To newer fans of the Beatles: do yourself a favor and do not listen to any post-1970 interviews where John talks about Beatles songs, his own included. He's so dismissive of them, it's downright depressing. In general, I think it's a good rule of thumb to not listen too much to what an artist says about his or her own work. They'll invariably say something that changes it for you. But with John, it's out of control. It'll be your favorite song and he'll be like, "yeah, that was a total piece of shit I wrote in two minutes." Just listen to his music and let it speak for itself. Trust me.
John tended to dismiss anything that had to be worked on or was done on deadline. He wanted them to crystallize from thin air. I agree his resentment toward his 'crafted' songs is wearing, but he only got 10 years in which to form his opinions; we've had no fresh evaluations from him in 38 years.
Songs are gifts from outside your self they should always be respected and not judged they are just the way they are meant to be accept that and you will appreciate art even more As my partner said to me about a song I had written "Just leave it alone it sounds great to me"And she was right i have stopped messing about with the songs
Cool Raymond.. it seems many of the true greats sort of do that.. they think they could, or should have done better.. it is the posers that say "I wrote and play such great songs, I am the greatest".. all that nonsense. Jimi Hendrix never once said he was the greatest guitarist on the scene then, Jimmy Page said "I hear stuff every day that blows me away, and I want to learn it". Steve Vai told me at the gym one morning that joining Whitesnake is "any guitarists dream"..I thought "WHAAAT", but respected him to much to say that of course..
@@jameschristiansson3137 Yeah the fun they're having balanced out the serious unsettling elements. That Bond theme ripoff is chosen as it's also meant to unsettling. The song is 'heavy' in its own freedom of approach. Lennon, among other things, let this freedom loose in his creative process so we could all taste - and marvel. The way he allowed himself this freedom is comparable to the big bang of Picasso's approach to painting. Like Dylan, he just found a radical new way of doing things.
A few years ago, I was talking to my brother about great Beatle songs. I mentioned Hey Bulldog and he said he had never heard of it, which blew my mind. Imagine being a die hard Beatles fan and discovering a Beatles song you never knew existed. Result: Hey Bulldog is now his favorite Beatles song.
I play Bass and I love playing this song. I was only 9 years old when my father took me to see the movie "Yellow Submarine", I think he took me 2 or 3 times after. When he got me the album I did notice the song "Hey Bulldog" on the back cover and I did not know the song because I did not hear or see it in the movie and I remember saying "What's Hey Bulldog?"...But when I heard it, even at 9 years old, I loved the song and to this day I still listen and sometimes play it on my Bass ( now I'm 59)....ahhhh!!!....But really it is a very underrated song. And I also love "It's All Too Much".....
@@sidneymeyer7372 That is Paul and he says - " don't look at me, I only have 10 children". Maybe something to do with Paul's ram like mentally throughtout the Beatles years, until 1969.
Wrong, Lee Dorman played lead bass for Iron Butterfly. Give them a listen, their music was way ahead of its time and very unique. Jack Cassidy (sp), the bass player for Jefferson Airplane and Hot Tuna was amazing.
I love the Beatles, and paul was very creative but... come on... there were plenty of bassists at that level. John Entwistle, from The Who, just to name one.
By 68, many bass players were playing amazing bass lines like this. But in 63? Macca was insanely ahead of the curve with his bass playing. It took others many years to reach his creativity on the bass. Many people don't understand just how innovative Paul's playing had been, even in the earliest recordings. He never shows up on top 10 best bassist lists, but I guarantee every person on those lists ranks Macca in their top 5.
Who is the most successful solo Beatle in terms of output post band with 19 albums, 11 live albums... and counting? RINGO! WIKI: en.wikipedia.org/wiki/Ringo_Starr_discography
The very first Beatles music I was exposed to was "Yellow Submarine" when I was 4 yrs. old. And "Hey Bulldog" was immediately one of my favorites. My uncle, kidding with me, told me that the barking and howling was a real dog that got loose in the studio and chased the Beatles around!
When my kids were still kids, " Hey Bulldog" was the song they latched onto immediately when watching the original cut of Yellow Submarine. Of course they also liked "All Together Now" cuz its sing-songy, and invites you to join in, All Together, Now! Still, though, they were singing "Bulldog" for weeks afterwards. i was happy as a cat, knowing the kiddos had terrific musical taste. :)
The funny thing is that the few so called Beatles throw away songs are better then most others hits. This may not be a masterpiece but it is one cool rocking song. Good night. - Beatles fanatic.
Hey bulldog is one of the greatest songs the Beatles ever recorded, as a group and including solo stuff. This song has all the elements a cool, catchy, masterpiece and it has never recieved the credit it truly deserves. Have a close listen to Paul's bass lines. They are so tight and so right! Pure genius! And George's solo is is supreme, psychedelic, and golden!
I always said if you could only choose one song that best Represented the Beatles and you wanted to stick it in a bottle and throw it in the sea this would be it!
I am not anything like a proficient bassist, but I can rip out a pretty rocking version of Lady Madonna. Hey Bulldog OTOH is completely out of my league, but I am working on the guitar riff...
I've been a huge Beatles fan since I was 9 or 10 (I'm 36 now), and I CAN'T BELIEVE I kept overlooking this song for such a long time... I bumped into it a couple of weeks ago and I can't stop playing it. I was looking for any info on the song and how it came about, this video was perfect - thank you!
I love this song. They so many songs that just sounded great. This was one of them with a great piano, superb pounding bass and a great guitar line. Couldn’t get better than that
angela , took a listen to Fanny's version and its tight ! Tried to guess the year it came out in, was thinking the late 70's, early 80's new wave or some time later. Looked em up and found out it was early 70's, waaay ahead of their time indeed .
To newer fans of the Beatles: do yourself a favor and do not listen to any post-1970 interviews where John talks about Beatles songs, his own included. He's so dismissive of them, it's downright depressing. In general, I think it's a good rule of thumb to not listen too much to what an artist says about his or her own work. They'll invariably say something that changes it for you. But with John, it's out of control. It'll be your favorite song and he'll be like, "yeah, that was a total piece of shit I wrote in two minutes." Just listen to his music and let it speak for itself. Trust me.
@@jackdenmark6116 yeah John became such a cynic post-Beatles. It was obviously his way of extricating himself from what was a painful breakup. I think he would have mellowed out in his later years and be far more positive about his time with the Beatles.
