Tracklist: 00:00:00 Overture-Suite in E Minor, TWV 55:e1: I. Ouverture. Lentement - Vite - Lentement 00:08:56 Overture-Suite in E Minor, TWV 55:e1: II. Réjouissance 00:13:09 Overture-Suite in E Minor, TWV 55:e1: III. Rondeau 00:15:40 Overture-Suite in E Minor, TWV 55:e1: IV. Loure 00:19:33 Overture-Suite in E Minor, TWV 55:e1: V. Passepied 00:22:32 Overture-Suite in E Minor, TWV 55:e1: VI. Air. Un peu vivement 00:26:53 Overture-Suite in E Minor, TWV 55:e1: VII. Gigue 00:29:16 Quartetto in G Major, TWV 43:G2: I. Largo - Allegro - Largo 00:32:38 Quartetto in G Major, TWV 43:G2: II. Vivace - Moderato - Vivace 00:39:36 Quartetto in G Major, TWV 43:G2: III. Grave 00:40:00 Quartetto in G Major, TWV 43:G2: IV. Vivace 00:43:27 Concerto for Flute, Violin and Cello in A Major, TWV 53:A2: I. Largo 00:48:00 Concerto for Flute, Violin and Cello in A Major, TWV 53:A2: II. Allegro 00:56:45 Concerto for Flute, Violin and Cello in A Major, TWV 53:A2: III. Grazioso 01:00:22 Concerto for Flute, Violin and Cello in A Major, TWV 53:A2: IV. Allegro 01:09:46 Trio Sonata in E-Flat Major, TWV 42:Es1: I. Affettuoso 01:12:36 Trio Sonata in E-Flat Major, TWV 42:Es1: II. Vivace 01:16:20 Trio Sonata in E-Flat Major, TWV 42:Es1: III. Grave 01:19:14 Trio Sonata in E-Flat Major, TWV 42:Es1: IV. Allegro 01:23:19 Flute Sonata in B Minor, TWV 41:h4: I. Cantabile 01:25:54 Flute Sonata in B Minor, TWV 41:h4: II. Allegro 01:28:07 Flute Sonata in B Minor, TWV 41:h4: III. Dolce 01:30:55 Flute Sonata in B Minor, TWV 41:h4: IV. Allegro 01:34:27 Conclusion in E Minor TWV 50:5: Allegro - Largo - Allegro 01:39:26 Overture-Suite in D Major, TWV 55:D1: I. Ouverture. Lentement - Vite - Lentement 01:49:58 Overture-Suite in D Major, TWV 55:D1: II. Air I. Tempo giusto 01:56:27 Overture-Suite in D Major, TWV 55:D1: III. Air II. Vivace 01:59:25 Overture-Suite in D Major, TWV 55:D1: IV. Air III. Presto 02:04:40 Overture-Suite in D Major, TWV 55:D1: V. Air IV. Allegro 02:08:20 Quartetto in D Minor TWV 43:d1: I. Andante 02:11:18 Quartetto in D Minor TWV 43:d1: II. Vivace 02:14:59 Quartetto in D Minor TWV 43:d1: III. Largo 02:18:08 Quartetto in D Minor TWV 43:d1: IV. Allegro 02:22:32 Concerto for 3 Violins in F Major, TWV 53:F1: I. Allegro 02:27:42 Concerto for 3 Violins in F Major, TWV 53:F1: II. Largo 02:32:15 Concerto for 3 Violins in F Major, TWV 53:F1: III. Vivace 02:35:32 Trio Sonata in E Minor, TWV 42:e2: I. Affetuoso 02:39:05 Trio Sonata in E Minor, TWV 42:e2: II. Allegro 02:41:53 Trio Sonata in E Minor, TWV 42:e2: III. Dolce 02:46:32 Trio Sonata in E Minor, TWV 42:e2: IV. Vivace 02:50:22 Violin Sonata in A Major, TWV 41:A4: I. Andante 02:52:23 Violin Sonata in A Major, TWV 41:A4: II. Vivace 02:56:14 Violin Sonata in A Major, TWV 41:A4: III. Cantabile 02:59:22 Violin Sonata in A Major, TWV 41:A4: IV. Allegro - Adagio - Allegro - Adagio 03:03:20 Conclusion in D Major, TWV 50:9: Allegro - Adagio - Allegro 03:09:55 Overture-Suite in B-Flat Major, TWV 55:B1: I. Ouverture. Lentement - Presto - Lentement 03:18:04 Overture-Suite in B-Flat Major, TWV 55:B1: II. Bergerie. Un peu vivement 03:20:39 Overture-Suite in B-Flat Major, TWV 55:B1: III. Allègresse. Vite 03:23:06 Overture-Suite in B-Flat Major, TWV 55:B1: IV. Postillons 03:25:12 Overture-Suite in B-Flat Major, TWV 55:B1: V. Flatterie 03:28:18 Overture-Suite in B-Flat Major, TWV 55:B1: VI. Badinage. Très vite 03:30:41 Overture-Suite in B-Flat Major, TWV 55:B1: VII. Menuet 03:33:43 Quartetto in E Minor, TWV 43:e2: I. Adagio 03:35:46 Quartetto in E Minor, TWV 43:e2: II. Allegro 03:37:46 Quartetto in E Minor, TWV 43:e2: III. Dolce 03:40:22 Quartetto in E Minor, TWV 43:e2: IV. Allegro 03:42:29 Concerto for 2 Horns in E-Flat Major, TWV 52:Es1: I. Maestoso 03:45:21 Concerto for 2 Horns in E-Flat Major, TWV 52:Es1: II. Allegro 03:49:56 Concerto for 2 Horns in E-Flat Major, TWV 52:Es1: III. Grave 03:52:39 Concerto for 2 Horns in E-Flat Major, TWV 52:Es1: IV. Vivace 03:57:04 Trio Sonata in D Major, TWV 42:D5: I. Andante 03:59:18 Trio Sonata in D Major, TWV 42:D5: II. Allegro 04:01:22 Trio Sonata in D Major, TWV 42:D5: III. Grave - Largo - Grave 04:03:50 Trio Sonata in D Major, TWV 42:D5: IV. Vivace 04:05:50 Oboe Sonata in G Minor, TWV 41:g6: I. Largo 04:08:34 Oboe Sonata in G Minor, TWV 41:g6: II. Presto - Tempo giusto 04:13:05 Oboe Sonata in G Minor, TWV 41:g6: III. Andante 04:14:11 Oboe Sonata in G Minor, TWV 41:g6: IV. Allegro 04:16:57 Conclusion in B-Flat Major, TWV 50:10: Furioso 04:18:52 Overture-Suite in D Major, TWV 55:D18: I. Ouverture 04:24:02 Overture-Suite in D Major, TWV 55:D18: II. Menuet I Alternativement Menuet II 04:27:04 Overture-Suite in D Major, TWV 55:D18: III. Gavotte en Rondeau 04:28:39 Overture-Suite in D Major, TWV 55:D18: IV. Passacaille 04:32:18 Overture-Suite in D Major, TWV 55:D18: V. Air. Lentement 04:33:55 Overture-Suite in D Major, TWV 55:D18: VI. Les Postillons 04:35:57 Overture-Suite in D Major, TWV 55:D18: VII. Fanfare. Très vite 04:38:09 Overture-Suite in G Major, TWV 55:G10 “Burlesque de Quixotte”: I. Ouverture 04:42:30 Overture-Suite in G Major, TWV 55:G10 “Burlesque de Quixotte”: II. Le réveil de Quixotte 04:44:13 Overture-Suite in G Major, TWV 55:G10 “Burlesque de Quixotte”: III. Son attaque des moulins à vent 04:46:00 Overture-Suite in G Major, TWV 55:G10 “Burlesque de Quixotte”: IV. Ses soupirs amoureux après la princesse Dulcinée 04:48:01 Overture-Suite in G Major, TWV 55:G10 “Burlesque de Quixotte”: V. Sanche Panche berné 04:49:41 Overture-Suite in G Major, TWV 55:G10 “Burlesque de Quixotte”: VI. Le galope de Rosinante - Celui d’Ane de Sanche 04:52:07 Overture-Suite in G Major, TWV 55:G10 “Burlesque de Quixotte”: VII. Le couché de Quixotte
04:53:20 Overture-Suite in C Minor, TWV 55:c2: I. Ouverture 04:56:34 Overture-Suite in C Minor, TWV 55:c2: II. Air. Vivement 04:57:50 Overture-Suite in C Minor, TWV 55:c2: III. Rondeaux 04:59:03 Overture-Suite in C Minor, TWV 55:c2: IV. Fugue. Vivement 05:01:13 Overture-Suite in C Minor, TWV 55:c2: V. Gavotte I alternativement Gavotte II 05:02:44 Overture-Suite in C Minor, TWV 55:c2: VI. Menuet I alternativement Menuet II 05:04:59 Overture-Suite in C Minor, TWV 55:c2: VII. Gigue 05:07:08 Overture-Suite in D Major, TWV 55:D4: I. Ouverture 05:12:46 Overture-Suite in D Major, TWV 55:D4: II. Menuet I alternativement Menuet II. Doucement 05:17:05 Overture-Suite in D Major, TWV 55:D4: III. Furies. Très vite 05:18:38 Overture-Suite in D Major, TWV 55:D4: IV. Entrée 05:19:32 Overture-Suite in D Major, TWV 55:D4: V. Passepied I alternativement passepied II 05:20:59 Overture-Suite in D Major, TWV 55:D4: VI. Loure 05:22:16 Overture-Suite in D Major, TWV 55:D4: VII. Canaries 05:23:54 Overture-Suite in D Major, TWV 55:D4: VIII. Chaconne 05:26:55 Overture-Suite in D Major, TWV 