I just came home from work. It's 2 am. And although I haven't heard this piece since college, I was possessed with an irresistible urge to hear it tonight. But I never thought I would encounter such a beautiful interpretation or hear it played on such a marvellous instrument. You've made my night and possibly my week.
My cellist daughter Yael of 11 and me were enchanted of your beautiful interpretation of this wonderful piece of music. Thank you for your moving performance :-) Warm greetings from a cellist and pianotuner in cold Norway
I wouldn't say they're shoddily-made, though from having worked on many of them over the years, his efforts seem to be focused on the acoustic parts of the instrument, rather than the decorative and mechanical. This Italian is very solid, with very reliable action, though some others I've worked on took some care to get the action adjusted where it should be. I've not spent much time with any new instrument of his though. Most have been from the early 80s, and this Italian was built in 1976. Like any instrument, you can never trust entirely in the builder's reputation. Good builders sometimes make mistakes, and good instruments are sometimes poorly maintained or stored. Always take a good look at any harpsichord to see what shape it's in, and what regulation might need to be done.
It's Byrd's arrangement and elaboration of Dowland's pavane. Many composers set this famous piece in various arrangements, including Dowland himself, who made many different versions for voice, lute and viols. Byrd's is my favourite keyboard setting, but certainly not the only one!
Nope! A full-size harpsichord still remains a harpsichord even when single strung. The smaller plucked keyboards (virginal and spinet) were always single strung; however, many Italian harpsichords were single strung (1x8'). On the subject of the smaller plucked keyboards, the virginals were usually oblong (Flemish) or pentagonal (Italian). The 'wing-shaped' Anglo-French spinet were developed in the late 17th-18th centuries, and generally replaced the virginals as the standard small domestic keyboard.
윌리엄 버드 - [눈물의 파반느] 르네상스 기악음악 4. 변주곡 짧고 단순하며 악절이 분명한 노래가 [오스티나토 베이스로 계속 반복](아랫성부)되는 동안 [(윗)다른 성부에서 선율이 변주되는 변주곡]이 유행 16세기 후반 영국 버지널 작곡가들이 활동하며 전성기를 맞는다.
Thank you, Jonathan Addleman! You just made it clear, that the noble composer William Byrd is never to be forgotten!
I just came home from work. It's 2 am. And although I haven't heard this piece since college, I was possessed with an irresistible urge to hear it tonight. But I never thought I would encounter such a beautiful interpretation or hear it played on such a marvellous instrument. You've made my night and possibly my week.
Superbe, et quelle virtuosité ! Byrd, encore un génie de la musique anglaise du 17 e siècle, que j'aime beaucoup.
Wow! Amazing to see this 'collaboration' betweem the two greatest English composers of their respective eras!
Beautiful rendition on a beautiful instrument. It doesn't get better than this.
Terrific playing and rendition! This performance is really something special!
Wonderfully done. Glad this is part of my music history listening exam. Bravo!
Very good job Mr. Jonathan. Congratulations.!!!!!!!
Jonathan, what a wonderful performance! Thank you very much for sharing it with all of us!
My cellist daughter Yael of 11 and me were enchanted of your beautiful interpretation of this wonderful piece of music. Thank you for your moving performance :-)
Warm greetings from a cellist and pianotuner in cold Norway
It is wonderful:-)
unbelievably moving piece .brilliant.
Heerlijk om naar te luisteren.
beautiful and majestical 😉
first time to listen it and then begin to love it :)
Very lovely. Thank you.
Lovely, felt playing.
This is amazing! Thanks for posting! :D
La mejor versión.. seguro ke byrd la toco así...
Bravo! Uma interpretação bastante sentimental ...
I love it!
Like the harpsichord , love the PLAYING
delightful!
beautiful instrument!
Pavana lachrymae - a slow dance of tears.
William Byrd 1540 - 1623 so I guess this is late Renaissance.
Bravissimo
❤
Beautiful playing Jonathan!
I guess it was kind of 'the thing' at the time to make new renditions of Flow My Tears (aka. Pavan Lachrymae).
Muy Bonito!
muy bien!!!!
это belissimo
Bueeeeena bacan
I've heard, from what I believe to be a reliable source, that Keith Hill instruments are very shoddily made. Can anyone shed any light on this?
What is this reliable source you speak of, may I ask?
I wouldn't say they're shoddily-made, though from having worked on many of them over the years, his efforts seem to be focused on the acoustic parts of the instrument, rather than the decorative and mechanical. This Italian is very solid, with very reliable action, though some others I've worked on took some care to get the action adjusted where it should be. I've not spent much time with any new instrument of his though. Most have been from the early 80s, and this Italian was built in 1976.
Like any instrument, you can never trust entirely in the builder's reputation. Good builders sometimes make mistakes, and good instruments are sometimes poorly maintained or stored. Always take a good look at any harpsichord to see what shape it's in, and what regulation might need to be done.
Звуки эпохи..........,
It's not from Dowland ?
It's Byrd's arrangement and elaboration of Dowland's pavane. Many composers set this famous piece in various arrangements, including Dowland himself, who made many different versions for voice, lute and viols. Byrd's is my favourite keyboard setting, but certainly not the only one!
first in 1 year
Dop dop
What's the disposition of the instrument? 1x, or 2x 8'?
It's a 2x8, like most 17th century Italian harpsichords.
Sorry - since reading about the single-strung Italian instruments in Ripin, I've always queried Italian instruments!!! Thanks for your reply :-)
@@paulcaswell2813 isn't a single strung instrument a spinet?
Nope! A full-size harpsichord still remains a harpsichord even when single strung. The smaller plucked keyboards (virginal and spinet) were always single strung; however, many Italian harpsichords were single strung (1x8'). On the subject of the smaller plucked keyboards, the virginals were usually oblong (Flemish) or pentagonal (Italian). The 'wing-shaped' Anglo-French spinet were developed in the late 17th-18th centuries, and generally replaced the virginals as the standard small domestic keyboard.
אני פה בגלל בלה :/
윌리엄 버드 - [눈물의 파반느]
르네상스 기악음악
4. 변주곡
짧고 단순하며 악절이 분명한 노래가 [오스티나토 베이스로 계속 반복](아랫성부)되는 동안 [(윗)다른 성부에서 선율이 변주되는 변주곡]이 유행
16세기 후반 영국 버지널 작곡가들이 활동하며 전성기를 맞는다.
Just too heartlessly fast; and ornaments without meaning.