It's unbelievable how good you are at orchestration (a 19th century art) as well as baroque/renaissance counterpoint. Mind-blowing! I've been learning orchestration for the first time at university this previous semester and as someone not very knowledgable about 19th century music and orchestral textures its pretty tricky...
@@namor_onac Whoa! Respighi!? What would you say are their most influential works to you? And what about counterpoint? What has influenced you the most?
The way you pass the voices between the instruments is very nice. It creates a very meaningful instrumental dialogue. Your works are like a beautiful conversation.
Your orchestration illustrates well that the tempo and phrasing changes with the kind of sound we employ. The same composition can sound quite different according to the kind of instrument we use.
This sounds like something Bach would write, but the orchestration reminds me of Beethoven with a 19th-century lean! The Fughetta No. 2 in d-minor is my favorite
That's exactly what came to my mind after a while. This orchestration is simply too big, too spongy. An intimate chamber orchestra sound with virtually no reverb would emphasise the quality of these compositions a lot better.
This sounds really excellent. I know what you mean about the weird things you have to do to get it to sound right. You might find it easier to do this in a proper DAW rather than Musescore. For my Graupner project I use LMMS which is free and it is very easy to import all sorts of soundfonts and VSTs in order to get the right sound. You can export midi from Musescore and import into LMMS. It also has a very powerful piano roll editor where you can adjust the volume of every single note in every instrument separately - hence it is easy to implement phrasing and dynamics.
Wow, esto suena realmente bien; me gusta el contrapunto que manejas; me recuerda no al de Bach, sino al contrapunto de Beetohven. Los vientos le dan un gran colorido y texturas. Nuevo seguidor aquí; gracias por compartir tu trabajo.
Hello, mate! Congratulations for such a beautiful trio of fugues. Have you think on adding a basso-continuo part? When I was listening to the first fugue, I couldn't help but thinking about how nice a harpsichord would sound there: I can even play it by myself if you rather
Woah this is really well executed! Musescore 4 and MuseSounds go so hard for free software but it drives me nuts too when the playback doesn't reflect what's written... Were you inspired by Elgar by any chance? His arrangement of Bach's Fantasia and Fugue in C minor is such a banger and is one of my favourite pieces to listen to.
It's unbelievable how good you are at orchestration (a 19th century art) as well as baroque/renaissance counterpoint. Mind-blowing! I've been learning orchestration for the first time at university this previous semester and as someone not very knowledgable about 19th century music and orchestral textures its pretty tricky...
I'm still learning, but instead of reading long treatises I looked at transcriptions by Respighi, Stokowski and others.
@@namor_onac Whoa! Respighi!? What would you say are their most influential works to you?
And what about counterpoint? What has influenced you the most?
Wow Musescore instruments have come a long way
desde 2:05 hasta el final de la segunda fuga tiene un color muy propio de Tchaikovsky :D
They really do sound amazing
Thanks!
You, Sir, know Your counterpoint!
Thank you, Martin!
This is unbelievable. Fantastic work. Fugue 1 should be way longer.
La segunda pieza me llevo al mismísimo "in excelsis", hermosa composición. Ojalá pudieras enseñarnos tu arte.
The way you pass the voices between the instruments is very nice. It creates a very meaningful instrumental dialogue. Your works are like a beautiful conversation.
Thank you!
Effective counterpoint, well orchestrated! As of now I'm a subscriber. Thanks!
breves fugas....pero de gran consistencia musical y expresiva....felicidades..
¡Gracias!
Excellent!
marvelous 😊
Satisfied!
Your orchestration illustrates well that the tempo and phrasing changes with the kind of sound we employ. The same composition can sound quite different according to the kind of instrument we use.
Me encantan tus fugas, llevo mucho tiempo escuchando tu trabajo es genial y te haz lucido con estas intrumentaciones, bravo maestro!!!
Gracias!
Buxtehude is clapping for you.
At all, you make beautiful works, Mr. Cano! I like tis music very much. THANK YOU!
Thank you!
Amazing!!
Beautiful result of this instrumentation!
This sounds like something Bach would write, but the orchestration reminds me of Beethoven with a 19th-century lean! The Fughetta No. 2 in d-minor is my favorite
That's exactly what came to my mind after a while. This orchestration is simply too big, too spongy. An intimate chamber orchestra sound with virtually no reverb would emphasise the quality of these compositions a lot better.
¡las tres son buenísimas, pero me encanta más la segunda! necesito volver a escribir música...
Un resultado enorme. Debes perseverar y seguir creciendo. ¡¡Enhorabuena!! 😲😳
Gracias!
Y con el, dale al me gusta y suscríbete, ¡ya es que me parto!
😂
This sounds really excellent. I know what you mean about the weird things you have to do to get it to sound right. You might find it easier to do this in a proper DAW rather than Musescore. For my Graupner project I use LMMS which is free and it is very easy to import all sorts of soundfonts and VSTs in order to get the right sound. You can export midi from Musescore and import into LMMS. It also has a very powerful piano roll editor where you can adjust the volume of every single note in every instrument separately - hence it is easy to implement phrasing and dynamics.
Thanks for the information! I really like your project.
@@namor_onac Thank you!
@@namor_onac agreed ^
Reminds me of Bach Respighi
Wow, esto suena realmente bien; me gusta el contrapunto que manejas; me recuerda no al de Bach, sino al contrapunto de Beetohven. Los vientos le dan un gran colorido y texturas. Nuevo seguidor aquí; gracias por compartir tu trabajo.
Gracias, Víctor!
Hello, mate! Congratulations for such a beautiful trio of fugues. Have you think on adding a basso-continuo part? When I was listening to the first fugue, I couldn't help but thinking about how nice a harpsichord would sound there: I can even play it by myself if you rather
Nice work. Part three could be a bit faster and the use of some staccato would give a nice atmosphere to the music!
Muse Sounds playback makes crazy mistakes at fast tempos.
These are perfectly suitable for a serious performance by a professional orchestra. Maybe some day it will happen!
Maybe, but when that happens, Musescore 5 will sound better than a real orchestra.
@@namor_onac lol maybe true... BUT the recognition is what you truly deserve roman
This is amazing, I wish I had the skill to write fugues like this in a way that sounds up to date and not just rehashed Bach.
Thank you, Uhor!
may you please share the orchestral scores? id love to see them!
Very nice! OMG how did you make it??
👍
where did you learn to write like this ? i'm currently trying to learn with gradus ad parnasum but i just can't seem to get past the second voice
Study partimento and/or basso continuo.
@@namor_onac are there any particualr books/videos/etc you could recommend ?
Wow, this really great! Now it really sounds indistinguishable. Did you try notepermofer too?
Thanks! I tried it, I think the playback sounds more rhythmically accurate overall, but it doesn't sound as good as Musescore.
Woah this is really well executed! Musescore 4 and MuseSounds go so hard for free software but it drives me nuts too when the playback doesn't reflect what's written...
Were you inspired by Elgar by any chance? His arrangement of Bach's Fantasia and Fugue in C minor is such a banger and is one of my favourite pieces to listen to.
I was actually inspired by an album called Bach: Orchestral transcriptions by Respighi and Elgar.