While everyone is complaining about the short format, can we all take a moment to appreciate what a lovely and competent moderator she is. She does her job to the perfection and keenly listens to what everyone is saying. She belongs here.
Great cinematographers, but a terrible format. In the old format, the cinematographers could really bounce off each other and offer some depth. Now it’s just boring questions with what feel like highly edited, sound bite answers. Let these legends actually talk for a while!
FramesPerSecond I could be mistaken, but I believe last year this is all we got for both cinematographers and composers. The rest of the categories get a short video per interviewee, and a full roundtable video later, but not cinematographers and composers.
I agree sooooo much I’m so bummed about this choice. I think it’s fine that the majority of the videos are more like newspaper headlines, but these round tables are so sacred, that’s the closest you get to behind the scenes like dvd special features. Super bummed, and sad, and bummed, and sad.
his realization that everybody around him was also nervous was so valuable and couldn’t be more accurate. feels great to hear a legend admit it. great episode, loved the diversity in their projects.
I don't know if was just me, but I really miss the real roundtables with the different talents around it. I think there's more feedback between them than these videos with just three people in it.
Three great cinematographers, but I have to say that Robert Richardson is my favorite. JFK and Natural Born Killers are visual masterpieces. Although Deakins’ lighting rig for the burning building in 1917 is absolutely mindblowing to an old gaffer like me.
Really love these guys work. Very inspiring and great interview. Richards anecdote about lancing his eye- wow! " like a boxer in a title fight. "Stay committed"- indeed.
Roger Deakins (UK) (12 nominations / 1 win) (1995-2018) Robert Richardson (US) (6 nominations / 3 wins) (1987-2016) Caleb Deschanel (US) (6 nominations) (1984-2019) Deschanel (seated next to the interviewer) is actress Zooey Deschanel's dad
All great films I still think Roger Deakins is the most talented after seeing No Country for Old Men and Blade Runner 2049. Everything Tarantino directs I'm the first in line and Jon Favreau's too.
Blows me away that No Country for Old Men and There Will Be Blood were filming at the same time only a few miles apart. NCFOM had to shut down for a bit because of all the smoke from the burning oil derrick scene on TWBB. TWBB won the Oscar but Roger probably would've have won had he not split the vote with The Assassination of Jesse James.
Deakins pales in comparison to Robert Richardson. Bob is so much more accomplished and diverse. Snow Falling On Cedars beats anything Deakins has ever lit for sublime poetic beauty.
3 masters of lights and shadows , is about time that Caleb Deschanel gets finally his Oscar , maybe not for The Lion king but for sure in the not so distant future : The Right Stuff , The Natural and Fly Away Home some of his gems.
@@Geronimo_Jehoshaphat Oh yeah that entire film was an achievment in itself , pity so much unnecessary controversy surrounded it at the time it came out.
Bob makes an important point of focussing through the eyepiece rather than the monitor. I think that a lot of filmmakers today are just seeing it on the monitor and that's why the quality of the acting has gone down as compared to like a decade ago. The tools may get fancy but one should not lose sight of the main target.
Using a monitor might disconnect from tunnel vision focus but it does bring awareness to the rest of the scene outside of that shot. I use them out of habit but it’s a glass half empty opinion imo
@@Hamerparsa This is the third or fourth cinematographer's roundtable I've done and no one has really commented on much yet. This last one Deakins and Richardson talked to each other about how interesting our dana dollies were. Probably because they've never used something so rudimentary.
Hollywood Reporter failed us. This format does not go into the depth, only touches various topics superficially while the talent sitting here is so immense. The three are the best, most distinct DPs out there. I’d also like to make a request to call the legend Chivo Lubezki. Only he is missing from here. Please come up with a longer format, this is a disheartening format!
You wanted to 'tease' us with the 'teasers' before doing the hour long roundtable coz you have an entire year ahead of the oscars. How's that plan working out now?
