I think the combination of a Venice + an FX3 for pre-prod / rehearsals would be an incredible pairing. I can't wait to see more of your work as you jump into this next chapter of your career.
@@carlostigs When do you choose the Arri over the Venice and what is the reason why many productions don't use Red cameras? Congrats on getting the Venice it's incredible!
@@dukebozikowski3801 REDs are finicky cameras, not really suitable for large productions due to their constant software issues, random freezes, boot up times etc. You need to consider RED is a small company compared to industry giants like Sony and ARRI, they usually can't afford to polish their products very well as they need to push it to the market as soon as possible. Both Venice and Alexa will give you a top notch image which is very hard to tell apart these days. It is more of a personal preference based on experience with a given platform.
Would definitely love to see more videos that talks more in depth about the operational side of the VENICE! I think there are not much content on UA-cam for this particular camera. Small information such as the part where false colours is automatically targetted at the log file instead of the LUT, I think is incredibly important. Anyways, thank you for being an inspirations and big congrats!
At first, the bloom in the talking head shot caught me off guard, but I thought, "man, I'm glad Carlo is rocking his own style and not copying every other channel on the platform." and I stared to appreciate it. You do you, man! I'm a fan of your style and the calm way you present yourself. Killer video by the way - I look forward to shooting on the Venice some day in the future!
Congrats! Do you use it with the tripod you've listed in the description? I need to upgrade mine for a fully rigged Amira, but it's hard to find something that isn't insanely expensive.
its an impressive camera for sure.I have to stick with my FX6 and A7-4 Wich cover everything and more of all the work I do.My customers are always happy with the quality of the FX6 its been a work horse with good results.Venice is another level of projects to me.
Is there a certain reason that you like using lens modifiers such as the pro-mist? Obviously, it's a personal preference. I'm slowly rolling into a lot of the new trends but damn it's hard for me to find motivation for those adapters/modifiers unless it's an ultra-specific purpose. Love your channel dude. Thanks for all the great content.
Great breakdown. Love the way you highlight how the camera meets your specific needs and how important this type of critical thinking is when selecting the right tool.
Gian Carlo = thx for the video about Venice - As an independent DP are you able to "charge" more because you have the Venice and lenses to go with it? The broader question - what is the economics of paying off the Camera and lenses and the number of "jobs" you need to maintain?
Congratulations on the new camera! Must be a pretty awesome feeling just to hold it and be able to shoot. A question: Is the Sony FX3 a good investment for documentaires/corporate work for the next 2-3 years?
Congrats dude. That's a big achievement. Would be great to see more tutorials etc on this camera. My goals this year is to be more acquainted with the venice.
Ok this is more like it. All of your reason makes sense. I do agree that a FX7 or FX6 as a b cam would be nice for gimbal work. Dope video. Did you sell your Ursa?
Congratulations! Apologies if you said this before and I just missed it, but did you sell your Ursa to help pay for the Venice or are you keeping it around? Also, do you plan on getting an FX3 or something to be able to easily do gimbal stuff for projects or do you think you’ll just try to hire a Steadicam op for your Venice?
Great video , congrats 🎊 on your new camera 🎥 I’m an independent filmmaker that Has worked mostly in art house cinema in the last 11 years and now going to split my time between making a new feature art film 🎞️ and also direct commercials in La thanks to my actor friends. In your experience what’s the most affordable cinema camera you recommend that has that 16 bit color and professional look? I’m looking at Red Komodo and Arri Alexa Xt, and potentially Sony Venice but leaning towards the cheaper options, do the red Komodo and Arri Alexa xt still get used on sets in your opinion? Thank you 🙏
Your reason for wanting to shoot in open gate full-frame is the same reason why I loved the open gate 4:3 aspect ratio in _Zack Snyder's Justice League._ When I realized it wasn't cropped to 4:3 and that was the whole image, it really gave the movie this bizarre yet bold sense of scale. So much so that, if they make a movie that was meant to be shown in IMAX, like _Dune_ or _Avatar: The Way of Water,_ I don't want the home video releases to be cropped to 2.39:1 because it'll make the image feel more cramped for me.
