If you want to learn how to effortlessly compose rich Cinematic Music using my proven 4 Step Composing Framework, check out my free workshop below! www.composingacademy.com/freetraining
The 10 Timestamps 1:42 1. vi IV I V (epic) 2:21 2. I V vi IV (pop) 2:54 3. I IV vi V (heroic) 3:26 4. vi I V ii (sad) 3:57 5. vi iii V II (somber then uplifting) 4:35 6. Vi IV V iii (sad) 5:04 7. vi IV V II (inspiring and uplifiting) 5:35 8. I IV ii V (moving forward on the journey) 6:04 9. I iii V II (uplifting) 6:33 10. ii IV vi V (majestic and soaring)
Progression 1: Literally all Illenium songs. Avicii - Wake Me Up Progression 2: Mike Williams - Bambini Progression 4: Mike Williams x Brooks - Jetlag Progression 5: Bigman - Get Tired Of My Love, Bigman - Confused Progression 6: Martin Garrix, David Guetta - So Far Away, Maurice West - In The Zone Progression 10: Daft Punk - Get Lucky, Dubvision - Keep My Light On, Brooks - ID (Loneliness)
@@mucknog On the contrary, it shows how creative it is. All music is stolen, but it takes creativity to break that limitation and make something new out if it
Even music has patterns and designs and we as humans connect to it universally. Minor chords are sad throughout all kinds of people. Major chords feel happy and blissful for everyone too. Music is a language of the soul and is not bound by territories. God had made it for the purpose of reaching out to us even when His word, the bible has not reached us yet.
Progression 1 to my hears sound minor, it is the famous I ; VI ; III ; VII used in lots of music of the aeolian minor Progression 4 is natural minor too (Im ; III ; VII ; IVm) Progression 5 is dorian with a F# in the D chord which is the raised sixth of the mode Progression 6 is again natural minor (Im ; VI ; VII ; Vm) Progression 7 is dorian (Im ; VI ; VII ; IV) Progression 9 can be interpretated either in G major (IV ; VIm ; I ; V) or C major with a raised fourth which is the lydian mode in C Progression 10 is dorian (Im ; III ; Vm ; IV)
The progressions with D are dorian mode progressions. Dorian mode is used frequently on film music. Using dorian mode progressions with dorian scale is so good
This is a great video for budding musicians looking to get into composing cinematic scores for film. Those 10 chord progressions can provide endless material just for the composition of ostinatos alone. I wish vids like this existed when I started composing cinematic music.
Very helpful! I've been using your chord progression videos for my own music. Your comentary is direct and easy to follow. Would you be able to do similar chord progression videos geared toward pop music? I'd REALLY steal from them.
Great video! Love how it’s very concise. Most all of these chords/progressions sound similar so I’m wondering if all 10 progressions can be interchangeable and/or used together
Thanks! Yes as I kept them within the key of C major (or Aminor), then it would be very easy to interchange them and use them together. You could also change key with them as well, so instead of C major, you could play them in G major instead
I enjoyed following along by playing the chords before I heard them on the video. It's a fun way to discover progressions lying within the fretboard. Your videos are very informative. Thanks for them.
This is a really great channel, when I keep getting UA-cam adds for amazing midi chord packs! You can see from this amazing and straight forward video you don't need any midi chord packs! Just great UA-cam videos like this.
Haha yes that is true! Those chord packs might have a few more chord progressions, but you can't beat learning the knowledge for yourself so you can use your own progressions as well!
Super excited to have found your channel. This is perfect for someone like me who is just beginning the journey of cinematic composing. Sub'd and can't wait to dive into your content. Thank you!
@@composingacademy8270 After having spent some dough on paid courses, I'm actually coming back to your channel. It's that good and I realize there's so much here to learn from. Thank you and hope to continue to see content from you!
thank you for your help since having a slight stroke l have forgot many chords but back into getting my keyboards to make some kind of sense lol regards Allan UK
In all of the progressions that end with a V/V (ie in C: the ii chord becomes the V chord of the key of G, which is the V chord of C:) it gives it this AVATAR feeling, from that film. COOL
Chosen inversions are crucial too in order to convey the uplifting or downlifting moods. If you try other ones, then the feeling is gone althought the chords are C major too. My two cents.
This is a great source for the starting point. The next step would be to take one of these progressions and modify some chords to become sus or extended.
It's weird why this channel has so little subscribers and views. It's a very useful info and visuals. Liked and subscribed. Hope to see more videos in future like this one.
