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Those 7 Times Freddie Hubbard Went Beast Mode | bernie's bootlegs
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- Опубліковано 16 сер 2024
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Here are 7 freaky Freddie moments from the career of the fire-breathing, high-flying, floor-shaking, range-defying trumpeter himself, the one and only Frederick Dewayne Hubbard.
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[1] 0:00 - "Thermo" (Berlin 1985)
Freddie Hubbard - Trumpet, Flugelhorn
Kenny Garrett - Alto Saxophone, Flute
Mark Templeton - Piano
Ira Coleman - Double Bass
Carl Allen - Drums
• Freddie Hubbard Quinte...
[2] 2:08 - "Intrepid Fox" (Paris 1973)
Freddie Hubbard - Trumpet
Junior Cook - Tenor Sax, Flute
George Cables - Electric Piano
Kent Brinkley - Bass
Michael Carvin - Drums
• Freddie Hubbard Quinte...
[3] 5:06 - "First Light" (1981)
Freddie Hubbard - Trumpet
Billy Childs - Rhodes
(Help me out with the rest?)
• Video
[4] 7:05 - "One by One" (Japan 1982)
Art Blakey - drums
Freddie Hubbard - trumpet
John O'Neal - piano
Charles Fambrough - bass
• Video
[5] 10:37 - "Birdlike" (Norway 1967)
Freddie Hubbard - Trumpet
Kenny Drew - piano
NHØP - bass
Alex Riel - Drums
• Video
[6] 12:44 - "I Remember Clifford" (1984)
Freddie Hubbard - trumpet
Art Blakey - drums
Walter Davis Jr - piano
Buster Williams - bass
• Freddie Hubbard - I Re...
[7] 14:46 - "Fantasy in D" (NYC, 1982?)
Freddie Hubbard - trumpet
Ron Carter - bass
Cedar Walton - piano
Lenny White - drums
• Freddie Hubbard Live a...
In the pantheon of jazz trumpeters, Freddie Hubbard stands as one of the boldest and most inventive artists of the bop, hard-bop and post-bop eras. Although influenced by titans like Miles Davis and Clifford Brown, Hubbard ultimately forged his own unique sound - a careful balance of bravado and subtlety that fueled more than fifty solo recordings and countless collaborations with some of the most prominent jazz artists of his era. Shortly after his death at the end of 2008, Down Beat called him “the most powerful and prolific trumpeter in jazz.” Embedded in his massive body of recorded work is a legacy that will continue to influence trumpeters and other jazz artists for generations to come.
Hubbard was born on April 7, 1938, In Indianapolis, Indiana. As a student and band member at Arsenal Technical High School, he demonstrated early talents on the tuba, French horn, and mellophone before eventually settling on the trumpet and flugelhorn. He was first introduced to jazz by his brother, Earmon, Jr., a piano player and a devotee of Bud Powell.
Hubbard’s budding musical talents caught the attention of Lee Katzman, a former sideman of Stan Kenton. Katzman convinced the young trumpeter to study at the Arthur Jordan Conservatory of Music with Max Woodbury, the principal trumpeter of the Indianapolis Symphony Orchestra.
As a teenager, Hubbard worked and recorded with the Montgomery Brothers - Wes, Monk and Buddy. His first recording session was for an album called The Montgomery Brothers and Five Others. Around that same time, he also assembled his first band, the Jazz Contemporaries, with bassist (and manager) Larry Ridley, saxophonist/flutist James Spaulding, pianist Walt Miller and drummer Paul Parker. The quintet became recurring players at George’s Bar, the well known club on Indiana Avenue.
In 1958, Hubbard moved to New York at age 20 and quickly established himself as one of the bright young trumpeters on the scene, astonishing critics and fans alike with the depth and maturity of his playing. Within the first two years of his arrival in the Big Apple, he landed gigs with veteran jazz artists Philly Joe Jones, Sonny Rollins, Slide Hampton and Eric Dolphy. He joined Quincy Jones in a tour of Europe that stretched from 1960 to 1961.
