Mahler - Symphony No.5 - Abbado - Lucerne Festival Orchestra 2004
Вставка
- Опубліковано 8 вер 2012
- Gustav Mahler
Symphony No.5
Claudio Abbado
Lucerne Festival Orchestra, 2004
0:00 - Opening
I.
0:55 - Traeurmarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
13:36 - Stürmisch bewegt. Mit grösster Vehemenz
II.
28:20 - Scherzo. Kräftig, Nicht zu schnell.
III.
45:17 - Adagietto. Sehr langsam.
53:49 - Rondo-Finale. Allegro-Allegro giocoso. Frisch.
1:10:10 - Credits
_________________________
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![[1 HOUR] 말러 교향곡 5번 "아다지에토" MAHLER Symphony No.5 "Adagietto" /1시간 연속재생/공부할 때/휴식/수면/ [뮤즈하우스]](http://i.ytimg.com/vi/5PT2NNIt6fI/mqdefault.jpg)
One of my compositions. Like that !
Yup! Just like that!
You're full of it! You stole it from me. I'd sue your rear for plagiarism! I bet my lawyer can beat up on your lawyer with his eyes closed.
What ! Nope
hello Mahler dad!!!
Hello everyone, I finished my 11th and 12th symphonies now. The 11th's final revision is done but I only finished three movements of the 12th.
2024, anyone here?
Right here!
Until the end of days.
Bawngiorno
Yes, me! Just listening.
🙏🏻🙏🏻🙏🏻
When I started listening Mahler I just thought it was boring, but now I am discovering a whole new universe of great music, Mahler composed differently from other romantic composers, his music is quite odd but the more I listen to his music the more I realize how great it is. Mahler is an acquired taste.
true, i think most of his composition is not immediately catchy, but after hearing it a few times, it is very rich and beautiful. If you havent heard it yet, i recommend "ich bin der Welt abhanden gekommen" from the Rückert Lieder. That is played in the movie Birdman, and its really nice. :)
Agreed. There's just nothing to grab your attention in Mahler. For a long time, I had no idea how to listen to his symphonies, it all just sounded incoherent and indulgent to me. Then I listened to "Das Lied von die Erde", and loved it, and that made something click, the other symphonies suddenly made sense. Now I love Mahler. I love Maaaahler
@@dhjerth He was the greatest composer of Symphonies by anyone of all time. It started with his Symphony No. 1 which is a landmark work that grabs your heart right from the start! Nobody in history of classical music has been able to achieve this brilliance in such a short amount of time! He only lived 51 short years and composed 10 symphonies that are above and beyond Incredible atleast most people finally agree !!!!!
No matter what I do, I still find Mahler boring. For how long should a continue to discover it?
@@Tod_oMal Did you try his lieder? Most are very stormy and unboring
I miss you, Abbado and his members, and Pollini.
Maravilloso !!!
🟦 1st Movement : Trauermarsch
🔸Five part structure: Main section (A) - Trio I (B) - Main Section (A') - Trio II (B') - Coda (A'')
◾Main Section (A) in C-sharp minor
1:01 First part beginning with trumpet solo
2:10 Second part, elegiac character
3:10 First part again (altered)
4:02 Second part again (altered)
5:14 Third part beginning in A-flat major and closing in D-flat major / D-flat minor
◾Trio I (B) in B-flat minor
6:26 First Part
6:48 Second part beginning in E-flat minor
7:13 Third part (linked to the first) in B-flat minor
◾Main Section (A') in C-sharp minor
8:00 First part (altered)
8:53 Second part (altered)
10:00 Third part (altered) in D-flat major
10:48 Transition
◾Trio II (B') in A minor
11:00 First part
11:27 Second part beginning in D minor
11:59 Third part in A minor with collapselike climax
◾12:30 Coda (A'') in C-sharp minor
🟦 2nd Movement : Sturmisch bewegt! Turbulently Rough!