Great Video! I really enjoy and learn from all your videos. I did notice you use different inversions on some of the chords. Am I correct to assume you used them to create better melodic content or movement?
Not sure about your assignment of Roman numerals for four-chord progressions without the I chord. But some interesting ideas for unusual song starters (for me) nonetheless. Thanks.
Its called a Aeron by Herman Miller - I suffered from back ache from sitting down too long, so decided to invest in a good chair - it hasn't disappointed!
What kind of instruments did you use to playback the chord progressions? it seems It’s not just Strings So what kind of instruments/librarys are they? thank you Best regards
Currently watching Kingsman - The golden circle, and I keep hearing this progression which I've identified as "i VI IV". Eg. Am F D. It's such a cliché progression for the super hero genre. I tried googling "i VI IV" and all I got was links explaining the axis progression which has f all to do with anything. Google is just so broken these days. Glad I found your channel via another google and I'm kind of relying on one of your viewers to help me out here! :D
lots of chromatic mediants & submediants or borrowed chords. throw in the occasional add or sus chords where needed. also, secondary chords, namely secondary dominants.
World class explanation is far too mild to describe what you have done. This is one of the most important video I have come across, don’t worry I just subscribe.
Hi, thanks for this great value content! A question: if the progression start with Am, it Is always a progression based on the Major scale or i can (must?) use the relative minor scale?
If the progression uses a G that functions as a dominant, you should use the Major scale. If the progression uses a chord containing G# (like an E7) then you should probably use the relative minor scale. There is a lot of interesting music that presents a level of ambiguity and it must be analyzed on a case by case basis. Saludos
Great! Thank you! ...Now a question: what controller do you use? I see something interesting on you desk...... I'm looking for a controller (more for modulation, expression, tremolo...than for mixing...). Thank you!!
Its called a Kenton Control Freak. Its my oldest piece of gear and I think discontinued now. To be honest its a little overkill for my needs as I usually only use 3 of the faders for modulation, expression and main volume, but the faders feel great and cover a lot of distance! Something like this might be worth it though www.etsy.com/listing/958536053/midi-controller-xl
Shouldn't the Progression 5 be i - v - VII - IV in minor? With 4 chord being borrowed from relative major. If we look at it from a Major perspective then I guess the chord number II becomes a borrowed chord. I know its the same thing, but which would be the right perspective technically?
it depends on what you want the tonal center to be. If [ I ] was the tonal center, then the melodies & chords would resolve to the tonic & if the tonic is not present, the progression will never feel totally resolved. if you write from the perspective of [vi] being the tonic [i], say in aeolian, then the progression would feel totally resolved & the melodies would typically resolve to the [ i ] tonic note.
Hi can anyone please explain how does a chord progression work without the I Chord or the tonic chord. This is the first time I've come across such progressions in my life. Any help with developing insight into this concept will be much appreciated.
If you want to learn how to effortlessly compose rich Cinematic Music using my proven 4 Step Composing Framework, check out my free workshop below!
www.composingacademy.com/freetraining
The 10 Timestamps
1:42 1. vi IV I V (epic)
2:21 2. I V vi IV (pop)
2:54 3. I IV vi V (heroic)
3:26 4. vi I V ii (sad)
3:57 5. vi iii V II (somber then uplifting)
4:35 6. Vi IV V iii (sad)
5:04 7. vi IV V II (inspiring and uplifiting)
5:35 8. I IV ii V (moving forward on the journey)
6:04 9. I iii V II (uplifting)
6:33 10. ii IV vi V (majestic and soaring)
Thank you!
thanks
Thank you
Thats SOOOO helpful thankyou so much
If you would have uploaded 10 years before i wouldnt break my brain for years. On point, well explained.
Thanks watching - I hope you enjoyed it!
@@composingacademy8270 i really do ✌🏻✌🏻✌🏻
I know it's a small thing, but thank you for not saying "would of".
@@SynthApprentice should of though
It took you ten years to figure out simple chord progressions?! 😮
I've been playing piano for 22 years, and today I learned about the roman numbers 😶
Guys, believe in yourself 😂👏🏼 There is hope
Progression 1: Literally all Illenium songs. Avicii - Wake Me Up
Progression 2: Mike Williams - Bambini
Progression 4: Mike Williams x Brooks - Jetlag
Progression 5: Bigman - Get Tired Of My Love, Bigman - Confused
Progression 6: Martin Garrix, David Guetta - So Far Away, Maurice West - In The Zone
Progression 10: Daft Punk - Get Lucky, Dubvision - Keep My Light On, Brooks - ID (Loneliness)
thank you very much!