What do you think of a Sony FX6 instead of an Ursa Pro G2 for a lower tier budget? I currently have the OG Ursa (before the pro, G1) and the FX6 would be my first upgrade camera-wise honestly
price difference is basically double if you go with the new 8k sensor. the 6k one is identical to the sensor in the original venice. so around $25k for internal recording and some other minor features is not worth it. yes the venice 2 is better in almost every regard, but at some point there will be diminishing returns. especially if that money goes a long way for a lens set like the vista primes, storage etc. and a production ready mini lf is even more than double the cost of a venice.
@@carlostigs Totally makes sense. The sensor is excellent, that's the key. Do you think you will shoot ProRes on more projects vs XOCN or it really just depends on the project / post budget, etc.
I was wondering exactly this when you announced you bought the Venice. I'm actually doing the opposite. I'm getting a bit away from FF anamorphics and leaning toward the Super35. Mainly cause the rigs are just too heavy or maybe I'm just getting too old? FF makes the cost of all the rigging go up. You need the larger EZrig, the bigger gimbal, even larger filters, and so on. Though spherical lenses are much smaller and more manageable. But yeah Super35 isn't so bad with anamorphics. Very cool though. I wouldn't mind shooting on the Venice at all! Very nice
Do you feel that having a camera, like the Venice, that is so versatile relieves some pressure and extra work off of you so you can just focus on getting the best image? Does it add any new challenges at all?
Yes and No. I think in terms of challenges it’s just more about really getting to know the camera more and more. But I’m not too sure it relieves some pressure
I invested in an alexa mini half a year ago and I'm not too concerned about resolution, but still looking into options like Topaz Labs 8k upscaling, just in case the client asks for more. I'd like to hear your thoughts on these AI upscaling methods and if you considered them, when choosing the venice for it's 6k (also). Thanks.
Peeping on your LUTs 👀 Did you install LUTs or horses?😝 Thanks for reminding me to turn off my LUTs (on my BMPCC6KPro) when checking False Color. DOH! Rookie mistake 🙄
Looking at used Venices in the country I'm in. Someone is selling an ex-rental Venice set with like 4200 hours (is that a lot?) It comes with: - SONY VENICE BODY - SONY VENICE VIEWFINDER + LINE - SONY VENICE PLATE - SONY VENICE CARD READER SET * 1 - SONY VENICE AC+DC SET - SONY VENICE AXSM 512G * 4 - SONY VENICE SXS 120G * 2 - SONY VENICE 128G * 2 - SONY VENICE TOP HANDLE - 19MM ROD * 2 for around $40,600 USD Considering the price of the cards, is that a good deal do you think?
I'm curious as to when you think you would break even on your investment in the Venice (and any accessories) i.e., realistically, how long before you have earned enough using the Venice that it would be paid off and you would start seeing a profit?
Thanks for your insides on your destination. I’d really like to know what your thoughts on the RED V-Raptor VV was, or if you even considered it. I’m not a big fan of RED cameras myself, but leaving the fanboy war aside, it is a fantastic camera at an even better price point. 8k is super future prove, dynamic range is good (just 1 stop below Alexa LF and 1 above Venice), good body and 10 to maybe 15k less? (depends a bit...) Maybe it’s because RED isn't that big of a name for clients? Would really like to know!
Love your channel bro. But your image always looks so blurry and overly bloomy. I'm sure it's due to a diffusion filter you're using. I'd recommend not using it. It's way too strong. But regardless love the videos and content.
Why you uploading such a video in 1080p? The UA-cam 1080p looks so shitty. Would love to see this video again in proper 4K. Even 1080p looks better when uploaded in 4K.