Per a recommendation from Miles Davis, Hubbard was signed to Blue Note, where he recorded Open Sesame, his solo debut, in 1960 at the age of 22. The album, which also featured Tina Brooks and McCoy Tyner, marked the launch of one of the most meteoric careers in jazz. Within a year’s time, Hubbard followed up with his second and third recordings - Goin’ Up (1960), with Tyner and Hank Mobley, and Hub Cap (1961), with Julian Priester and Jimmy Heath.
In 1961, Hubbard released what many consider to be his masterpiece, Ready For Freddie, which marked his first Blue Note collaboration with Wayne Shorter. Later that same year, he joined Art Blakey’s Jazz Messengers. In the span of a few short years, this hard-blowing young lion had quickly established himself as an important new voice in jazz.
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thanks for watching! i went hard on the description this time HA so I hope you find it useful!! cheers
bernie’s bootlegs Beast Mode is definitely accurate! Ha! I really enjoyed watching. Thanks for the awesome video post!
Simply the the GOAT of the Trumpet.
Freddie didn't know how NOT to be in beast mode.. 💪😎🎺
church
I thank God for the blessing of working with Freddie twice. I would sometimes forget to solo because I was so mesmerized by what I was seeing & hearing from this unmatched trumpet juggernaut of the 20th century. 🙏🏼
Freddie was my friend but was also one of the baddest trumpet players of my life.thank you Freddie I miss you!
Each time I heard Freddie, he went beast mode. 1980 at the Armadillo in Austin; his trumpet must have been lost in flight, he played his entire show on flugel horn. Summer, indoor, no ac in a 3 piece suit.
Man... when Freddie was at the top of his game, has there been anyone better? Clifford Brown is my ultimate musical hero, but Freddie is a TIGHT second.
When I played trumpet just getting the G on top of the stave was an tricky process. I played recitals at school with my knees knocking together with fear from the uncertainty that all the notes on the music sheet were going to be available. My teacher was not a lot of help and just a professional player supplementing his income who really had little idea how to help anyone else learn the skill. How people like Freddie managed to do what they did on a bit of crude plumbing without the assistance of a reed is astounding and his lip blew out in the end which is hardly surprising. I heard he did a tour in Japan with a cold sore which did not help so sad things did not end well for him. Also chemical assistance to his life style did not help and a stint with the Art Blakey band sadly did not exactly help a few musicians in this respect. But then without the drugs as with some poets would we have this inspirational work we enjoy so much and they sacrifice themselves for the art.
Thank you thank you thank you Bernie
He was a very special man, crazy, loud, strong, silly, egoistic and to much of a trumpetplayer RIP Freddie
I produced my first video for" Gillby's Gin" with "Freddie" at a jazz club called "Mr"s" located in Symphony Hall Newark.,New Jersey. In between takes, he told me how Reggie Workman and Miles Davis were both most inspirational in his development as a musician.
All respect to Freddie.
Had the honor of knowing this monster Jazz musician. He even handed me his horn once to try out some effects it was plugged into. On top of his incredible talent a true gentleman.
I always think of Freddie as a boxer..throwing those combinations, with a twist at the end of the punch, just cutting you to pieces.
This is not meant to slight Miles Davis, I never was able to get into his sound. On the other hand, Freddie Hubbard blows the hell ouuta the horn.
He is the top horn player that I've heard.
So great
We listen and enjoy many great jazz artists but Freddie is the only one that gets into your bloodstream.
Freddie only had one mode....FULL BEASTMODE!!
Damn! Great compilation!
Forgot on BlueNote session, Cantaloupe Island
HOW CRAZY CAN IT GET!!!
😂 LOL
🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥 OMG Love this DUDE
THE 7 times Freddie was in Full Beast Mode? What about the other 2 million times? I never saw him when he wasn't!
they should rename the video Freddie participates in 16 min drag race.