5 is more recognisably as Time of Inception
True, shows how unimaginative electronic music really is.
@@mucknog On the contrary, it shows how creative it is. All music is stolen, but it takes creativity to break that limitation and make something new out if it
Even music has patterns and designs and we as humans connect to it universally. Minor chords are sad throughout all kinds of people. Major chords feel happy and blissful for everyone too. Music is a language of the soul and is not bound by territories.
God had made it for the purpose of reaching out to us even when His word, the bible has not reached us yet.
Progression 1 to my hears sound minor, it is the famous I ; VI ; III ; VII used in lots of music of the aeolian minor
Progression 4 is natural minor too (Im ; III ; VII ; IVm)
Progression 5 is dorian with a F# in the D chord which is the raised sixth of the mode
Progression 6 is again natural minor (Im ; VI ; VII ; Vm)
Progression 7 is dorian (Im ; VI ; VII ; IV)
Progression 9 can be interpretated either in G major (IV ; VIm ; I ; V) or C major with a raised fourth which is the lydian mode in C
Progression 10 is dorian (Im ; III ; Vm ; IV)
Gonna use these. Thanks. 5:15 is just beautiful.
Straight forward, no bullshit, no ads. . Perfect!
Thank you - glad you liked it!
The progressions with D are dorian mode progressions. Dorian mode is used frequently on film music. Using dorian mode progressions with dorian scale is so good
These simple examples really got me thinkjng of chord progressions in a different way. Very nice.
Glad to hear that, thank you so much for the comment!
Simple and effective. Cinematic and impactful. It doesn't need to be difficult to be moving emotionally. Thanks.
Appreciate the comment, thank you for watching!
This is a great video for budding musicians looking to get into composing cinematic scores for film. Those 10 chord progressions can provide endless material just for the composition of ostinatos alone. I wish vids like this existed when I started composing cinematic music.
Hi, thank you for watching and your positive feedback, it is very much appreciated.
This is FANTASTIC! One of the most useful channels so far.
Thanks so much for watching!
I have definitely heard some of these in films before, good video
Thanks for watching - glad you enjoyed it
This is the best explanation ever seen in terms of making things simple to understand. You shall be rewarded greatly.
Thank you so much for watching!
Thankyou so much you probably don't know how helpful this is
Very helpful! I've been using your chord progression videos for my own music. Your comentary is direct and easy to follow.
Would you be able to do similar chord progression videos geared toward pop music? I'd REALLY steal from them.
Great intro to chord progressions!
Thank you!
You are an amazing instructor.
I m playing in church so I v to learn from you ....thank u for wonderful lesson
Great video! Love how it’s very concise. Most all of these chords/progressions sound similar so I’m wondering if all 10 progressions can be interchangeable and/or used together
Thanks! Yes as I kept them within the key of C major (or Aminor), then it would be very easy to interchange them and use them together. You could also change key with them as well, so instead of C major, you could play them in G major instead
just by one topic i learn 10+ things. thank you sir
This is such a useful channel!!! Thanks you!
Appreciate the feedback, thank you for watching!
Superb. Explained in a very Simple and easy way. Thanks Simon.
Glad it helped, thank you again!
@@composingacademy8270 Absolutely. Thank you so much Simon
Very useful!. Thank you and greetings from Spain.
Thank you, that means a lot!
Respect man for such content, ur channel is rare gem on youtube!
Thanks so much for watching and for your kind words!
This Channel is so underated! I'm not able to understand how this channel can only have 200 Subscribers
Thank you! Your comment is humbling to read!
@@composingacademy8270 Wow you made about 500 subs in 2 months, you deserve it
@@canlee7818 on 24k a year later
This was great. Super straight to the point and easy to follow.
Thanks for this!
Glad you found it easy to follow - thanks for watching!
Great info. Glad I found your site.
Appreciate that, thank you.
Excellent! Thank you very much! Am now subscribed.
Whaaaa these are popular pop chords I want some interesting advanced cinematic chords
thanks - great ideas, will use immediately
Glad it was helpful!
This was helpful and inspiring. It's like to see more of this.
Many thanks for watching - watch this space for more videos!
Fire tutorial.... More and more strings, violins, chord progression.... Please!
This ia a great video. Prefer seeing the chords using keys than in DAW format, since I don't use DAWs. Will definitely refer back to this channel!
Thanks so much for this video. Your channel is a treat to watch and learn from. Cheers!
Hi Jim, thank you so much for watching and for your kind words. I'm glad the content is proving useful!