55:D4: IX. Air. Doucement 05:30:58 Overture-Suite in F Major, TWV 55:F11 “Alster Ouvertüre”: I. Ouverture 05:36:07 Overture-Suite in F Major, TWV 55:F11 “Alster Ouvertüre”: II. Die canonierende Pallas 05:38:26 Overture-Suite in F Major, TWV 55:F11 “Alster Ouvertüre”: III. Das Älster Echo 05:40:27 Overture-Suite in F Major, TWV 55:F11 “Alster Ouvertüre”: IV. Die Hamburgischen Glockenspiele 05:42:38 Overture-Suite in F Major, TWV 55:F11 “Alster Ouvertüre”: V. Der Schwanen Gesang 05:45:25 Overture-Suite in F Major, TWV 55:F11 “Alster Ouvertüre”: VI. Der Älster Schäffer Dorff Music 05:46:25 Overture-Suite in F Major, TWV 55:F11 “Alster Ouvertüre”: VII. Die concertierenden Frösche und Krähen 05:48:26 Overture-Suite in F Major, TWV 55:F11 “Alster Ouvertüre”: VIII. Der ruhende Pan 05:52:20 Overture-Suite in F Major, TWV 55:F11 “Alster Ouvertüre”: IX. Der Schäffer und Nymphen eilfertiger Abzug 05:54:55 Overture-Suite in B-Flat Major, TWV 55:B5 “Völker Ouvertüre”: I. Ouverture 05:59:10 Overture-Suite in B-Flat Major, TWV 55:B5 “Völker Ouvertüre”: II. Menuet I alternativement menuet II. Doucement 06:03:25 Overture-Suite in B-Flat Major, TWV 55:B5 “Völker Ouvertüre”: III. Les Turcs 06:05:51 Overture-Suite in B-Flat Major, TWV 55:B5 “Völker Ouvertüre”: IV. Les Suisses 06:07:30 Overture-Suite in B-Flat Major, TWV 55:B5 “Völker Ouvertüre”: V. Les Moscovites 06:08:16 Overture-Suite in B-Flat Major, TWV 55:B5 “Völker Ouvertüre”: VI. Les Portugais 06:10:39 Overture-Suite in B-Flat Major, TWV 55:B5 “Völker Ouvertüre”: VII. Les boiteux alternativement 06:12:05 Overture-Suite in B-Flat Major, TWV 55:B5 “Völker Ouvertüre”: VIII. Les coureurs 06:14:34 Overture-Suite in D Minor, TWV 55:d2: I. Ouverture 06:18:34 Overture-Suite in D Minor, TWV 55:d2: II. Rondeau 06:19:40 Overture-Suite in D Minor, TWV 55:d2: III. Irlandoise 06:20:47 Overture-Suite in D Minor, TWV 55:d2: IV. Réjouissance 06:22:08 Overture-Suite in D Minor, TWV 55:d2: V. Sarabande 06:24:00 Overture-Suite in D Minor, TWV 55:d2: VI. Les Scaramouches 06:24:47 Overture-Suite in D Minor, TWV 55:d2: VII. Menuet I 06:26:20 Overture-Suite in D Minor, TWV 55:d2: VIII. Menuet II. Doucement 06:27:38 Overture-Suite in D Minor, TWV 55:d2: IX. Entrée 06:29:28 Overture-Suite in B-Flat Major, TWV 55:B7: I. Ouverture 06:32:54 Overture-Suite in B-Flat Major, TWV 55:B7: II. Réjouissance 06:34:38 Overture-Suite in B-Flat Major, TWV 55:B7: III. Loure 06:36:22 Overture-Suite in B-Flat Major, TWV 55:B7: IV. Rondeau 06:37:25 Overture-Suite in B-Flat Major, TWV 55:B7: V. Menuet alternativement trio 06:40:15 Overture-Suite in B-Flat Major, TWV 55:B7: VI. Gigue 06:41:58 Overture-Suite in A Minor, TWV 55:a4: I. Ouverture 06:45:10 Overture-Suite in A Minor, TWV 55:a4: II. Passepied en Trio 06:47:47 Overture-Suite in A Minor, TWV 55:a4: III. Bourrée 06:49:22 Overture-Suite in A Minor, TWV 55:a4: IV. Menuet en Trio 06:52:41 Overture-Suite in A Minor, TWV 55:a4: V. Rondeau 06:54:03 Overture-Suite in A Minor, TWV 55:a4: VI. Polonaise 06:55:31 Overture-Suite in A Minor, TWV 55:a4: VII. Gigue 06:57:31 Overture-Suite in A Major, TWV 55:A4: I. Ouverture 07:02:16 Overture-Suite in A Major, TWV 55:A4: II. Divertimento 07:04:11 Overture-Suite in A Major, TWV 55:A4: III. Le Lusinghe 07:08:02 Overture-Suite in A Major, TWV 55:A4: IV. Minuetta I - Minuetta II 07:11:06 Overture-Suite in A Major, TWV 55:A4: V. Passa tempo 07:15:20 Overture-Suite in A Major, TWV 55:A4: VI. Tempo di giga 07:17:33 Overture-Suite in D Major, TWV 55:D23: I. Ouverture 07:21:12 Overture-Suite in D Major, TWV 55:D23: II. Menuet I - Menuet II. Doux 07:24:37 Overture-Suite in D Major, TWV 55:D23: III. Plainte - 07:27:26 Overture-Suite in D Major, TWV 55:D23: Gaillarde, qui s’alterne avec la plainte. Vite - 07:28:08 Overture-Suite in D Major, TWV 55:D23: Plainte 07:29:35 Overture-Suite in D Major, TWV 55:D23: IV. Sarabande 07:30:58 Overture-Suite in D Major, TWV 55:D23: V. Passepied I - Passepied II 07:32:45 Overture-Suite in D Major, TWV 55:D23: VI. Passacaille 07:35:27 Overture-Suite in D Major, TWV 55:D23: VII. Fanfare 07:36:54 Overture-Suite in G Minor, TWV 55:G4: I. Ouverture 07:40:09 Overture-Suite in G Minor, TWV 55:G4: II. Menuet I - Menuet II 07:42:36 Overture-Suite in G Minor, TWV 55:G4: III. Les Allemands anciens 07:44:11 Overture-Suite in G Minor, TWV 55:G4: IV. Les Allemands modernes. Vite 07:45:26 Overture-Suite in G Minor, TWV 55:G4: V. Les Suédois anciens 07:47:27 Overture-Suite in G Minor, TWV 55:G4: VI. Les Suédois modernes. Vite 07:48:15 Overture-Suite in G Minor, TWV 55:G4: VII. Les Danois anciens 07:49:54 Overture-Suite in G Minor, TWV 55:G4: VIII. Les Danois modernes. Vite 07:50:40 Overture-Suite in G Minor, TWV 55:G4: IX. Les vieilles femmes 07:52:12 Overture-Suite in D Major, TWV 55:D22: I. Ouverture 07:55:30 Overture-Suite in D Major, TWV 55:D22: II. Le podagre. Loure 07:58:12 Overture-Suite in D Major, TWV 55:D22: III. Remède expérimenté. La poste et la dance. Menuet en rondeau 07:59:20 Overture-Suite in D Major, TWV 55:D22: IV. L’Hypocondre. Sarabande - Gigue - Sarabande - Bourrée - Sarabande - 08:01:59 Overture-Suite in D Major, TWV 55:D22: V. Remède. Souffrance héroïque. Marche 08:03:07 Overture-Suite in D Major, TWV 55:D22: VI. Le Petit-maître 08:04:54 Overture-Suite in D Major, TWV 55:D22: VII. Remède. Petite-maison. Furies 08:05:53 Overture-Suite in E Minor, TWV 55:e7: I. Ouverture 08:09:56 Overture-Suite in E Minor, TWV 55:e7: II. Le contentement 08:11:14 Overture-Suite in E Minor, TWV 55:e7: III. Gavotte 08:12:20 Overture-Suite in E Minor, TWV 55:e7: IV. Loure 08:13:40 Overture-Suite in E Minor, TWV 55:e7: V. Menuet 08:15:03 Overture-Suite in E Minor, TWV 55:e7: VI. Rondeau 08:16:05 Overture-Suite in E Minor, TWV 55:e7: VII. Canarie. Très vite 08:17:05 Overture-Suite in B Minor, TWV 55:h4: I. Ouverture 08:22:17 Overture-Suite in B Minor, TWV 55:h4: II. Gavotte 08:24:33 Overture-Suite in B Minor, TWV 55:h4: III. Loure 08:26:15 Overture-Suite in B Minor, TWV 55:h4: IV. Réjouissance. Très vite 08:29:02 Overture-Suite in B Minor, TWV 55:h4: V. La bravoure 08:31:40 Overture-Suite in B Minor, TWV 55:h4: VI. Menuet I - Menuet II 08:34:29 Overture-Suite in B Minor, TWV 55:h4: VII. Rodomontate 08:36:58 Overture-Suite in E Minor, TWV 55:e3: I. Ouverture 08:41:31 Overture-Suite in E Minor, TWV 55:e3: II. Les Cyclopes 08:44:04 Overture-Suite in E Minor, TWV 55:e3: III. Menuet - Trio 08:46:33 Overture-Suite in E Minor, TWV 55:e3: IV. Galimatias en Rondeau 08:48:35 Overture-Suite in E Minor, TWV 55:e3: V. Hornpipe 08:50:53 Overture-Suite in C Minor, TWV 55:c4: Ouverture
The Baroque era was the best. Claudio Monteverdi, George Frideric Handel, Georg Philip Telemann, Tomaso Albinoni, Jean- Baptiste Lully, and of course Johann Sebastian Bach.
