of the amp a little harder. As an aside, I would love to see you gather more players to guest on your channel.
Hi Jorge, thank you for your input. I will try to get some more guests on the channel. Unfortunately many of my favourite players are not that interested in this. But I will keep trying :-D
I like that last pedal the best. Lots of good pedals out there, so I can't really recommend one, but the best Rockabilly pedal I had was an 80's Guyatone Analog Echo PS 006 made in Japan with the Malaysian 4558 chip. That thing nailed down the Sun slapback thing amazingly well. I stopped playing Rockabilly for awhile, and then I made the mistake of including it with an amp that I had traded for a different one (headslap!) For years I regretted it, but then I saw one for sale on Kijiji for about $120, considerably more than I paid for the other one, but I gladly paid the seller the asking price. Those things are worth latching onto for the right price.
I really love the Strymon Deco for slapback echo - it's a "tape deck simulation", and therefore is much closer to the original Sun Studio echo sound, than an analog delay. Sure, it's pricey - but you also get a second effect, "tape saturation", which actually is great for adding very amp-like compression & a little bit of dirt - without sounding like a typical overdrive pedal.
@@RPSartre01 How much does your echo unit cost? I paid £205 about 5 years ago for Roland space echo so I guess your one doesn't come cheap either, Roland isn't too bad for Sun echo battery life excellent Marshall Echohead diabolical eats batteries trying to regain settings after accidently moving knobs or having some other mut messing about with it is like trying to do rubics cube after drinking a bottle of Jack Daniels!
Improving beginner acoustic player here (2 years in) but found this quite interesting as have been gravitating to learning 50s era songs. An amazing time in history indeed.
I have to say I next to nothing about all that reverb stuff . Having said that , I really enjoyed watching this ! Thanks for all the effort you took in piecing together this video Randy !
Thank you for a very interesting video , and to see the huge vintage units in action . Really good sounding too . I like that old liquid tank one . Amazing to hear .
Cool video man, it’s good to see many passionate Rock and Rollers around sharing their pedal and effect things. I use a Mooer Reecho & Ana Echo. They are good for the slapback effects. Both do them very well, but I like one to be rolled up to the max for some spaceship sound when we do the UFO song and crank it to the max. It’s funny and it sounds good.
Great video, learning the nuances of how everyone works toward their particular sound is cool! I have to say your tape echo on the amp and the last one sounded the closest to authentic rockabilly/rock and roll to me, but each style has its place.
Good music has no borders , its only determinant should be love of sound and appreciation of those types of music you enjoy. American music is truly a mix of all nations sounds enjoyed by anyone. I think YOU are as rockabilly as anyone here. I grew up with listening to the Beatles and the Stones, their early music was heavily influenced by country western,, blues, and rockabilly stuff. So Englishmen gave me my first real exposure and appreciation of American style music . So rock on daddy O,! No matter where you are from....I liked your lesson and will check out more. Thanks. Mike from Boston
The thing is we all grew up hearing American music both in Europe and the States Some people like Eddie Chocran and Gene Vincent were bigger in the U K than they were at home
Thanks Randy Im old and love echo and reverb. I use a roland space echo re201 tape machine and I have a Morely stereo echo pedal that uses the oil can technology (its chrome plated and as big as a Cadillac hehehe).
I use the TC Electronics Echobrain Analog Delay - works nice for that old school sound and you can play around with it to make some pretty crazy noises.
Love this video! I get a kick out of the Strymon ElCapistan. It let’s you dial in the amount of tape wow & flutter as well as the tape age. Those are the sound characteristics that Sean gets from his Ampex machines and that Axel‘s pedals have as a switchable option. I think there could have been a little more mention of specific settings. Slapback is in the 65 - 95 ms range, right? Just my 2cts and I‘m a drummer.
I was surprised at how good the old Dan Electro BLT Slap Back echo is. It's mostly a one trick pony but for less then $50 on the used pedal market, it works good for rockabilly and early country jazz.
It really is excellent. One of my faves for sure. My all time fave pedal for slapback is the Boss DM3. I used to really like the old DOD analog echo as well, but it was such a tone sapper. But hell it sounded so authentic.