🔸Sonata Form, thematically linked to first movement
◾Exposition
13:37 Main section in A minor, part 1
14:10 Main section, part 2 (trumpet motif prominent)
14:48 Transition (tritone motif in trumpets and inferno figures in woodwinds)
14:57 Secondary section in F minor (new setting of Trio II, 11:00)
◾Development
17:06 Diminished 7th chord with inferno figures
17:10 Development and combination of the motifs from the main section
17:40 Tritone motifs (trumpets, later trombones); inferno figures (woodwinds); sighing in strings
17:54 Monody of the 'lamenting' cellos in E-flat minor
19:00 New setting of secondary section in E-flat minor; contrapuntal combination with motifs from the main section
20:10 Motifs from the main section
20:22 Return to the 'main section' of the first movement (10:00), now in B major
21:08 March-like section beginning in A-flat major, growing in intensity
21:43 Pesante: anticipation of the chorale (in A major)
◾Recapitulation
21:52 Main section beginning in A minor and leading to E minor
22:25 Secondary section beginning in E minor and leading to E-flat minor
24:25 Wuchtig/Weighty : contrapuntal combination of motifs from the secondary sections
25:13 Pesante: Chorale in D major (Vision of Paradise)
◾Coda
26:30 Diminished 7th chord over a nonchord B-flat, main motif of the movement, inferno figures, sighing motifs
26:37 First part of the main section in D minor (a surge of intensificiation leads up to a collapselike climax)
27:23 Area of resolution in A minor
🟦 3rd Movement : Scherzo
◾Main section
28:29 First period (main theme)
28:45 Second period (main theme with modified contrapuntal restatement)
28:56 Third period (variation of the main theme)
29:10 Fourth period (with a new eighth-note theme and a concise rhythmic counter theme beginning in B minor and leading into the substance of the main theme)
29:44 Fifth period
29:54 Sixth period (beginning with the eighth-note theme and leading into the substance of the main theme)
30:34 Seventh period
◾Trio I (in B-flat Major)
30:51 Period 1
31:15 Period 2
◾Main section (shortened recapitulation)
31:45 Period 1
31:59 Period 2
32:12 Fugato on the eighth note theme
◾Trio II
32:33 First section (of preparatory character)
32:53 Second section (beginning slow and with growing intensity)
33:31 Third section: four line episode in G minor
34:56 Fourth section: New version of the theme, reminiscent of Trio I
35:32 Fifth section: imitative treatment of the theme
36:39 Sixth section: new version of the theme with added reminisces of Trio I and the main theme)
◾Development
37:50 Development and contrasting of the motifs of Trio I and the main theme
◾Recapitulation (greatly modified)
Main Section, Period 1 (38:53), 2 (39:08), 3 (39:20), 4 (39:31)
40:07 Trio I
40:23 Trio II combined with the eighth-note theme
41:23 Strongly, motifs of Trio I and of the main theme developed in two large waves of intensification
42:33 New version of the episode from Trio II
◾Coda
44:21 Stretta
🟦 4th Movement : Adagietto
45:25
◾Popularized in Luchino Visconti’s film Death in Venice, ua-cam.com/video/iHB_YWIWkE8/v-deo.html
◾Its mood and certain melodic turns are related to the Ruckert song Ich bin der Welt abhanden gekommen.
ua-cam.com/video/TzJyIWxjX9o/v-deo.html
◾Mahler’s declaration of love for Alma!