At the tail end of this video, You say you are beyond excited, but your countenance does not show that excitement, I am more excited for you, than you that own the Camera... Hahahahaha 😂 (Hope you understand that, I was Joking? )
Love your vids. One I want to say is every time I see your vids, the bloom look you use looks way too strong and fake looking. I watch a lot of UA-camrs and for the level you’re at for gear and quality, it looks very wrong. Just my take. Anyways, thanks for the vid! Venice is my dream cam, but will probably be the Venice 2 by the time I can get it lol
@@carlostigs of course, but it’s like models using too much facetune or liquify. There’s no “wrong” but everyone knows when it’s too much. Too much bloom or glow looks like a cheap filter when you’re likely someone who can have some of the best image quality available.
I think the combination of a Venice + an FX3 for pre-prod / rehearsals would be an incredible pairing. I can't wait to see more of your work as you jump into this next chapter of your career.
100% agree
@@carlostigs When do you choose the Arri over the Venice and what is the reason why many productions don't use Red cameras? Congrats on getting the Venice it's incredible!
@@dukebozikowski3801 REDs are finicky cameras, not really suitable for large productions due to their constant software issues, random freezes, boot up times etc. You need to consider RED is a small company compared to industry giants like Sony and ARRI, they usually can't afford to polish their products very well as they need to push it to the market as soon as possible.
Both Venice and Alexa will give you a top notch image which is very hard to tell apart these days. It is more of a personal preference based on experience with a given platform.
Would definitely love to see more videos that talks more in depth about the operational side of the VENICE! I think there are not much content on UA-cam for this particular camera. Small information such as the part where false colours is automatically targetted at the log file instead of the LUT, I think is incredibly important. Anyways, thank you for being an inspirations and big congrats!
At first, the bloom in the talking head shot caught me off guard, but I thought, "man, I'm glad Carlo is rocking his own style and not copying every other channel on the platform." and I stared to appreciate it. You do you, man! I'm a fan of your style and the calm way you present yourself.
Killer video by the way - I look forward to shooting on the Venice some day in the future!
I appreciate that
LOL, my thoughts exactly!
no hate but almost everybody has blooming and softening going on. nowadays being unique would mean going all clear and tack sharp.
@@prottentogo if that's your style, go for it!
Looking to invest in a high end camera this year, this probably the chillest video I have seen on Sony Venice or camera review. Nice video! Good luck!
I want the Alexa 35. So glad you got your dream camera. Makes it more real for the rest of us.
35 is a beast
The Venice is so incredible! I truly believe it's the future, especially with the Rialto!
You're an inspiration Gian, been binging your channel over the last few weeks and wish I found you sooner. Keep up the amazing work mate!
I love the luts on this video also!
Great video my man! Also that vest is absolute fire🔥🔥🔥 Much love from East Tennessee🙏🏼
Excited for you! And looking forward to seeing what you do with it 🎥
So happy to see you reach a goal of yours! Have fun with it man. Looking forward to the projects you’re gonna work on with the Venice
Thanks man
Those test shots looked great, excited to see more of this camera in your videos! 👍
Congrats! Do you use it with the tripod you've listed in the description? I need to upgrade mine for a fully rigged Amira, but it's hard to find something that isn't insanely expensive.
Good stuff bro and was nice ACing on this camera with you over the weekend. It’s a beast
Hell yeah man!
its an impressive camera for sure.I have to stick with my FX6 and A7-4 Wich cover everything and more of all the work I do.My customers are always happy with the quality of the FX6 its been a work horse with good results.Venice is another level of projects to me.
Is there a certain reason that you like using lens modifiers such as the pro-mist? Obviously, it's a personal preference. I'm slowly rolling into a lot of the new trends but damn it's hard for me to find motivation for those adapters/modifiers unless it's an ultra-specific purpose. Love your channel dude. Thanks for all the great content.