Have you ever tried the Dano Reel Echo? Right now I have one pedal board set up with an Aqua Puss and another board with a JHS Milkman delay. @@williamd1891
I’ve used a DOD analog delay, it had nice warmth, but the bucket brigade circuit just sucked the tone too much. Then I used a MXR Carbon Copy, it worked very well, but didn’t have the warmth of the DanEcho that I used next. The DanEcho is nice because you can switch to a long echo too. The downside to the DanEcho is that it can be noisy if you don’t have a good isolated power supply, and a buffered bypass pedal in front of it, and it has a huge footprint. Then I went for the real deal, a Watkins CopiCat. The CopiCat was a blast to mess around with in the practice studio, but a pain to gig with, it probably added ten minutes of setup time at the gigs, you always had to have tape on hand. I loved it’s sound, but it wasn’t worth the hassle. The DanEcho went back on my board. I needed that tape sound I had with the CopiCat, so then I tried the TC Electronics Alter Ego, but it was too hard to dial in on the fly. There were just too many options and never got a good slap back that I liked, and the tape warble effect on it sounded overdone and made it sound like I had a chorus pedal on. The DanEcho again went back on my board. I now use the JHS Milkman for slap back, I kept the DanEcho on my board for the long echoes. The milkman is extremely easy to dial in on the fly and it has a boost on it, which is nice to push the tweed Deluxe when I’m really digging in. I’m in the process of replacing the DanEcho with the Catalinbread Belle Epoch for the long echoes mainly for more real estate to add a Reverb pedal to the pedalboard, and lower my noise floor in the signal path. I hope this helped somebody.
Randy, to answer the first question, you are a Rockabilly artist teaching anyone with an interest in here Rockabilly. Some of the best Rockabilly I have heard in the last 20 years has come from outside the US. Keep in mind that Blues musicians had great careers in the 40s and 50s when it was passed in the States. Also bands like the Rolling Stones and Cream are heavily influenced by American Blues and the Beatles were influenced by early American Rock and Roll. So someone who wants to play Rockabilly, do the best you can and strive to play better. I like the Danelectro Dan Echo, I've owned about five of them at various times. Right now I have three. I also have a Danelectro Reel Echo which works well too. Keep this in mind when you are playing live, you have to compete with every other noise source in the place. People, other instruments, clunking glasses and dishes depending on the venue. A price friendly pedal works fine. Dragging out a tape echo machine exposes it to possible damage and the ambient noise can drown out the sparkle these have. Also if the sound system is not great that will degrade the special sparkle of the pedal or echo unit.
@@your_boy_vesp2981 I've never had one break on me. I have three Dan Echoes and a Reel Echo and all of them are pretty much as good as can be from the 1990s and early 2000s. Two of my Dan Echoes are Alchemy Audio modded, so they are better than stock. The concept of pedals breaking is really from the dumbasses who STOMP on the pedal rather than tap to turn it on. Many players didn't really treat their gear all that great back then so I suspect that is where the concept came from. Compared to a Boss pedal, maybe the knobs and on/off button might fail before the Boss pedal does but again, not really an issue if you take care of your pedals. Same could be said about DOD, that those pedals will probably fail before kicking a Boss pedal around. Just back then, gear was treated more as it was disposable including guitars and amps. Also the Danelectro Mini pedals have the same outline as the Original pedals but plastic and much smaller. People mistake those for being the cheap pedal. I have one that has seen some action but since I have owned it, it hasn't been neglected like whoever owned it before (plus I have Windexed it) so it actually is better than when it came into my possession. It is nowhere near as robust as the steel chassis Danelectro Dan Echo pedals.
I recommend the Mooer Ana Echo. It's analog and has a great slapback sound. I also use a Catalinbread Echorec. In addition, Catalinbread makes the Belle Epoch, basically, their pedals are based on old tape delays where the original slapback came from. However, on a budget, you cannot beat the Mooer. For a spring reverb, you cannot beat the Electro Harmonix Holy Grail. Sounds superb.
I'm lucky enough to have a few delays digital and analogue, some high end, some not so much. The one I use for slap back ( it's virtually on all the time) is a cheap Daphon analogue delay, pedals come and go but that's been used for decades. Very informative and enjoyable post 😎🎙🎸✅
Hello, from Québec, Randy, cool intro, shure would like to get more then a glimps at that amp. Any pointer on how I would go about to build one ? Great review, Thanks you. I liked the fender echi reverb ,very warm natural sounding. I got a mxr analog delay, does a great job, would like to afford a Roland RE 201 space echo, looking at the Boss RE 202 space echo
Randy, thanks for this video. The DanElectro sounded the best to my ear. Well, after your tape delay unit, that is. I found a reel echo on Ebay, so I look forward to playing with it. BTW, your passion for Rockabilly is all that is necessary. I don't care where you might be from. It's all about the passion, and you've got it! : )
Hey man , Im a kentuckian about a stone's throw away from where merle travis was born and you get my approval , you pick like the best of em and you're welcome here anytime
luther perkins is one of my favorite guitar players. such a unique player. i know he was not a virtuoso player but there was something special about his playing.
As an American Luther Perkins is my idol when it comes to guitar playing him and Scotty Moore on the same level in my opinion and with my homemade electric guitar and my fifties guitar ramp I can get that same exact tone
Real nice compilation of pedals for rockabilly guitar. Strangely, although I play too I've never needed any pedal because the Fender amp I have has adequate reverb and slapback echo controls to adjust to your requirement.