Shreddie Freddie
Freddie's the kind of soloist that really excites his fellow musicians.
Freddie Hubbard played the trumpet with swagger and balls. But also had technique and beautiful taste. He is the Jimi Hendrix of the trumpet and an idol to all us trumpet boys out there that need a hero.
oR giRLs!!!
Jk
This is all phenomenal, but it's Freddie's slow, soul-drenched lyrical playing which puts him at the top!
Glad to see somebody acknowledge that aspect of Hub's playing. His firebreathing intensity and technical mastery are all justly celebrated but I find not enuf people talk about how soulful, lyrical, and deeply moving he was on the slower things. He's brought me to tears on pieces like "A Bientot", "Mirrors", and "Here's That Rainy Day".
@@satishrobertson8771 Freddie's balladry brings out the spiritual gratitude in me. Looking at pictures of my kids with Freddie playing...it doesn't get any better!
@@SidLaw500 well said man!
Freddie is one of the greatest ballad players on any instrument!
Far and away my favourite Trumpeter, such a strong and distinctive sound that makes other players appear very thin and watery by comparison. Freddie is greatly missed and impossible to replace. The nearest match we have today IMHO would be Arturo Sandoval; who like Freddie made it sound as if the horn would split open under the intensity of his tone and phenomenal chops.
#3: Billy Childs - piano, Rhodes
Stephen Houghton - drums
Buck Clark - percussion
Larry Klein - bass
One of my favorite trumpet stars.
My favorite and best Trumpeter. Fluglehornist and arranger.
FREDDIE ALWAYS HAD ANOTHER GEAR.
Freddie was jazz trumpet's Rock Star
Phenomenal. He was so good!
My all time fav...luv Freddie’s work...u always kno when u hearing Freddie...his signature Freddie Flutter gives him away every time...😎
Been listening to Freddie all day, perfect timing Bernie.
Freddie is cookin! Thanks for the detailed track and personell listing.
So much air.
Exactly!
MAN WHO THE FUCK KNEW!?!?!?!? Thats beautiful !!!!!
!
5:28 da licccccccc
He tried to go latín on #3 , but still a monster hard to follow, what a temperamente !
Great playlist, but on birdlike you cut the greatest opening courses ever recorded on a blues.
Pretty sure that's the same band from "Born to Be Blue", Childs, Larry Klein (bass), steve Houghton (drums) Buck Clarke (percussion)
Been waiting for this one
Nevermind - found in description. Great video :)
I didn't know you could do those things with a trumpet! Freddie was the man. Miles who?
Check out Woody Shaw!
trumpetking
bout time.
#2 good luck if you want to transcribe it
Toughest ever
Had he lived, I believe Hargrove would have reached the level of Freddie, or close-- A. Sandavol, as well. Freddie -- like Wynton and Miles-- are simply in classes of their own.
Roy left his own mark. There are cats out here who prefer RH over any of the names mentioned. Freddie himself considered Roy one of his favorites of the young trumpeters. Just like Freddie, Miles, and many other greats before him did, Roy Hargrove brought something to the table that only HE could've brought and in turn has influenced legions.
My God!!!!! #2
Yeah I think so too
@@satishrobertson8771 Point well made. Certainly, no disrespect meant.
how does he do that???!
Air, he knows how to blow air while staying relaxed.
@@oldGB1 He used a lot circular air breathing techniques that allowed him to do extended long tones, then come back to the medley. AMAZING!!
ya
Stardust should be here too
Each time he had a FIRE DRUMMER KICKING HIS ASS-- 1 Carl Allen, 2 IDK, 3 Lenny White 4 Art Blakey 5 Micheal Carvin 6,7 Lenny White
#3
What's number 2 please!?
Intrepid Fox live in France
Best of without Recordame...
These videos are no doubt bad ass but I’m sorry to say that this video of Freddie playing Cherokee is by far the craziest ua-cam.com/video/D4bgd2yAY54/v-deo.html
#4 is soo baddd
Bad