Hey Bulldog was included in the Beatles RocknRoll album in the 70s, which was one of my first Beatles albums as a kid. I've loved this tune ever since.
My last band only ever did a few covers. This was one of them. I've loved this song since 1969. It has a great hook, and the piano chord progression in the bridge is pure genius.
In my opinion, hey bulldog is one of the best songs in the entire history of the beatles. I was born in ‘57 so i lived through tjeir entire career, and it was all anout what had come before, and what blew the lid off ofthe music world. This was pne of those songs. As soon as i heard it, i just went f... yeaah this is the future. You had to be there to understand what shocking brilliance it had at the time.
I had a little National 3-inch real to reel and used to record songs direct off the radio back in the day. I always thought this was a ball buster but it was actually quite short.
Been loving the song lately, especially the "you can talk to me" part is brilliant as a bridge between verse and main riff. This is why I love the Beatles because after 15 years from a songwriting perspective they still challenge my perception of how you can write songs
I've always loved this, as well as "Northern Song," which is still underappreciated in my view. And while "Yellow Submarine" might be obscure to most, I enjoyed that album a lot as a kid, especially Side B, which was all incidental music from the film (in other words, George Martin compositions). It really helped the development of my appreciation for classical music when I was little.
That George Martin film score is very underappreciated, IMHO, I enjoyed that side very much and was very disappointed when it was excised on the later release. Hey Bulldog happens to be my favorite rock tune by any artist. YMMV
PeTeR MaX like Peter MaX vs. Andy WaRhol ... I was thinking before it's like Elvis & his HoundoG and then there are British Bulldogs... Then I waS catching' parts and bits of "Masked Singer" w a singer named "Rotweiler "... That was the best part of the trip ".." like Jim MoRRisoN spoken...
@@FabFourArchivist So we're saying George wrote a score for George. But I'm getting ...Save a Lot at Martin's foodstores... Giant Foods other sister store... Like Giant Giant in" Seven ", the Movie ... Kevin Spacey's place up above the Giant Giant. Except its Martin's Martin's... Anyway it says George Martin wrote some of the score. * * * * *... Its like vs. You ain't nothing but Hound dawg. Haha Trumped uP xcept they chose British Bulldogs dog. Anyway no singin' bout dogs... Then they be singin' about some Dawgs Snoop Dawg ... Rotweiler was just on Masked Singer... Pretty Cool "ANTI KARMA" for the BaD Karma... If it works singing bout the Dogs... Don't get the Dawgs Howling... With the 🐺 man...comin' at Cha.☺
I love Northern Song, and Long Long Long. I don't understand why people hate them so much. George Martin detested Northern Song. It's an amazing recording. Or interesting at the least.
Always have loved this song since I was a kid in the 70s. The vocal interplay between John and Paul.....John the dog's owner, Paul the dog, is fantastic. Humorous sounds incredible. Most notable in my eyes because this probably is one of the last glimpses of the 2 of them truly having a riot making music together.
Dear Lance, If i may, as man who's been bombarded by Beatles books by those who know me, I appreciate your perspective on individual songs. Thanks for the detailed information. It's genuinely neat and surprising to learn something new. Thank you. Cheers, Steve. (ajstevens326@gmail.com)
Hey Bulldog is spectacular. Superb riff, great vocals by John and Paul, the longest guitar solo on a Beatles record, biblical bassline by Paul, great drums by Ringo..and yet it was basically ignored. That was the level of that band.
I knew of the greatness of this song when it was first on Yellow submarine. I would tell people it was their best song and I would always get the response”I never heard of it”. It’s hard to label any song as the best Beatles song but I think there is a song that when can choose that represents the spirit of the Beatles the best and if you could keep only one Beatles song to represent the group for all time for future centuries, I would choose Hey Bulldog.
yes from their later period perhaps. For the early period I would chose She Loves You - great changes, very cool gtr break and bewitching harmonies. And great drumming from Ringo right from the arresting attention intro. Reeks of a classic hit single right down the years. It's old, but has lost none of its power, bit like that great vocal intro to NY Mining Disaster 1941 that I heard today. Timeless genius.
One of my top 10 favorite Beatles songs. GREAT bass line, great guitar, and fun lyrics. So underrated, probably single most underrated Beatles tune. And they had fun... most importantly
One of my faves. A minor detail about the recording that I don’t think anyone has mentioned. It’s the overdubbed snare w lots of reverb brought in on the Choruses. It’s playing the back beat 2 and 4. It really lifts the song. And because there is so much clean space on the chorus you can hear the decay of the snares reverb all the way to the next hit. Which in my opinion means it had to be recorded to it’s own track or bounced in combination with something or in fact could be the same track as the lead grr. Because you don’t ever hear them together. I love mysteries like this. It’s like discovering even more gold in The Beatles treasure chest.
In 1976, Capitol released a greatest hits double album called "Beatles Rock and Roll Music". "Hey Bulldog" appears on side four. I bought it in 1978, and the song instantly became a favorite of mine. Hard to believe that it didn't get more recognition until now!
@Delibes Flair owning a record means a lot more than just loading up spotify and playing it. owning a record means you'll have it forever. its memorable. memorabilia.
The better version is on Mono Masters and the Yellow Submarine Songtrack. There’s better audio and it’s a real mono mix, not the “fold-down” used on the 1969 album.
Hey Bulldog was the B-side of the single All Together Now. It was one of my first Beatle singles (Apple label) and I still have it. You show it at 10:51 in the video.
I must have listened to this song 40 times last year. YTM tells me I am in the top 1/10th of 1% of Beatles listeners. This sounds like a George solo to me. The Beatles are part of my family. I was 12 in '62 and 20 in '70, so they helped me grow into a man. Many times I got advice from their albums.
Have ALWAYS LOVED THIS SONG!!! KILLER GUITAR RIFFS, Paul's WICKED BASS LINES and JOHN'S ROCKING VOCALS and last but not least of all, Ringo's Driving INTENSE Drums, this Song is a ROCK-MONSTER!!! Anyways Thank you so much for posting this GEM, A VERY IMPORTANT and INFORMATIVE VIDEO......🎸💚
So glad it has refused to be forgotten... it's always been one of my favorite late-period Beatles tunes. (Along with "Old Brown Shoe") The groove especially is unforgettable. And the "Whaddya say? I say Woof! D'ya know any more?" interplay in the outro between John and Paul... priceless!