◾Middle section: quotes the “gaze motif” from Wagner’s Tristan and Isolde. ua-cam.com/video/hcYjKs_9ov8/v-deo.html @ 3'10"
🟦 5th Movement : Rondo-Finale
◾Introduction
53:51 Presentation of several motifs that play a role in the fugal passages [note bassoon 54:05 = clarinet in Lob des hohen Verstandes from Das Knaben Wunderhorn @0:06 ua-cam.com/video/qrAUpv3e2I4/v-deo.html]
◾Exposition
54:33 Main section, arranged in bar form = Rondo theme in D major: allegro giocoso. Fresh
55:10 Fugal Part I (D Major) [note 55:27 is a transformation of 25:58]
56:38 Main section : Rondo theme in D major
57:15 Fugal Part II (B-flat major, D major, f-sharp major)
57:41 Secondary section (grazioso) in B major [a metamorphosis of 49:39 from IV]
58:36 Epilogue in B major
◾Development
58:45 Introductory section (flowing)
59:18 Fugal Part III
59:54 Section beginning in C major
1:00:26 Section beginning in B major and modulating to D major
1:01:02 Secondary section in D major, partly treated imitatively and partly provided with countermelodies
1:01:59 Epilogue
1:02:08 Fugal Part IV
◾Recapitulation
1:03:24 Main section varied : Rondo theme in D major
1:04:09 Fugal Part V
1:05:08 Development of the main section in A-flat and A major
1:05:59 Secondary section in G major
1:07:10 Transition [gradually and constantly faster]
1:07:34 Chorale in D major
◾Coda
1:08:20 Stretta
1:08:41 Interesting form of the chorale melody in the horns
"the mood is at times reminiscent of the second Wayfarer song ua-cam.com/video/6VCpbMPhmWY/v-deo.html and its wholesome world, as well as the first movement of the 4th with which the Rondo-Finale share some childlike figures", eg. flute @ 55:35 similar to @1:27 ua-cam.com/video/YnfhInZLmUQ/v-deo.html
◾notes based on Constantin Floros : Gustav Mahler The Symphonies, Amadeus Press (1985)
you are my hero
❤
The most valuable player! Not all heroes wear capes!
Excelente trabajo!, muchas gracias David!
Bro..... good job. You are really into classicall form. I bet you wrote an essay about it
As an enthusiast of great classical music I came here not only because of Cate Blanchett's exceptional performance in Tár (in her maestro role) but also because I could not get rid of this mesmerizing piece of music. What a gift it is being able to watch and listen to Claudio Abbado! Surprised how I only came to discover him and Mahler this year, for sure I will not forget them so soon.
She is beyond perfection in the movie. And also her performance made me curious about conduction of this masterpiece
Saw Film last Month, did not care fot it, but, music, was Wonderful.
Listing to Mahler 5th Now.CAN't belive SHE is up for an OSCAR????
@@rodrigofurtado5542 "Conduction"?😳😳😳
en.wikipedia.org/wiki/Conducting
@@obbie1osias467 sorry about my English, Shakespeare…
♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥
멋져요 😊
And what I also love, is that Abbado allows his musicians to truly be expressive in their own right - I see this in their faces and in their movements! What an amazing feeling this must have been! I wish that I had the talent to have been a member of this fine ensemble!
Ho scoperto Mahler solo ieri ed è nuovo per me, rimarrò all' ascolto per molto tempo lo sento affine. Grazie Maestro❣️🌹🫂
They're not HIS musicians
How could a piece be both intense and comforting at the same time😍
Because of Mahler and Abbado!!!!!
@@scottmiller6495 the greats. I really liked Bernstein until seeing Abbado. A conductor of true enjoyment and understanding deserves praise and I wish he was still living by this time that I know of him.
@@DavidD-KingWolf65 Agreed.
You should listen to Paul Desmond .
It makes my want to cry to listen to this Symphony, this orchestra, and watch Abbado’s face. So intensely moving…❤
I have come back so many times. This symphony is always there for me. Mahler is the king.
I couldn't agree more.
Best
Mahler is an absolute genius. I like Tchaikovski's 6th as well (among other haha)
Claudio Abbado and Mahler, the perfect duo.
😮
The classical music world has lost one of the greatest conductors who has ever graced the podium. Never a showman, Abbado's interpretations of Mahler (and Beethoven et al) will surely go down in history as being among the best around. RIP, maestro.
Mahlers genius. Abbados one of the greatest. But my comment is for video director. He knows and feels the music and gives us a look on who’s instrument is soloing. Thank you
❤❤❤❤❤❤❤❤❤
Great Symphony. I listen to it now and then. I should have posted something much earlier. But Mahler is such a famous composer, he doesn't need my endorsement. Some of his works are considered in the top 10 with the greatest. Abbado did a tremendous performance.