After watching a few of your videos, it's very obvious why. Seems to be an amazing camera.
Great breakdown. Love the way you highlight how the camera meets your specific needs and how important this type of critical thinking is when selecting the right tool.
Gian Carlo = thx for the video about Venice - As an independent DP are you able to "charge" more because you have the Venice and lenses to go with it? The broader question - what is the economics of paying off the Camera and lenses and the number of "jobs" you need to maintain?
Lil lamp in the background adds great depth to the shot!
:)
Congratulations on the new camera! Must be a pretty awesome feeling just to hold it and be able to shoot. A question: Is the Sony FX3 a good investment for documentaires/corporate work for the next 2-3 years?
Thanks! And yes it is a good investment FX3 is a beast
I have no doubt in my mind that you'll create some amazing projects with this new beast! Congratulations Carlo ✌
Thank you!
Congrats dude. That's a big achievement. Would be great to see more tutorials etc on this camera. My goals this year is to be more acquainted with the venice.
Love the Venice. It is the smart DP’s camera. There is a lot of “posing” with Arri I find.
Very solid reasoning!! I'm looking forward to seeing the projects that come out of it. 🔥🎬🎥
Thanks!
Curious why you didn't go with the Venice II since you mentioned future proofing? Btw.. the Venice is dream camera and congratulations!
best man finally have the best tool，Congratulations Carlo ✌
Thanks
Hello, I love your videos. I am a fan. May I ask what effects do you use in your videos? your clips looks so soft and dreamy...
You’re my favorite creator atm!
I’m good, thanks. Glad you’re doing good.
Great, way more to go, Brother :) , waiting for more videos on Venice...
More to come
Ok this is more like it. All of your reason makes sense.
I do agree that a FX7 or FX6 as a b cam would be nice for gimbal work.
Dope video.
Did you sell your Ursa?
Congratulations! Apologies if you said this before and I just missed it, but did you sell your Ursa to help pay for the Venice or are you keeping it around? Also, do you plan on getting an FX3 or something to be able to easily do gimbal stuff for projects or do you think you’ll just try to hire a Steadicam op for your Venice?
Cool video! That camera is so cool!
Congrats, the Venice is a beast and workhorse! Great choice!
That camera is a beast!
Indeed it is!
why did you not buy venice 2, the axsm is integrated now no more sxs
Lit 🔥 my man what’s that tactical vest tho? Was looking for a good one for when I’m shooting docs
There is not enough info about the Venice online! Please keep up posting. Love the camera. Thanks
Saying DP and seeing DP at the same time is next level
You shot Dustin P. 😦🔥🔥🔥
Great video , congrats 🎊 on your new camera 🎥 I’m an independent filmmaker that Has worked mostly in art house cinema in the last 11 years and now going to split my time between making a new feature art film 🎞️ and also direct commercials in La thanks to my actor friends. In your experience what’s the most affordable cinema camera you recommend that has that 16 bit color and professional look? I’m looking at Red Komodo and Arri Alexa Xt, and potentially Sony Venice but leaning towards the cheaper options, do the red Komodo and Arri Alexa xt still get used on sets in your opinion? Thank you 🙏
Came here curious about the Venice, then was blown away by the Dustin Poirier footage!!!
Hahah glad you enjoyed it
Nice reference at 2:20 :)
Damn this camera is crazy, hopefully one day I can use one!
THANK YOU FOR MAKING THIS VIDEO
Thank you
Congrats bro! Camera is sick and stoked to see what you do with it! When we comparing it to my FX6 👀?
Thanks bro
Happy for you!
another side benefit is you can pick up any Sony camera cheap as a b cam to z
Love your stuff! What filters are you using for this videos? Thanks!