I say no. Why do you think it has him written all over it? George is known for being methodical and cautious in his solos, structuring and perfecting them over time. George even had doubts over his improvisational skills. Though what he came up with was indeed perfection. John (and maybe Paul) were looser. John played rhythmically and off chords going back to his earliest days. This solo is exactly that..loose, wild and off the chords. It's one of the best rock solos of all time. I wish we could credit where it's due. Guess we'll never know.
It was GH. You can tell by the economy of notes. If it were Paul it would be fancier. If JL it would have more rhythm. I prefer GH's fills than the other two because he was not afraid to sound simple whereas the others tended to make fills too busy. Ringo was the same way, and the Beatles would honestly really sucked without GH and Ringo.
@J. Fred Muggs Check out the guitar dueling on Abby Road that PM brilliantly arranged on side 2 and you see the style differences among the 3. I just prefer GH's bits for some reason. He made so many of PM's songs sound better like And I love Her. Can you imagine the song without GH's signature bits on there? GH just had a way of hitting the spot, like the lead in Long Tall Sally. He and Ringo just made an average song so much better with tasty fills. Even PM's solo career is missing those concise GH's bits that cleaned up and glued Paul's diddies. Okay so they would not have sucked, but their songs would have just been good instead of eternal.
I think I was eight years old listening to every record I had in my parents library. For some reason we had a copy of the yellow submarine And this was my favorite song not just because of the barking dogs but that driving piano sound was so catchy. And that fantastic guitar driving sound was so clean, everything after that had to sound essentially like that or it wasn't rock to me!
Great video. It's worth mentioning that the "missing Hey Bulldog" scene was re-added to the Yellow Submarine movie when it got a re-release in 1999 along with a "Songtrack" that gave Hey Bulldog a bit more exposure.
And that version of Hey Bulldog on the 1999 YS Songtrack album as with the other songs is awesome. It sounds sooooo good. I don't know if it was remixed but it sounds like it may have been. When I first played the original Yellow Sub album (about 1974) this song stood out for me. I thought where has this song been? Why was it not a hit?
Geoff Emerick has proven to not be the most authoritative voice on the Beatles, despite having been an engineer for them from 1966-68 and again briefly in 1969. He has been known to get basic facts incorrect and embellish stories a bit.
I was just going to make the same point, Dave. I don't know what his issue was but, as often as not, he seemed to have a different recollection of events from everyone else's.
Excellent video collage for a song that deserves that attention. Difficult to figure out why it was overlooked when it is such an obvious gem. First heard it over 40 years ago and it instantly resonated as classic Beatles material.
My guess is that George played the solo. It sounds more like him, especially that era. He said in an interview that it was a song he'd not thought of it in years until his son Dhani asked him to teach him how to play it. I'd say John used George's guitar to either lay down some overdubs or to show George the initial riff. It would make sense if he wanted to use George's guitar instead of the hollow bodied Casino as SG's tend to have that harder rock sound. As for the film, the story I heard was that it was cut as censors at the time found it to be too scary for children.
john often used george's guitars. but george nor paul ever used john's. i've never seen john play paul's guitars or basses. John with his dominating personality and showing who's boss (in his own eyes.) when john's gibson j-160 was stolen, he just commandeered george's identical one.
@@timothysullysullivan2571 ~ An entertaining notion, and perhaps valid to some degree. Although I doubt Lennon refused hand the Gibson back to George upon request lol. For that matter, it 's unlikely John couldn't afford to buy another J-160 at that point. Speaking of John not playing McCartney's bass, there's a scene in the movie Help, where the lads are in the Bahamas, shooting the sequence for the song Another Girl. They switch instruments, and John is briefly seen holding the Hofner bass, but just goofing around with it. Other than that, I think you're correct. I can recall no other visual evidence of him fingering any of Paul's guitars. On the other hand, there was lots of studio time that wasn't photographed over the years... so who knows. ;~}
He's got such a big heart to give the other guys songwriting credit just to temper their seething jealousy of his musical genius and placate their egos. He really just wants everyone to get along and be happy. Hence the song he wrote called, "All You Need Is Love". Fun fact: the lyrics "nothing you can do", and "nothing you can sing", in that song are direct references to the skills of John, Paul, and George.
born 1965 in the GDR, EAST GERMANY :D, and beatles fan since 1979, there was a radio show, the Beatles oldie came every Friday around 9.50 p.m., the LPs song by song and I on the cassette recorder. that's how the LP Yellow Submarine was played and I thought Its All To Much and Hey Bulldog were fantastic back in the mid 80's. Bad Boy too, by the way. (past masters or a collection of beatles oldies - strangely enough, the sample LP could be bought in the GDR.)
Just a couple of years after it's recording it was covered by band named Fanny. This band was all females line up and they rocked the song. Absolutely great. Always loved this song.
I enjoyed watching this so much! I have always thought Hey Bulldog was a great rock song. That opening riff is so catchy and reminds me a bit of the "Day Tripper" opening riff. I also love that it means nothing. Like many John Lennon songs, the words are chosen for the blending of the vowels and consonants come together to create colors, like a painter choosing colors to blend on a canvas. In other words, John uses words like a painter uses colors! Jon Anderson of the band YES does the same thing. That's why songs by Yes don't make any sense. The words aren't supposed to make sense. The words create a layer of timbre blending with the instruments and are simply a vehicle for a melody.
@Meridith Inserra .. A most interesting comment. Words chosen for aesthetic reasons, not only literal meaning. I would add John Lennon had a mystical dimension. I believe many of his words had meanings he was not even aware of .. that words came through him.
without question one of the best, hardest driving tunes of the era. rock and roll at its purest, most raw form delivered by the greatest innovators of the in the history of the genre.
When I was a kid I didn't appreciate Hey Bulldog, but I've grown to love it as an adult. When I was younger I was more pop oriented. My other favorite band was The Monkees. Since then I've been exposed to a lot more rock music, which I think is the reason why I appreciate it much more. It's definitely up there on my list of favorite Beatles songs.