Incredible playing. Simply stunning.
+Mutant Baby I agree ! The best combination!
t
This orchestra under Abbado was an all-star collection of some of the greatest orchestral players on the planet; and Abbado was a sympatico musical genius.
we're making it out of the romantic era with this one!!!!
🗣🗣🗣🔥🔥🔥🔥🔥🔥
Legendary sound from great war redux hoi4
Anyone looking at this after watching TAR?
Magistral Mahler. Genial Abbado. 👋👋👋👋👋👋👋👋👋👋👋👋👋
Seeing this after watching Tar
Ich liebe diese Musik von Mahler
Mahler is my favorite kinda crazy
I want to apologise to myself for not discovering Mahler any sooner💔 but I'm celebrating my 20th birthday with this breathtaking piece of music. This is insanely beautiful
Yes with malher life is wondrful
Happy birthday mate !
Happy birthday
I love Mahler, listen to his Symphony No 1 and you'll be hooked ! His No. 1 is the Best Composed First Symphony of All Time!!!!!
Happy birthday.
This is THE MOST BELOVED conductor of his generation! May he rest in ETERNAL PEACE and JOY!
That opening scene of the auditorium is magnificent!!!
Justo Acabo de ver la película TÁR ,
Ustedes están en deuda con la natulereza y por ende conmigo también así que ahora van a tocar. By Ricardo okupas.....
Fantastic performance. I love Abbado! The orchestra is really great.
Благодарю за удовольствие.❤
I very much like Gustau Mahler , Symphony , five , Lucerne Festival Orchestra and Claudio Abbado Thank you very much
Masterfully musical and passionate playing! Thanks to EVERYONE! That's a lot of notes to practice and perform!!!
came here from watching TÁR 🤯
Wow!
The ADAGIO- an Iland in a world you sometimes don’f know which ways to go.May be pure ❤️ love
Tàr und Cate Blanchett brought me here.
Ich liebe diese Musik, kann garnicht genug davon hören, mit das Schönste was es gibt
Listened to it three times this week. Because I heard Mahler's Sixth Symphony live in Houston in March, and I became addicted to Mahler's works.😂
25:50 Reminds me of Rheingold
The adagietto, with the lovely chords and the beautiful deep notes, stirs some emotions deep inside of me every time I hear it. Amazing.
An unbelievable conductor leads an unbelievable ensemble playing an unbelievable composer in a manner which is truly head and shoulders above all else. Ever. Period.
Ha sido y será el mas grande maestro que ha existido y tambien lo guardo en mi corazón
Bonsoir bravo pour ce beau ❤❤❤❤❤❤❤
I am here from TwoSet
same here
Hehe boi
I actually have to watch this and do a concert report on it for a college class, but I also love TwoSet lol
same
Why? Is this video referenced in one of their videos?
It's amazing to see someone in the last few years of their life conducting with such energy. RIP
+ Maestro Stefan Dohr
lol Martin nice to see you here
Maravilloso.
I❤Mahler!!!!
who doesn't?
A Mahler's 5th for the ages. People will be listening to this performance hundreds of years from now. There probably has never been an orchestra so totally suited to play Mahler's music as this version of the Lucerne Festival Orchestra, seen and heard at its peak here. The clarity of all the contrapuntal lines in the finale is amazing. No other performance I've heard (there have been many) has achieved this.
I couldn't agree more. For me it was as if I was hearing it for the first time. Unlike you, I hadn't heard any other versions other than Karajan's but in the first few bars of the 1st movement, the contrast is already striking. Like you said, the degree of clarity, detail and sheer musicality of Abbado and the LFO elicits boundless admiration and pure joy. This recording and all the others in this series (Mahler symphonies 1 to 7 - Abbado - LFO) are an absolute must-have for any true connoisseur of Gustav Mahler's music.
Totally agree, however I can't understand why it's not possible to get all of these on CD.