Your reason for wanting to shoot in open gate full-frame is the same reason why I loved the open gate 4:3 aspect ratio in _Zack Snyder's Justice League._ When I realized it wasn't cropped to 4:3 and that was the whole image, it really gave the movie this bizarre yet bold sense of scale. So much so that, if they make a movie that was meant to be shown in IMAX, like _Dune_ or _Avatar: The Way of Water,_ I don't want the home video releases to be cropped to 2.39:1 because it'll make the image feel more cramped for me.
What do you think of a Sony FX6 instead of an Ursa Pro G2 for a lower tier budget? I currently have the OG Ursa (before the pro, G1) and the FX6 would be my first upgrade camera-wise honestly
I think the FX6 is a beast and is a really great choice
Great videos. I would be great if you can do a deep review about your optics !
I know it's even more money, but it's nice to see the Venice 2 having the raw recording built in. Enjoy the new kit!
price difference is basically double if you go with the new 8k sensor. the 6k one is identical to the sensor in the original venice. so around $25k for internal recording and some other minor features is not worth it. yes the venice 2 is better in almost every regard, but at some point there will be diminishing returns. especially if that money goes a long way for a lens set like the vista primes, storage etc. and a production ready mini lf is even more than double the cost of a venice.
Bingo^^ I got it priced out and for the features, to me wasn’t worth it
@@carlostigs Totally makes sense. The sensor is excellent, that's the key. Do you think you will shoot ProRes on more projects vs XOCN or it really just depends on the project / post budget, etc.
I was wondering exactly this when you announced you bought the Venice. I'm actually doing the opposite. I'm getting a bit away from FF anamorphics and leaning toward the Super35. Mainly cause the rigs are just too heavy or maybe I'm just getting too old? FF makes the cost of all the rigging go up. You need the larger EZrig, the bigger gimbal, even larger filters, and so on. Though spherical lenses are much smaller and more manageable. But yeah Super35 isn't so bad with anamorphics. Very cool though. I wouldn't mind shooting on the Venice at all! Very nice
Bro!! So dope. ✊
damn brother i love the inspiration you give me
Do you have haze in this room bro? I know you have pro mist filters on the lens. Also, do you have a dimmer on the lamp so it doesn't blow out?
I think the answer for most of us without looking at your video is “ you could afford to”!
Congrats dude!
Thanks mann
sick video, but maybe upload in 4K? or use a higher bit rate? The compression seems really strong on this one, idk if it's just youtube
DANG Ive never seen so much bloom, (other than philip bloom) respect! xD.
Bro please help me i have budget for Sony fx6 and red Komodo which one i should go for
Fx6
What stop of pro mist do u want.... YES
Do you feel that having a camera, like the Venice, that is so versatile relieves some pressure and extra work off of you so you can just focus on getting the best image? Does it add any new challenges at all?
Yes and No. I think in terms of challenges it’s just more about really getting to know the camera more and more. But I’m not too sure it relieves some pressure
Where do you get your beanies from??
Did you wind up getting Vista Primes as well?
I invested in an alexa mini half a year ago and I'm not too concerned about resolution, but still looking into options like Topaz Labs 8k upscaling, just in case the client asks for more. I'd like to hear your thoughts on these AI upscaling methods and if you considered them, when choosing the venice for it's 6k (also). Thanks.
To be totally honest, I haven’t done an extensive amount of research in the AI work. But from my basic knowledge it seems interesting.
Hi, I'm interested in cinematography and I wanted to know what degree you need to a cinematropher for movies.
Peeping on your LUTs 👀
Did you install LUTs or horses?😝
Thanks for reminding me to turn off my LUTs (on my BMPCC6KPro) when checking False Color.
DOH! Rookie mistake 🙄
Forgot the most important benefit - bigger camera means bigger biceps 😏
Enjoy the purchase man, can't wait to see what you cook up with it!
Hahahah thanks man
why didn't you go with a RED? (sorry if addressed, i skipped around)
have i been using false color wrong this whole time? What's the difference by turning off the lut first? shouldnt that be the same
It’s more accurate representation of your base levels Pre look
Looking at used Venices in the country I'm in.