Classical music has the ability to convey a wide range of emotions without the need for lyrics. I can feel the passion, happiness, and even sadness through this music.
It certainly is powerfully emotive and thus creative in the sensational realm. It cannot quite produce reasonable thoughts, I think, but it at times it seems close to communicated brain waves.
I have revered Telemann for over 50 years--since I was age 15. I am here to add that the opening piece of his Tafelmusik is unusually like Telemann's mainstream: It requires a sensitivity to subtlety and delicacy of harmony/orchestration which performance/recording after performance has failed to realize. And now, at last: I must applaud! (My spirit had given up.) The music is done artistic justice here, disclosing the depth of its mastery. "Telemann is a subtle artist, whose profundities are not revealed to dullards" [Sir Arthur Hutchings, paraphrased]. Yes.
I love baroque music, but I'm new to the fine tunings of it. I appreciate it from somewhere deep inside me. I will close my eyes and listen...hearing every note of the different voices that contribute to the story. I love your appraisal of this music.
@@elizabethanderson8707 I have listened to Bach, Handel all my life and am only now discovering Telemann. I could not have expressed it better than you, such good performances let us hear each voice. And yes, something inside resonates with this music, it is meticulously written without the emotion of Romantic music, like sacred geometry.
There is no such thing as who was the greatest composer. Telemann, Bach or Handel, they were all extraordinary men gifted with the blessings of music. Each of their own, separate styles and different ways and yet all very passionate and very moving. It's amazing that most their works have survived 2 World Wars and have been preserved, and it's up to our modern generation to express their music and keep for future generations to come. All the above men mentioned were all men of faith and their faith in Almighty God and in the Lord is a testimony to their love and mastery to the art of what we call the blessed gift of God from Himself, Music.
I love the baroque period of music, especially small ensembles; sonatas, suites, trios, quartets, and most especially if it is in the melancholy minor chord! Is there happiness in sadness? I think so. 8+ hours of Telemann is a gift of unimaginable greatness! Thanks much X 8!
That's a fallacy invented by moderns to justify their conception of "progress". In pre-modern society, mortality rate among infants was quite high. So what the moderns did is draw the average in order to came up with the 30 years of life figure. In reality, if you survived past infancy you were likely to reach old age.
Always when I listen to Telemann´s chamber works, I have the same sensation I get when listening to J.S.Bach´s sacred works, that is being in touch with something divine, music that germinates from something beyond the human mind. It´s like the sanctity of the secular music, treated with such taste, profundity, respect for the instruments, extremely witty. No wonder both men were so close, and although they met few times, they always had each other in mind and even got to be "family" (C.Ph.Bach was his grandson). Despite how prolific he was, you never get the sensation of hearing something over and over, which you can experience with other composers. It´s a composer to admire, that deserves to be in better consideration in concert halls than it is today.
@Pat Bens "Age of Reason" for some people in some places. Bach was very devout, writing "Soli Dei Gloria" at the end of scores. Vivaldi was a priest. Both wrote many sacred works.
@@Thetruepianoman maybe its they believe for more than they've been told?! Surely as do atheists--some believe because they've been told, others not so.
Le genie est la ! Il a compose plus de 6000 oeuvres et je redécouvre avec plaisir sa musique. Baroque et brilliant ! J ai ecoute beaucoup de musique de chambre...
@@emaroman2395 blokflüt... unfortunately most Americans don't speak Deutsch Frueline Roman... but they all got recorders in grade school... all of them my spelling is nicht so gut ... it's been 60 years since I lived in Germany
I was desperate for my classical music - waiting for my speakers to be fixed too! Battling post-operative depression (all clearly happens on the op table, otherwise animals wouldn't get it too). Been Telemann for hours now. May God (the Big) bless us all.
Odniesienie do Boga, poglebianie o polska, francuska kulture, autentyczna iskra Boża i sprzyjajace okklicznosci, to wszystko ubogacilo tego muzyka. Dobro, zawsze wzbogaca. Chwala Panu, za takiego mistrza..
Thanks be to God in the Highest for endowing this grace and glory to His crowning glory...mankind! Praise Be to God our Lord, who also put in the mind of man to express this magnificent and wondrous music!
I can never get enough Telemann! At 1:49:58-Overture-Suite in D Major, TWV 55:D1: II. Air I. Tempo giusto-a lifelong favorite for its joyousness and sheer exuberance!!
Thank you for this compilation! Telemann was an outstanding composer who does not get his due, despite being revered throughout Europe during his day. Friends with Bach, Handel, and others, Telemann also helped empower musicians to gain intellectual control over their music. I love his Fantasias for keyboard, his recorder works, and his Concertos.
He wasn't revered throughout Europe, just popular in Germany. His music was unknown in Italy, Spain, England, and only became known in France when he went there and published flute quartets.
This selection by Telemann surpasses any attempt to show music for reflection, calm, reading or one's own sleep for free to listen to this extraordinary composer
Bach's son CPE was one of Telemann's students. CPE later became Mozart's godfather. ( Bach's other son JC kicked off the classical period as he founded the Vienna school (Mozart, Schubert, Beethoven, etc.)). It's all connected and Telemann was one important cornerstone.
Absolutely right. Telemann was revered throughout Europe and also responsible for helping musicians gain financial and intellectual control over their compositions. Also, CPE Bach was Telemann's godson, too.
It wasn't a 'school', as such; more like a musical shift. It was almost a century from Haydn's birth (1732) to Beethoven's death (1827), with Mozart in the middle (1756-1791) and there is no evidence that the three were ever in the same place at the same time. At the peak of Beethoven's fame, Haydn was dead (1809) and Mozart long dead. It is also worth remembering that many lesser composers, famous in their day, were writing in the new classical style by about 1760. But, yes: you are right. The early classical works have an eerie baroque flavour. Many composers kept the harpsichord resolutely for decades.
CPE Bach was not Mozart's godfather. Telemann was CPE Bach's godfather. JC Bach didn't start the classical period or start the Viennese school, he was a galant style composer, as were most other composers of his generation, and was influenced primarily by Neapolitan opera and Giovanni Battista Sammartini. The Italian galant and Neapolitan opera styles was the basis for the classical style. The Viennese school began with Austrian composers such as Holzbauer, Wagenseil and Monn, who were galant style composers, and Haydn, who was influenced by them.
@@yolhanson The musical style of the 1750's and 60's was the galant style which was influenced by Neapolitan comic opera. It wasn't quite classical music, which refers to a more mature and substantial style that involves a synthesis of galant and Neapolitan opera and opera seria styles with polyphony.