As Emerik states - it was George, clearly on his SG with wailing humbuckers. John might have picked it up but he wasn't a patch on George as a guitarist and you have to play a high gain guitar like an SG very clean. Remember, when George was 15 he taught John how to play on 6 strings because John only knew banjo chords... in fact, John had taken the top two strings off his guitar when they met. As a guitarist, it clearly wasn't a Strat, Casino or Rickenbacker on the solo which Macca played and there is zero chance George gave his Gibson SG to Paul - they didn't get on, unlike Eric Clapton who he gave his Cherry Red Gibson Les Paul, Lucy... for While My Guitar Gently Weeps, much to Paul's chagrin. As George recounted (paraphrased) "It was my song and my choice of lead guitarist. I chose Eric".
I only came across this recently. A thoroughly engrossing analysis of the song. I particularly enjoyed it because it was the standout song for me on Yellow Submarine when the film was released in Britain. You've probably had this comment before, but a very early (1972) cover of the song was done by the fabulous Fanny with Alice De Buhr's Ringo-influenced drumming kicking it along. A live version is featured in a 30 minute segment from the German TV programme Beat Club which is available on UA-cam.
Always loved this song, so glad it's getting more attention now. I first heard it on the "Rock 'n' Roll Music" compilation albums released in the late 70s
@@RJSerp Capitol cop a bit of stick for how they butchered the Beatles' song collections early on BUT was a damn good idea that compilation. My best mate had it and it was where I first heard Hey Bulldog too. Used to crank it when his parents weren't about. Pure Heaven!!!
Was going to post the same comment. That double album was also sold as two separate Vol 1 and Vol 2 albums at a discount price in the UK. It also included tracks like I'm Down and Revolution which could only be heard as b-sides on singles at that time, so it was a really good (and useful) selection.
Tony Bramwell wasn't the director for the Paperback Writer / Rain promos. It was Michael Lindsay-Hogg who would go on to film the Hey Jude / Revolution promos and the Let It Be movie. Also, you neglected to mention the first instance of when Hey Bulldog began to get pushed into the spotlight, which would be in 1999, when the Yellow Submarine movie was rereleased in theaters and on DVD (and the Yellow Submarine Songtrack album was issued). Hey Bulldog was promoted as a new "single", and was reinstated into the film worldwide for the first time. This is also when the promo video for the song first appeared. After 1999, the song has really taken on a life of its own, all thanks to the work done to promote it with the re-release of Yellow Submarine.
As for “neglecting” any detail, it was my story to tell and I chose to leave some bits out. If I’d included every. little. thing, I’d still be yammering on about it. :) And now my turn for a suggestion: Ease up on the criticism. Whether you mean it or not, you’re coming across pretty harsh. Don’t forget real people are on the other end of these comments.
@@FabFourArchivist Are you kidding me? Instead of being grateful that someone cares enough to try and educate you on things you may have missed, and use it as an opportunity to learn more on a subject you seem interested in, you're gonna sit there and claim "hurt feelings"? Whatever, dude. Wallow in your ignorance, see if I care.
Thanks, Good material. Much appreciated. I'm a true fan and will give my age away by saying that I saw them on September 8th, 1964, evening show, as they played an earlier set at 16:00. Keep on rockin' in the free world :)
The slow ramping up of the base line “you can talk to me” followed by John’s gritty voice suddenly crescendos when he screeches “if you’re lonely you can talk to me” - ugh! gives me goosebumps every time.
What a great song!!! Vocal is fabulous and you can see the fun that this family had being together doing what they knew and loved best. One of the greatest videos of all time.
Recorded by the group as an extra song for " Yellow Submarine, " they all seemed to be in a joyful and productive phase laying down the tracks. Overlooked by many, the song is enjoying a renaissance in recent years. I always liked it!
Perhaps might be the Beatles best lead guitar solo and my personal favorite. I like the James Bond like guitar progression in the back track. Really cool.
I simply can't understand how people say that MMT is NOT a classic. Two of my favorite Beatles songs ever, Your Mother Should Know and Fool On The Hill, were on that album and absolutely blew me away when I first heard them.
@@doesnotexist305 I am the Walrus. .Hello Goodbye....i mean...SFF....PL...every song a monster...and then totally groundbreakung Blue Jay Way...and AYNIL...is there even a weaker point on the entire album?
I'm with ya man! I mean Magical mystery tour, fool on the hill, I'm the walrus, hello goodbye, penny lane, strawberry fields, and all you need is love! These are like the best beatles songs
Man, i really love the way you express enthusiasm without being silly or try to act like a funny teenager, like most of youtubers. God bless your heart.
Yellow Submarine was my first '45 single as a kid, but I never bought the album. I discovered Hey Bulldog in 1976 when the Beatles' Rock and Roll Music album was released. Wow, a unique and powerful Beatles song! I couldn't believe what a sleeper it was!