I absolutely love my Nocturne Mystery Brain, pre-amp + tape echo sim + tape flutter sim Also if you're a good teacher, artist and love teaching Rockabilly, doesn't really matter where you're from does it ;)
Thx for these insights. It's great to see the range of options. Frankly speaking, a lot of pedals will do the job for slap back echo. My personal favourites are: Strymon DIG Dual Delay and the Nux Tape Core Deluxe. The Strymon I use for a studio setting. Awesome pedal with zillions of possibilities. In a live situation, I prefer an easiier pedal. The Nux Tape Core Deluxe is an ECHOPLEX clone. :)
Thank you for your comment. You're right. The comment section just proves that in the end it comes down to personal taste. There is not one single magical device. I honestly didn't know how many different pedals there are. Pretty amazing!
Hi Randy my name is Manfred....I am originally from Freiburg. Believe it or not! I am just blown away by your clarity, efficiency and ability to be so clean and accurate.......with everything that you do. You just blow the hell out of anybody else with your demonstrations. I want that German booklet, and more stuff from you as I am currently 'doing Holly'........help. I will continue to keep in touch with you. please look me up on you tube facebook, whatever.... Manfred Harter, Vernon, British Columbia. Canada
Search for Memphis Sun pedal (my favourite) or Dan Electro Dan-Echo, Dan Electro BLT slap echo. Dan Electro pedals look really retro with a solid die cast casing. The Memphis Sun is expensive but they do come up on eBay sometimes.
Feel free to add any recommendations in the comment section. Thank you very much!
That's okay. Thank you for your comment!
Danelectro FAB 600ms delay. Seriously. Super-affordable and sounds great.
Chandler stereo digital delay imitates the Echoplex tape echo. Also the WEM/Watkins, guild/copycat tape delay.
Hi Randy. Do you know what amp Stuart used?. Thanks for the video.
The Strymon Deco is the best sounding echo I’ve ever used that doesn’t have any actual tape or tubes. It’s not marketed as a tape echo device, so it hasn’t garnered the popularity among rockabilly players that it should have. Unlike most echo pedals, it’s not trying to emulate an old tape echo unit like an echoplex or copycat… it’s doing the thing that you hear on pretty much every record from the 50’s. It’s like running two Ampex 350 tape machines, with one using the record playback thus creating tape echo. Every studio from Sun to RCA to Bradley’s Barn did this, and aside from actually owning two 350s, this is the closest thing I’ve ever heard to the sound on all those records. It does the tape saturation, the slight wobble and imperfections, and optional high and low pass filters for further aging. It’s pricey but worth it, especially in a studio setting. Can’t recommend it enough!
I’m an American and it makes me happy and proud to see that the music that I love has spread all over the world and you do it justice brother! Best wishes from California!
Thank you Caleb, that's great to hear. Have a Happy Easter
@@ducktailcat as an American country boy and a rockabilly boy I'm also proud that there's a whole world of community out there that will the same type of music as country boys do
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Always a treat to learn some guitar from this German rocker
Bravo Randy for ignoring the haters. I'm an American guitarist(for 39 yrs now) and it's simple... ALL music is for the whole world. (Afterall, we Americans sure embraced the British Invasion didn't we?)
Anyway, you're doing a great service to those wanting to learn Rockabilly guitar. And FWIW, this American says, "Rock on my Brother!". Cheers Randy!
Europeans kept the Rockabilly sound going when it about died at home and what goes around
comes around, they are now helping teach the revived interest here in the U.S.. It’s a small world and we are all in this sound together. Thank you!
By the way I went to the same Jr High School as Buddy, frequented the Cotton Club and went to concerts at the Fair Park Coliseum in Lubbock. It was a hub of activity to the sound. The sound died out in the region in the late 60’s as far as a concert and club goer went. There may have still been some recording going on at some of the small studios that popped up on 19th Street and in other areas of West Texas, but for the listener the mainstream sound had moved on from what was once a hotbed for it. So thanks Randy for keeping the sound safe no matter where in the world you are, you are doing more to bring it back and spread the sound than anyone near me. I left Lubbock in the rear view mirror and spent 30 years in the military and found rockabilly in small venue clubs all over England and Germany in the late 70s and early 80s. Hardly any when I returned to the States in the late 80s. So if it was here it was hiding damn well in pockets somewhere far from me. It was the early 2000s before we started seeing a sprinkling of Rockabilly and Surf in small clubs around Tulsa where I retired from the Air Force. Very, very few groups still here, but lots of people gaining interest again. So thank’s again Randy, I missed the sound so much I’m trying to transition from a listener to a player and you really help fulfill the gap local instruction that went MIA years ago here.
Thank you very much for your long comment. I was in Lubbock and Tulsa in October, visiting Lubbock High, Cain's Ballroom and the Tulsa Fairground Pavillion. I has a great time. It's a shame that the Cotton Club is not there anymore.
Have a great weekend!