There is somekind of a play hidden in the captions. It's wild ! ua-cam.com/video/pYF1qLatvhg/v-deo.html - He in there? - Yeah, just knock. (knocks) - Look, just put him in the wardrobe, all right? What's it gonna hurt? Then if you need him. (snaps) You got him, all right? - Then I gotta have a conversation with that wardrobe assistant and man, she's a bitch. I just don't, please. - Look, look Randy, I'm asking you to help me out, man. If the answer's no, the answer's no, not no with excuses.
Yeah, he absolutely will, a period film that’s all one shot. The academy eats that up. I just hope that the lighthouse gets nominated, but that’s a bit of a long shot. Also a hidden life and waves are long shots but possible.
Caleb shot The Black Stallion, The Right Stuff, The Natural and The Passion of the Christ, among others. Having said that, it does suck that an unnecessary CGI-laden remake is his most recent work.
Caleb Deschanel is one of the best modern cinematographers. He's been nominated six times - just last year for "Never Look Away". Black Stallion, The Natural, Passion Of The Christ, Fly Away Home are just some of his amazing art.
BTS Lover God, you bts fans are the most pathetic people. Get a life, it’s dumb boyband pop generated by a huge corporation that basically enslaves and abuses children used to manipulate people like you into giving them money.
This should have been an hour longer.
Two hours longer!
@@Geronimo_Jehoshaphat 3 HOURS
@@KhaldyFathy FOUR hours! Lol
@@JamilLeslie FIVE hours! and a Director´s Cut with the raw footage!!!
@@denissoares5348 🤣🤣😭😭
While everyone is complaining about the short format, can we all take a moment to appreciate what a lovely and competent moderator she is. She does her job to the perfection and keenly listens to what everyone is saying. She belongs here.
Great cinematographers, but a terrible format. In the old format, the cinematographers could really bounce off each other and offer some depth. Now it’s just boring questions with what feel like highly edited, sound bite answers. Let these legends actually talk for a while!
Yes please. Bring back the old roundtable.
the real round tables are still a thing, they’re just not being released yet
FramesPerSecond I could be mistaken, but I believe last year this is all we got for both cinematographers and composers. The rest of the categories get a short video per interviewee, and a full roundtable video later, but not cinematographers and composers.
I agree sooooo much I’m so bummed about this choice.
I think it’s fine that the majority of the videos are more like newspaper headlines, but these round tables are so sacred, that’s the closest you get to behind the scenes like dvd special features.
Super bummed, and sad, and bummed, and sad.
Indeed. Get them at a table and let them interact.
One does not simply do 13 min edited interviews of the DP god's.
Well Team Deakins episodes are much longer.
@@VariTimo team Deakins is amazing
@@jessica5497 Sure is!
"if you care about your job, you're nervous." The Great Roger Deakins, Amen
you cannot simply bring these 3 legends in one room and only produce a 12 minute video. that should be illegal
wtf where is the 1 hour round table footage like it used to be
Please get rid of this format and bring the old one back.
Wish it was longer. Felt like a therapy listening to Bob & Roger
his realization that everybody around him was also nervous was so valuable and couldn’t be more accurate. feels great to hear a legend admit it. great episode, loved the diversity in their projects.
Man those are amazing cinematographers and you guys did them dirty, they deserves more genuine exciting longer interviews
I don't know if was just me, but I really miss the real roundtables with the different talents around it. I think there's more feedback between them than these videos with just three people in it.
Kenny Barillas the real round tables are still a thing, they’re just not being released yet
Yes they just shot one with Prieto Deakins and Richardson
@@chrisszyyy
In my opinion Caleb Deschanel would have much more interesting perspective than Rodrigo Prieto.
Are they not going to do an actual cinematographer roundtable this year?
we-need-full-roundtables
These guys could all be brothers.
Three great cinematographers, but I have to say that Robert Richardson is my favorite. JFK and Natural Born Killers are visual masterpieces. Although Deakins’ lighting rig for the burning building in 1917 is absolutely mindblowing to an old gaffer like me.
1:09 turn the caption on guys! Things escalated quickly there!
Haha that's dialogue from Once Upon a Time in Hollywood
Caleb seems like the best type of DP to work with. Seems like a Very understanding and personable guy
The subtitles on this video are WILD!