The greatness of Lennon´s music as I see it. -The increasing tension. For example I Should Have Known Better. Before Lennon, all pop music structure was AABA, where the tension decreased in the middle part B. But with Lennon the tension from the verse continued in the middle part. Besides that, in this song it is not only a key change in the transition to the middle part, it is even a little key change in it. The increasing tension was what first characterized The Beatles. The first single where the verse lacked this increasing tension was Can´t Buy Me Love. (But the chorus is OK). I didn´t know then it was a McCartney composition. - Other ways of increase the tension by Lennon is to pack together several little songs. Happiness Is A Warm Gun consists of three or four songs, and Bring On The Lucie consists of three songs. -All You Need Is Love has another way: First talking, then repeating half singing, then singing, and finally the climax in chorus. -The melody does not changes, but the background. For example in Strawberry Fields Forever and in Julia the singing melody uses the same notes, but instead the accompaniment changes! Listen to Puccini. He got tired of his sang melodies in Boheme and in Tosca he composed a lot where the sang melodies are often on the same notes, but the background changes instead. The effect can be stronger. -Octave Leap. For example, in the middle part of Please Please Me, Lennon makes an octave run in “…it´s so hard to reason with YOU…”, the climax of the song. George Martin didn´t understand the quality in that. In his orchestration of it in Off The Beatle Track, Martin excludes the octave, the most important bit of the song! -Verse and resolve. Typical for Lennon is a melody followed by a resolve, for example in No Reply “…I saw the light!”…and in Girl “girl! girl!…”. Lennon said that “a good song must have climax and resolve”. -Only one chord. In Tomorrow Never Knows there is only one chord, or bass note, an innovation in pop music. In the Middle Ages it was common with that bordun note, an unchanged bass note. When Lennon played the song the first time for George Martin, Martin didn´t like it. -Whole-tone scale. Most scales have both whole step and half steps between the notes in an octave. In the verse in Norwegian Wood, there is most whole steps, and that´s like the impressionists, for example Debussy. It sounds very clean. -Church Modes. A Hard Day´s Night is written in the mixolydian mode, an ancient vocal scale, preserved in British, Irish and American folk song. -If you play the beginning of Please Please Me slowly, you can hear the similarities with the Westminster bells ringing. When Lennon was a little boy, he loved visiting the divine services. Afterwards he used to improvise anthem music. Westminster bells could unconsciously have inspired him to the beginning of Please Please Me. There is also anthem music in the beginning of All You Need Is Love: “love love love…”. -The lamentation second. A little half step up in the scale. And that´s to indicate a pain. In All You Need Is Love Lennon sings the refrain twice unchanged and then suddenly the third time, rises a little, a very expressive and important step up. That step up started in the baroque epoch, and was called The lamentation second. When Lennon played it the first time to George Martin, Martin didn´t like it. He leaned towards McCartney and muttered: “It´s certainly repetitive”. -From darkness to light. Happiness Is a Warm Gun starts with a little melancholy, and ends with enthusiasm.-In the middle part of I Am The Walrus the darkness switches over to light: “sitting in an English garden…”. And the transition from the chaos and darkness in Revolution 9 to the light in Good Night. That is very typical in Wagner´s music. I think that temperamentally the two were similar. And I think Wagner would have loved the arrangement in Glass Onion. -Suggestive and hypnotic music. With small intervals between the notes in combination with some dissonance chord, Lennon can create a suggestive and hypnotic feeling in for example Across The Universe. It is more like Wagner than pop music. -Few notes. With few, but effective notes, Lennon can create more feeling than McCartney with all his notes, for example in If I Fell and Love. -A melody sang three times, in succession, with just a little change every time. When you hear it you can get frustrated or desperate not getting out from the melody. That we have in the middle part in I Call Your Name and in the middle part in And Your Bird Can Sing. And at the same time the melodies are stick together with a countermelody at the guitar. Rather hypnotic -Melodies without joint. Innovation. When repeating the verse melody in Any Time At All, the first note is the same note as the last note in the first verse: “…there is nothing I won´t DO if need a shoulder to cry on…” -The accompaniment doesn´t follow the vocal line. In the middle part of Hey Bulldog, the piano doesn´t follow the singer. An innovation in pop music. The first one was Schumann in his songs. -The first rap songs. The talking in the end of Hey Bulldog, and the talking in Give Peace a Chance. -The most excellent and lovely melodies: The middle part of Bad to Me, the middle part of This Boy, the middle part of Yes it Is and the middle part of Nobody Loves You.
Johan - You've done your homework with this comment! Thanks for sharing. Considering your background, I think you'd appreciate what my friend Aaron Krerowicz is up to with his Beatles work: www.aaronkrerowicz.com/
JL definitely nailed the climax technique. PM was universal and more technical. JL needed Paul to refine his work. PM needed John to add excitement to his work. Just one example, check out John's rhythm lick to Things We Said Today. And see how Paul finished out Day on the Life and Strawberry Fields.
All You Need is Love was a musical breakthough due to JL incorporation of a repeating meditation like mantra. Of course it's very difficult to create a mantra that your mind loves to repeat without getting sick of it. I believe that you would not have the Hey Jude ending without All You Need is Love. Paul learned this from John.
@@Johan93888 Could I echo that comment. That's some very solid and insightful analysis you've applied yourself to there, Johann. You focus on the 'way we respond to the music emotionally'. Good choice as this was indeed Lennon's genius. He's rarely regarded as technician but he knew his own bag of composing techniques very well, most probably intuitively. I enjoyed your post immensely. Thanks.
Back in college in the mid-Eighties played this tune along with a couple other "off the beaten track" Beatles songs (She Said, She Said and I'm Only Sleeping) in a covers + originals band. It was one of the funnest songs we'd perform. Thanks for all the background info.
Late to the party (as always) but ever since I first heard 'Hey Bulldog' on a Beatles compilation cassette Rock N Roll Music Vol II I was hooked and this is without a doubt my favourite Beatles track! Thanks for making this insightful video. There's a version that Dave Grohl and Jeff Lynne play which is simply amazing.
I only recently discovered this vid and what a gem it is. I think it is the best footage of the beatles in the studio. The let it be sessions were always a bit strained, not just between themselves but because there was obviously a formal film crew in their faces all day. This seems totally spontaneous and fun. It's also just so beatles, Paul is playing ever such a bit second fiddle to John, so showing the beatles as a gang. Also with Paul and John both at the Mike is like they are doing a sing song of a Beatles song, like millions of people have and do. The editing is superb and the musicianship well enough said. Thanks for reviewing and posting, it's precious.
I love this song! One of my Beatle favorites. Great guitar solo,kick ass bass line, fun lyrics in the end. In my opinion, on the top ten list of Beatles best recordings. Certainly top 5 of Paul's best sounding bass lines.
Douglas Gorney I saw a video of Paul and George Martin at the recording console, and Paul says he'll add the bass track later. I think to work out ideas for the bass lines.
Ramiro Garcia Cool! My understanding is that was standard procedure with Paul, staying after the other Beatles had left (or on days when they weren't coming in to the studio) to lay down the final bass tracks we know so well.
I would tend to believe Geoff Emerick as John was usually stoned or tripping by this time, whereas Emerick, being a proper EMI employee. had to come in straight & sober. This is one of my favourite Beatle songs of all and I regard it as an absolute masterpiece. I contains everything a highly skilled song should contain. Plus, it's pretty bloody exciting, too!
Yoko, thank you for all this emotion! Fantastic interpretation and production. Thanks again for "Imagine Ultimate Collection". A lot of love for you and John! - Michel Haas, founder of the Swiss Beatles Fan Club.
