J.S. Bach : Cello Suite No.1 In G Major BWV 1007 - Anner Bylsma
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- Опубліковано 8 лют 2025
- ◈ J.S. Bach : Cello Suite No.1 In G Major, BWV1007
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Menuetto I/II
6. Gigue
바흐의 무반주 첼로 모음곡은 모두 무도곡에 의한 모음곡으로 되어있다. 제 1곡은 즉흥적이며 자유로운 형식을 가지고 있으며 2곡은 힘차고 활기찬 주제를, 3곡은 정력적이고 힘차게 도약하는 형식이다. 4곡은 극히 장중하고 힘찬 주제이며, 5곡은 미뉴엣 형식이고, 6곡은 지그 형식으로 되어있다.
All through life Anner Bylsma never stopped hearing Bach sing to him. Every recording, every performance - he never stopped listening to Bach’s own voice and making his instrument bring it to full life.
The best. Simply the best.
I don't get why people are complaining about his interpretation. Anner Bylsma can do whatever the fuck he wants because he's a master. Bach also left very little information on exactly how to play the suites (and many other things). I don't think Bylsma's interpretations are romantic at all, they're very free and rubato indeed, but they are not dramatic and grandiose like the typical romantic manner. I think his interpretations are pretty baroque, I mean he specializes in baroque music. This interpretation of the 1st Suite, and the others on youtube from this performance, are very different from his 1979 recordings, but I think he's discovered a new, more mature and unique way to play the suites.
“Anner Bylsma can do whatever the fuck he wants because he’s a master”. This.
Live performances are so much more revealing than studio recordings, and life doesn't always go perfectly leading up to a 'show'. I do feel that his intro wasn't strong in terms of basic pitch and tone and the tempo was too slow, but around 2:00 he started getting comfortable and the sound became quite lovely with great flow rhythmically. This is not a diss, as I've had the exact same problem during live performances where I start out a bit cold and after a minute or two of playing I'm feeling at ease. It's simply that I have played all 6 suites and listened to every recording I could get my hands on, this isn't it.
I have never heard a better interpretation of this masterpiece.
한 음 한 음 정성을 다한 연주에 마음 속 깊은 울림을 느낍니다.
Wonderful. I saw Mr. Bylsma in concert and he autographed my CDs of his Bach suites.
Love this performance so much. May he rest in peace.
@0:21 Praeludium
@3:48 Allemande
@10:04 Courante
@13:05 Sarabande
@16:19 Menuetto I/II
@19:20 Giguge
In a deep thought, walking in the woods……meditating effects ❤
Entre tantos intérpretes desta suíte No.1 Anner Bylsma expõe algo ainda desconhecido e maravilhoso. Há interiorização e amor profundo ao tema. Salve Anner!
I love the changes in tempo, I particularly like the slow tempo at the beginning even in comparison to his earlier recordings.
Exactly!
An essential and delightful interpretation the depth and vastness of feeling transmitted is hardly paralleled Thank you Master
unique, personal, and elegant in its own right. Salute!
De mooiste uitvoering van deze cello suites!!!😅
21:02 the best, ever!
I really like the phrasing on this.I’m looking forward to playing along with him. I usually practice it at warp speed and try to achieve violin sonatas pace.
너무 멋진 연주 잘 보았습니다
최고입니다♡
bylsma is the only who can surpass bylsma... we are lucky to have different recordings from him! he is absolute.
I really like this rendition!!!!
Gracias Maestro!!!
I am an amateur horn player and I play Sarabande of this suite on a single B flat horn. It sounds mush better in a high register. I use more appoggiaturas, thrills are subtle, shorter and at the end of A I play pedal tonic in multiphones, basically 4/6 accord. I avidly watch cello performances of Bach where I learn a lot about accentuation and bowing, it helps with air and articulation on horn. Cello and French horn are two beasts, taking us to endless, daring and totally personal ventures, rewarding at each tone played.
같은곡인데도 미샤마이스키 연주랑 분위기가 다르네요
신기하면서도 아름다워요ㅎㅎ
there is little information, but he studied it. His goal is to try to stay as close to the way bach would have wanted it
this is great playing sir!
Great magistero.
This Is Amazing
The best!
It Made Me Cry A little Knowing The Anner Bylsma Past Away 2019, Because Hes My Favorite Cello Play He's The One Who Inspired Me To Play Cello By Watching Him Play Bach Cello Suites, Thats What Made Me Want To Make My Own Channel Called Jacob's Tradition Of Musical Excellence.
Superb!
Foda pra caralho!!! Gosto demais das interpretações desse cara! Não tem medo de experimentar andamento, conduções de frases... sempre surpreende quem tá ouvindo!
@Eduardo Oliveira e é isso que dá a graça! Como eu disse, ele não tem medo de experimentar, e isso faz das interpretações dele únicas
BACH
BACH
Thanks, UA-cam, for the ad in the middle of the sarabande 🤯🤬
17:23
J.S
한국이군요.
그러게요
Interpretación genial.
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Het wonder der meerstemmigheid in Een stem.
Why the huge fluctuation on tempo, esp the prelude?? latter is too slow in beginning and then somehow speed up a lot at climax and then really slow. He is using a baroque cello, with what I believe is a late baroque bow but playing style sounds quite romantic, lots of rubato, and old school at times but still some quite nice moment
You have to imagine that there is a pedal 'D" sounding while he plays a "fantasia " over it. Fabulous!
@c na That's nonsense, you would have zero justifications for such tempo changes in larger works like a symphony. The prelude here is no different, radical tempo changes are simply not a part of Bach's language, in fact this would be radical even for most Romantic era pieces. When Bach's music is played with a steady tempo, the relationship between tension and release becomes clear. Rush and slow down drastically kills the inherent tension Bach is designing in the piece. IN fact Byslma did not even recognize he sped up when he was asked in an interview about the end of this prelude.
@paul w He recorded it much younger and he was doing the same thing
@@s.l5787 You seem clueless when it comes to baroque preludes. They would generally be played quasi improvisando, for which there is plenty of evidence in literature. This Prélude clearly is divided in three parts, which justifies the three tempi - it needn’t be „taken down“; such was the practice.
@@chrishimmelmann Bach wrote improvisatory preludes when he was young since that was the traditoon of the time, here the organization is extremeley methodical as well as virtually all of his preludes after 1720s. Please don't spread your ignorance
I'm no expert but I can play the suite. For me this interpretation was too erratic. Still enjoyed the listen ;)