Really love these guys work. Very inspiring and great interview. Richards anecdote about lancing his eye- wow! " like a boxer in a title fight. "Stay committed"- indeed.
@7:10 the exchange of looks for the question is priceless 😂
Cool boots gentlemen. Kudos!
Roger Deakins...forever my cinematic crush...
These are DP Gods
Deakins and Richardson are my favorite cinematographers))))
bring back the old roundtable interviews.
Roger Deakins (UK) (12 nominations / 1 win) (1995-2018)
Robert Richardson (US) (6 nominations / 3 wins) (1987-2016)
Caleb Deschanel (US) (6 nominations) (1984-2019)
Deschanel (seated next to the interviewer) is actress Zooey Deschanel's dad
The reason why we admire cinema
Release the full Abrams cut of this roundtable
All great films I still think Roger Deakins is the most talented after seeing No Country for Old Men and Blade Runner 2049. Everything Tarantino directs I'm the first in line and Jon Favreau's too.
There are some amazing cinematographers out there, but Roger is indeed a god among men.
Blows me away that No Country for Old Men and There Will Be Blood were filming at the same time only a few miles apart. NCFOM had to shut down for a bit because of all the smoke from the burning oil derrick scene on TWBB.
TWBB won the Oscar but Roger probably would've have won had he not split the vote with The Assassination of Jesse James.
Deakins pales in comparison to Robert Richardson. Bob is so much more accomplished and diverse.
Snow Falling On Cedars beats anything Deakins has ever lit for sublime poetic beauty.
deakins is the man
@@Geronimo_Jehoshaphat I love Deakins but I couldn't agree more.
the captions are going wild
Most people complained about the format last year already and it seems they're not listening to our feedback. Wake up THR.
oMG i really want to be this lady interviewer, She was sitting with all the Legends.
3 masters of lights and shadows , is about time that Caleb Deschanel gets finally his Oscar , maybe not for The Lion king but for sure in the not so distant future : The Right Stuff , The Natural and Fly Away Home some of his gems.
If awards were honest Deschanel would have won for Passion Of The Christ.
@@Geronimo_Jehoshaphat Oh yeah that entire film was an achievment in itself , pity so much unnecessary controversy surrounded it at the time it came out.
What a trio!
This is so great! Love!
I always look forward to the cinematographer round tables, but it’s a bummer they are shortcuts now. Bring back the original format.
Bring back the full roundtable
Bob makes an important point of focussing through the eyepiece rather than the monitor. I think that a lot of filmmakers today are just seeing it on the monitor and that's why the quality of the acting has gone down as compared to like a decade ago. The tools may get fancy but one should not lose sight of the main target.
I'm a still photographer, and I shoot mirrorless, but I can't use the back screen. I HAVE to look through the eyepiece. Gives me so much more focus.
yet Richard's point was that it's an evolving process and people who are use to filming with their phones bring something new to the table
That statement is what caught my attention. It makes sense.
Using a monitor might disconnect from tunnel vision focus but it does bring awareness to the rest of the scene outside of that shot. I use them out of habit but it’s a glass half empty opinion imo
This is a great observation.
Release full roundtable !!!!!!!!!!!!!!!!!!
These use to be longer. What gives?
yeah they really missed a opportunity with this one. way too short. should of been a round table. disappointing.
All awesome.
Roger Deakins is just so fucking cool!
Masters behind the camera
Great video
U KNOW WHAT WE WANT
What's up with CC not matching?
Please tell me there is a real roundtable discussion coming out
As a camera operator I would have a heart attack in that room
I DP'd this, and cam op'd. Yes, heart attack is the right word, especially when you have no budget to do it the right way.
Vincent Venturella Nice man you did a great job did they critique you in anyway :)) ?
@@Hamerparsa This is the third or fourth cinematographer's roundtable I've done and no one has really commented on much yet. This last one Deakins and Richardson talked to each other about how interesting our dana dollies were. Probably because they've never used something so rudimentary.
Make this an hour and add in Bradford Young and Jeff Cronenweth and I can die happy
The Grip, The Grip was not nervous
roger 🧡
Jesus she's beautiful.... Her smile
"...Okay." She's so cute.