To fully appreciate this exceptional composition by John Lennon, I recommend the remixed version available on Yellow Submarine Songtrack. The recording has become perhaps the best sounding Beatles cut, with Paul's imaginative bass playing put to the fore, Ringo's solid drumming, and the vocals at last centered. Truly one on the very best Beatles songs ever, my personal favorite for sure! As it now stands, the glorious recording has a reference hi-fi testing quality written all over it.
harrison's lead guitar is infinitely more important to this song than the weak bass line. but of course it is more trendy to always comment about paul this and paul that.
Fantastic work on this fantastic song, FabFourArchivist! I've always loved the instantly catchy riff, Paul's creative bass, the cutting lead, John's unique and at times, raspy vocals, and the terrific and playful harmonies between John and Paul. Ringo's drumming was perfectly played to match the driving and forceful rhythm of the song. Not a day goes by that I do not listen to The Beatles, my favorite group of all time. I've wondered over the years why this song seemed to be under-appreciated, but glad to see it get the acclaim it deserves. Great research on the recording details. My guess is that it was in fact George who did play lead. Even though Paul and John could do lead, it would have been a bit odd maybe for him not to have a part. Like many others, I also was familiar with it being used as the video for Lady Madonna. I wonder if other actual footage of this session still exists. If you know of any online, it would be awesome to see it. Again, great work on putting this all together! Very interesting and entertaining, thank you for your effort!
“Hey Bulldog” has always been my favourite Beatles tune since I was ten years old!
I LOVE your videos dude!
oh hi david
Mine too
I really love this song too. But, when you are a Beatles fan, how can you have one favorite tune?
Mine is either tomorrow never knows. Or Jesus. So many others
To newer fans of the Beatles: do yourself a favor and do not listen to any post-1970 interviews where John talks about Beatles songs, his own included. He's so dismissive of them, it's downright depressing. In general, I think it's a good rule of thumb to not listen too much to what an artist says about his or her own work. They'll invariably say something that changes it for you. But with John, it's out of control. It'll be your favorite song and he'll be like, "yeah, that was a total piece of shit I wrote in two minutes." Just listen to his music and let it speak for itself. Trust me.
Cool Raymond to be fair though a lot of artists are hard on their own music. it helps them strive for greatness
John tended to dismiss anything that had to be worked on or was done on deadline. He wanted them to crystallize from thin air. I agree his resentment toward his 'crafted' songs is wearing, but he only got 10 years in which to form his opinions; we've had no fresh evaluations from him in 38 years.
Songs are gifts from outside your self they should always be respected and not judged they are just the way they are meant to be accept that and you will appreciate art even more
As my partner said to me about a song I had written
"Just leave it alone it sounds great to me"And she was right i have stopped messing about with the songs
You are so right Cool Raymond !
Cool Raymond.. it seems many of the true greats sort of do that.. they think they could, or should have done better.. it is the posers that say "I wrote and play such great songs, I am the greatest".. all that nonsense. Jimi Hendrix never once said he was the greatest guitarist on the scene then, Jimmy Page said "I hear stuff every day that blows me away, and I want to learn it". Steve Vai told me at the gym one morning that joining Whitesnake is "any guitarists dream"..I thought "WHAAAT", but respected him to much to say that of course..
Only the Beatles can get nearly 2 million subscribers to one their lesser known songs. Show how absolutely phenomenal they were.
Great minds think alike! See my comment here on this song, just posted without reading any other thoughts.
I always loved "Hey Bulldog" for its grittiness and heavy sound.
SuperLordHawHaw yes !
I love the barks.
@@jameschristiansson3137 Yeah the fun they're having balanced out the serious unsettling elements. That Bond theme ripoff is chosen as it's also meant to unsettling. The song is 'heavy' in its own freedom of approach.
Lennon, among other things, let this freedom loose in his creative process so we could all taste - and marvel. The way he allowed himself this freedom is comparable to the big bang of Picasso's approach to painting. Like Dylan, he just found a radical new way of doing things.
The words are vicious and desperate. Incredible.
Lyrics good as well
They should've released it as a single - they could have been one of the biggest bands of all time.
😂
It’s true. The Beatles really could have been big!
They were big.
Liam Thompson r/whooosh
@@yoursleepparalysisdemon8171 I knew it was a joke.
A few years ago, I was talking to my brother about great Beatle songs. I mentioned Hey Bulldog and he said he had never heard of it, which blew my mind. Imagine being a die hard Beatles fan and discovering a Beatles song you never knew existed. Result: Hey Bulldog is now his favorite Beatles song.
That's my story as well. Watched/heard it first on UA-cam a year ago, after fifty years of being a huge fan.
One of their most underrated tracks.
The bass line is amazing. Paul doing his stuff as ever.
For sure!
I play Bass and I love playing this song. I was only 9 years old when my father took me to see the movie "Yellow Submarine", I think he took me 2 or 3 times after. When he got me the album I did notice the song "Hey Bulldog" on the back cover and I did not know the song because I did not hear or see it in the movie and I remember saying "What's Hey Bulldog?"...But when I heard it, even at 9 years old, I loved the song and to this day I still listen and sometimes play it on my Bass ( now I'm 59)....ahhhh!!!....But really it is a very underrated song. And I also love "It's All Too Much".....
Its my favorite song
What makes you believe it's underrated? Did you travel the globe taking a survey from every citizen of the world? Please explain.
One word:
*BASS*
Come on ringo piss of pls
I just slapped like now.
This bassline is really special and fun to play. One of my favourits and not just a lick but the whole song length is excellent.
Slappers
Epic
Paul and John having fun makes my day. What a team.
John : you got anymore? Paul : barking aaaoooh! ⭐
@@briankennedy1192 Ha ha - egged on by John, Paul always had more!
Somewhere someone says something like "I'm not going to be able to have grandchildren
That fucking outro drives me crazy everytime... in a good way!
@@sidneymeyer7372 That is Paul and he says - " don't look at me, I only have 10 children". Maybe something to do with Paul's ram like mentally throughtout the Beatles years, until 1969.
I've always loved this song because of Paul's amazing bass line. Nobody was playing bass like that in 1968.
Wes Clark Larry Graham and James Jamison come to mind
Right on brother Paul was the bass innovator and master...
Wrong, Lee Dorman played lead bass for Iron Butterfly. Give them a listen, their music was way ahead of its time and very unique. Jack Cassidy (sp), the bass player for Jefferson Airplane and Hot Tuna was amazing.