This American appreciates and loves the work you do preserving American music history and culture and I haven't seen a better source for rockabilly music lessons out there! Rockabilly is loved everywhere from Mexico to Germany, Japan to the US, to the Ukraine and so on. What a unifying force of peace and love great music is!
You're right about that! Music is bringing down borders and is unifying people from everywhere.
I'm American, and I love your videos. Keep at it.
The Soul of music is universal. Keep on teaching.
Thanks, as always Randy. Stunned to hear the nature of the feedback you mentioned up front. You are the consummate professional, generous, dedicated and a great teacher.
Thank you very much for your comment! It means a lot to me!
Opinions are like toes. Most of us have more than one. Who cares where you eat your breakfast. This American appreciates your lessons and passion you share. Thank you sir. If you’re ever in Kentucky I’d be glad to share some of our bourbon. Oh wait you can have Whiskey there as well. Small minded people give me a headache. Stay safe and keep ‘em coming sir.
Well said mate
Thank you for your kind comment. I've been to Kentucky a few times to see Bill Monroes Birthplace and to see the thumb pickers in Muhlenberg County. Goot times!
@Randy Richter - Hey Randy, I too have been to Kentucky and to Bill Monroe‘s Birthplace as well as the International Bluegrass Music Museum in Owensboro Kentucky! It was about 650 miles for me to get there, but that is nothing compared to your trip!
thanks, very informative demos.
A 23 year old playing a Jimmy Bryant tune!! How awesome!!
Randy! From Australia love your work! You are an inspiration ! Keep rockin’ brother!
Wow! You guys can play!! Sounds great.
God bless you.this is fabulous. You are such a brilliant teacher and resource for the rockabilly/guitar/music world. Thank you for being generous enough to reach out to other artists and letting them share what they do. I hope to one day be good enough to feature on your brilliant channel.
Hi Tom, Thank you so much for your nice comment. That means a lot to me! I will keep going as good as I can
Thanks from an American that appreciates you sharing your knowledge ❤
I'm glad to see the Tone City Tiny Spring getting some love. It's a damn good pedal, I've had mine for 5-6 years now and it's just got something to it that makes an amp sound better. Currently, my fav slapback is a the Boss DM-2w.
Netherlands 🇳🇱 rock n roll & rhythm and blues player here. Love the way how you handled this video by inviting others. 👏
Have used a number of delays through the years, along with my '64 tank. Sound I got the best comments on was the Roland re20. Now using a ghs milkman, smaller and also does the job when gigging.
Keep up your great authentic approach, wishing you the best with your band and YTchannel. Hope to watch you play live someday 🙂
Thank you so much for your kind words! I love collaborations with other players. It gives a wider spectrum for the audience, I think.
The Nocturne Brain’s Mystery Brain pedal shouldn’t be left out of the discussion. Slightly pricey perhaps (hand made) but as well as having a dead eye copy of the Roland 301 space echo sound, it has a beautiful built in pre-amp that just sings. As a friend said recently, (asking me to turn it on) “hit the ‘50s switch” it truly is a beautiful tool. Peace Randy and thanks for another great video- stay safe.
Love my Mystery Brain!
Derek Hannah I ordered one. Can’t wait
Aw man that's a long wait even if its only a few weeks! However, one hour with it and you feel like it's always been there!
Thank you for your comment Derek. I really appreciate it
Fascinating video from start to finish! Thank you!
I like the MXR Carbon Copy Bright. It has bright repeats that I associate with 1950s rockabilly.
Analog Alien's Rumble Seat is a great 3 in 1 pedal. Plexi overdrive + Fender Blackface Reverb + Analog delay. Great tutorial!
I’ve got one and it’s very good. They market it as a plexi drive, but if you keep the gain low and turn up the volume you get a good cranked tweed type sound which cleans up great with your guitar volume. If you crank the gain it sounds like a cross between an orange and Marshall to me, but that’s not how I use it. The Delay is analog with dark repeats and gives a great low fi slap back, and you can add some good reverb drip too.
Hey Randy, I'm watching this for the first time 2 years after you uploaded it. I'm a UK rockabilly guitarist and also play in a 50s style R&B band. I've played with Dylan Kirk a few times, I mention this as I know you've recently put out his record etc.... I started out in my own band The Runawayz, now playing with Toto & The Raw Deals and King Joe & The Atlantics.... I've used a cheap and cheerful Behringer Vintage Delay for (almost) my whole playing career (so far). My first Fender Deluxe VM amp had built in Echo, but when I changed amps I brought the Behringer Pedal for around £20 brand new when I was around 15 years old and I still use it on every gig today. It's been stomped on thousands of times and have never had any issues. It sounds great. I would recommend it to any Advance or Beginner player. The price makes it affordable for anyone at all, and it sounds better than some pedals in the £50 - £150 range that I've played over the years. I hope this might help someone who's looking in these comments. Take care, keep rockin' 🎶
Thank you so much for taking the time to comment here! I think it's really valuable especially for new players
Oldie but Goldie 😎
I tried the JHS Milkman pedal now, this is definitv a keeper for Slapback, followed directly by Way Huge Aqua Puss and EHX Memory Boy.
