Keep in mind that Byron has been said to play on a gigantic Bach 1C, if your familiar with trumpet mouthpieces, most guys cannot handle something so big, and play so high for long periods of time on one. Byron is a rare example.
@@BADBALANCE666 I'm don't think lip size determines mouthpiece choice, but who knows? I play on a Schilke Symphony Series M1* -- it's GIANT. My lips are average. I just like a big fat sound and a large inside rim diameter. I think the shape of teeth might be a more determining factor for mp shape/size choice. I dunno. :-)
@@thomassicard3733 Now that I think about it, I lost a front tooth about six months ago, and within a month or two ago, I am now able to play at a level I never would’ve dreamed of being able to play at, most comfortable on a Bobby Shew Jazz mouthpiece mainly now, which used to feel way too small, before I lost that front tooth
@@thomassicard3733I mean, his would never fit in a Yamaha Shew Lead or 14a4a. Mine are fairly full/pouty and barely do and they're maybe half the size of his.
It is circular breathing he does it to maintain optimal capacity of air and to reserve it a little better therefore maintaining the powerful sound he's known for.
@@corbynjones8750 Sorry, but not sorry man, but that makes no sense to me or any other trumpet player that I know of. Please explain how circular breathing helps to "maintain optimal capacity of air" and how he couldn't have the same sound without it....and also, how other players who do NOT use circular breathing still seem to "maintain optimal capacity of air"..Honest question....Do you even know how CB works? If so, I can't imagine anybody thinking it helps in "optimal capacity of air"....breathing works just as fine....if not better.. CB only helps in not having to take a breath...THAT'S IT. Mr Corbyn Jones, you would have been better off just saying it was CB and he just wants to do it, cause i'll be glad to debate this with you, but I'll shut that voo-doo CB buzzword sh*t down real quick if you're going to make the claim it gives one the ability to "maintain optimal capacity of air"...because that has to be one of the silliest things I've ever heard in my life from someone who trying to teach trumpet skills (such as yourself)
Starting around 5:42, he plays for roughly 25 seconds without a break, so I would guess it is circular breathing (CB). It is rather difficult to use one breath for a 25-second line, plus he could just be adding it in for show, so my guess is CB. Additionally, this is not a classical performance where he might have been more focused on phrasing; it was just done on the spot to continue the line. TL;DR: it's CB because he wanted to
素晴らしすぎる！
好きなプレーヤーです😊
Byron's so incredible. Makes his horn sing!
Keep in mind that Byron has been said to play on a gigantic Bach 1C, if your familiar with trumpet mouthpieces, most guys cannot handle something so big, and play so high for long periods of time on one. Byron is a rare example.
With such a size of lips is not surprising))He really knows the trick of how to play the trumpet, I think he will play this way on any mouthpiece)
@@BADBALANCE666 I'm don't think lip size determines mouthpiece choice, but who knows?
I play on a Schilke Symphony Series M1* -- it's GIANT.
My lips are average.
I just like a big fat sound and a large inside rim diameter.
I think the shape of teeth might be a more determining factor for mp shape/size choice.
I dunno. :-)
@@thomassicard3733 Now that I think about it, I lost a front tooth about six months ago, and within a month or two ago, I am now able to play at a level I never would’ve dreamed of being able to play at, most comfortable on a Bobby Shew Jazz mouthpiece mainly now, which used to feel way too small, before I lost that front tooth
@@thomassicard3733I mean, his would never fit in a Yamaha Shew Lead or 14a4a. Mine are fairly full/pouty and barely do and they're maybe half the size of his.
Que musicalidade, foi a melhor atração de todas as edições!
Beautiful!
Phenomenal!!!
Спасибо за хорошие записи .я трубач . 67 л.
Monstro!
What is the title of the song? What an extraordinary talent!
It's called Zamba
Why was the video cut at 8:29?
What is he doing when he puffs his cheeks out? Doesn't seem like it has to do with circular breathing since he didn't need CB anywhere
It is circular breathing he does it to maintain optimal capacity of air and to reserve it a little better therefore maintaining the powerful sound he's known for.
@@corbynjones8750 Sorry, but not sorry man, but that makes no sense to me or any other trumpet player that I know of. Please explain how circular breathing helps to "maintain optimal capacity of air" and how he couldn't have the same sound without it....and also, how other players who do NOT use circular breathing still seem to "maintain optimal capacity of air"..Honest question....Do you even know how CB works? If so, I can't imagine anybody thinking it helps in "optimal capacity of air"....breathing works just as fine....if not better.. CB only helps in not having to take a breath...THAT'S IT.
Mr Corbyn Jones, you would have been better off just saying it was CB and he just wants to do it, cause i'll be glad to debate this with you, but I'll shut that voo-doo CB buzzword sh*t down real quick if you're going to make the claim it gives one the ability to "maintain optimal capacity of air"...because that has to be one of the silliest things I've ever heard in my life from someone who trying to teach trumpet skills (such as yourself)
Starting around 5:42, he plays for roughly 25 seconds without a break, so I would guess it is circular breathing (CB). It is rather difficult to use one breath for a 25-second line, plus he could just be adding it in for show, so my guess is CB. Additionally, this is not a classical performance where he might have been more focused on phrasing; it was just done on the spot to continue the line.
TL;DR: it's CB because he wanted to