Raga Jog | Vidushi Dr. Ashwini Bhide Deshpande | Pratham Man Allah & Tarana

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  • Опубліковано 1 тра 2021
  • Splendid Rendition of Raag Jog (2 Nishad) by Vidushi Ashwini Bhide Deshpande live at Lonavala Khandala Sangeet Sammelan 2019.
    00:00 - Vilambit Khayal : Pratham Man Allah
    44:06 - Tarana
    ______________________________________________________
    Raga: Raga Jog (2 Nishad)/ Do Nishad ka Jog
    Taal: Jhaptaal & Teentaal
    Composition: Pratham Man Allah & Tarana
    Composer: Pratham Man Allah - Haji Sujan Khan
    Vocalist: Vidushi Dr. Ashwini Bhide Deshpande
    Style: Jaipur-Atrauli Gharana
    Tanpura & Vocal Support : Kaushar Haji
    Tabla: Pt. Ramdas Palsule
    Harmonium: Shri. Anant Joshi
    ______________________________________________________
    📝Lyrics:
    ****** Pratham Man Allah ********
    प्रथम मन अल्लाह,
    जिन रचो है नूर पाक,
    नबी जी पे रख इमान,
    ए रे सुजान ||
    अजियन शाहे मर्दाना,
    ताहिर मन सैय्यदा,
    इमाम मन हुसैन,
    कलमा मन इमान,
    क़िताब मन क़ुरान ||
    ************ Tarana *************
    तान देरेना तारे दानि
    तन तदानि तन तदानि
    तन तदानि तारे दानि
    दिम् तनन तन देरेना
    तन देरेना तन देरेना तन देरेना
    तन तदानि तन तदानि तन तदानि
    ______________________________________________________
    About Artists:
    Dr. Ashwini Bhide-Deshpande:
    Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai.
    Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks.
    ______________________________________________________
    Video courtesy - Wishwas Javadekar.
    No Copyrights own.

КОМЕНТАРІ • 35

  • @Swaralankar
    @Swaralankar  3 роки тому +4

    Lyrics for compositions are in description.
    Like👍
    Share📲
    Subscribe🔔
    📬 Any suggestions are welcomed. 🙏❤

  • @kishorevasudevpai9989
    @kishorevasudevpai9989 Рік тому +1

    Amazing performance of Ashwiniji as usual.. accompanying vocal support artist also was equally superb..God bless all..❤❤❤❤

  • @akshayyshettyy
    @akshayyshettyy 3 роки тому +6

    Nice to see Ashwini tai singing this rarely heard dhrupad bandish by Haji Sujan Khan

    • @harekrishna3047
      @harekrishna3047 3 роки тому +4

      Glory to Krishna/Allah!
      Call Him in any name.
      He is but One!
      Ashwiniji is not only so versatile but realizes this Truth. No wonder she is one of very greatest!
      Radhe Krishna!

    • @keithhunt5328
      @keithhunt5328 Рік тому

      ​@@harekrishna3047 Thats not what muslims belive....

  • @InaamNadeem
    @InaamNadeem Рік тому

    SubhanAllah

  • @shailoovarma6379
    @shailoovarma6379 2 роки тому +4

    Excellent Bandish beautifully sung. Wonder who is giving vocal support? Is she her daughter? She too sang well and has tremendous potential. 👍👍👍

    • @Swaralankar
      @Swaralankar  2 роки тому +1

      Vocal support by Kaushar Haji

  • @sanjaytrivedi3949
    @sanjaytrivedi3949 3 роки тому

    Wah

  • @InclusiveMusicUK
    @InclusiveMusicUK 3 роки тому +1

    Beautiful as always xxx

  • @anjanawadivkar2468
    @anjanawadivkar2468 2 роки тому

    अप्रतिम. No other words.

  • @yashodawakankar
    @yashodawakankar 3 роки тому +1

    Wah! Kya baat hai! 🙏🏻🙏🏻

  • @rupeshshindeofficial7180
    @rupeshshindeofficial7180 2 роки тому

    Thanks for uploading

  • @harekrishna3047
    @harekrishna3047 3 роки тому +1

    🙏🎖🙏

  • @banalatasamal9123
    @banalatasamal9123 2 роки тому

    🙏🏻🙏🏻🕉️🕉️🕉️

  • @sanjaybojja9443
    @sanjaybojja9443 2 роки тому

    Nice vice mind blowing
    Very very nice

  • @ronakbhadra6400
    @ronakbhadra6400 Рік тому +1

    I think the vilambit khayal is in Jhaaptaal and not teentaal. Someone please clarify...

  • @smriti9305
    @smriti9305 Рік тому

    Who is singing along with Bhide Ji

  • @nat.bhairav
    @nat.bhairav 2 роки тому

    Did anybody else notice Ni sudha in the bandish? Is this really jog?

    • @shashwatsharma8779
      @shashwatsharma8779 2 роки тому +1

      Yes yes.....some people use both nishads with both gandhar in this raag.....it's fine......this came due different gharanas interactions .

    • @FarhanAmin1994
      @FarhanAmin1994 Рік тому

      Abhishekibua’s interpretation also has both nishads. I have a feeling even Bhimsen ji uses the shuddha nishad a bit.

  • @prasadyashwantpadade8754
    @prasadyashwantpadade8754 3 роки тому

    Lyrics kya hai

    • @Swaralankar
      @Swaralankar  3 роки тому +1

      Kindly check the lyrics updates in description. Thank you.

    • @sanjaybojja9443
      @sanjaybojja9443 2 роки тому +1

      Nice singing wonderful end with Tarana
      No words expression reply of joyful
      Happiness

  • @SagarMhasalAkola
    @SagarMhasalAkola 7 місяців тому

    Shuddh nishad 🤔?

    • @SanjnaAruun
      @SanjnaAruun 4 місяці тому

      Yes because in some gharanas they sing both the nishads

    • @SagarMhasalAkola
      @SagarMhasalAkola 4 місяці тому

      Oo acha thanks for reply....

  • @rupeshshindeofficial7180
    @rupeshshindeofficial7180 Рік тому

    Please swaralankar correct the vilambit taal information... it's zaptal and not teental

  • @bimal51ngh93
    @bimal51ngh93 3 роки тому

    Please add the lyrics to the bandish 🙏

    • @bimal51ngh93
      @bimal51ngh93 3 роки тому +5

      Sthayi: Pratham maana Allaah, jin rachyo noor paak,
      Nabi ji pe rakh imaana, e re 'Sujaan' │
      Antara: Valiyan mana shaahe mardaan, Taahir mana saiyadaa, Imaan mana hasanain, Deen mana kalama, Kitaab mana Quraan ││

    • @Swaralankar
      @Swaralankar  3 роки тому +1

      @@bimal51ngh93 Thank you! Please check out description for lyrics.

    • @user-tn4mk1re4h
      @user-tn4mk1re4h Рік тому

      @@bimal51ngh93 can You translate it to english, sir?

  • @user-lx7fx6wu3v
    @user-lx7fx6wu3v 5 місяців тому

    Why is she singing muslim songs??

    • @somasarkar6195
      @somasarkar6195 4 місяці тому

      Song has no religion,you know? You don't have the right to listen to this piece of art

    • @pranavrai99
      @pranavrai99 3 місяці тому +1

      Do you also ask why Begum Parveen Sultana's singing a Hindu song when she sings Bhavani dayani?
      There should be no place for this hindu muslim bullshit in the field of music.