Great topic Randy, I use a Danelectro Dan Echo for playing live and have a guitar amp emulator a Line 6 guitar port for practicing using the Scotty Moore setting.
Thank you for your input Ian. Happy Easter to you!
From all the comment in this thread one can use any delay/echo pedal. Dialled in right it'll sound rockabilly. I mostly use a Carl Martin Red Repeat and Ibanez AD9. But a Keeley Memphis Sun is also nice and a Boss DD3.
Surf Rider III Deluxe gets that Rev Horton Heat kind of sound. Thanks for the video and I love the playing. Also GFS makes a cheap delay based on the Echoplex. Solid steel construction and I payed $40 for one about six years ago.
I prefer the Boss delays, digital or analog, but most anything will work if you dial it in right.
Same. Boss DM3 is my all time fave delay, especially for slapback.
oh, Sean Mencher! I saw him live in Senigallia, Italy, at the Summer Jamboree 2009! A real guitar virtuoso! He was in my same hotel with his band, we spoke a little bit the day after the show! I remember the huge neck of his vintage Telecaster and his big hands!!! old Teles are impossible to play with normal sized hands...!!! Greetings Sean!
I have an MXR Carbon Copy as well and this video was just what I was looking for. Thanks!👍
Ibanez AD80 or Boss DM3 for me, depending on the amp or guitar. Both have that vintage vibe like no other. The AD80 is warmer and maybe has a tad more vibe, but the DM3 has phenomenal clarity but not in the digital delay sort of way.
Thanks Randy! Cool video. I use a 1983 red boss analog delay pedal with the 3005 chip that was recommended to me by Jim Heath of the Reverend Horton Heat that he used on Smoke em you got em and was also used to make all the crazy sounds in that song Pychobilly Freakout
Hi! Randy, I like so much Rockabilly I'm trying to learn to play with your tutorial. From Brazil 🇧🇷🤘🎸
Hi Randy, I have had a Watkins copycat for some years they are good when working, but hell if something goes wrong as it's nigh impossible to find anyone who can fix it & spares are a problem too, I bought a Marshall Echohead after that & would not recommend it, it eats batteries at an alarming rate & if you lose your settings it takes ages trying to adjust back right(the last thing you need on stage) I then bought a Boss Space Echo RE20 for £205, what a brilliant piece of kit very strongly made, batteries last at least 2 months(alkaline) at home even stage use will give you good service & is easy to adjust to set up for Shadows, Elvis, Rockabilly .
Hey Peter, thank you very much for your comment. It's very helpful.
4:46 that train whistle was awesome.... worth watching just for that!
Edit PS regarding Germans... or any non Americans for that matter... teaching the Yanks. Let's remember pretty much all of us are too young to remember the original American 50s rockers the first time and thanks to records and now the internet we all have access to the same musical library to draw from. So it really doesn't matter where you are born now. But as an Englishman, we gave the world football, it is fair to say once the bloody Germans do it they usually do it better!!! :) Keep rockin Randy, you are probably the most authentic purest rockabilly teacher on youtube.
those making such ridiculous comments about yourself and rockabilly music most likely cannot play rockabilly, you Mr Richter keep doing the great work you do on your channel, its sounds so authentic, as for delay pedal i use an echoplex, i get a decent authentic 50's sound using that.
Hey Gary, thank you for your kind comment. Happy Easter!
Great job on your videos. Very knowledgeable. I am from the USA too.
Love the channel, Randy! Thanks for continually posting quality content! 👍🏼👍🏼👍🏼
I absolutely love the Catalinbread Belle Epoch. Fantastic tape echo sound and sounds great when used as a preamp to hit the front end of the amp a little harder. As an aside, I would love to see you gather more players to guest on your channel.
Hi Jorge, thank you for your input. I will try to get some more guests on the channel. Unfortunately many of my favourite players are not that interested in this. But I will keep trying :-D
I like that last pedal the best. Lots of good pedals out there, so I can't really recommend one, but the best Rockabilly pedal I had was an 80's Guyatone Analog Echo PS 006 made in Japan with the Malaysian 4558 chip. That thing nailed down the Sun slapback thing amazingly well. I stopped playing Rockabilly for awhile, and then I made the mistake of including it with an amp that I had traded for a different one (headslap!) For years I regretted it, but then I saw one for sale on Kijiji for about $120, considerably more than I paid for the other one, but I gladly paid the seller the asking price. Those things are worth latching onto for the right price.
For rockabilly it’s also nice to use Way Huge Aqua- Puss Analog Delay, it has easy control and sounds nice.
I used an Aquapuss happily for a few years - just dialled right back it gives a good clear "slap"
Thank you for your comment. I'll put it in my list
Thanks pal yes I think the carbon copy is awesome I ordered one last week
Great video! My favorite is the old Danelectro Dan-Echo for the Cliff Gallup echo
Thank you for your input. It's really appreciated.