@@stewiewonder2601 I got the 4-disc Blu-Ray set (Mahler Symphonies 1-7, Rückert -Lieder + Prokofiev Piano Concerto No.3) from Amazon for around $60 (a great bargain IMO) but not being able to have it on CD was my main complaint to EuroArts and I would have gladly bought those as well. It is possible however to extract the stereo LPCM sound track from those with AnyDVD + TSmuxer and make your own CD's or MP3's using the WavePad editor. The downsides are that AnyDVD is not free and there's about 20 hours of tedious work involved. All depends how badly you want them.
no disrespect here, but i'm very curious about a few things re mahlers' works: ** i'm 64, a rather casual fan of a very wide spectrum of music; ** Melody-- what are your thoughts on Melody? eg, Hummable tunes; i'm just curious; ** in the mid 90s, i saw a movie (an 'independent', 'art-theater' film), a bio-drama about mahler, family, in which mahler proclaimed ''beethoven is dead'; in one scene, his wife is sitting in the front row, opening night of his latest composition; the movie director made absolutely clear, via extreme close-ups, that the wife was thoroughly, seriously, aghast at the whole thing; ** all this so far, is of course, simply (?) a matter taste--eg, your taste, my taste, the movie directors' taste, mahler fans, etc; ** there are a few minutes of a couple of mahlers' works, that i find quite worth listening to-- the rest? i just don't get it, in a world where one COULD be listening to-- what would one call it__ dozens of bubblegum classical pieces?
Barry, I understand what you are saying. When I first heard a Mahler Symphony in my university music studies, I didn't appreciate that there was not a 'hummable' melody. I am 68, and only now that I have retired and and been isolated with the Covid crisis, with time on my hands, have I really started listening to Mahler. And I only started listening to his music because it is conducted by Claudio Abbado, who's work am I discovering is truly amazing.
What I am learning, as I listen to more and more of Abbado's work - and through the youtube documentaries about him - is that to him, music is about emotion and passion on a deep level - he does not have an ego with this. Now, when I listen to these youtube recordings, I feel these emotions from deep inside ME - they often make me cry, as they are so beautiful and moving. And when I watch and listen to these recordings, I hear and see that Abbado feels and transmits immense joy and energy (as in this symphony) or sublime calm (please listen to Mahler's 3rd symphony with Abbado, especially the beautiful slow 4th movement, starting at about 45:10, I think), and all of the emotions in between.
To me, he is the only conductor that truly becomes one with his orchestra and brings out these passions from all of the orchestra members. In one documentary that I saw about him in rehearsal, he tells the orchestra members to listen to one another - his musicians say that he does not think of himself as the boss, but rather, he is able to bring all of the different 'musical lines' together.
This means that there is not one melody, but that different instruments have different counter-melodies that are all woven together. So, there is generally no one hummable melody, as there are many all flowing together. These are called contrapuntal lines, and what I am beginning to appreciate in Mahler's music, is that despite all of these different instrumental lines going on at the same time, there is an over-riding passion and emotion that Abbado's orchestra is able to bring together through their conductor. When I look at video shots showing the whole orchestra, I see the musicians all moving intensely together, with the same energy, as if they are one. It's quite magical, and not something I really see with other conductors and orchestras. And looking at Abbado's and their faces, I can see the joy and emotion that they are experiencing. I hope you continue listening to more of Abbado and his work, for I have been learning a lot. Sometimes, I will even get up and listen, when I can't sleep in the middle of the night!
Stunning performance, fascination and love of Claudio Abbado conducting the orchestra. Watching on tv. Follow everyone’s faces, they are under the spell of magic coming out of the Great Conductor. Total perfection!
Buenas TÁRdes 🤭
This is really the first time I am listening to Mahler music! In the past I only heard the symphonies but this time I got hooked. I listened to the maestro
Claudio was spectacular, I really wish I had the opportunity to have listened to him live in the flesh. RIP maestro. His style was one of a kind, and the tone he produced was so lush and powerful
abbado's lucerne mahler cycle is incredible
His Mahler No. 1 from 2009 is thee best and thrilling with a roaring standing ovation along with his own curtain call after the orchestra leaves, WOW 😳😳😳😳😳
Absolutely phenomenal in every way. Mahler will forever break my heart and rebuild it in the same piece
終わり方、大迫力だ。😂
They breathe music and silence. I have rarely heard so much silence played by an orchestra ❤ Bravo, maestro !
