How To Import Raw RED Footage Into Adobe Premiere Pro and Create Proxy Files
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- Опубліковано 11 вер 2024
- Working with RED or R3D files can be tricky if you haven't imported them into Premiere Pro before, but this video editing tutorial you will have your RED camera footage in proxy form and editing in no time.
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Let's make the term "Proxify" happen. Meaning creating proxies. How many of you have worked with RED or R3D footage before.
Daily. Your video saved my life.
Let's make it happen in other uses beyond post production. "I just proxified my life and got divorced. Cut out the dead weight. Things are running much smoother now. "
How do I make a watermarked Proxy?
Thank you.. your video was an amazing help
Once the RedFiles are done in Encoder...where do they go? You went straight back to Premier but I dont see them there?
This is the video I needed 2 years ago when I started shooting r3d. Literally SO helpful and so plainly / perfectly explained
Ho. Ly. Crap. You literally saved my work with this. We're editing a multiepisode docu series, and this is my first time with RED footage. I honestly thought the camera guy had made a mistake when sending me the footage. Thank you thank you thank you!!
Yesterday I was editing with red for the first time and I did exactly what you said not to do. Thank you for making this video.
Well now all is right with the cosmos. glad I could help Kelly!
Im editing a senior student short film in college and this video saved my life! Have never worked with R3D footage before and I feel like this helped get me a smooth workflow from the get-go... thank you for saving this noob!
So glad I could help! hope the project turns out well!
OMG thank you so much for this. I just got a ton of RED footage for the first time from a client and I was losing my mind trying to figure out what was up with all of the duplicates and the folders within folders etc. This helped me so much 👍
You just earned a subscription and i am purchasing a red camera at the beginning of the year
Good info! Thanks!
Glad I could help
You are a ROCKSTAR! Thank you for being so clear and understanding. Blessings brother!
Glad I could help!
This is the workflow I was looking for. THANK YOU!
Thank you so much! This was to the point, easy and super helpful! Much appreciated :)
Awesome to hear! glad it was efficiently helpful.
I second this!!! I loved how you got right to the point and had some super-helpful tips. Nice work!! [clicks subscribe enthusiastically]
we need more channels like yours. (Proxify )
I was about 2 cry when I saw my edited files turn red...u saved my approx 8-10 hrs of editing time..thanks a ton...u saved my life...I would like to add one point...when I was trying to locate and upload the files back...it threw error'this file doesn't has audio or video stream' answer of which I found in a different video,in which they download quicktime and delete cache in preferences...followed by a restart of P pro...doing all that,will import the media back in premier.
Man, thank you! You saved my life! Great channel, great explanations. No tanglings. Keep going!
what a great video. It's the first time I run into your channel and just based on this video and your personality. I'm subscribing and following from now on. Thanks a lot man.
Thank you! I've often been intimidated for some reason to try Proxies and now excited to use this on my R3D files. Will be so much easier.
You just "Javierized" that video about "proxyfying". Helpful, clear & efficient. Thanks heaps.
Dude... thank you. That is all. Saved me tons of time editing. I knew I wasn't doing it right! Matter of fact I will start importing footage with media browser moving forward!
Really useful stuff man, thanks very much - I'm an aspiring editor myself and I've just started a new short film which is requiring me to work with R3D footage for the first time, so this tutorial was pretty much a godsend. Much appreciated!
I wish I would have saw this video an hour ago before I deleted all the "duplicate" R3D files!! When I pulled them into PP the normal way they were all the same so I just deleted them. Hopefully I can recover them from my Trash! Thanks for the tips!
Thank you SO MUCH Javier!! This was so so helpful and saved me so much time!! Referring to your videos from now on for professional how tos :)
OMG, You just pointed out all the mistakes I made, thanks to you, now I can improve my process.
Very helpful! I ordered my Komodo and now i take the time to learn while I'm waiting :)
VERY GOOD AND VERY NEAT EXPLANATION , I SUBSCRIBED DONT WORRY KEEP WORK GOING AND THANK YOU
Thank u soo much . ITs very very much helpful video for me . thankssss
man, you are an angel. this helps me a lot, cheers from brazil!
Felipe Krust glad I could help you out Felipe!
You are a LEGEND!!! Thank youI have been struggling to find a video describing these steps especially how to import correctly. I was totally doing what you said NOT to do! lol
Ashley Pugh totally worth making the video just for that, thanks Ashley! Made my day. Happy editing!
@@JavierMercedes Do you have any videos on different export settings? Currently I am exporting H.264 Match high bitrate. Is this correct? I create the sequence from the clip so I assume exporting to match the clip is best?
Ashley Pugh Hey Ashley, not for the “best” settings per say but I a video on compressing videos in the h.264 format that you might get some info from ua-cam.com/video/3NrxUsWBjg4/v-deo.html
BROTHER, YOU ARE THE BEST!!! You oooh really helped me!! THANK YO
This is great, thanks!
This video should be up for the nobel prize!
Hahaha thank you so much!
Thank you so much. So glad I found this video before starting any editing.
Geez man, thank you so much. Have to edit with RED files for the first time you made it really easy for me.