Always come back to my ibanez de7... this thing cast spell on me everytime.
I really love the Strymon Deco for slapback echo - it's a "tape deck simulation", and therefore is much closer to the original Sun Studio echo sound, than an analog delay.
Sure, it's pricey - but you also get a second effect, "tape saturation", which actually is great for adding very amp-like compression & a little bit of dirt - without sounding like a typical overdrive pedal.
Thank you very much for your feedback Roman. I just put it in my echo database along with all the other suggestions.
That sounds a really nice bit of kit will have to see a demo of it Sun echo is unique!
Totally agree - I have so many delay pedals but the deco does vintage slapback the best. No doubt about it.
@@RPSartre01 How much does your echo unit cost? I paid £205 about 5 years ago for Roland space echo so I guess your one doesn't come cheap either, Roland isn't too bad for Sun echo battery life excellent Marshall Echohead diabolical eats batteries trying to regain settings after accidently moving knobs or having some other mut messing about with it is like trying to do rubics cube after drinking a bottle of Jack Daniels!
Peter Cousins you can check strymon’s website. They price like Apple - everywhere same price.
the EHX Memory Toy is an analog delay, and does a nice sounding slap echo in a very compact case.
Improving beginner acoustic player here (2 years in) but found this quite interesting as have been gravitating to learning 50s era songs. An amazing time in history indeed.
Hi Randy. I have a pink Ibanez Analog Delay from the 80's which works well for me. Thanks for the great videos. Stay well.
Is it the AD80?
I have to say I next to nothing about all that reverb stuff . Having said that , I really enjoyed watching this ! Thanks for all the effort you took in piecing together this video Randy !
Thank you Randy from Canada, I learn so much from you.
Thank you for taking the time to comment here. I'm glad my channel can be of value for you.
Thank you for a very interesting video , and to see the huge vintage units in action . Really good sounding too . I like that old liquid tank one . Amazing to hear .
Cool video man, it’s good to see many passionate Rock and Rollers around sharing their pedal and effect things.
I use a Mooer Reecho & Ana Echo. They are good for the slapback effects. Both do them very well, but I like one to be rolled up to the max for some spaceship sound when we do the UFO song and crank it to the max. It’s funny and it sounds good.
Great video, learning the nuances of how everyone works toward their particular sound is cool! I have to say your tape echo on the amp and the last one sounded the closest to authentic rockabilly/rock and roll to me, but each style has its place.
Echo pedals cheapest to more expensive:
Danelectro fab echo $15 one trick pony
Danelectro Dan echo
TC Electronics echobrain
Danelectro Reel Echo
JHS Milkman
Nocturne Mystery Brain
Came for pedal advice and ended up just spacing out and enjoying the music. So much fun to listen to.
That's great to hear Evan!
TC Flashback (tape delay or analog delay setting) or the Boss Space Echo pedal.
Fantastic job, sir! 👍🏻😎. Cheers from the Appalachian mountains of Kentucky USA 🇺🇸
Good music has no borders , its only determinant should be love of sound and appreciation of those types of music you enjoy. American music is truly a mix of all nations sounds enjoyed by anyone. I think YOU are as rockabilly as anyone here. I grew up with listening to the Beatles and the Stones, their early music was heavily influenced by country western,, blues, and rockabilly stuff. So Englishmen gave me my first real exposure and appreciation of American style music . So rock on daddy O,! No matter where you are from....I liked your lesson and will check out more. Thanks. Mike from Boston
Thank you very much for your comment Michael. I really appreciate it.
Keep on keeping on brother,so talented.
The economy is so great now that ibanez delay probably cost 700 bucks. We are so fortunate
Love the vintage Fender equipment!
The thing is we all grew up hearing American music both in Europe and the States
Some people like Eddie Chocran and Gene Vincent were bigger in the U K than they were at home
Thanks Randy Im old and love echo and reverb. I use a roland space echo re201 tape machine and I have a Morely stereo echo pedal that uses the oil can technology (its chrome plated and as big as a Cadillac hehehe).
Thank you for your Input, Marsha
Boss DM2w delays are very good and if you want a combined reverb/delay then the Earthquaker Despatch Master is special.
Thank you Randy! Great informative video!
I use the TC Electronics Echobrain Analog Delay - works nice for that old school sound and you can play around with it to make some pretty crazy noises.
Slapback/echo has always been a big part of my sound-- i go back and forth with EQD Dispatch master or Champion Leccy Swan Hunter
Moog MF delay is the best I’ve come across. Analog bucket brigade circuit. It’s great 👍🏻
Thank you for your input, Josef!
I wish Sean was playing the TK Smith next to him!
Ok Shuan sounds amazing. Good stuff, and love that Pee Wee Craton style strat.
