Many thanks, Randy. Although The Dixieland Jug Blowers recorded this in December 1926, I think Tuba Skinny's version is closer to the original recorded by Clarence Williams' Washboard Beaters seven months earlier. Tuba Skinny's melody lines for both the Chorus and the Verse are clearly based on the Williams version, even though - unlike him - they play the Verse before the Chorus, rather than after. I am grateful to my correspondent Phil Lynch in NYC for drawing my attention to this. The composers were Spencer Williams and Jack Palmer - the latter presumably supplying the lyrics.
Like the way how Russel Ramirez is playing on the trombone at 2:24 till 3:03. And I like the changes between Shaye and every string player after that 3:04- 3:22
Members of this group very rarely smile while performing. It's a part of their plaing style. Their body language makes it clear that they're having fun, and they are (I'm told) very friendly as individuals. My hypothesis is that they have decided, while they're playing as a group, to avoid *personal* contact with the audience -- such as smiles, nods, even eye contact. They want their *music* to be the only channel of connection between the band and the listeners -- so that while listening, the audience isn't thinking of them as (say) Shaye Cohn or Greg Sherman -- but merely as the musicians providing the music that they want us to pay attention to. This is an unusual and risky tactic, but their performances are so remarkably good that it works -- we immerse ourselves in what they are playing, not who they are.
They really are good, but it would be even better if they looked like they're actually enjoying themselves... Right now, it looks more like it's a burden as if it would be a nine-to-five kinda deal... Good musicians, nonetheless... Just not looking really happy to be there...
Tuba Skinny, for me the best traditional Dixieland Band in the World with the famous Shaye Cohn 👏👏🎺🎺🇩🇪❤️🇺🇸❗️
Yep!
Many thanks, Randy. Although The Dixieland Jug Blowers recorded this in December 1926, I think Tuba Skinny's version is closer to the original recorded by Clarence Williams' Washboard Beaters seven months earlier. Tuba Skinny's melody lines for both the Chorus and the Verse are clearly based on the Williams version, even though - unlike him - they play the Verse before the Chorus, rather than after. I am grateful to my correspondent Phil Lynch in NYC for drawing my attention to this. The composers were Spencer Williams and Jack Palmer - the latter presumably supplying the lyrics.
Shaye Cohn aways beautiful 😍😍😍
Wow, wow, wow! Loved it guys! 💖
Solo de trombone impecável!!! Viva Tuba Skinny.🎶🎼🎵👏👏👏🇧🇷
Shaye runs the show with the authority of a Field Marshal
And it shows in their precision rhythm and sweet, sweet sound!
So happy you captured this .. thank you ! (the 'cutie in red' is Russell Ramirez .. from Smoking Time .... sitting in for Barnabus)
Like the way how Russel Ramirez is playing on the trombone at 2:24 till 3:03. And I like the changes between Shaye and every string player after that 3:04- 3:22
It's called "swapping fours".
excellent ! ! merci !
Me super gusta .
Cool name ya got yerself, Raoul! Thanks for the jams.
Großartig!
At the end of the new orleans jazz that pleases everyone Brovo!
Great trombone work
His ic one super grouping listen this ever day to going Rd b London Ontario
Trombone player is good at fills.
Veramente bravi
my-t-fine
Where's Barnabus?
New Orleans....more culture per city block than any city in America.
I love their music, but... Do they ever smile? They look like they're doing their shift at Atlas Ketchup or something...
Members of this group very rarely smile while performing. It's a part of their plaing style. Their body language makes it clear that they're having fun, and they are (I'm told) very friendly as individuals. My hypothesis is that they have decided, while they're playing as a group, to avoid *personal* contact with the audience -- such as smiles, nods, even eye contact. They want their *music* to be the only channel of connection between the band and the listeners -- so that while listening, the audience isn't thinking of them as (say) Shaye Cohn or Greg Sherman -- but merely as the musicians providing the music that they want us to pay attention to. This is an unusual and risky tactic, but their performances are so remarkably good that it works -- we immerse ourselves in what they are playing, not who they are.
Where's Erika
MY EXACT THOUGHTS.
She having fun with her little boy.
I think so 🎈
Don't know ,but someone is playing the bass drum.
@@brotherrabbit8539 Robin is sitting at at afull kit, not just his washboard.
The singers voice is good but it comes across too soft. An amplifier may be considered ?
Loacl rules, not allowed to use amplifiers in the streets.
Local rules forbid amplifiers in the street.
They really are good, but it would be even better if they looked like they're actually enjoying themselves... Right now, it looks more like it's a burden as if it would be a nine-to-five kinda deal... Good musicians, nonetheless... Just not looking really happy to be there...