Someone is selling an ex-rental Venice set with like 4200 hours (is that a lot?)
It comes with:
- SONY VENICE BODY
- SONY VENICE VIEWFINDER + LINE
- SONY VENICE PLATE
- SONY VENICE CARD READER SET * 1
- SONY VENICE AC+DC SET
- SONY VENICE AXSM 512G * 4
- SONY VENICE SXS 120G * 2
- SONY VENICE 128G * 2
- SONY VENICE TOP HANDLE
- 19MM ROD * 2
for around $40,600 USD
Considering the price of the cards, is that a good deal do you think?
Pretty decent considering is comes with all those cards. I would see if it has all 3 licenses as well
@@carlostigs oh cool! I can't afford it but just interesting to see it's value! good tip about the licences. thanks for the reply :)
I'm curious as to when you think you would break even on your investment in the Venice (and any accessories) i.e., realistically, how long before you have earned enough using the Venice that it would be paid off and you would start seeing a profit?
My goal is 2 years
awesome! maybe i missed it but is this the venice 2? or venice 6k ?
6k!
Thanks for your insides on your destination. I’d really like to know what your thoughts on the RED V-Raptor VV was, or if you even considered it.
I’m not a big fan of RED cameras myself, but leaving the fanboy war aside, it is a fantastic camera at an even better price point. 8k is super future prove, dynamic range is good (just 1 stop below Alexa LF and 1 above Venice), good body and 10 to maybe 15k less? (depends a bit...)
Maybe it’s because RED isn't that big of a name for clients? Would really like to know!
Love your channel bro. But your image always looks so blurry and overly bloomy. I'm sure it's due to a diffusion filter you're using. I'd recommend not using it. It's way too strong. But regardless love the videos and content.
What is the overhead light setup you’re using with the grid on it?
Intellytech mega LC
My Z Cam F6 can fo most of that... but that is awesome
“The only negative here is, I can’t complain about it” lmao
What do you envision your day rate for the camera will be?
Why you uploading such a video in 1080p? The UA-cam 1080p looks so shitty. Would love to see this video again in proper 4K. Even 1080p looks better when uploaded in 4K.
Holy pro mist batman
Lmao
🥳🥳
Never upload 1080p to UA-cam. They've reduced the bitrates so much that 1080p looks like 480p. Pls upload 1440p or higher. Upscale if you must.
Bro show more of your work with ufc fighters
Do you think you would have bought this without having shot „i think im sick“ on it?
dustin poirer!
At the tail end of this video, You say you are beyond excited, but your countenance does not show that excitement, I am more excited for you, than you that own the Camera... Hahahahaha 😂 (Hope you understand that, I was Joking? )
What's a camera with similar quality to the Sony Venice, because the Venice is to expensive!
Lumix S5
first one here :)
Let me know if you need a Steadicam op now that you own a big cinema camera 🤙
It's simple; you have enough money to throw thinking that more expensive camera will make you a better creator.
pls upload in 4K
Huh… that’s weird all my videos are 4k unsure why this isnt
Is it just me or has anyone started saying 'good how are you' at the beggining of the videos
Bro used Promist 10
No price listed on B&H.... can only imagine the kinda dent this thing would put into the wallet😅
Love your vids. One I want to say is every time I see your vids, the bloom look you use looks way too strong and fake looking.
I watch a lot of UA-camrs and for the level you’re at for gear and quality, it looks very wrong.
Just my take.
Anyways, thanks for the vid! Venice is my dream cam, but will probably be the Venice 2 by the time I can get it lol
Thanks, wrong is definitely subjective but thanks anyways :)
@@carlostigs of course, but it’s like models using too much facetune or liquify. There’s no “wrong” but everyone knows when it’s too much.
Too much bloom or glow looks like a cheap filter when you’re likely someone who can have some of the best image quality available.
❤️💜💚💚💙🤎