Clara Haskil was the best Mozart interpreter of all times. I have heard her live in Brussels performing this concerto in 1959.I was a piano student at the Royal conservatory in Brussels and still remember how the audience reacted when in 1960 we were sitting at the "Palais de Beaux-Arts " expecting to hear her performing a sonatas evening w/Arthur Grumiaux when the announcer came on stage telling us that there won't be a concert---miss Haskil fell stepping down the train from Switzerland. She never recovered and died the same year.Nobody has her silky, velvety touch/sound for Mozart . SAD.
K595 is the most tragic and most beautiful composition among all compositions. It was finished only a few weeks before his death. This music was his farewell to this brutal world of corruption and mediocrity. The second movement, is metaphysical reflection upon his tragic life. I have never seen any artistic expression which reached to this depth and beauty in absolute transparency and simplicity. The last movement is longing and journey to different world. Again such a simple, pure expression. Before this he composed the famous c-minor concerto which seems to be the ultimate expression of despair and darkness from which he suffered. This must be his last expression of suffering. He left this behind and gave us this ultimate musical expression of pure soul.
❤至高の愛ですね
Clara Haskil was the best Mozart interpreter of all times. I have heard her live in Brussels performing this concerto in 1959.I was a piano student at the Royal conservatory in Brussels and still remember how the audience reacted when in 1960 we were sitting at the "Palais de Beaux-Arts " expecting to hear her performing a sonatas evening w/Arthur Grumiaux when the announcer came on stage telling us that there won't be a concert---miss Haskil fell stepping down the train from Switzerland. She never recovered and died the same year.Nobody has her silky, velvety touch/sound for Mozart . SAD.
珠玉の名曲を,ハスキルという名人が後世の我々のために残してくれて居て,感謝。モ-ツアルトの音楽の根底に流れている哀しさを清冽な演奏で充足感を与えてくれています。
こよなく美しいこの名作には名演奏が数あれど、このハスキルはまことに聴き応えがあります。だけど、フリッチャイの指揮も素晴らしいと思います。彼の晩年に録音されたベートーヴェンを愛聴してます。
素晴らしいの一言です
若い頃、初めてレコードで聴いた時から、この曲はハスキル＆フリッチャイが最高と思い続けている。たぶんモーツァルトの中でもこの曲が一番好き。
モーツァルトのピアノコンチェルト27番は素晴らしい名曲である。中学校時代からの私の久しい友人である
のびやかでゆったり聴ける演奏ですね｡
畠山陸雄さんによるハスキルの伝記を見ると、ハスキルは後で振り返って、自らのレコードの中では、このフリッチャイとの27番が一番気に入っていると、述べたようです。
モーツアルトの「白鳥の歌」であろう。２０番も断然ハスキルと思のだが、フリッチャイとの２７番は透明感の中に、仄かな希望と諦観にも似た哀感が交錯した彫りの深い演奏です。
K595 is the most tragic and most beautiful composition among all compositions. It was finished only a few weeks before his death. This music was his farewell to this brutal world of corruption and mediocrity. The second movement, is metaphysical reflection upon his tragic life. I have never seen any artistic expression which reached to this depth and beauty in absolute transparency and simplicity. The last movement is longing and journey to different world. Again such a simple, pure expression. Before this he composed the famous c-minor concerto which seems to be the ultimate expression of despair and darkness from which he suffered. This must be his last expression of suffering. He left this behind and gave us this ultimate musical expression of pure soul.
Clara Haskil, Bayerisches Staatsorchester (NOT: Berliner Philharmoniker) / Fricsay. Magnificent! Unsurpassable!
名曲
モーツァルト好きな人が多いのは
たいへん嬉しい. . .
芸術は苦手だが、この演奏は適度な絶望感で抑えられている。満足して聞くことができた。
gracias
Когда был концерт?
広告を楽章間に入れていただくと良かったんですが...
他の方からも苦情の投稿があり調べてみましたが、残念ながら私のほうでは対処できないようです。私も聴く立場で同じ経験をしましたのでお気持ちはわかります。ご容赦を・・・・
そうですか。他の方で楽章と楽章の間に流れるようになっているものがありましたので。
そうでしたか。私の曲もそのように設定してくれれば・・・・。広告の件は投稿者の意思は無視の状態で挿入されますす(笑)
q.hatena.ne.jp/1420091750 参考にしてください。
Mitten drin Werbung!