La vie de ce monsieur est assez ahurissante : il a composé deux a trois fois plus d’oeuvres que Bach, il est vrai qu’il a commencé gamin et terminé a 85 ans. Il composait avec une facilité déconcertante, dans tous le genres : du français, de l’italien et du contrepoint le plus compliqué , des opéras, des passions ,des concertos….Apparement il jouait d 'un peu tous les instruments. En plus c’était un verirtable entrepreneur de spectacles, fondant et dirigeant deux ou trois orchestres; ce qui lui permettait de ne pas trop dépendre des « puissants" de l’époque. Cela lui donna une grande notoriété ,bien plus grande que ses amis Bach ou Haendel. Il mérite d’être plus connu.
UA-cam must be in my head, because I was listening to Bach on this channel a while ago, and thought that it would be nice to hear some Telemann, but I didn't search for it. And here it is in my recommended list...
Me tomó mas de un año poder terminar de escuchar estas 9 horas de musica, que bueno que estén disponibles y permitan concer este tipo de autores menos promocionados
Telemann - häufig "Vielschreiber" genannt - mit heruntergezogenen Mundwinkeln und mitleidig. Das sind aber immer diejenigen, die sich nicht mit dem riesigen und auch sehr abwechslungsreichen Werk Telemanns auseinandersetzten - so viele Facetten, so viele Klangfarben - unbeschreiblich ......... und man kann hören, hören, hören und findet immer wieder neues! Ich bin ein grosser Bewunderer Bachs, Bachs Söhnen, Händel - aber auch Telemann verdient auf gleicher Stufe genannt zu werden.
Que gran maestro... fue el más querido en su época. Luego, el redescubrimiento del grandísimo Bach lo dejó apartado en un segundo o tercer plano. Hoy se le vuelve a dar la importancia y relevancia merecidísima que tiene.
Yes, I'm a big Zelenka fan too. He wrote far less than Bach or Telemann, though, and most of his music was for the Church. You can fit all his orchestral music on a few cds.
I Very recently discovered Telemann. So genious like Bach, Vivaldi, Mozart and etc. Barroco is that pleasure fountain always making gold tô our senses.
I remember driving in the car with my mother, who I hated, playing the classical station in NY, WQXR, completely transfixed and at the conclusion of the piece, the disc jockey announcing in his snide, pompous voice reeking of snobbish elitist class patronization, modulated by an uncharacteristic sense of humility the composer as Georg Telemann. The music made such a deep and indelible impression, more than half a century later, I am reminded of the breadth and expanse of this genius. Thank you for posing
Tracklist:
00:00:00 Overture-Suite in E Minor, TWV 55:e1: I. Ouverture. Lentement - Vite - Lentement
00:08:56 Overture-Suite in E Minor, TWV 55:e1: II. Réjouissance
00:13:09 Overture-Suite in E Minor, TWV 55:e1: III. Rondeau
00:15:40 Overture-Suite in E Minor, TWV 55:e1: IV. Loure
00:19:33 Overture-Suite in E Minor, TWV 55:e1: V. Passepied
00:22:32 Overture-Suite in E Minor, TWV 55:e1: VI. Air. Un peu vivement
00:26:53 Overture-Suite in E Minor, TWV 55:e1: VII. Gigue
00:29:16 Quartetto in G Major, TWV 43:G2: I. Largo - Allegro - Largo
00:32:38 Quartetto in G Major, TWV 43:G2: II. Vivace - Moderato - Vivace
00:39:36 Quartetto in G Major, TWV 43:G2: III. Grave
00:40:00 Quartetto in G Major, TWV 43:G2: IV. Vivace
00:43:27 Concerto for Flute, Violin and Cello in A Major, TWV 53:A2: I. Largo
00:48:00 Concerto for Flute, Violin and Cello in A Major, TWV 53:A2: II. Allegro
00:56:45 Concerto for Flute, Violin and Cello in A Major, TWV 53:A2: III. Grazioso
01:00:22 Concerto for Flute, Violin and Cello in A Major, TWV 53:A2: IV. Allegro
01:09:46 Trio Sonata in E-Flat Major, TWV 42:Es1: I. Affettuoso
01:12:36 Trio Sonata in E-Flat Major, TWV 42:Es1: II. Vivace
01:16:20 Trio Sonata in E-Flat Major, TWV 42:Es1: III. Grave
01:19:14 Trio Sonata in E-Flat Major, TWV 42:Es1: IV. Allegro
01:23:19 Flute Sonata in B Minor, TWV 41:h4: I. Cantabile
01:25:54 Flute Sonata in B Minor, TWV 41:h4: II. Allegro
01:28:07 Flute Sonata in B Minor, TWV 41:h4: III. Dolce
01:30:55 Flute Sonata in B Minor, TWV 41:h4: IV. Allegro
01:34:27 Conclusion in E Minor TWV 50:5: Allegro - Largo - Allegro
01:39:26 Overture-Suite in D Major, TWV 55:D1: I. Ouverture. Lentement - Vite - Lentement
01:49:58 Overture-Suite in D Major, TWV 55:D1: II. Air I. Tempo giusto
01:56:27 Overture-Suite in D Major, TWV 55:D1: III. Air II. Vivace
01:59:25 Overture-Suite in D Major, TWV 55:D1: IV. Air III. Presto
02:04:40 Overture-Suite in D Major, TWV 55:D1: V. Air IV. Allegro
02:08:20 Quartetto in D Minor TWV 43:d1: I. Andante
02:11:18 Quartetto in D Minor TWV 43:d1: II. Vivace
02:14:59 Quartetto in D Minor TWV 43:d1: III. Largo
02:18:08 Quartetto in D Minor TWV 43:d1: IV. Allegro
02:22:32 Concerto for 3 Violins in F Major, TWV 53:F1: I. Allegro
02:27:42 Concerto for 3 Violins in F Major, TWV 53:F1: II. Largo
02:32:15 Concerto for 3 Violins in F Major, TWV 53:F1: III. Vivace
02:35:32 Trio Sonata in E Minor, TWV 42:e2: I. Affetuoso
02:39:05 Trio Sonata in E Minor, TWV 42:e2: II. Allegro
02:41:53 Trio Sonata in E Minor, TWV 42:e2: III. Dolce
02:46:32 Trio Sonata in E Minor, TWV 42:e2: IV. Vivace
02:50:22 Violin Sonata in A Major, TWV 41:A4: I. Andante
02:52:23 Violin Sonata in A Major, TWV 41:A4: II. Vivace
02:56:14 Violin Sonata in A Major, TWV 41:A4: III. Cantabile
02:59:22 Violin Sonata in A Major, TWV 41:A4: IV. Allegro - Adagio - Allegro - Adagio
03:03:20 Conclusion in D Major, TWV 50:9: Allegro - Adagio - Allegro
03:09:55 Overture-Suite in B-Flat Major, TWV 55:B1: I. Ouverture. Lentement - Presto - Lentement
03:18:04 Overture-Suite in B-Flat Major, TWV 55:B1: II. Bergerie. Un peu vivement
03:20:39 Overture-Suite in B-Flat Major, TWV 55:B1: III. Allègresse. Vite
03:23:06 Overture-Suite in B-Flat Major, TWV 55:B1: IV. Postillons
03:25:12 Overture-Suite in B-Flat Major, TWV 55:B1: V. Flatterie
03:28:18 Overture-Suite in B-Flat Major, TWV 55:B1: VI. Badinage. Très vite
03:30:41 Overture-Suite in B-Flat Major, TWV 55:B1: VII. Menuet
03:33:43 Quartetto in E Minor, TWV 43:e2: I. Adagio
03:35:46 Quartetto in E Minor, TWV 43:e2: II. Allegro
03:37:46 Quartetto in E Minor, TWV 43:e2: III. Dolce
03:40:22 Quartetto in E Minor, TWV 43:e2: IV. Allegro 03:42:29 Concerto for 2 Horns in E-Flat Major, TWV 52:Es1: I. Maestoso
03:45:21 Concerto for 2 Horns in E-Flat Major, TWV 52:Es1: II. Allegro
03:49:56 Concerto for 2 Horns in E-Flat Major, TWV 52:Es1: III. Grave
03:52:39 Concerto for 2 Horns in E-Flat Major, TWV 52:Es1: IV. Vivace
03:57:04 Trio Sonata in D Major, TWV 42:D5: I. Andante
03:59:18 Trio Sonata in D Major, TWV 42:D5: II. Allegro
04:01:22 Trio Sonata in D Major, TWV 42:D5: III. Grave - Largo - Grave
04:03:50 Trio Sonata in D Major, TWV 42:D5: IV. Vivace
04:05:50 Oboe Sonata in G Minor, TWV 41:g6: I. Largo