Legends👌👌👌
those subtitles haha
thank you! ill subscribe to this masterclass
Where can I get some more of this good stuff?
I want more! Like the rest of people :D
Lmao this seems so tense with the way they cut to the reaction closeups with zero emotion
Longer, please
Hollywood Reporter failed us. This format does not go into the depth, only touches various topics superficially while the talent sitting here is so immense. The three are the best, most distinct DPs out there. I’d also like to make a request to call the legend Chivo Lubezki. Only he is missing from here.
Please come up with a longer format, this is a disheartening format!
OG’s
13 minutes? What a shame.. Anyways, great stuff.
EVERYDAY WE GOT CLOUD
Why would you invite a DP from a movie that isn't live action even though the marketing team tries to convince the world it is?
You wanted to 'tease' us with the 'teasers' before doing the hour long roundtable coz you have an entire year ahead of the oscars. How's that plan working out now?
There is somekind of a play hidden in the captions. It's wild ! ua-cam.com/video/pYF1qLatvhg/v-deo.html
- He in there?
- Yeah, just knock.
(knocks)
- Look, just put him in the wardrobe, all right?
What's it gonna hurt?
Then if you need him.
(snaps)
You got him, all right?
- Then I gotta have a conversation with that wardrobe assistant and man, she's a bitch.
I just don't, please.
- Look, look Randy, I'm asking you to help me out, man.
If the answer's no, the answer's no, not no with excuses.
I wonder if the crew were nervous!..
Por Roger, let him speak
Because Robert Richatdson and Caleb Deschanel are quite frankly far greater and more accomplished artist than hipster darling Deakins,
Roger Deakins getting nominated for the Oscar again...if not winning one
He won one for Bladerunner 2049?!
Yeah, he absolutely will, a period film that’s all one shot. The academy eats that up. I just hope that the lighthouse gets nominated, but that’s a bit of a long shot. Also a hidden life and waves are long shots but possible.
L E G E N D S!!
I think the brief was to subtitle DPs not a DP scene from a porn film.
The table isn't even round here, for god's sake!
Okay so no round table...
This ought to be two hours!
You know you got the heavy hitters of all time in the room when Roger Deakins is the least accomplished!
the best of them, deakins, said so little...only at the end...he's f..king great...
Mr. Deakins could’ve spoken a bit more ..
If you care about your job, you are nervous
.
The photos in the thumbnail look horrible
white haired gods
That table isn't even round!
The fucking lion king guy?? Come on guys
2 cool dps- and the guy that shot lion king.
If you don’t know who Deschanel is, you’re missing out.
Caleb shot The Black Stallion, The Right Stuff, The Natural and The Passion of the Christ, among others.
Having said that, it does suck that an unnecessary CGI-laden remake is his most recent work.
Caleb Deschanel is one of the best modern cinematographers. He's been nominated six times - just last year for "Never Look Away". Black Stallion, The Natural, Passion Of The Christ, Fly Away Home are just some of his amazing art.
And the table is not even round.
Worst interview ive seen in a long time, so stiff, so old style. Love all of them but couldnt pass the first minute of it
WHERE IS LAWRENCE SHER??
Filming an Amy Schumer comedy
BTS 😍😍
BTS Lover
God, you bts fans are the most pathetic people. Get a life, it’s dumb boyband pop generated by a huge corporation that basically enslaves and abuses children used to manipulate people like you into giving them money.
Miss Conrad L Hall 😢
yeah this new format sucks, bring back the roundtable
No now under 50 in this club.
The Lion King? What the fuck?
Terrible format. Go back to the actual roundtable with more cinematographers.
Wow, these short cuts are not good. Please have the old conversational style with a full hour. Please. So disappointing.
why did you publish this? uninteresting and should not have been so.
its the same white guy with white hair. One has a beard. One is clean shaved. One has glasses.
Damn this lady must have had expensive dental work given by how often and how many of her teeth she seems to want to show at every opportunity
Don't do this format again 😭
You could at least get a fucking round table