Padre Soler - Fandango - Jean Rondeau (live performance)
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- Опубліковано 20 лис 2014
- Padre Antonio Soler (1729-1783) - Fandango
Harpsichord : Jean Rondeau
For the Poznan Baroque Festival 2014 - Live performance 6th November
Video : Cezary and Wojciech Zych
![Soler - Fandango in D minor [Alberto Chines, piano] - HD](/img/n.gif)
This is positively addictive. Thank God it isn't illegal.
Exotic harpsichord timbre coupled with the wildly dynamic Soler. What an exquisite treat. Jean's sensibility is flawless and exciting. Rocks!!
Szkíták zzenéje. Csak magyarul érthető a szóis. Fandangó: fán dobogón való ritmos kidongatás, kitáncolás.
I can't stop listening to Jean Rondeau!
Im olsow...
me too...listening 24/7
02:31 Terry Silver
me also! 24/7
what a gloriously incoherent piece of music. It sounds like a composition for street organ. Or someone with mad skills, high as a kite. Wonderful playing.
You can almost picture the old man tottering along the endless corridors of the Escorial, bumping into walls ...
I used to have a piece by this composer for a type of organ that resembled street organs, and that is exactly what his composition sounded like.
His tempo is as it should be, any slower would sound muddy. Yes, street music, but that’s what a fandango can be.
Add some cascabels and it will make sense
Escuchen primero estas otras interpretaciones, muchísimo más logradas, y verán que el problema está en cómo toca Rondeau, siempre a toda prisa para demostrar que es un virtuoso (aunque comete un error tras otro): ua-cam.com/video/YTLK8mxcJ0s/v-deo.html
ua-cam.com/video/KuPxUv5dgro/v-deo.html
J’adore la liberté d’esprit qui habite les interprétations de Jean Rondeau. Bravo!
I've always loved this piece, but I've never seen it performed. This is amazing. ❤️
Hi, I think you will love to hear it and see the performance from one of the best artist in my sens, scott ross, there is the link enjoy it
ua-cam.com/video/4DksHrTaslM/v-deo.htmlsi=kAM5jgV2YSy2c1Rr
Jean Rondeau est certainement un des meilleurs claveciniste du monde , son interprétation de ce Fandango sait associer poésie, rythme endiablé et une légèreté du toucher. Il excelle dans tout ce qu'il touche de François Couperin à JS Bach sans oublier Scarlati, Rameau, Pancrace Royey...
Et de plus il est très sympathique.
Bravo l'artiste.
Jean-pierre TURCO
As many others have said it is fairly fast, in fact listening to it to the end it feels very much like a dance (which it is), you can almost picture the figures swirling, bowing, caught in the moment.
For the harpsichordist, this must feel like a marathon! But it is mesmerizing for this listener.......
I don't even know how this was possible. Both the composition and the execution. Pure ecstatic musical madness! My mind is officially blown.
Absolutely FANTASTIC!!!!!!!
Rondeau is the best Harpsichordist of the past 40 years & likely there's nobody who will surpass him this century.
Hai ragione ma ultimamente non si sente più
Padre Soler wrote this piece to be entertaining. It emulates, using a harpsichord, the sound of a flamenco guitar with fast finger work duplicating the strumming of the guitar strings. The piece is not cast in stone but is a framework for improvisation. What the harpsichordist does with it is the product of his skill and creativity. Jean Rondeau is blessed with both.
Flamenco guitar did not exist when Antonio Soler lived. The only guitar at the time was the 5 course baroque guitar...
@@ThibautKurt23 En realidad el flamenco no existía en la época del Padre Soler...
@@Alvar2001 that is exactly what i wrote you must be responging to Geoffrey
@@ThibautKurt23
No existía la guitarra flamenca, pero si existia ya la guitarra popular al estilo barbero, de rasgueados rítmicos y obstinatos en las cuerdas gruesas tocadas con el pulgar. Esta guitarra acompañará más tarde al canto flamenco que no es otra cosa que la transformación estilizada del folclore español como las seguidillas, boleros y fandangos.
@@josemanuellustresgomez2759 es lo que escribi en Ingles.
Padre Antonio Soler composed the best Fandango I've ever heard. Jean Rondeau performs it with the madness and brilliance it deserves. Bravissimo!
An amazing performance by a beautiful musician!
Same with me...addiction...ce morceau en particulier est un shoot ! Quelle fulgurance c'est royal au sens noble du terme ... quelle Grâce quel cadeau
Gratitude Monsieur 💝🐞🍀☀️🌟😇🥰
Magistrale esecuzione! Che talendo donato da Dio!