This performance is astounding! The Maestro told the story from start to finish allowing these fine musicians to do what they do best.
con razon Ricardo les pidió que toquen esta a los musicos del baño en Okupas
twoset reccomended them, therefore here i am
You are fast my boi
lol saame
Same
who the fck is twoset? next yt kid streamer?
@@bies22 no it doesn't matter.
Not enough words to describe this Epic performance!
33:28 super horn solo!
I remember I left this on "Watch Later" about a year ago. Wish I had watched it sooner, I can see why this one is so famous, so good.
A balance of extremes between the very intense highs and very calm and soothing lows, this was for sure an amazing journey to listen to!
Must confess, I came here from the movie “Tar”, glad to discover Mahler.
A great video of the the Lucerne Festival Orchestra 2004 hand picked by Abbado. Some critics called these concerts as some of the best orchestral playing ever recorded. With very good speakers this video is very special. Given the fact that Abbado has passed, this shows him before his health problems. All the Abbado Lucerne concerts show that he wanted to make music with only special people. Some special musicians show up in all his festival concerts. Abbado was a great humanitarian.
心揺さぶられました
There must be at least 150 people in that orchestra.
Absolutely spellbinding. I've performed this symphony (French horn player), and I can tell you from the inside just how difficult this music is. The fact that these players made it seem so easy is a testament to their phenomenal skills, and Maestro Abbado's consummate musicianship.
Came here because of TAR
Grandissimo Maestro Abbado ❤️
Until last year I was always avoiding Mahler's music but one day I randomly chose to listen to the famous Adagietto. And that is the moment I discovered the beauty in his music and listen to the whole 5th symphony. I still can't figure out why it took si many year to love Mahler's work :)
Wonderful performance, beautifully phrased, connected between all members of the orchestra, Abbado in his element and Lucerne Festival at their peak.
Really stunning adagio and the whole performance at a highest level !thanks Mr. Abbado, you are unforgettable!
thnks..triumph of time and destiny🎉asma mezzo
Signal ,2 okomite u trokutu ,mob.098.
14:09 that jumping cellos...
I have never listened to play " the adagietto " in so emotional, so sensitive a way! It is there an absolute wonder which it will be extremely difficult to surpass! Violins at the top of the workmanship of the bow... Exceptional!
I came to hear this from just watching Tár. This is No.5...
사운드 진짜 좋네요!! 브라스 특히 trumpet 오케스트라에 특화된 사운드... 동양인들과의 차이점을 확인할수 있었네요^^
hermosa ejecución, la disfrute al máximo
Lydia Tár brought me here 🙃
Luchino Visconti usó parte de esta sinfonía en la pelìcula Muerte en Venecia.....hermosa sinfomía...
I have listened to this stupendous performance now five times!
A million comments are possible - but how clear it is that in this symphony Mahler shows with complete rhetorical eloquence how s/he inhabits two vastly separated worlds.
That of pre-Great War Vienna, of supreme opulence and exquisite sensibility and philosophical ambition. The world of Klimpt and Schiele, the Vienna Secession, of Karl Krauss, of the symbolist Arnold Schoenberg who wrote "Transfigured Night" and "Pelleas und Melisande". Of Freud, and early Thomas Mann, and the family Wittgenstein.
And then it is as if we are ejected out of such decadent refinements, and into the biting world of cynicism, parody and surrealism of post-war Berlin and Vienna .... of shattered empires and crippled veterans on every corner, and rouged yet starved erotic services girls and boys fucking and sucking their way from one day to the next. A vista of millions pointlessly slaughtered, and the grinding bitterness of Otto Dix and Max Beckmann.
A world of Dadaism, surrealism, of politicised psychoanalysis, of revolutionary Marxist Leninist politics and art, of Brecht and the Bauhaus.