04:08:34 Oboe Sonata in G Minor, TWV 41:g6: II. Presto - Tempo giusto
04:13:05 Oboe Sonata in G Minor, TWV 41:g6: III. Andante
04:14:11 Oboe Sonata in G Minor, TWV 41:g6: IV. Allegro
04:16:57 Conclusion in B-Flat Major, TWV 50:10: Furioso
04:18:52 Overture-Suite in D Major, TWV 55:D18: I. Ouverture
04:24:02 Overture-Suite in D Major, TWV 55:D18: II. Menuet I Alternativement Menuet II
04:27:04 Overture-Suite in D Major, TWV 55:D18: III. Gavotte en Rondeau
04:28:39 Overture-Suite in D Major, TWV 55:D18: IV. Passacaille
04:32:18 Overture-Suite in D Major, TWV 55:D18: V. Air. Lentement
04:33:55 Overture-Suite in D Major, TWV 55:D18: VI. Les Postillons
04:35:57 Overture-Suite in D Major, TWV 55:D18: VII. Fanfare. Très vite
04:38:09 Overture-Suite in G Major, TWV 55:G10 “Burlesque de Quixotte”: I. Ouverture
04:42:30 Overture-Suite in G Major, TWV 55:G10 “Burlesque de Quixotte”: II. Le réveil de Quixotte
04:44:13 Overture-Suite in G Major, TWV 55:G10 “Burlesque de Quixotte”: III. Son attaque des moulins à vent
04:46:00 Overture-Suite in G Major, TWV 55:G10 “Burlesque de Quixotte”: IV. Ses soupirs amoureux après la princesse Dulcinée
04:48:01 Overture-Suite in G Major, TWV 55:G10 “Burlesque de Quixotte”: V. Sanche Panche berné
04:49:41 Overture-Suite in G Major, TWV 55:G10 “Burlesque de Quixotte”: VI. Le galope de Rosinante - Celui d’Ane de Sanche
04:52:07 Overture-Suite in G Major, TWV 55:G10 “Burlesque de Quixotte”: VII. Le couché de Quixotte
04:53:20 Overture-Suite in C Minor, TWV 55:c2: I. Ouverture
04:56:34 Overture-Suite in C Minor, TWV 55:c2: II. Air. Vivement
04:57:50 Overture-Suite in C Minor, TWV 55:c2: III. Rondeaux
04:59:03 Overture-Suite in C Minor, TWV 55:c2: IV. Fugue. Vivement
05:01:13 Overture-Suite in C Minor, TWV 55:c2: V. Gavotte I alternativement Gavotte II
05:02:44 Overture-Suite in C Minor, TWV 55:c2: VI. Menuet I alternativement Menuet II
05:04:59 Overture-Suite in C Minor, TWV 55:c2: VII. Gigue
05:07:08 Overture-Suite in D Major, TWV 55:D4: I. Ouverture
05:12:46 Overture-Suite in D Major, TWV 55:D4: II. Menuet I alternativement Menuet II. Doucement
05:17:05 Overture-Suite in D Major, TWV 55:D4: III. Furies. Très vite
05:18:38 Overture-Suite in D Major, TWV 55:D4: IV. Entrée
05:19:32 Overture-Suite in D Major, TWV 55:D4: V. Passepied I alternativement passepied II
05:20:59 Overture-Suite in D Major, TWV 55:D4: VI. Loure
05:22:16 Overture-Suite in D Major, TWV 55:D4: VII. Canaries
05:23:54 Overture-Suite in D Major, TWV 55:D4: VIII. Chaconne
05:26:55 Overture-Suite in D Major, TWV 55:D4: IX. Air. Doucement
05:30:58 Overture-Suite in F Major, TWV 55:F11 “Alster Ouvertüre”: I. Ouverture
05:36:07 Overture-Suite in F Major, TWV 55:F11 “Alster Ouvertüre”: II. Die canonierende Pallas
05:38:26 Overture-Suite in F Major, TWV 55:F11 “Alster Ouvertüre”: III. Das Älster Echo
05:40:27 Overture-Suite in F Major, TWV 55:F11 “Alster Ouvertüre”: IV. Die Hamburgischen Glockenspiele
05:42:38 Overture-Suite in F Major, TWV 55:F11 “Alster Ouvertüre”: V. Der Schwanen Gesang
05:45:25 Overture-Suite in F Major, TWV 55:F11 “Alster Ouvertüre”: VI. Der Älster Schäffer Dorff Music
05:46:25 Overture-Suite in F Major, TWV 55:F11 “Alster Ouvertüre”: VII. Die concertierenden Frösche und Krähen
05:48:26 Overture-Suite in F Major, TWV 55:F11 “Alster Ouvertüre”: VIII. Der ruhende Pan
05:52:20 Overture-Suite in F Major, TWV 55:F11 “Alster Ouvertüre”: IX. Der Schäffer und Nymphen eilfertiger Abzug
05:54:55 Overture-Suite in B-Flat Major, TWV 55:B5 “Völker Ouvertüre”: I. Ouverture
05:59:10 Overture-Suite in B-Flat Major, TWV 55:B5 “Völker Ouvertüre”: II. Menuet I alternativement menuet II. Doucement
06:03:25 Overture-Suite in B-Flat Major, TWV 55:B5 “Völker Ouvertüre”: III. Les Turcs
06:05:51 Overture-Suite in B-Flat Major, TWV 55:B5 “Völker Ouvertüre”: IV. Les Suisses
06:07:30 Overture-Suite in B-Flat Major, TWV 55:B5 “Völker Ouvertüre”: V. Les Moscovites
06:08:16 Overture-Suite in B-Flat Major, TWV 55:B5 “Völker Ouvertüre”: VI. Les Portugais
06:10:39 Overture-Suite in B-Flat Major, TWV 55:B5 “Völker Ouvertüre”: VII. Les boiteux alternativement
06:12:05 Overture-Suite in B-Flat Major, TWV 55:B5 “Völker Ouvertüre”: VIII. Les coureurs
06:14:34 Overture-Suite in D Minor, TWV 55:d2: I. Ouverture
06:18:34 Overture-Suite in D Minor, TWV 55:d2: II. Rondeau
06:19:40 Overture-Suite in D Minor, TWV 55:d2: III. Irlandoise
06:20:47 Overture-Suite in D Minor, TWV 55:d2: IV. Réjouissance
06:22:08 Overture-Suite in D Minor, TWV 55:d2: V. Sarabande
06:24:00 Overture-Suite in D Minor, TWV 55:d2: VI. Les Scaramouches
06:24:47 Overture-Suite in D Minor, TWV 55:d2: VII. Menuet I
06:26:20 Overture-Suite in D Minor, TWV 55:d2: VIII. Menuet II. Doucement
06:27:38 Overture-Suite in D Minor, TWV 55:d2: IX. Entrée
06:29:28 Overture-Suite in B-Flat Major, TWV 55:B7: I. Ouverture
06:32:54 Overture-Suite in B-Flat Major, TWV 55:B7: II. Réjouissance
06:34:38 Overture-Suite in B-Flat Major, TWV 55:B7: III. Loure
06:36:22 Overture-Suite in B-Flat Major, TWV 55:B7: IV. Rondeau
06:37:25 Overture-Suite in B-Flat Major, TWV 55:B7: V. Menuet alternativement trio
06:40:15 Overture-Suite in B-Flat Major, TWV 55:B7: VI. Gigue
06:41:58 Overture-Suite in A Minor, TWV 55:a4: I. Ouverture
06:45:10 Overture-Suite in A Minor, TWV 55:a4: II. Passepied en Trio
06:47:47 Overture-Suite in A Minor, TWV 55:a4: III. Bourrée
06:49:22 Overture-Suite in A Minor, TWV 55:a4: IV. Menuet en Trio
06:52:41 Overture-Suite in A Minor, TWV 55:a4: V. Rondeau
06:54:03 Overture-Suite in A Minor, TWV 55:a4: VI. Polonaise
06:55:31 Overture-Suite in A Minor, TWV 55:a4: VII. Gigue
06:57:31 Overture-Suite in A Major, TWV 55:A4: I. Ouverture
07:02:16 Overture-Suite in A Major, TWV 55:A4: II. Divertimento
07:04:11 Overture-Suite in A Major, TWV 55:A4: III. Le Lusinghe
07:08:02 Overture-Suite in A Major, TWV 55:A4: IV. Minuetta I - Minuetta II
07:11:06 Overture-Suite in A Major, TWV 55:A4: V. Passa tempo
07:15:20 Overture-Suite in A Major, TWV 55:A4: VI. Tempo di giga
07:17:33 Overture-Suite in D Major, TWV 55:D23: I. Ouverture
07:21:12 Overture-Suite in D Major, TWV 55:D23: II. Menuet I - Menuet II. Doux
07:24:37 Overture-Suite in D Major, TWV 55:D23: III. Plainte -
07:27:26 Overture-Suite in D Major, TWV 55:D23: Gaillarde, qui s’alterne avec la plainte. Vite -
07:28:08 Overture-Suite in D Major, TWV 55:D23: Plainte
07:29:35 Overture-Suite in D Major, TWV 55:D23: IV. Sarabande
07:30:58 Overture-Suite in D Major, TWV 55:D23: V. Passepied I - Passepied II
07:32:45 Overture-Suite in D Major, TWV 55:D23: VI. Passacaille
07:35:27 Overture-Suite in D Major, TWV 55:D23: VII. Fanfare
07:36:54 Overture-Suite in G Minor, TWV 55:G4: I. Ouverture
07:40:09 Overture-Suite in G Minor, TWV 55:G4: II. Menuet I - Menuet II