Merci à tous ces artistes du monde qui nous partagent le résultats de milliers d'heures d'étude et de pratiques. Thank you to all the artists of the world that share us the results of thousands of hours of study and practice.Salut de Montréal
Oui, quelle chance on a, de pouvoir écouter tous ces morceaux géniaux, interprétés par tous ces musiciens du monde entier... Vous avez raison ! 👍 C'est un super partage
Ah, Padre Soler nous enchantera toujours ! Très belle performance de Jean Rondeau .
Une interprétation très personnelle et très virtuose que d'aucun puriste n'appréciera...
Magnifique! Bravo et merci!
Excellent!!!!!!!
.... a great performance Padre
I'm so glad Soler's wonderful Spanish music has come to light. I first heard his wonderful music on Jonathan Woods' great London/British Decca album, and I am a fan. Spanish keyboard music of this era is a wonderful treat.
That was an incredible performance. Padre Soler on Speed!
Both composer and player are exceptional ❤❤❤❤❤❤
Thank you for your reply
Absolutely astonishing performance. As I listen to this piece, I hear a composer, who was also a priest, lost in ecstatic spiritual ecstasy. The quality of the composition is improvisational. It doesn't follow conventional form. It flows endlessly like a grand waterfall - always changing form, shape and texture - yet it all makes organic sense. This could ONLY be music that was composed under the influence of a man spiraled up into a vortex of spiritual bliss and ecstasy.
Toujours le même bonheur à vous réécouter. Merci Jean.
A wonder to listen to, a pleasure to watch. Thank you!
Quel Géniale interprétation d'une Oeuvre fantastique!!!! Bravo Jean !
Brilliance and a breathtaking technique! Added to that, what astonishing stamina!
Bravissimo Monsieur Rondeau!
I've been listening to the harpsichord works of Bach, Handel , Rameau etc. After hearing this I never knew harpsichord music could be so wild, for want of a better term!
Adictiva !! No puedo dejar de oirla . Soberbia obra . Bravo Jean Rondeau !!
y bravo a Padre Soler
fantastique ! magnifiquement joué ce fandango complexe. De l'art pur ! Merci à Jean Rondeau que je découvre ici, ainsi que cette pièce de Soler, du coup, puisque si formidablement interprétée. La fougue espagnole dans le raffinement baroque français, et la modernité du swing. Quel charisme ce musicien ! Je vais chercher d'autres pièces jouées par lui.
Fantastyczne wykonanie fandanga przez Jean Rondeau dzięki
¡Maravillosa interepretación! ¡Bravo, Maestro Rondeau!
Антонио солар и исполнитель великолепны. Это просто Космос!!! Обожаю Фондэнго.
Phénoménal... Bravissimo!!!!!!
J'adore cette interprétation, reflet de ta personnalité Jean. Merci
How could anyone object to this performance. It always was a virtuoso piece. Truly exciting. Definitely my favourite performance of this work.
Magnificent performance and interpretation. Jean Rondeau is a truly virtuoso, after his brilliant interpretation, I will never want to hear Pe. Soler being played otherwise.
Sencillamente una belleza la pieza del Padre Soler; sublime, vibrante interpretación
God-given talent!
Thenk You!
Isten adta tehetség!
Köszönet érte.
Very nice piece of music from Padre Hendrix
lol Padre Hendrix, Padre Soler était intemporel c'est vrai !
:)))))
Do you mean that Padre Jimmy Hendrix should be able to compose such a genial music ? This is a very pretentious assertion..
Are you comparing Hendrix with Padre Soler ?
@@patrickkerrigan4837 The real name of Padre Soler is Antonio Francisco Javier José Soler y Ramos but not Padre Hendrix- Previous to give an opinion about my commentary, you should had to read first the opinions before mine. But i coudn't compare Padre Antonio Soler with Hendrix, from both of them two it's not difficult to conclude who was the genius.
C'est surréaliste, magnifique.
Yes you play fast, but this is a wonderful interpretation of this piece. Absolutely fantastic!
Creo que hay que tener siempre en mente (en el oído) el fandango andaluz, con su chisporroteo y su brillo. El Niño Ricardo, por ejemplo. Y, también, pensar en la escuela francesa de clavecín, estoica en su geometría (Couperin, Rameau). Es una espléndida interpretación, mezcla de estas dos tendencias: hieratismo y abigarramiento. El churrigueresco del Sagrario de la catedral de México es el mejor ejemplo. El padre Soler es su equivalente en la música. Es interesante que Bach pueda ser transportado al piano sin perder demasiado; no Soler. Es su limitación y su encanto. Cervantes admite malas traducciones, erratas; no Quevedo, menos aún Góngora. Cervantes es un artista universal; Quevedo y Góngora quedan “reducidos” a la lengua española… Nos dejan de ser maravillosos por eso. Quizá músicos como Mudarra, Milán o Soler, entre muchos otros, trascienden las limitaciones de la lengua. Al final, todas las artes aspiran a la música. Schopenhauer tiene razón.
