So happy to know you love our decoder! The reason why you manually must choose 3OA when using headphones, is because the Auto algorithm works at many levels (beyond 'how many channels are passing through') I based that specific decision in a research paper I read (I think it was Gerzon, but don't remember), it stated that "the amount of speakers to which you decode can be equal or less to the amount of channels of the order", meaning that for stereo, 1OA should suffice and a higher order might actually not help, but in the contrary, you could miss some info. Of course, the above is for decoding a static signal - nowadays, when we can rotate these signals, I have been thinking about how to approach the "Auto" algorithm, but for the time being, assuming that most stereo users simply decode and rotate once, that 'tick' stays in the algorithm, and only advanced users (like you), get to select the manual decoding... I'd appreciate any feedback in case there's an overwhelming amount of people that want "auto" to be a literal "auto" :)
Thanks for the clarification! I felt I needed to point that out because I had tricked myself a couple of times. I actually had to film this video twice because I had it on auto the first time and then wondered why changing the 3rd order channels did not do anything. 😂
I absolutely love the TB suite. Your video makes me realize you can use the TB compressor's multichannel routing to do some creative spatial side-chaining as well! Thank you for the video.
so i searched up tb eq 4 found this video and it’s great and i hope you do not take offense by this but you sir have a very cool voice you sound like Arnold it’s like getting music production advice from The Terminator very cool
No offense. I hear that often. When I started teaching in the US, my students loved it when I ended the class with “I’ll be back”. Today, most students don’t understand that reference anymore.
Coming back to this again after a comment about the quality of the TB Compressor 4 on the Discord channel. Just venturing into an experiment with it in the same mode. But I'm not sure this technique is 'appropriate' for either ambisonics or mixing in space... in general? Haven't looked but I'm assuming the same Link functionality is available. Perhaps it's better used in a purely channel based context? Thanks again for these thought and experiment provoking videos!
This is my go-to equalizer plugin. I love it. However, I see some bugs using it with Nuendo sometimes. Hopefully they will be better with more updates.
The first thing I said when I looked at the price for the NUGEN Halo Upmix was "DAMN" Then I looked at prices to the other products they had in line, I said "GOD DAAAAAMMMMMNNNNNNN!!!!!!"
You really need to adjust your thinking towards eq and it’s effects working in ambisonic mode, it really challenges channel/destination type of sound analysis greatly, it’s useful I believe but could be very destructive very quickly…
That is a valid argument, but it really depends what you are aiming for. Distortion, bit crushing, all things that can be destructive very quickly. Even regular mid-side processing can be destructive.
yo Michael you never answered my posts and my questions were left unanswered, they were the only unanswered comments on your videos, so I just deleted them thinking you didn't like my questions
So happy to know you love our decoder! The reason why you manually must choose 3OA when using headphones, is because the Auto algorithm works at many levels (beyond 'how many channels are passing through')
I based that specific decision in a research paper I read (I think it was Gerzon, but don't remember), it stated that "the amount of speakers to which you decode can be equal or less to the amount of channels of the order", meaning that for stereo, 1OA should suffice and a higher order might actually not help, but in the contrary, you could miss some info.
Of course, the above is for decoding a static signal - nowadays, when we can rotate these signals, I have been thinking about how to approach the "Auto" algorithm, but for the time being, assuming that most stereo users simply decode and rotate once, that 'tick' stays in the algorithm, and only advanced users (like you), get to select the manual decoding... I'd appreciate any feedback in case there's an overwhelming amount of people that want "auto" to be a literal "auto" :)
Thanks for the clarification! I felt I needed to point that out because I had tricked myself a couple of times. I actually had to film this video twice because I had it on auto the first time and then wondered why changing the 3rd order channels did not do anything. 😂
Toneboosters is awesome
I absolutely love the TB suite. Your video makes me realize you can use the TB compressor's multichannel routing to do some creative spatial side-chaining as well! Thank you for the video.
Yes, that one works, too.
This was really useful and i will be adding this EQ to my plugins folder :) good work Michael
Thanks!
so i searched up tb eq 4 found this video and it’s great and i hope you do not take offense by this but you sir have a very cool voice you sound like Arnold it’s like getting music production advice from The Terminator very cool
No offense. I hear that often. When I started teaching in the US, my students loved it when I ended the class with “I’ll be back”. Today, most students don’t understand that reference anymore.
@@michaelgwagner that’s literally so amazing love that story
Interesting video Michael! We liked it even though it went a bit over our heads lol. Subscribed!
Thanks!
So interesting! Thanks so much! I wish I was young again and could attend your classes! This is the next best thing 😂
Haha. Thanks! 😂
Coming back to this again after a comment about the quality of the TB Compressor 4 on the Discord channel. Just venturing into an experiment with it in the same mode. But I'm not sure this technique is 'appropriate' for either ambisonics or mixing in space... in general? Haven't looked but I'm assuming the same Link functionality is available. Perhaps it's better used in a purely channel based context? Thanks again for these thought and experiment provoking videos!
Thanks!
This is my go-to equalizer plugin. I love it. However, I see some bugs using it with Nuendo sometimes. Hopefully they will be better with more updates.
Interesting! I did not encounter any bugs, but I also have not used it extensively yet.
The first thing I said when I looked at the price for the NUGEN Halo Upmix was "DAMN"
Then I looked at prices to the other products they had in line, I said "GOD DAAAAAMMMMMNNNNNNN!!!!!!"
😂
Danke Michael 😊
You‘re very welcome!
Did you check out the new 'pro' version?
Yes, I published a video about it last week. ;)
I'm an idiot. I actually watched that one 😂
@@michaelgwagner wasn't this a feature you missed in Reaper irt DAC? ua-cam.com/video/tVPSsaYI0ww/v-deo.htmlsi=vBVSu-uRA4rUZMB9
@MrEarlabs 😁
You really need to adjust your thinking towards eq and it’s effects working in ambisonic mode, it really challenges channel/destination type of sound analysis greatly, it’s useful I believe but could be very destructive very quickly…
That is a valid argument, but it really depends what you are aiming for. Distortion, bit crushing, all things that can be destructive very quickly. Even regular mid-side processing can be destructive.
yo Michael you never answered my posts and my questions were left unanswered, they were the only unanswered comments on your videos, so I just deleted them thinking you didn't like my questions
Sorry for that. I did not see anything. What was your question?
@@michaelgwagner Hi, one of my comments is still there on the "Ambisonics vs. Dolby Atmos" video.
Thanks, I posted a response.