For you folks that are new this tool, don't get too excited. This only works well if your subject is in front of a simple background that is in high contrast to your subject, like the sky he's showing here. For anything else, you WILL have to tediously paint out all the colors in the background that the tool picks up, frame by frame. If you shoot against a sky, backdrop, or a very controlled setting, you'll be fine. Even with all the advancement in AI/machine learning, tools like Runway, rotobrush 3, DaVinci, etc...are all hit and miss. They work great for some shots and awful for others. Sadly the most reliable rotoscoping is still the old school, tedious way. Sucks.
Yes, however you want your subject to have contrasting colours. I am currently rotscoping footage for a client that was against a blue screen. However, the green and blue tones were similar, rotoscope got confused by the reflective clothing AND the edges of the top had the same colour blue as the background. Much pain has been had right now.@@mindset9102
Great advice. It’s also dependent on your machines GPU and RAM. The stronger the editing machine, the better the results (up to a certain point). If it’s this good now, I can’t imagine it having issues 5-10 years from now 👍
@@Gg66226 I just didn't know that I had to click it. I thought I would understand after effects and premiere pro the same way I understood photoshop, but these two programs are crazy.
Right tool for the right job, AND after using the RotoBrush now for years on a daily basis, along with Keylight and traditional Roto in both AE and Mocha, it will take some time to sus out how to use and adjust the matte for high level results - just like any extraction tool.
For you folks that are new this tool, don't get too excited. This only works well if your subject is in front of a simple background that is in high contrast to your subject, like the sky he's showing here. For anything else, you WILL have to tediously paint out all the colors in the background that the tool picks up, frame by frame. If you shoot against a sky, backdrop, or a very controlled setting, you'll be fine.
Even with all the advancement in AI/machine learning, tools like Runway, rotobrush 3, DaVinci, etc...are all hit and miss. They work great for some shots and awful for others. Sadly the most reliable rotoscoping is still the old school, tedious way. Sucks.
Hm so giant green tarp like thing would be suffice ? Lol
Yes, however you want your subject to have contrasting colours. I am currently rotscoping footage for a client that was against a blue screen. However, the green and blue tones were similar, rotoscope got confused by the reflective clothing AND the edges of the top had the same colour blue as the background. Much pain has been had right now.@@mindset9102
Absolutly agree. Don't think you haven't to invest much time anymore or this just works with any footage.
Great advice. It’s also dependent on your machines GPU and RAM. The stronger the editing machine, the better the results (up to a certain point). If it’s this good now, I can’t imagine it having issues 5-10 years from now 👍
You are correct. The shit STILL SUCKS. Frame by frame is what us masters do
Here's my problem - I never clicked the "freeze" button. Thanks to the author
One single button will make you get fed up with the effect and you’d almost give up 😂
@@Gg66226 I just didn't know that I had to click it. I thought I would understand after effects and premiere pro the same way I understood photoshop, but these two programs are crazy.
@@blackwolf_365 indeed,they are crazy
I wonder why UA-cam didn't recommend me this channel before 😢. This channel share information that is priceless ❤. Keep up the geat work guys
without wasting time he explained so well !!
I completely forgot to duplicate it thank you!!
Thanks
thank you so much
Thx❤️🔥🔥🔥
Thank you
Right tool for the right job, AND after using the RotoBrush now for years on a daily basis, along with Keylight and traditional Roto in both AE and Mocha, it will take some time to sus out how to use and adjust the matte for high level results - just like any extraction tool.
Świetna robota ziomal !! Thanks you very much for this !! ;D Dzięki tobie szybciej zmontuje filmik ;3 You are amazing !! Greetings from Poland ;)
There is NOTHING UA-cam Shorts about acceptably successful Rotoscoping for real world scenarios for anything more than a single frame.
nice!!
Nice
G thanks
How do I have it play without it going into full screen?
🔥 🔥 🔥
DaVinci Magic Mask needs a Freeze function, for fuck’s sake
You're taking the piss with that thumbnail LMAO
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I have a MacBook Pro M1 Max with top RAM. But when Rotoscoping it slows to a crawl. Anyone know how to fix this issue?
💖
I’m 500 like 😊
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How to find ellements Like This Building?
The building comes from our DESTRUCTION Pack: bigfilms.shop/products/destruction-pack
THERES A REFINE EDGE TOOL????!?!?!?!
Why you use freeze option
he freezes so it doesn't update if u add another layer
Yeah buddy, that's how you use it but this is a long way from "mastering" this very finicky tool.
its not hard
pretty easy
Lol roto brush takes centuries to render the final output.
Its not AI
It’s not Ai….
Stop using and saying AI for EVERYTHING G
@@WithoutFurtherAdo_Ado actually technically, it’s not.
@@WithoutFurtherAdo_Adoshut up
you just painting on subject and it does the rest like tracking the edges ,Tf do you call that if its not Ai
Roto brush never works. I’ve used AE for 10 plus years. Roto brush is still garbage waste of time.
Thank you