I love the Beatles, and paul was very creative but... come on... there were plenty of bassists at that level. John Entwistle, from The Who, just to name one.
By 68, many bass players were playing amazing bass lines like this. But in 63? Macca was insanely ahead of the curve with his bass playing. It took others many years to reach his creativity on the bass. Many people don't understand just how innovative Paul's playing had been, even in the earliest recordings. He never shows up on top 10 best bassist lists, but I guarantee every person on those lists ranks Macca in their top 5.
Plot twist: "The Solo was Ringo's All Along"
Ringo: "I brought me Strat..."
Damn, you got to this comment first!
You are crazy (massive eye roll).
Who is the most successful solo Beatle in terms of output post band with 19 albums, 11 live albums... and counting? RINGO! WIKI: en.wikipedia.org/wiki/Ringo_Starr_discography
The Walrus was Paul.
The very first Beatles music I was exposed to was "Yellow Submarine" when I was 4 yrs. old. And "Hey Bulldog" was immediately one of my favorites. My uncle, kidding with me, told me that the barking and howling was a real dog that got loose in the studio and chased the Beatles around!
'Hey Bulldog' was indeed an overlooked masterpiece. Nice to see it is getting recognition now. Paul's bass is especially impressive in this tune.
Agreed! Thanks for watching!
When my kids were still kids, " Hey Bulldog" was the song they latched onto immediately when watching the original cut of Yellow Submarine. Of course they also liked "All Together Now" cuz its sing-songy, and invites you to join in, All Together, Now! Still, though, they were singing "Bulldog" for weeks afterwards. i was happy as a cat, knowing the kiddos had terrific musical taste. :)
gwwayner No it's not,Not a masterpiece.
🤣🤣🤣🤣🤣
You beatles fanatics are crazy,It's a throaway rock song.
George's lead made the song, no question.
The funny thing is that the few so called Beatles throw away songs are better then most others hits. This may not be a masterpiece but it is one cool rocking song. Good night. - Beatles fanatic.
Hey bulldog is one of the greatest songs the Beatles ever recorded, as a group and including solo stuff. This song has all the elements a cool, catchy, masterpiece and it has never recieved the credit it truly deserves.
Have a close listen to Paul's bass lines. They are so tight and so right! Pure genius!
And George's solo is is supreme, psychedelic, and golden!
And a great lead by GH
I always said if you could only choose one song that best Represented the Beatles and you wanted to stick it in a bottle and throw it in the sea this would be it!
I am not anything like a proficient bassist, but I can rip out a pretty rocking version of Lady Madonna. Hey Bulldog OTOH is completely out of my league, but I am working on the guitar riff...
@ thinking about your comment, I would agree. Lady madonna is a good song but , hey bulldog is a killer song.
@@randyacuna3248 agree 100percent
I've been a huge Beatles fan since I was 9 or 10 (I'm 36 now), and I CAN'T BELIEVE I kept overlooking this song for such a long time... I bumped into it a couple of weeks ago and I can't stop playing it. I was looking for any info on the song and how it came about, this video was perfect - thank you!
Thanks Kemmer! Glad you enjoyed it!
Word to the wise...there aren't any bad Beatles songs
@@FabFourArchivist I am fan of the Beatles since 1967 and always be today in 2024.
Hey Bulldog has long been one of my faves, it's awesome
I'll take "Hey Bulldog" over "Lady Madonna" any day, but I love them both.
At least Lady Madonna has good lyrics a rarity for this band
They don't make ’em like this anymore! Real energy & the guys are enjoying this, pure class!
I love this song. They so many songs that just sounded great. This was one of them with a great piano, superb pounding bass and a great guitar line. Couldn’t get better than that
Have you heard the band Fanny cover it ? Worth a listen, to say the least. Still, Beatles4ever!
This was a Lennon song, but written a little before McCartney's Lady Madonna, which also featured a heavy piano line.
angela , took a listen to Fanny's version and its tight ! Tried to guess the year it came out in, was thinking the late 70's, early 80's new wave or some time later. Looked em up and found out it was early 70's, waaay ahead of their time indeed .
Yep, it was so good, the other side of the L.P. could just be filled with soundtrack music. Hey Bulldog still sounds new today.
+ndogg20
Fanny??? Harrison's version is by far the best.
"You don't know what it's like to listen to your fears."
"...some kinds of loneliness is measured out in miles,
what makes you think you're something special when you smile?"
These are great lyrics!
Mark: Don't 4get "Childlike . . ." after that! DJ(wink)
To newer fans of the Beatles: do yourself a favor and do not listen to any post-1970 interviews where John talks about Beatles songs, his own included. He's so dismissive of them, it's downright depressing. In general, I think it's a good rule of thumb to not listen too much to what an artist says about his or her own work. They'll invariably say something that changes it for you. But with John, it's out of control. It'll be your favorite song and he'll be like, "yeah, that was a total piece of shit I wrote in two minutes." Just listen to his music and let it speak for itself. Trust me.
happiness* not loneliness
"Some kind of loneliness is measured out in you." It's such a vicious song, it's breath taking. Superb.
@@jackdenmark6116 yeah John became such a cynic post-Beatles. It was obviously his way of extricating himself from what was a painful breakup.
I think he would have mellowed out in his later years and be far more positive about his time with the Beatles.
I've always loved Hey Bulldog. And Your Bird Can Sing is another that doesn't get the credit it deserves. Great riffs and bass lines in both.
I fully agree dude! They are so criminally underrated
Lennon himself considered both. "Throwaways" Like. ALot others. Yoko. Stated Genius with huge inferiority complex. Always his own critic
AGREED
I also agree! Some of their mid-period tracks are superb power-pop rockers!
Hey Bulldog was included in the Beatles RocknRoll album in the 70s, which was one of my first Beatles albums as a kid. I've loved this tune ever since.
In the 70s the US didn’t have several Beatles records that came out in Europe. So, Hey Bulldog was neglected for the US audience.
I bought Vol II of the CD in the 80's. Played it to death. Came to love the song as one as one of my favorites.
My last band only ever did a few covers. This was one of them. I've loved this song since 1969. It has a great hook, and the piano chord progression in the bridge is pure genius.
Lennon & McCartney are two talents that can never be surpassed ever.