Thank you. The way you put this across was very concise.
Many thanks for watching!
I enjoyed following along by playing the chords before I heard them on the video. It's a fun way to discover progressions lying within the fretboard. Your videos are very informative. Thanks for them.
Glad you enjoyed it!
Amazing! Do you have videos about amazing progressions in minor keys?
Thank u for this! this actually helped me a lot! 🙏
I am so pleased, thank you for watching!
Very helpful, thanks mate.
My pleasure, I'm glad you found it useful!
Continue to do your work and you will be rewarded for your deeds ❤
Thank you so much for watching, really appreciate the comment!
This is a really great channel, when I keep getting UA-cam adds for amazing midi chord packs! You can see from this amazing and straight forward video you don't need any midi chord packs! Just great UA-cam videos like this.
Haha yes that is true! Those chord packs might have a few more chord progressions, but you can't beat learning the knowledge for yourself so you can use your own progressions as well!
Super excited to have found your channel. This is perfect for someone like me who is just beginning the journey of cinematic composing. Sub'd and can't wait to dive into your content. Thank you!
Many thanks for your kind words-I hope you find the content useful and please do not hesitate to let me know if you have any questions!
@@composingacademy8270 Great, thank you, will do!
@@composingacademy8270 After having spent some dough on paid courses, I'm actually coming back to your channel. It's that good and I realize there's so much here to learn from. Thank you and hope to continue to see content from you!
Thanks very insightful that it's got my subscription
Thanks for the subscription!
thank you for your help since having a slight stroke l have forgot many chords but back into getting my keyboards to make some kind of sense lol
regards
Allan UK
Hi Allan, I am sorry to hear you have been unwell but so pleased that you are found the video useful. I wish you the best of health & happy composing!
In all of the progressions that end with a V/V (ie in C: the ii chord becomes the V chord of the key of G, which is the V chord of C:) it gives it this AVATAR feeling, from that film.
COOL
Thanks for the music theory refresh. Nice explanations.
Thank you!
Great lesson, thanks for sharing!
My pleasure - thanks for watching!
Another excellent tutorial, thanks Simon 🙏
I am so pleased you liked it, thank you!
Thank you, sir! 👍😎
4:11 *inception flashbacks*
Chosen inversions are crucial too in order to convey the uplifting or downlifting moods. If you try other ones, then the feeling is gone althought the chords are C major too. My two cents.
Love this. Had ago at doing my first score myself
Glad I found this channel definitely subbing I like your teaching style very clear and descriptive
Thank you for watching and for the Sub!
This is a great source for the starting point. The next step would be to take one of these progressions and modify some chords to become sus or extended.
Absolutely! I love inversions as well, which can another element of variation to a chord and progression
Great thanks 👍
I am pleased you are finding my videos useful! Appreciate the comments, thank you!
It's weird why this channel has so little subscribers and views. It's a very useful info and visuals. Liked and subscribed. Hope to see more videos in future like this one.
Thanks so much for your kind words and for Subscribing!
They don't want anyone to know this their "secret sauce. " That's why. They think they are keeping it to themselves and out awesoming everyone...
Very helpfull. Thanks!!!
Thanks for watching!
Turns out Hans Zimmer used the progression 5 in his "Time" soundtrack for Inception :D
I heard it as well!
Wouldn't it be better if the chords of Am F C G (the first progression) is written as i VI III VII?
very helpful thank you
Glad it was helpful!
Thanks! Keep ’em coming..you earned a sub!
Thank you!
Great Video! I really enjoy and learn from all your videos. I did notice you use different inversions on some of the chords. Am I correct to assume you used them to create better melodic content or movement?
Excellent
Very helpful!!
Thanks!
Da sauce 🔥🔥🔥🔥
Thanks for watching!
big thanks !
Not sure about your assignment of Roman numerals for four-chord progressions without the I chord. But some interesting ideas for unusual song starters (for me) nonetheless. Thanks.
Thank you. What is your studio chair called as it seems so popular and mine squeaks but, can’t seem to find one online?
Its called a Aeron by Herman Miller - I suffered from back ache from sitting down too long, so decided to invest in a good chair - it hasn't disappointed!
One more follower ❤️❤️
Thank you so much!
What kind of instruments did you use to playback the chord progressions?
it seems It’s not just Strings
So what kind of instruments/librarys are they?
thank you
Best regards
Thank u sir very nice taeching
Thank you:)
You're welcome, thank you for watching!
Great help for osinato
I'm glad you found it useful. Thanks for watching!