The world also of the Frei Corps and the incipient bacillus of reactionary petit-bourgeois fascism. Where the ideas of rationality and progress were just twisted rubbish, and one could do nothing but mouth and parrot obsolete ideas. One soon to be blessed even further by the economic and social whirlwind of the Wall Street Crash of 1929.
That is why Mahler's music is often so simultaneously heartbreaking, and sentimental, and self-consciously bathetic-banal-trashy, and yet sensuous and profound, and full of quotes and echoes and mockeries and parodies. Music of stunning polyphonic brass chorales praising and straining for a heaven lost forever. As if one was taking a cup of hemlock tasting like vintage champagne to celebrate the beauties that once existed.
In that way, Mahler is one of the finest and most ironic "socialist-realist artists" of any modern era.
Indeed, to hear much of his work, with contemporary ears, is to be (what analogy can one grasp) walking in 1945 through the ghettos of Warsaw and Kraków, haunted by the lives of the millions slain and thrust into the ovens, and the ghastly sight of their cities in rubble. A world of Kafka and absurdism and Sonderkommandos, and the outraged analysis and protests of Hannah Arendt.
Mahler is a "pre-figuring prophet and witness" to that complete destruction of the confidence of the Enlightenment which still envelopes and strangles our present world. Our lives are what? An idiotic morally and psychologically depraved "escapade in techno-fantasy", the extolling of masculine emotional infantilism and eroticised depravity, moral and psychical and emotional and political bankruptcy masquerading as an enlightened "absolute novelty" wrought of a vast demented fiction gloriously enrobed as "Virtual Reality".
In short, an epoch of revolting masculine and patriarchal "psychical cripples" strutting with huge technical prowess.
A globally interconnected world of light-speed rumours and manufactured outright lies, of a million childish perspectives prompted to microscopic focus on complete trivia, of malevolent yet tremulous and timorous government agencies spying upon billions of fools who blindly trust their absolute political and financial masters. Of impending global chaos as the nuclear tipped Yankee Petro-Dollar Empire teeters into collapse. Of the new Nazis in Tel Aviv, murdering and displacing millions of Untermenschen now called Palestinians. How well our Zionist brothers and sisters have become enthralled by this psychotic entrapment, so luridly manifested by the failed painter and paranoid pamphleteer form Vienna.
All these worlds are the handicraft of men, and of their ever-ready but misguided co-conspirators, drawn from the ranks of far too many women, who ought to know better.
Love, andrea
Here from Hot Ones and Cate Blanchett
Now you are with your beloved Gustav Mahler, for ever. Thanks Maestro!
when i close my eyes i feel like i'm really there, i'm so happy
What an incredible journey this piece takes you on. I love Mahler!
1:00 Begins | 25:13 Triumphant | 26:00 preview of end theme | 45:29 Start of gentle part
54:05 Waking up energetic and curious | 57:17 Preview of ending | 1:03:00 | 1:07:20 build up to 1:07:24 fluttering
1:07:55 Triumph and awe
At the very start, the camera picked out Maestro Abbado's lifelong friend, pianist Maurizio Pollini (the one wearing glasses and blue tie). They tried to never miss each other's concerts and Abbado conducted Pollini on piano on occasion.
Loved both of them and always tried (and still try with Pollini) to attend their New York appearances. This orchestra with him conducting is stunning.
John Smith t
Pollini played Beethoven's fourth concert in the first part of evening.
Well spotted!
Chris Doby at 0:43!
17:52
I don’t know the conductor, but his passion for this great orchestral work is totally infectious. It’s like every cell in his being is guided by some musical divinity.
Lydia Tar brought me here.
Where do you live the movie is available for so long? Here in Brazil it made it's premiere just a few weeks ago.
@@willcampos4847 It came out in the US back in October itself.
Прекрасны все: и Малер, и Аббадо, и оркестр! Спасибо!
Grandiosi stupendi ...musica..celestiale ditettore superlativo
The Skrillex of classical music, indeed