Stuart Taylor ripped out amazing licks with such simple gear. Wow.
A fantastic video as ever Randy!
An Amp with built in tape echo? Wow! Sounds great!
Thanks for this great vídeo! best regards from Brazil
Love this video! I get a kick out of the Strymon ElCapistan. It let’s you dial in the amount of tape wow & flutter as well as the tape age. Those are the sound characteristics that Sean gets from his Ampex machines and that Axel‘s pedals have as a switchable option.
I think there could have been a little more mention of specific settings. Slapback is in the 65 - 95 ms range, right?
Just my 2cts and I‘m a drummer.
Hey Drummerboy, long time no see. The Slapback at Sun was about 140ms long.
Randy Richter thanks! Stay safe, happy Easter & keep your tape clean. Hope to see you again soon!
I was surprised at how good the old Dan Electro BLT Slap Back echo is. It's mostly a one trick pony but for less then $50 on the used pedal market, it works good for rockabilly and early country jazz.
It really is excellent. One of my faves for sure. My all time fave pedal for slapback is the Boss DM3. I used to really like the old DOD analog echo as well, but it was such a tone sapper. But hell it sounded so authentic.
Try the Dan Echo if you can find one. A lot more versatile.
Have you ever tried the Dano Reel Echo? Right now I have one pedal board set up with an Aqua Puss and another board with a JHS Milkman delay. @@williamd1891
That was great Danelectro BLT and Corned Beef Reverb Multi tap Delays Very nice
I’ve used a DOD analog delay, it had nice warmth, but the bucket brigade circuit just sucked the tone too much. Then I used a MXR Carbon Copy, it worked very well, but didn’t have the warmth of the DanEcho that I used next. The DanEcho is nice because you can switch to a long echo too. The downside to the DanEcho is that it can be noisy if you don’t have a good isolated power supply, and a buffered bypass pedal in front of it, and it has a huge footprint. Then I went for the real deal, a Watkins CopiCat. The CopiCat was a blast to mess around with in the practice studio, but a pain to gig with, it probably added ten minutes of setup time at the gigs, you always had to have tape on hand. I loved it’s sound, but it wasn’t worth the hassle. The DanEcho went back on my board. I needed that tape sound I had with the CopiCat, so then I tried the TC Electronics Alter Ego, but it was too hard to dial in on the fly. There were just too many options and never got a good slap back that I liked, and the tape warble effect on it sounded overdone and made it sound like I had a chorus pedal on. The DanEcho again went back on my board. I now use the JHS Milkman for slap back, I kept the DanEcho on my board for the long echoes. The milkman is extremely easy to dial in on the fly and it has a boost on it, which is nice to push the tweed Deluxe when I’m really digging in. I’m in the process of replacing the DanEcho with the Catalinbread Belle Epoch for the long echoes mainly for more real estate to add a Reverb pedal to the pedalboard, and lower my noise floor in the signal path. I hope this helped somebody.
Thanks a lot for your long and informative comment, Daniel!
Also highly recommend the jhs milkman echo/boost check it out!
I LOVE this pedal. It's a dedicated slap echo pedal (almost), very easy to use and it sounds great.
Randy, to answer the first question, you are a Rockabilly artist teaching anyone with an interest in here Rockabilly. Some of the best Rockabilly I have heard in the last 20 years has come from outside the US. Keep in mind that Blues musicians had great careers in the 40s and 50s when it was passed in the States. Also bands like the Rolling Stones and Cream are heavily influenced by American Blues and the Beatles were influenced by early American Rock and Roll. So someone who wants to play Rockabilly, do the best you can and strive to play better.
I like the Danelectro Dan Echo, I've owned about five of them at various times. Right now I have three. I also have a Danelectro Reel Echo which works well too. Keep this in mind when you are playing live, you have to compete with every other noise source in the place. People, other instruments, clunking glasses and dishes depending on the venue. A price friendly pedal works fine. Dragging out a tape echo machine exposes it to possible damage and the ambient noise can drown out the sparkle these have. Also if the sound system is not great that will degrade the special sparkle of the pedal or echo unit.
Hi, do the dan echos break easily? I've heard the other danelectro pedals break easy due to the rubber unit
@@your_boy_vesp2981
I've never had one break on me. I have three Dan Echoes and a Reel Echo and all of them are pretty much as good as can be from the 1990s and early 2000s. Two of my Dan Echoes are Alchemy Audio modded, so they are better than stock.
The concept of pedals breaking is really from the dumbasses who STOMP on the pedal rather than tap to turn it on. Many players didn't really treat their gear all that great back then so I suspect that is where the concept came from. Compared to a Boss pedal, maybe the knobs and on/off button might fail before the Boss pedal does but again, not really an issue if you take care of your pedals. Same could be said about DOD, that those pedals will probably fail before kicking a Boss pedal around. Just back then, gear was treated more as it was disposable including guitars and amps.