¡Y cómo pude olvidar a Boccherini!
Exceptionnelles performance et interprétation. C'est un privilège que d'entendre Jean Rondeau- Magnifique !
This is simply brilliant!
Stunning performance. Wonderful improvisations. Colorful dynamics. Bravo!
Una de las mejores interpretaciones del Fandango: brillante, apasionada y fiel al dramatismo de este género. Felicidades, Jean!
Welcome in the 21st Century, Father Soler. Very contemporary interpretation. Bravo, Jean!
It's jazz!
Jean Rondeau, je ne me lasse pas d'écouter votre superbe interprétation du fandango du padre Soler que j'adore !
Votre interprétation est de loin ma préférée ! Merci !
Je suis fan de fandango et il joue tellement bien.
Un garçon qui sort des sentiers battus.
scott ross c'est quand même quelque chose aussi
@@jahjahknow1812 Oui je le mets pour m'endormir, ça marche très bien
c'est magnifique !!
A legjobb Fandangó előadás, amit halottam Soler feldolgozásból. Jean Rondeau remekül játssza. A dal szinte hömpölyög, árad.
Még a ló nyargalását is élethűen adja vissza..Sok van mi csodálatos, ez az. Köszönet a kiváló előadásért.
Absolument manga ... De la musique pour l'âme et un brillant musicien pour l'avenir.
Astonishing! Solér ROCKS!
Amazing interpretation. Great!
Y de pronto debieron abrirse las compuertas de la inspiracion pura y en libertad, y a raudales las notas llegaban a mis oidos, tal si fuese un diluvio de notas de clave. Verdadero gozo compositivo, interpretativo, y auditivo.
Because of the complexity of this piece, this was one of the rare occasions that Rondeau used a score rather than play from memory
fantastico
jean rondeau est allumé et illuminé dans le bon sens du terme
A Talent who seems to have sneaked away from the past and is travelling to the future through his interpretation. Bravo!!!
Phenomenal! ❤
merci, jean; cà change des vieux petits marquis du clavecin qui veulent faire la pluie et le beau temps!!!!
Fandango español, una de las músicas folclóricas antecedentes de lo que en el siglo diecinueve se convertirá en Arte Flamenco.
A performance to rank with other greats like Puyana, Ross. The notes on a page only go so far, and if the harpsichord is not to be just another piece of history, gathering dust in a museum, we must have interpreters and interpretations such as these.
Excelente!
Extraordinario! genial gracias por compartir
Maravilloso! Enhorabuena : )
Jean Rondeau is one the best hapsychordist . He is not lost but perfect on his hapsychord. I like very very much Antonio Soler
João Magalhães do Carmo m
Er
Absolutely true.
The best hapsichordist is Scott Ross
@@ikylofaro1021 agreed
versión personal pero muy idiomática.... me encanta!
Quite a performance! Somewhere around minute 7 he turns it into something that almost sounds like jazz. Perhaps too fast, but never a dull moment with Rondeau.
Viva España! Bravo Jean!
Great jazz improvisation at 6:10 and a steady ground bass. Wonderful performanc indeed. I am still hooked to Scott Ross and Rafael Puyana's performances but this one is great too in my perspective.
the performance was fantastic. thank you.
Jouissif pour un amateur de jazz latino comme moi. Tout y est. Panache hispanique et syncope et créativité quasi cubaines. On pourrait y entendre un Roberto Fonseca s'attaquant à cette magnifique pièce. C'est sûr que ça doit un peu faire swinger les balais qui rigidifient certains cerbères du clavecin classique...
Eso de lo que habla se llama "soniquete" y "tumbao" a un lado y otro del Atlántico hispánico.
Y todo parte del espiritu rumboso, jacarandoso del "aire a lo español" presente en los Canarios, zarabandas, jácaras y fandangos, jorochos, jaleos, tangos, guarachas, bulerias, rumbas y la bendita madre que los parió
Jean, please put this in an album so I can buy it!
A favorite work. Thanks
Takin' a ride, man, takin' that ride !!!
Magnifique... A tout point de vue!!!!! J'adore tout simplement!
Пламенно! Зажигательно! Браво! Маэстро!
Gracias por publicar esta bella pieza, es un estilo un poco rápido pero muy virtuoso
I believe no Padre Soler nor Scarlatti would play it that way, but I still find this interpretation impressive. Its obvious that the approach to music changes in each generation. This version is modern (as of the year 2015), but in this case, 'modern' doesn't mean 'bad'.
It sounds like Padre Soler influenced by disco music of the 2010s
+TgTedus Neither Soler or Scarlatti are playing here. Jean Rondeau is. He'll get criticism no mater how he does it, so he might as well do is as he likes it.
