Pensé escribir recomendando que ojalá el ejemplo 1 siempre fuera visible para ver en contexto las ornamentaciones, pero precisamente por no ver el ejemplo 1 siempre, lo escribí en papel y pude constatar las ornamentaciones y como se aplican. Un problema que no es problema porque me llevo a hacer el ejercicio escribiéndolo y de esta manera interiorizando un poco más las reglas y las ornamentaciones. Gracias por el aporte.
Do you do lessons online by any chance? I’m looking for an online tutor for counterpoint because I live in the middle of nowhere and was wondering if you could help? Great tutorial btw been trying it out and having a lot of success!
Very neat as always. I finished reading Walter Piston's Counterpoint last week and I'm looking for more tables and systems for writing imitations. I'd like to be able to do four voice stretto. What is on your bookshelf?
I instantly subscribed 😎👍
This is good stuff my dude
Thank you my dude!
Pensé escribir recomendando que ojalá el ejemplo 1 siempre fuera visible para ver en contexto las ornamentaciones, pero precisamente por no ver el ejemplo 1 siempre, lo escribí en papel y pude constatar las ornamentaciones y como se aplican. Un problema que no es problema porque me llevo a hacer el ejercicio escribiéndolo y de esta manera interiorizando un poco más las reglas y las ornamentaciones. Gracias por el aporte.
Me alegra que mi imprudencia te forzara a aprender mejor. Gracias por comentar!
Yet another excellent tutorial!
Thanks Joshua!
Really nice work ! Will you do this for canons at the 5th and 4th and for three voices canons ?
I would like to do it, but I don't know if this topic has enough support.
Nice one ... yet again! Enjoyed your little ditty at the end too! 🎶🎶🎶 (Liked. Already a subscriber.)
Thanks, David! I really like your music, I just discovered it.
@@namor_onac - fellow canon fans!
I liked and subscribed
Thank you!
Do you do lessons online by any chance? I’m looking for an online tutor for counterpoint because I live in the middle of nowhere and was wondering if you could help? Great tutorial btw been trying it out and having a lot of success!
In English I do correspondence lessons (exchanging musescore files). Video call only in Spanish.
Very neat as always. I finished reading Walter Piston's Counterpoint last week and I'm looking for more tables and systems for writing imitations. I'd like to be able to do four voice stretto. What is on your bookshelf?
For stretto study Josquin and Di Lasso
just finished the books of Hugo Norden, the one on canon is pretty good and short.
There's some cool stuff about strettos and canons on Early Music Sources
I suppose this works no matter the interval, so this can apply to more than two voices.
For three and more voices the rules are more restricted.