Raga Bibhas | Vidushi Dr. Ashwini Bhide Deshpande | He Narhar Narayan | Live at Odisha-2011

Divine Rendition of Raag Bibhas by Vidushi Ashwini Bhide Deshpande Live at Ravenshaw University, Cuttack, Odisha-2011
00:00 - Vilambit Khayal : He Narhar Narayan
35:48 - Drut Khayal : Tarava Ginat Ginat
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Raga: Raga Bibhas (Raga Vibhas/Raga Shudha Dhaivat Vibhas)
Taal: Roopak(Vilambit)
Ektaal(Drut)
Composition: He Narahar Narayan - Traditional
Tarava Ginat Ginat - Sadarang(Niyamat Khan)
Vocalist: Vidushi Dr. Ashwini Bhide Deshpande
Style: Jaipur-Atrauli Gharana
Tabla: Shri. Mithilesh Kumar Jha
Harmonium: Shri. Vinay Mishra
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📝Lyrics:
***********He Narahar Narayan***********
हे नरहर नारायण
गोपाल गिरीवरधर |
गोपी रूप श्याम बरन
कमलनयन बनवारी
गोपीपती गिरिजापती
गिरीवरधरन ||
***********Taarava Ginat Ginat***********
तारवा गिनत गिनत मैको रैन गवाई
ऐसी प्रीत तुम कबहू ना किन्ही
सुरजनवा बलामा प्यारे |
सदारंग कल ना परत मोहे
तोरे बिना भई हू मैं दिवानी
ऐसी प्रीत तुम कबहू ना किन्ही
सुरजनवा बलामा प्यारे ||
______________________________________________________
About Artists:
Dr. Ashwini Bhide-Deshpande:
Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai.
Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks.
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No copyright owned. These uploads are solely intended for the purpose of sharing this exquisite music, with absolutely no commercial intent. If anyone has concerns or wishes for us to remove them, please contact us at [e-mail]
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Video Courtesy: SPIC MACAY

[@Swaralankar]

Lyrics for composition are in description.
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📬 Any suggestions are welcomed. 🙏❤

[@pramodjoshi751]

Simply superb... Bahut khoob....essence of Bibhas..

[@AbhishekSamal]

Oh! Thank you very much. I was in this concert. Never thought I'd get to hear/see the same performance again.

[@Swaralankar]

Our pleasure :-) Do you know Who is on Tabla?

[@AbhishekSamal]

He is Shri Mithilesh Kumar Jha.

[@Swaralankar]

Thank you so much 🙏🏻

[@harekrishna3047]

Oh, so fortunate to be in the same room as this extraordinary exemplary great soul!

[@saumyasupriya8789]

Composition is so amazing...

[@newdelthisnewdelthis2861]

Absolutely beautiful! Pandita Ashwini-ji is a marvelous singer.

[@bautibhattacharyya8396]

Apurbo.Apurbo. Classic voice. Jano money hoccha, Maa,Durga, tar Madhur ,sur deya,all world🌏 kay, dakcha, Apurbo,voice.🙏🙏🙏🙏🙏🙏👍👍🥀❤🌸🌹🕉🕉🕉🕉

[@music-world-of-india]

❤❤❤

[@vaibhavand]

A divine rendition by Ashwini tai as always 💯🙌🏼
I've heard the same bandish in Pt. Jitendra Abhisheki's voice as well, with the only difference being in the last two lines of the vilambit bandish.
So instead of गोपीपती गिरीजापती it is गरुडध्वज चतुर्भुज हे मनोहर

[@rupeshshindeofficial7180]

It's about vishnu so I think गरूडध्वज line's are suitable here
Nevertheless Tai is great

[@harshaljaisingpure4664]

I had the same thought since Girijapati refers to Mahadev

[@anuktachattopadhyay6457]

There is also a beautiful version by Kishori Amonkar ji.

[@shivranjinighegde1113]

Gopipati is Vishnu, and girijapati is Shiva. How can these two words be used to refer one lord?? Confusing

[@namdevrao3132]

🙏

[@sursaritarajsangeetvidyala7037]

वाह शास्त्रीय संगीत ना तो नीरस होता है और ना ही कठिन क्योंकि अगर नीरस होता तो ना तो दिए जलते और ना ही मेघ ब रसते और कठिन होता तो मैम ने इतना सुंदर गायन कैसे किया शास्त्रीय संगीत साधना और समर्पण का दूसरा नाम है जो बहुत ही कम लोग कर पाते हैं इसलिए लोगों को शास्त्रीय संगीत कठिन लगता है वरना ये तो देव वाणी है भला देव वाणी किसको अच्छी नहीं लगेगी मैम बहुत सुंदर बहुत ही सुन्दर वाह

[@lalitmohanbhatt4819]

संगीत की देवी 🙏🙏

[@bipinshete5100]

Kya baat hai ❤️❤️❤️

[@harekrishna3047]

🙏🎖🙏🎖🙏🎖🙏
Extraordinary! Yet again!
So brilliant, it almost excels the stupendous Bibhas of Kishoriji
Kishoriji was so fond of it, she named her son Bibhas.
Feel unworthy to even write a comment on these two exalted souls.
Radhe Krishna!

[@heenaheers4612]

❤❤❤super

[@purnimashrivastava2942]

Very nice but very tough bhairavi is raga of bhor i think but felt good 👍

[@rohanavinashphatak2747]

In which taal is the khyal sung ?

[@Swaralankar]

Please see the description
Vilambit khayal in Rupak and Drut khayal in Ektaal

[@arundhatinawarange]

I wondering the same... theka I am unable to understand though... May be use to of madhyalaya in Rupak n this is vilambit laya..

[@rohanphatak1244]

30:15 😮😮

[@DebarghaSarkar.]

Harmonium player is a bit overbearing