Yuja Wang - Brahms : Piano Concerto No 2 in B flat major Op 83

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  • Опубліковано 14 кві 2020
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    Yuja Wang - Johannes Brahms : Piano Concerto No 2 in B flat major Op 83
    #YujaWang #Brahms #Piano #Pianist

КОМЕНТАРІ • 21

  • @thebestofclassicalmusic965
    @thebestofclassicalmusic965  4 роки тому +1

    Rolex - fave.co/2UWXhdn
    See Yuja Wang live, get your tickets on StubHub - fave.co/2UxuqvM

  • @nickmarshall5302
    @nickmarshall5302 4 роки тому +5

    Petite gorgeous Juga plays the biggest, most demanding repertoire; brings tears to my eyes, I know this “piece”, very well, Rudolf Serkin version etc and fiddle about with passages myself on a nice Steinway......first heard live many years ago by Claudio Arrau.
    Arguably the no.1 pianist in the world today!

  • @edeziojuniormorato8494
    @edeziojuniormorato8494 4 роки тому +3

    Perfeita, sempre.

  • @jimsanford9215
    @jimsanford9215 5 місяців тому

    Yuja!

  • @CraigFarangBa
    @CraigFarangBa 4 роки тому +4

    What orchestra and conductor?

    • @jacquesgilbert
      @jacquesgilbert 4 роки тому

      Philharmonic Munich. Cond. Valery Gergiev

    • @StPete.308
      @StPete.308 3 роки тому

      Thank you for this question and for the answers!

    • @StPete.308
      @StPete.308 3 роки тому

      I’m very glad performances like this are available to watch on UA-cam, but find it hard to understand how so many are posted with so little basic, relevant data like orchestra, conductor, venue, date of performance.

  • @melshmilon5257
    @melshmilon5257 Рік тому

    Some critics in this case seem to be distracted by externals. They shouldn't peep, just listen and wear a blindfold if necessary.

  • @Clavineum
    @Clavineum Рік тому

    I am astonished that my last comment was deleted. Too realistic? 😳 No other way of feeling and no criticism allowed? 😨
    But I persist in maintaining , this music has nothing to with the melancholy of Johannes Brahms.
    Johannes Brahms was born in Hamburg, near my village and I know these people well. With an outer coolness, Johannes Brahms leaned back with his body while he was leading all his emotions into his fingers. His passion was the empathy with the music, in my understanding he seemed to be delighted by his music and not incited like a bull in a bullring. 🦬💨💨💨
    I don’t know, whether he struggled in such an exalted way to show the beauty of his music,... His music is „quietly“ 🤫, the emotions are “loud“ ☺️,…
    So, if it is allowed, I go on wondering, whether this shows german music culture or what else,… 🤔 💭
    Last but not least I‘m sorry to tell you that I don‘t drink any alcohol,…
    I‘m a physician and take care for the wellness of the people and their souls,…😌

  • @robertclere9081
    @robertclere9081 4 роки тому +1

    Why do so many of these musicians look like they are in pain?

    • @davidcheung7568
      @davidcheung7568 3 роки тому

      There is a fine line between ecstasy and pain. Apparently you have not seen a woman having an orgasm.

    • @beckerhanshermann8372
      @beckerhanshermann8372 3 роки тому

      It fills her with pain and sadness that the soloist shows little bare skin, unlike in other concerts she does not expose her thighs.

  • @valentinmastikov3127
    @valentinmastikov3127 2 роки тому

    Почему в России симфонические оркестры не могут правильно настроиться?Фальш даже в смычковой группе.

  • @beckerhanshermann8372
    @beckerhanshermann8372 2 роки тому

    "Yuja Wang comes on stage at the Philharmonie in a dress that the last few years of any "Me too" debate have passed by without the slightest echo. One leg is bare to the crotch, the back is bare to the coccyx, the belly has a peephole. She wears shoes of the greatest possible ridiculousness. She presents herself in a way long believed to be outdated, with which the classical music business once believed it had to market young, beautiful, talented female artists. But, and this is what makes one so sad, Wang does not seem like a marketing creature gone mad, she dresses like this because she wants to please. Because she has nothing else. She plays the piano like a robot, absolutely perfect, if she played chess, every computer would pale before her. But she's supposed to do art, music. She doesn't do that. She executes her part of Brahms's Second Piano Concerto with an indispensable will that will perhaps provide the musicians of the Munich Philharmonic with interesting experiences on the upcoming tour of Asia, but ultimately only shows the hopelessness of a person who doesn't know what to do with what he can, who is infinitely lonely. In any case: the Brahms is nothing, and Valery Gergiev does nothing more for Wang and for the orchestra than rummage uninspired in a gravel box of Brahmsian motifs. Meagre, coarse, boring." Egbert Tholl, Süddeutsche Zeitung, 15. Nov. 2018

    • @martha2642
      @martha2642 Рік тому +2

      @Becker Hans Hermann Your sharing of these hateful and nonsensical words shows that you are deaf or worse. And the man who wrote these words is a disgrace to all those who practice the profession of music critic. You should be ashamed of yourself

    • @beckerhanshermann8372
      @beckerhanshermann8372 Рік тому

      @@martha2642 Good, good, I'm ashamed. I take the words of confused yuja-maniacs very seriously.

    • @rudiw220741
      @rudiw220741 Рік тому

      Sie sollten die Interpretation des PC und die stupende Technik von Miss Wang beachten und nicht wie ein alter Geilspecht Ihre nackte Haut und Verkleidung kritisieren.
      wer weiss ,wie Sie selbst aussehen??

    • @beckerhanshermann8372
      @beckerhanshermann8372 Рік тому

      @@rudiw220741 Danke, dass ich dank Ihres Kommentars ein neues deutsches Wort kennenlernen durfte: Geilspecht,
      Die Aufführung des PC mit einem Dirigenten, der ungern probt und einer überschätzten Solistin gehört zu den langweiligsten, die ich kenne. Sie erspart Valium

    • @melshmilon5257
      @melshmilon5257 Рік тому +1

      The critic here, like some others, was distracted by externals. He should not look, just listen and wear a blindfold if necessary.