Thanks for this video ........... very informative straight to the point ......love from Ind ❤️ +1subs
Thanks so much - I'm glad you enjoyed it! Greetings from the UK!
Nicely done, very helpful video. Thanks!
Thanks for watching - I'm glad you found it helpful!
Currently watching Kingsman - The golden circle, and I keep hearing this progression which I've identified as "i VI IV". Eg. Am F D.
It's such a cliché progression for the super hero genre. I tried googling "i VI IV" and all I got was links explaining the axis progression which has f all to do with anything. Google is just so broken these days.
Glad I found your channel via another google and I'm kind of relying on one of your viewers to help me out here! :D
Wow. It sounds like war movie score soundtrack
Very nice Channel :3
Thank you, really appreciate the comment!
great video man
Thank you!
Nice video hope you'll have bigger audience
Many thanks for watching - glad you enjoyed the video!
How do you create more difficult progressions like John Williams'?
lots of chromatic mediants & submediants or borrowed chords. throw in the occasional add or sus chords where needed. also, secondary chords, namely secondary dominants.
World class explanation is far too mild to describe what you have done. This is one of the most important video I have come across, don’t worry I just subscribe.
Oh wow thank you so much for your kind words! Thank you for the subscription!
Great video and also great string/choir sound. Where is it from?
Thank you! If I remember rightly, it was Cinematic Studio Strings and Metropolis Ark 1 for the choir
Just subscribed want to learn theory thank u sir 🙏
Thanks so much for the subscription! More theory videos coming out soon - watch this space!
Very informative. Thanks.
Glad you found it useful - many thanks for watching
Hello Sir,
Could you please teach about playing "counter melody" techniques?
Regards,
Robinson Innocent.
Hi Robinson, many thanks for the suggestion. Its a great idea and I will add it to my list! Thank you!
Its helpful. Im from Bharat (india). I want to learn Vikings folklore vocals and music . Can you guide bro with resources needed for shopping so.
Hi, thanks for this great value content!
A question: if the progression start with Am, it Is always a progression based on the Major scale or i can (must?) use the relative minor scale?
If the progression uses a G that functions as a dominant, you should use the Major scale. If the progression uses a chord containing G# (like an E7) then you should probably use the relative minor scale. There is a lot of interesting music that presents a level of ambiguity and it must be analyzed on a case by case basis.
Saludos
@@antoniozimmerman7767 thanks for your Replay. But if i use G with a natural minor scale? There is an ambiguity. Right?
Great info. You could have addressed the embelishments as well
Great point - thanks for watching though!
@@composingacademy8270 you can always make another video 😁 great info anyhow and always a good refresher.
Am em g d.....straight to cubase and build a track.
Great! Thank you! ...Now a question: what controller do you use? I see something interesting on you desk...... I'm looking for a controller (more for modulation, expression, tremolo...than for mixing...). Thank you!!
Its called a Kenton Control Freak. Its my oldest piece of gear and I think discontinued now. To be honest its a little overkill for my needs as I usually only use 3 of the faders for modulation, expression and main volume, but the faders feel great and cover a lot of distance! Something like this might be worth it though www.etsy.com/listing/958536053/midi-controller-xl
@@composingacademy8270 Thank you!!!
Спасибо. Все просто и понятно.
Thank you!
Shouldn't the Progression 5 be i - v - VII - IV in minor? With 4 chord being borrowed from relative major. If we look at it from a Major perspective then I guess the chord number II becomes a borrowed chord. I know its the same thing, but which would be the right perspective technically?
it depends on what you want the tonal center to be. If [ I ] was the tonal center, then the melodies & chords would resolve to the tonic & if the tonic is not present, the progression will never feel totally resolved. if you write from the perspective of [vi] being the tonic [i], say in aeolian, then the progression would feel totally resolved & the melodies would typically resolve to the [ i ] tonic note.
thank you so much
Thank you for watching!
Sir ..is their any course available ?
Hi, my course launch is happening this Wednesday! Be sure to subscribe to my email list to get further information! Thank you for watching!
@@composingacademy8270 thankyou sir ..i want to learn composition !
And you are amaizing teacher
Now you have one subscriber more.
Thank you so much!
How do we sound like Bobby Krlić?
Hi can anyone please explain how does a chord progression work without the I Chord or the tonic chord. This is the first time I've come across such progressions in my life. Any help with developing insight into this concept will be much appreciated.
It would have tonality of tonic chord. If it ends up with tonality of anything else it will be more like a mode.
Progression 5, actually is a little bit misleading. It's better to think about it as: ii vi I V (in G Major).