07:42:36 Overture-Suite in G Minor, TWV 55:G4: III. Les Allemands anciens
07:44:11 Overture-Suite in G Minor, TWV 55:G4: IV. Les Allemands modernes. Vite
07:45:26 Overture-Suite in G Minor, TWV 55:G4: V. Les Suédois anciens
07:47:27 Overture-Suite in G Minor, TWV 55:G4: VI. Les Suédois modernes. Vite
07:48:15 Overture-Suite in G Minor, TWV 55:G4: VII. Les Danois anciens
07:49:54 Overture-Suite in G Minor, TWV 55:G4: VIII. Les Danois modernes. Vite
07:50:40 Overture-Suite in G Minor, TWV 55:G4: IX. Les vieilles femmes
07:52:12 Overture-Suite in D Major, TWV 55:D22: I. Ouverture
07:55:30 Overture-Suite in D Major, TWV 55:D22: II. Le podagre. Loure
07:58:12 Overture-Suite in D Major, TWV 55:D22: III. Remède expérimenté. La poste et la dance. Menuet en rondeau
07:59:20 Overture-Suite in D Major, TWV 55:D22: IV. L’Hypocondre. Sarabande - Gigue - Sarabande - Bourrée - Sarabande -
08:01:59 Overture-Suite in D Major, TWV 55:D22: V. Remède. Souffrance héroïque. Marche
08:03:07 Overture-Suite in D Major, TWV 55:D22: VI. Le Petit-maître
08:04:54 Overture-Suite in D Major, TWV 55:D22: VII. Remède. Petite-maison. Furies
08:05:53 Overture-Suite in E Minor, TWV 55:e7: I. Ouverture
08:09:56 Overture-Suite in E Minor, TWV 55:e7: II. Le contentement
08:11:14 Overture-Suite in E Minor, TWV 55:e7: III. Gavotte
08:12:20 Overture-Suite in E Minor, TWV 55:e7: IV. Loure
08:13:40 Overture-Suite in E Minor, TWV 55:e7: V. Menuet
08:15:03 Overture-Suite in E Minor, TWV 55:e7: VI. Rondeau
08:16:05 Overture-Suite in E Minor, TWV 55:e7: VII. Canarie. Très vite
08:17:05 Overture-Suite in B Minor, TWV 55:h4: I. Ouverture
08:22:17 Overture-Suite in B Minor, TWV 55:h4: II. Gavotte
08:24:33 Overture-Suite in B Minor, TWV 55:h4: III. Loure
08:26:15 Overture-Suite in B Minor, TWV 55:h4: IV. Réjouissance. Très vite
08:29:02 Overture-Suite in B Minor, TWV 55:h4: V. La bravoure
08:31:40 Overture-Suite in B Minor, TWV 55:h4: VI. Menuet I - Menuet II
08:34:29 Overture-Suite in B Minor, TWV 55:h4: VII. Rodomontate
08:36:58 Overture-Suite in E Minor, TWV 55:e3: I. Ouverture
08:41:31 Overture-Suite in E Minor, TWV 55:e3: II. Les Cyclopes
08:44:04 Overture-Suite in E Minor, TWV 55:e3: III. Menuet - Trio
08:46:33 Overture-Suite in E Minor, TWV 55:e3: IV. Galimatias en Rondeau
08:48:35 Overture-Suite in E Minor, TWV 55:e3: V. Hornpipe
08:50:53 Overture-Suite in C Minor, TWV 55:c4: Ouverture
¿Y los volúmenes siguientes?
@@BrilliantClassics #500 of 👍's (always wanted to do this; a first here for me 2019:- )
THANK YOU SO MUCH for posting this detailed lineup of the GREAT man's works ~ it's mosttt helpful!! :)))
@@johanelpro5462 Eso, primero siempre dando las gracias por el aporte... Como debe de ser...
The Baroque era was the best. Claudio Monteverdi, George Frideric Handel, Georg Philip Telemann, Tomaso Albinoni, Jean- Baptiste Lully, and of course Johann Sebastian Bach.
I am among like minded friends...
Did you just forget to mention Vivaldi lol....?
Dont forget scarlatti
@@blobs5440 or Fasch or Praetorius or Biber or Buxtehude or.....so many fantastic composers de.wikipedia.org/wiki/Liste_von_Barockkomponisten
@Miloslav Tlamicha it's "Georg Friedrich Händel" though. But still very impressive
Telemann is so under-rated.
Couldn't agree more, his Tafelmusik is some of the finest instrumental Baroque I've ever heard
Dave: Not by me, he isn't. He's phenomenal. What a genius!
@@titicatfollies6615 If he's not under rated by you, then our civilization is saved. Thank you !
@@robarton
Whew!
INDEED, Mr. Dave!!
Profound respect for Corelli, Purcell, Handel and many others but for me Bach and Telemann remain the 1-2 punch of Baroque.
I wish people would tell a man about telemann once in a while so he can be more popular
This upload has in no small part contributed to me maintaining a 4.0 GPA in graduate school. Thanks!
Your comment brought tears, I wish you continued success as you go forth in your profession.
Classical music has the ability to convey a wide range of emotions without the need for lyrics. I can feel the passion, happiness, and even sadness through this music.
It certainly is powerfully emotive and thus creative in the sensational realm. It cannot quite produce reasonable thoughts, I think, but it at times it seems close to communicated brain waves.
anger too
Thank God we have this music.
Specify which god, there are so many...
yea wtf is this God guy
I have revered Telemann for over 50 years--since I was age 15. I am here to add that the opening piece of his Tafelmusik is unusually like Telemann's mainstream: It requires a sensitivity to subtlety and delicacy of harmony/orchestration which performance/recording after performance has failed to realize. And now, at last: I must applaud! (My spirit had given up.) The music is done artistic justice here, disclosing the depth of its mastery. "Telemann is a subtle artist, whose profundities are not revealed to dullards" [Sir Arthur Hutchings, paraphrased]. Yes.
I love baroque music, but I'm new to the fine tunings of it. I appreciate it from somewhere deep inside me. I will close my eyes and listen...hearing every note of the different voices that contribute to the story. I love your appraisal of this music.
@@elizabethanderson8707 I have listened to Bach, Handel all my life and am only now discovering Telemann. I could not have expressed it better than you, such good performances let us hear each voice. And yes, something inside resonates with this music, it is meticulously written without the emotion of Romantic music, like sacred geometry.
my favorite is " der getreue muzik meister "
I'm a dullard, I confess--but I'm trying!
better than any antidepressant, so well balanced, warm and lively
Even better with a pipe at the end of the day.. I let it play and have good dreams;;☆》
Peace ✌☮
balanced - exactly!
Absolutely. Brings some feelings of sanity into this pandemic world
There is no such thing as who was the greatest composer. Telemann, Bach or Handel, they were all extraordinary men gifted with the blessings of music. Each of their own, separate styles and different ways and yet all very passionate and very moving. It's amazing that most their works have survived 2 World Wars and have been preserved, and it's up to our modern generation to express their music and keep for future generations to come. All the above men mentioned were all men of faith and their faith in Almighty God and in the Lord is a testimony to their love and mastery to the art of what we call the blessed gift of God from Himself, Music.
Правильно!
Девять часов музыки Телемана, чистое золото. Спасибо.
This playlist will make you feel 5 times richer when doing literally anything.
or owning anything :)
Telemann has a folkish side to him that I love to hear percolating through..
once u have listened this video till the end.