Also the Danelectro Mini pedals have the same outline as the Original pedals but plastic and much smaller. People mistake those for being the cheap pedal. I have one that has seen some action but since I have owned it, it hasn't been neglected like whoever owned it before (plus I have Windexed it) so it actually is better than when it came into my possession. It is nowhere near as robust as the steel chassis Danelectro Dan Echo pedals.
I recommend the Mooer Ana Echo. It's analog and has a great slapback sound. I also use a Catalinbread Echorec. In addition, Catalinbread makes the Belle Epoch, basically, their pedals are based on old tape delays where the original slapback came from. However, on a budget, you cannot beat the Mooer. For a spring reverb, you cannot beat the Electro Harmonix Holy Grail. Sounds superb.
To hell with the critics! They don't own life. Keep rockin' dude!
I appreciate constructive critique, but some of the hate is quite amusing. I will do a video with the most ridiculous comments next.
Cool! Thanks Randy!
I'm lucky enough to have a few delays digital and analogue, some high end, some not so much. The one I use for slap back ( it's virtually on all the time) is a cheap Daphon analogue delay, pedals come and go but that's been used for decades.
Very informative and enjoyable post 😎🎙🎸✅
Hi Julian, thank you for commenting. I haven't heard of the Daphon echo yet. I will put it in my list.
Hello, from Québec, Randy, cool intro, shure would like to get more then a glimps at that amp. Any pointer on how I would go about to build one ? Great review, Thanks you. I liked the fender echi reverb ,very warm natural sounding. I got a mxr analog delay, does a great job, would like to afford a Roland RE 201 space echo, looking at the Boss RE 202 space echo
Randy, thanks for this video. The DanElectro sounded the best to my ear. Well, after your tape delay unit, that is. I found a reel echo on Ebay, so I look forward to playing with it. BTW, your passion for Rockabilly is all that is necessary. I don't care where you might be from. It's all about the passion, and you've got it! : )
I agree with you on both points. Thank you for your comment!
Boss DM2 Waza Craft is a fantastic analog delay pedal!
Thank you for your feedback, Bill!
Hey man , Im a kentuckian about a stone's throw away from where merle travis was born and you get my approval , you pick like the best of em and you're welcome here anytime
I've been to Muhlenberg County in 2005 and met many picker there. We had a great time!
A great slapback pedal is the danelectro BLT - cheap & simple -but really good
Superb videos and channel! So glad i have found this! Keep rocking good buddy :)
I will do, no worries. Thank you for your cmment
luther perkins is one of my favorite guitar players. such a unique player. i know he was not a virtuoso player but there was something special about his playing.
As an American Luther Perkins is my idol when it comes to guitar playing him and Scotty Moore on the same level in my opinion and with my homemade electric guitar and my fifties guitar ramp I can get that same exact tone
Hi randy I use a boss RE 201 space echo I get some pritty good sounds with it keep on rocking mate
Thank you for your comment! It's highly appreciated. Happy Easter!
Real nice compilation of pedals for rockabilly guitar. Strangely, although I play too I've never needed any pedal because the Fender amp I have has adequate reverb and slapback echo controls to adjust to your requirement.
Thank you for your feedback. I've played a long time without any effects too.
Nocturne Mystery Brain
I absolutely love my Nocturne Mystery Brain, pre-amp + tape echo sim + tape flutter sim
Also if you're a good teacher, artist and love teaching Rockabilly, doesn't really matter where you're from does it ;)
Thx for these insights. It's great to see the range of options. Frankly speaking, a lot of pedals will do the job for slap back echo. My personal favourites are: Strymon DIG Dual Delay and the Nux Tape Core Deluxe. The Strymon I use for a studio setting. Awesome pedal with zillions of possibilities. In a live situation, I prefer an easiier pedal. The Nux Tape Core Deluxe is an ECHOPLEX clone. :)
Thank you for your comment. You're right. The comment section just proves that in the end it comes down to personal taste. There is not one single magical device. I honestly didn't know how many different pedals there are. Pretty amazing!
a nice pedal on a budget is a Rowin Delay but my favorite is for sure a Dan Electro Reel Echo
I like the danectro the most,i have the danelectro dan-echo machine for manny years and works perfect.
Hi Randy my name is Manfred....I am originally from Freiburg. Believe it or not! I am just blown away by your clarity, efficiency and ability to be so clean and accurate.......with everything that you do.
You just blow the hell out of anybody else with your demonstrations. I want that German booklet, and more stuff from you as I am currently 'doing Holly'........help. I will continue to keep in touch with you. please look me up on you tube facebook, whatever.... Manfred Harter, Vernon, British Columbia. Canada
Search for Memphis Sun pedal (my favourite) or Dan Electro Dan-Echo, Dan Electro BLT slap echo. Dan Electro pedals look really retro with a solid die cast casing. The Memphis Sun is expensive but they do come up on eBay sometimes.