Glad I could help Florentine!
Thank you so much I needed this! Keep up the good work
Glad to help
Super helpful. You are awesome! Thank you.
You are really great person, thanks for video. this video really helps me
Very useful, thanks!
Thanks, you saved me for my first project with RED footages !
I got a job because of you (they asked me if I was used to working with R3D and I said sure LOL), thank you.
Ayyyy good luck Daniel!
So helpful! Thank you! Definitely subscribing
Thank you so much for making this video. Helped a lot.
Thanks bro! this was amazing, cheers from argentina
Glad I could help Alejandro!
thanks broo, this was so helpful!
Thank u so much this is the exact Tutorial I was looking for
Extremely helpful! Thank you! Liked, subscribed.
Great video! Quick and to the point, thank you!
Great video mate 👌
Really helpful, thanks for making this!
Super helpful! Thanks brooo
Thanks from South Korea
Glad I could help Changkeun!
@@JavierMercedes I found using REDCINE-X Professional for proxy files is more flexible for editing. Because I use Davinci Resolve for color grading at the last step of post. Anyway that was informative tutorial. Thanks!
Thank you for your help Javier!
thanks from Rio de Janeiro dude
This was very helpful. Thank you.
So my house mate uses the latest Adobe CC suite while I'm on ooooooold version and it turns out I can import Red footage and get the F*cking 3D FX shots done when he's asleep and I don't know his login etc. Cheers man, we are talking again! :D
I was really struggling with this issue. Thank You Sir .
Glad it was helpful Monik!
thank you. i love your work. you save me
Thank You, Man!
awesome!! just what I needed!
Great! glad I could help!
Great video!
ITS REALLY WORKED LOL THANK YOU DUDE
Thank you so much! that was very useful!
Glad I could help, always better when you can make life things more efficient
Thx bro! Needed this!
Javier, you may wanna make a refreshed version of this tutorial since some changes have been made in Premiere.
Is the process drastically different?
Really good tutorial. On point. Thanks a lot!
Glad it helped Himalaya!
Its quite helpful video! Cheers
Glad I could help!
witch is insightful. But u broke it down in simple man's terms. I can't wait to ss around with what you taught and see the different
Quality tutorial, thanks! I had never dealt with .r3d footage before and this explained it so well. Only problem is my footage still shows all the parts, not just _001's in the Media Browser and I do not get the RED footage icon in the file list view.
2:55 Woooooooooooooooooooooooooowwwwwwwwwwwww 🤯🤯
Tnank you so much! Thank you! You save me!
Thank you. your video is quite helpful.
Yo thanks for this man!
Glad I could help!
Thank you!!!
GOD BLESS YOU BROOOOO!!!!! LOVE YOU!!!
Thank you so much !!!!
I followed these steps and I get the hack thanks for sharing this vide
Super helpful vids. Thanks!
Glad I could help Greg!
Thank you very much
Cool! Downloaded))
My proxies took a while in encoder but thank you for this😩
Thank`s man! From Russia whith love:)
Hope it helps Christina!
thank you for this... saved me deleted like 400 files manually lol
yepp just went through and deleted all the "duplicates" from my hard drive since they showed up in Premiere as the same clip. *sighhh*
LIFE SAVING VIDEO = SUBSCRIBED
Thanks man
God bless you!
Thank you Man!
Thank You.....Bro
Thanks a lot mate. ONE MORE THING. What to do when after creating proxies I want to leave all the RAW file on a portable hard drive and go away with all the proxy file on my MacBook Pro and after editing the project with proxy files I want to get back with that proxies to export from that RAW file? How do I attach the proxies with the RAW file?
saved me so much time and headaches, thanks for this!! #MEDIABROWSER
best luck!
hey javier I have a question in your video you said don't let your premiere close out so that it dose not turn all my files into proxies. well I did not open PP I did it straight fro M.E did I screw up my RED footage and made them all proxies or do I still have my Red file so I can do it the right way pls help. Thanx
Premiere Pro Guru (Jeff Greenburg) teaches how to make some proxy and ingest presets that help tell the difference between proxy and Full Res Linkedin Lynda .
Thanks for this video, I'm working with RED footage for the first time and I've noticed that the coloring between the RED and proxy files is different. I'm going to be working with a lot of visual effects so I'd like to figure out why the color is different between the two before I get too deep into it.
Actually nevermind, I figured it out right after leaving the comment. But just in case anyone else is having this problem, my cinematographer attached a LUT to the RED footage that just needed to be toggled off.
thanks!
Thank you so much for this. Was wondering why I had 16 copies of the same exact clip. Makes so much more sense now
Wow!!! Thanks for that duplicate file hang up. I noticed the same with my Sony FS100.
i love you THANKS !!!!!!!!
Thank you so much, but how do I sync those "RED VIDEO files with Plural Eyes 3???"
I'm trying this right now with R3D files and have connected my timecode audio to the files but Proxy doesn't show up. Do you have to do proxies before sync?
hey there! great content! I was wondering if you have a video with working with fs5 prores raw in premire?
PROXIFY!