Congrats u listened 80/6000 discography of Telemann... 1% achievement...
does that matter ?
Never have I seen so much Telemann in one place!
Telemann was one of the most prolific composer of all time.
H was the German Duke Ellington.
Telemann is actually the most prolific musician of all time, least that is known so far
The most prolific.
David from London
He wrote about 3,600 pieces, while JSB wrote about 2,000 pieces, sadly half of them have vanished.
The sun is yellow, the sea is blue, Grimsdale talks and teaches to you.
I love the baroque period of music, especially small ensembles; sonatas, suites, trios, quartets, and most especially if it is in the melancholy minor chord! Is there happiness in sadness? I think so. 8+ hours of Telemann is a gift of unimaginable greatness! Thanks much X 8!
hermosa reflexión!!!!!! comparto plenamente tu vivencia...gracias
El Barroco es lo máximo.
Telemann died in 1767 at the age of 86, while life expectancy was 26 years! Good listening and long life!
Yes Telemann seems to have brought the great Baroque era to an end .
And his wife left him with about a dozen kids!
That's a fallacy invented by moderns to justify their conception of "progress".
In pre-modern society, mortality rate among infants was quite high. So what the moderns did is draw the average in order to came up with the 30 years of life figure. In reality, if you survived past infancy you were likely to reach old age.
He didn't smoke and didn't watched TV.
Always when I listen to Telemann´s chamber works, I have the same sensation I get when listening to J.S.Bach´s sacred works, that is being in touch with something divine, music that germinates from something beyond the human mind. It´s like the sanctity of the secular music, treated with such taste, profundity, respect for the instruments, extremely witty. No wonder both men were so close, and although they met few times, they always had each other in mind and even got to be "family" (C.Ph.Bach was his grandson). Despite how prolific he was, you never get the sensation of hearing something over and over, which you can experience with other composers. It´s a composer to admire, that deserves to be in better consideration in concert halls than it is today.
@Pat Bens No conflict surely. Everything comes from the Divine which includes Ages or Reason or anything else.
@@pamelafrancis4476 Well yeah if you believe an all encompassing self justifying world view for no reason other than because you're told
Indeed !
@Pat Bens "Age of Reason" for some people in some places. Bach was very devout, writing "Soli Dei Gloria" at the end of scores. Vivaldi was a priest. Both wrote many sacred works.
@@Thetruepianoman maybe its they believe for more than they've been told?! Surely as do atheists--some believe because they've been told, others not so.
This has helped me through painful sessions at the dentist. He pops in the Novocain, I pop on my headphones with Telemann, and I am gone. Thank you.
Telemann was great, in fact so great that Bach sent one of his incredibly talented sons all the way to Hamburg to study under him.
Telemann was played a lot on the radio when I was growing up.
Which period was that?
It's sad that I have never heard this genius work until I'm almost 31..
Charbel Harb. Well I'm 62 twice your age and only discovering this now so it's not so bad!
@@waterkingdavid Gee...I'm 64 and just discovered it! I guess there is good that can come out of the 'digital world'...
You need to listen to A. B. KaradeKu.
@@elizabethanderson8707 When you get 70, please listen to A B Karadeku.
@@waterkingdavid A. B. KaradeKu composes better. Listen to his Closures and you will understand why music is not just noise.
Bach,Telemann,Handel,Mozart,Vivaldi,et.al. They, and many other classical composers, comprise the Golden Age of music!
Corelli
Karadeku.
Albinoni, Zelenka, Haydn, Purcell
Agreed !
He should be as famous as Bach and Handel, given that they were contemporaries, and he wrote almost as much music as both of them put together.
Le genie est la ! Il a compose plus de 6000 oeuvres et je redécouvre avec plaisir sa musique. Baroque et brilliant ! J ai ecoute beaucoup de musique de chambre...
Das Leben ist zurzeit besonders anstrengend. Da ist unsere Barockmusik ein wundervoller Ausgleich um wieder in Gleichklang zu kommen
I love Baroque for the sound of the harpsichord. What a great instrument now completely forgotten.
Fortunately, it's not as forgotten now as it used to be :) but plenty of other instruments have yet to be rediscovered
Don't worry my friend I make music and will do my best to keep it alive!
that instrument the harpsichord was played by Lurch in the Addams Family tv series
@@fernandom6724 The opening theme to "The Addams Family" is going to keep green the memory that harpsichords exist.
TELEMANN is often overlooked when Baroque composers are mentioned. Sad...cos this dude is a very good Composer.
he does not care about it
There are several groups doing recorders doing Telleman.. those whistle things kids play in grade school... it's absolutely stunning
@@ing_frantisek_mohykan so very true... it's our work that remains when we are gone... a very very good reason to do good work
Richard Carew Recorder or Blockflöte, yes amazing sound!!!
@@emaroman2395 blokflüt... unfortunately most Americans don't speak Deutsch Frueline Roman... but they all got recorders in grade school... all of them
my spelling is nicht so gut
... it's been 60 years since I lived in Germany
Telemann is a super composer and one of the best composers of Baroque period. . That's all.
I love Telemann as much as Bach and Albinoni. Beautiful Music!
I'm so happy my speakers at work were fixed!! :'-) Being able to listen to this kind of beautiful music all day long really helps the soul.
I was desperate for my classical music - waiting for my speakers to be fixed too! Battling post-operative depression (all clearly happens on the op table, otherwise animals wouldn't get it too). Been Telemann for hours now. May God (the Big) bless us all.
@@jinnymudlark1815 Praying your depression lightens with each passing day! Keep on keeping on. 🙌🏻
@@rachels.9984 Thank you so much. Just seen this (Easter Friday 15 Apr. 2022) Bless you too.
Barockmusik gibt der Seele den Menschen das Gefühl, dass ihre Harmonien in höchstem Maße heilsam sind !!! Tepper Michael.
blazing a fat one to the homie Telemann...big ups from Jamaica
My favorite comment I’ve read in a while
Peace to you my friend!
😂😂🫶🏼💖
This guy is underrated..!
One of the finest fiddlers ever born.
Thanks for uploading..!
Thank you all for compiling this beautiful music collection!
Thank you Telemann, thank you Germany for such an extraordinary composer!
Odniesienie do Boga, poglebianie o polska, francuska kulture, autentyczna iskra Boża i sprzyjajace okklicznosci, to wszystko ubogacilo tego muzyka. Dobro, zawsze wzbogaca. Chwala Panu, za takiego mistrza..
Telemann was an amazing creator of immortal art.
Just thank you for this. It is 10 October 2021. We need music like this.
we need it more than ever!
Ha! On that day I became 75. Best to you.
Thanks be to God in the Highest for endowing this grace and glory to His crowning glory...mankind! Praise Be to God our Lord, who also put in the mind of man to express this magnificent and wondrous music!
You can go no higher!
Inmaculado poético lírico etc etc
nah.....the whole credit goes to Georg Philip Telemann, his hard work, his skill, his talent, etc.
Oh, how nice - nine hours of Telemann!
Arguably the most prolific composer ever, with more than 3 000 works. Admired by Bach and Handel. And he was self-taught in music. What a Genius.
More
This is food for the brain, felicitation a Telemann
For every Soprano flute 101 Telemann is a must!
I can never get enough Telemann! At 1:49:58-Overture-Suite in D Major, TWV 55:D1: II. Air I. Tempo giusto-a lifelong favorite for its joyousness and sheer exuberance!!
That's my favorite too, for just those reasons.
Thank You for pointing this melody. It is a beautiful Masterpiece that brings You so many joy and cheers You .
Thank you for this compilation! Telemann was an outstanding composer who does not get his due, despite being revered throughout Europe during his day. Friends with Bach, Handel, and others, Telemann also helped empower musicians to gain intellectual control over their music. I love his Fantasias for keyboard, his recorder works, and his Concertos.
His oboe and trumpet concertos are superb!!
He wasn't revered throughout Europe, just popular in Germany. His music was unknown in Italy, Spain, England, and only became known in France when he went there and published flute quartets.
..and seldom acknowledged as a composer of opera.... in contrast to his provincial contemporary Bach who wrote none .
Freude soll mein natürlicher Ausdruck sein
This selection by Telemann surpasses any attempt to show music for reflection, calm, reading or one's own sleep for free to listen to this extraordinary composer
I love Teleman's music, He brings me peace. Cheers from France.
Einfach nur Klasse diese Musik bei harter und präzisierter Arbeit zu zuhören!!
Georg Telemann is my go-to study and work music, works like magic for me. Thanks for sharing!!
Likewise
Nothing hits like Telemann
Grandiose ! MAGNIFIQUE !! ÇA ,c ' est de la musique , de l ' harmonie !! MERCI !!