Maybe they didn't play that way in their time, but, maybe in their time, they were not that serious we now imagine. To compose that music their music, thay should have as unbelievable as Jean Rondeau is now ... they should have made people crazy ... it's a music that moves in itself....
I can't recognize what it seems I said above....But, you are right, I talked with a friend of mine who is both a pianist and a musicologist : and he said this rendition is absolutely fascinating, brilliant and Jean Rondeau plays is extremely well.
But reading my previous opinion, maybe what I said was not that clear . because I actually did mean exactly what youu say yourself. I said "they didn't play the serious way" I meaned "playing exactly what is written in the sheet; nothing else. I know in the former the, note every note was written ... Well I agree you, except that I didn't mean what you think ...
But I agree what you say, except that I didn't mean what you suppose .Maybe I wasn't clear enough..
I know not every note that was not written in that time.
Then I talked with a friend of mine who is both a pianist and a musicologist and he told me he found this rendition absolutely fascinating,and marvellous, very living.
I said "they didn't play that serious way we imagine", that means "they didn't play it in a boring way",( many people imagine ancient music) or "without any fantasy" ( people believing they only play the notes that are written". But I never pretend I am a specialist, of course . I love the way Jean Rondeau play it...
Magnificent performance and interpretation.
Magnifique performance et de l'interprétation.
Großartige Leistung und Interpretation.
Merci le plaisir de vous écouter est immense vous étés un musicien !!!!!!! Bravo
A very nice rendition.Bravo !
Esta obra es una grandísima belleza.
VIVA! GRANDE SOLER!
The best of his generation.
Best,
John
After Scarlatti...
Gracias por subir esta interpretación.
Quel talent ! Bravo !!!
Me encantaría que Jean Rondeau grabara un disco con éste Fandango y todas las sonatas del Padre Antonio Soler.
También con una buena selección de música española para clavecín del S. XVIII.
Perdona pero Pare Soler era català. Visca la terra i el barroc català.
Why People can't seem to grasp that this piece is played in the idiom of baroque indulgence, excess, improvisation, sexuality,... and passion, do we think the caricature of the era must be forced on the reality? Excellent performance. My favorite performance of Fandango, by Soler nwas a concert , broadcast by WNYC in the early 1980's. I have looked for it in vain: Elizabeth Churchnacko, (spelling????), in which the left hand figure, pulsed like rapids in a river , lyrically, and undulating, in a very lively, and wonderful way , the likes of which, I have never heard again...!!!! But this one is very spectacular, and imaginative, and firey.! ! !
Maybe you meant this artist:
ua-cam.com/video/BqfkqGU0XTE/v-deo.html
@@Sebastian_Thimm Yes , thanks so much for the answer,... In the intervening time I did find her recording ! (and actually ordered one from Discogs) she is well known in eastern Europe more than USA. I think I like her version best . Elisabeth Chojnacka is sadly no longer with us 1939 - 2017.
Formidable! J'ai beau me retenir, imaginez tout le reste. :-)
MERCI!
beautiful...
Bravo!!!!
Bravo. Superbe y Olé !!!!
Yes, Yes, Yeeesssssssss! Raw, sexual, sensual, hot, skilled... the music is just so alive. I believe Padre Soler would be very proud of this young man playing the way he has and does and would give a big nod of approval. Crazy Baroque Music for a Crazy Baroque period. Thank Jean Rondeau x
and he's a catholic priest and would not approve of those words so calm down this isn't a porno
milou80 Tell me more.
@@nazaracanreapit i happen to like raw , sensual sex and baroque era compositions 😉
All valid points but who actually listens to classical music and thinks it’s sexy? Honey I listen to this to escape rejection
stupendo
БРАААВО, Фантастика!!!👍👍👍👍👍🎹🎹🎹
Awesome!
Remarquable mon cher Jean .....souvenir des billettes .....je te soutiens à fond contre quelques vieux barbons qui n'aiment pas ta chevelure ou ta barbe , mais tu es LIBRE reste le ! La musique d'abord ! Amitiés , bravissimo !!!! A très vite !
Ce ne sont ni l'apparence ni la vélocité d'exécution qui font le génie et la célébrité d'un artiste car celui qui un jour arrivera à jouer cette pièce deux fois plus vite en étant vêtu d''un kilt et coiffé de nattes devrait devenir bien plus célèbre et virtuose que jean Rondeau. Au contraire une interprétation trop rapide rend le discours musical confus et incompréhensible à l'oreille pour l''auditeur car la musique est avant tout un art de l'expression et des sentiments, pas les 24 heures du Mans du Clavecin..
Signé: un vieux Barbon barbu qui apprécie autant les versions de Rafael Puyana, d'Elisabeth Chojnacka ou de Scott Ross, ...