Telemann hem de 2 buçuk saat boyunca. İyi ki varsın UA-cam.....
This brilliance has the power to transform our wastelands to Greenlands ,our brazen heart to love all
how one man could write so much beautiful music is beyond my comoregension
Bach's son CPE was one of Telemann's students. CPE later became Mozart's godfather.
( Bach's other son JC kicked off the classical period as he founded the Vienna school (Mozart, Schubert, Beethoven, etc.)). It's all connected and Telemann was one important cornerstone.
Absolutely right. Telemann was revered throughout Europe and also responsible for helping musicians gain financial and intellectual control over their compositions. Also, CPE Bach was Telemann's godson, too.
@Arigato Cat Yes, Bach did name CPE after his good friend Telemann.
It wasn't a 'school', as such; more like a musical shift. It was almost a century from Haydn's birth (1732) to Beethoven's death (1827), with Mozart in the middle (1756-1791) and there is no evidence that the three were ever in the same place at the same time. At the peak of Beethoven's fame, Haydn was dead (1809) and Mozart long dead.
It is also worth remembering that many lesser composers, famous in their day, were writing in the new classical style by about 1760.
But, yes: you are right. The early classical works have an eerie baroque flavour. Many composers kept the harpsichord resolutely for decades.
CPE Bach was not Mozart's godfather. Telemann was CPE Bach's godfather. JC Bach didn't start the classical period or start the Viennese school, he was a galant style composer, as were most other composers of his generation, and was influenced primarily by Neapolitan opera and Giovanni Battista Sammartini. The Italian galant and Neapolitan opera styles was the basis for the classical style. The Viennese school began with Austrian composers such as Holzbauer, Wagenseil and Monn, who were galant style composers, and Haydn, who was influenced by them.
@@yolhanson The musical style of the 1750's and 60's was the galant style which was influenced by Neapolitan comic opera. It wasn't quite classical music, which refers to a more mature and substantial style that involves a synthesis of galant and Neapolitan opera and opera seria styles with polyphony.
05:46:25 - radical harmonies for this stage of musical history. Love it.
Sí..... Muy moderno para su época...
@@sandrasepulveda5478 en ningún momento dijo que sea "moderno"...
Beautiful
You know Domenico Scarlatti? He use very modern harmonics in parts of his work!
It's supposed to represent a concerto of crows
This is so beautiful! "Food for the soul"!
Yes it's amazing how this music brings peace. Cheers from France;
Troppo bella e appassionante.
La musica barocca è splendida.
Was für eine erstaunliche Schönheit !!! Ich danke Ihnen tausendmal !!! Tepper Michael.
Μια ψυχική ανάταση που απομακρύνει κάθε αρνητική σκέψη
Ваш канал великолепен! И это большой труд, много усилий!
Огромная благодарность!
Thank you!! Baroque is the best music!
Baroque music lead you to be romantic, loving, kind and gentleman to your loving sweet wife!! Aloha!!
La vie de ce monsieur est assez ahurissante : il a composé deux a trois fois plus d’oeuvres que Bach, il est vrai qu’il a commencé gamin et terminé a 85 ans. Il composait avec une facilité déconcertante, dans tous le genres : du français, de l’italien et du contrepoint le plus compliqué , des opéras, des passions ,des concertos….Apparement il jouait d 'un peu tous les instruments. En plus c’était un verirtable entrepreneur de spectacles, fondant et dirigeant deux ou trois orchestres; ce qui lui permettait de ne pas trop dépendre des « puissants" de l’époque. Cela lui donna une grande notoriété ,bien plus grande que ses amis Bach ou Haendel. Il mérite d’être plus connu.
UA-cam must be in my head, because I was listening to Bach on this channel a while ago, and thought that it would be nice to hear some Telemann, but I didn't search for it. And here it is in my recommended list...
Telemann is the best baroque composer without a doubt.
Bach better
Telemann is a deep sea, no doubt. But JSB is an ocean with no measurable depth
8 heures de Telemann quel bonheur, mille mercis
¿8 horas de música clásica sin publicidad? ¡Usted es diabólico! :v
We all agree, in any language !!
@@katabaticair1 ya
Ya hay publicidad, al menos aquí: ¡putos anuncios!
I think when it comes to ouvertures, Telemann is something else.
Wunderschöne Musik. Höre ich mir oft und gerne an.
Grüße aus dem Limousin / Frankreich
I love baroque era, thanks for sharing.
Embarrassed to admit it, but this is the first time I've heard of Telemann. I like it!
me too!
very underrated composer Telemann
Bach walked for weeks to visit him they had lots to talk about and listened to e.o. playing the organ un Lübeck!
You talk about D. Buxtehude.
Buxtehude you are so right!
Me tomó mas de un año poder terminar de escuchar estas 9 horas de musica, que bueno que estén disponibles y permitan concer este tipo de autores menos promocionados
Sublime music by a great master; the most prolific composer ever (more than three thousand compositions)!
starting at about 4:55:05, turn up the volume so you can hear the oboes slapping their keys while they're getting after it! Good stuff!
Telemann - häufig "Vielschreiber" genannt - mit heruntergezogenen Mundwinkeln und mitleidig. Das sind aber immer diejenigen, die sich nicht mit dem riesigen und auch sehr abwechslungsreichen Werk Telemanns auseinandersetzten - so viele Facetten, so viele Klangfarben - unbeschreiblich ......... und man kann hören, hören, hören und findet immer wieder neues! Ich bin ein grosser Bewunderer Bachs, Bachs Söhnen, Händel - aber auch Telemann verdient auf gleicher Stufe genannt zu werden.
What majestic beauty, timeless. My heart ❤️ is singing. GDs music no doubt. What a treat.
I just bought this set as a birthday gift to myself. Fabulous music! The oboe concertos are particularly good.
Que gran maestro... fue el más querido en su época. Luego, el redescubrimiento del grandísimo Bach lo dejó apartado en un segundo o tercer plano. Hoy se le vuelve a dar la importancia y relevancia merecidísima que tiene.
Вы правы целиком и полностью!!
Si, se le valora...
Telemann the Master!!!
If you like Telemann, check also Jan Dismas Zelenka, "catholic Bach" of that era!
Yes, I'm a big Zelenka fan too. He wrote far less than Bach or Telemann, though, and most of his music was for the Church. You can fit all his orchestral music on a few cds.
Thank you for that! I heard him once on Radio Swiss Classic (which is a great 24/7 resource).
Yes, his style is somewhat similar to Telemann's. He was a great composer, still very underrated although he was highly respected at the time.
No. Bach was the "lutheran Zelenka", not otherwise.
Zelenka is awesome. Bach sent CPE to Dresden to copy some of his scores. Telemann was also fascinated with Zelenka's music.
Hervorragend, danke vielmals für dein Post. Los geht's Deutschland.
🌟🌟🥇🌷🇩🇪🌷🥇🌟🌟
Grandioso Telemann.
I Very recently discovered Telemann. So genious like Bach, Vivaldi, Mozart and etc. Barroco is that pleasure fountain always making gold tô our senses.
Magnificent Music.
Wonderful. Thanks for sharing. I could listen to Telemann for hours and this is precisely what you have provided us. Cheers.
❤
Excellent recording and the length makes for perfect listening for long projects.
I remember driving in the car with my mother, who I hated, playing the classical station in NY, WQXR, completely transfixed and at the conclusion of the piece, the disc jockey announcing in his snide, pompous voice reeking of snobbish elitist class patronization, modulated by an uncharacteristic sense of humility the composer as Georg Telemann. The music made such a deep and indelible impression, more than half a century later, I am reminded of the breadth and expanse of this genius. Thank you for posing
Um ... you hated your mother?
now your the snide,pompus,snobbish,elitist,
Wonderfull Teleman.Superman ...Batman...Wonderwoman...Catman...Catwoman...😀😀😀😀👍
ME ENCANTA DESDE LA ADOLESCENCIA, TENGO CASI 84. AÑOS, JOAN MARY DE MONTEVIDEO, MAESTRA
Pronto le verá directamente en el cielo.
This musical style and epoch is are the ones I love, Thanks!
превосходно! легко уводит от проблем к возвышенному, несомненный дар и мастерство талантливого композитора, благодарю!
Muhteşem (Spectacular). Teşekkürler (Thank You). Türkiye'den selamlar (Greetings from Turkey).
I know I can always count on Brilliant to upload a complete collection of works at such a high quality of recording and performance. Keep it up!
Thank you! Happy New Year
Herrlichen archtektonischen Harmonien, tragend die Menschen in den Himmel !!! Tepper Michael.
Pure balm for soul.