Hey bull dog. And baby your a rich man!! 2 classics over looked.
We have the same tastes. I love both of these songs.
Yes that’s a goodie too!
What a thing to do!
Fred Muggs I’m torn. I like them both equally for different reasons.
So true. Absolutely beautiful songs.
Absolutely one of Paul's best bass lines and best playing.
In my opinion, hey bulldog is one of the best songs in the entire history of the beatles. I was born in ‘57 so i lived through tjeir entire career, and it was all anout what had come before, and what blew the lid off ofthe music world. This was pne of those songs. As soon as i heard it, i just went f... yeaah this is the future. You had to be there to understand what shocking brilliance it had at the time.
me too, born 57
Baby You're A Rich Man as well.
Hey Bulldog and Baby You're A Rich Man are the best.
Born in 52 and you guys are so right!!! Welcome!!!! Lol
I had a little National 3-inch real to reel and used to record songs direct off the radio back in the day. I always thought this was a ball buster but it was actually quite short.
Been loving the song lately, especially the "you can talk to me" part is brilliant as a bridge between verse and main riff. This is why I love the Beatles because after 15 years from a songwriting perspective they still challenge my perception of how you can write songs
I've always loved this, as well as "Northern Song," which is still underappreciated in my view. And while "Yellow Submarine" might be obscure to most, I enjoyed that album a lot as a kid, especially Side B, which was all incidental music from the film (in other words, George Martin compositions). It really helped the development of my appreciation for classical music when I was little.
Great point about the value of Martin's score for little ears!
That George Martin film score is very underappreciated, IMHO, I enjoyed that side very much and was very disappointed when it was excised on the later release. Hey Bulldog happens to be my favorite rock tune by any artist. YMMV
PeTeR MaX like Peter MaX vs. Andy WaRhol ... I was thinking before it's like Elvis & his HoundoG and then there are British Bulldogs... Then I waS catching' parts and bits of "Masked Singer" w a singer named "Rotweiler "...
That was the best part of the trip ".." like Jim MoRRisoN spoken...
@@FabFourArchivist So we're saying George wrote a score for George. But I'm getting ...Save a Lot at Martin's foodstores... Giant Foods other sister store... Like Giant Giant in" Seven ", the Movie ... Kevin Spacey's place up above the Giant Giant. Except its Martin's Martin's... Anyway it says George Martin wrote some of the score.
* * * * *...
Its like vs. You ain't nothing but Hound dawg. Haha Trumped uP xcept they chose British Bulldogs dog.
Anyway no singin' bout dogs... Then they be singin' about some Dawgs Snoop Dawg ... Rotweiler was just on Masked Singer... Pretty Cool "ANTI KARMA" for the BaD Karma... If it works singing bout the Dogs... Don't get the Dawgs Howling... With the
🐺 man...comin' at Cha.☺
I love Northern Song, and Long Long Long. I don't understand why people hate them so much. George Martin detested Northern Song. It's an amazing recording. Or interesting at the least.
Always have loved this song since I was a kid in the 70s. The vocal interplay between John and Paul.....John the dog's owner, Paul the dog, is fantastic. Humorous sounds incredible.
Most notable in my eyes because this probably is one of the last glimpses of the 2 of them truly having a riot making music together.
Dear Lance, If i may, as man who's been bombarded by Beatles books by those who know me, I appreciate your perspective on individual songs. Thanks for the detailed information. It's genuinely neat and surprising to learn something new. Thank you. Cheers, Steve. (ajstevens326@gmail.com)
Hey Bulldog is spectacular. Superb riff, great vocals by John and Paul, the longest guitar solo on a Beatles record, biblical bassline by Paul, great drums by Ringo..and yet it was basically ignored. That was the level of that band.
Um, Geoff Emerick, EMI's engineer, says in the video that the solo was by George. He worked on the Bulldog sessions.
The remixed version on the Yellow Submarine Songtrack is the definitive one because the sonics are fantastic.@@molesoul40
I knew of the greatness of this song when it was first on Yellow submarine. I would tell people it was their best song and I would always get the response”I never heard of it”.
It’s hard to label any song as the best Beatles song but I think there is a song that when can choose that represents the spirit of the Beatles the best and if you could keep only one Beatles song to represent the group for all time for future centuries, I would choose Hey Bulldog.
yes from their later period perhaps. For the early period I would chose She Loves You - great changes, very cool gtr break and bewitching harmonies. And great drumming from Ringo right from the arresting attention intro. Reeks of a classic hit single right down the years. It's old, but has lost none of its power, bit like that great vocal intro to NY Mining Disaster 1941 that I heard today. Timeless genius.
One of my top 10 favorite Beatles songs. GREAT bass line, great guitar, and fun lyrics. So underrated, probably single most underrated Beatles tune. And they had fun... most importantly
One of my faves. A minor detail about the recording that I don’t think anyone has mentioned. It’s the overdubbed snare w lots of reverb brought in on the Choruses. It’s playing the back beat 2 and 4. It really lifts the song. And because there is so much clean space on the chorus you can hear the decay of the snares reverb all the way to the next hit. Which in my opinion means it had to be recorded to it’s own track or bounced in combination with something or in fact could be the same track as the lead grr. Because you don’t ever hear them together. I love mysteries like this. It’s like discovering even more gold in The Beatles treasure chest.
In 1976, Capitol released a greatest hits double album called "Beatles Rock and Roll Music". "Hey Bulldog" appears on side four. I bought it in 1978, and the song instantly became a favorite of mine. Hard to believe that it didn't get more recognition until now!
I first listened to HEY BULLDOG in 1972. It's always been among my favorite and it's about time the public has given it credit.
I actually bought the Yellow Submarine album for this one song!
Totally worth the price. 👍
I got the album from my mom
@Delibes Flair owning a record means a lot more than just loading up spotify and playing it. owning a record means you'll have it forever. its memorable. memorabilia.
The better version is on Mono Masters and the Yellow Submarine Songtrack. There’s better audio and it’s a real mono mix, not the “fold-down” used on the 1969 album.
Actually the best song on Yellow Submarine was George's song "It's All Too much". I liked the psychedelic period he went through. That song was great.
Hey Bulldog was the B-side of the single All Together Now. It was one of my first Beatle singles (Apple label) and I still have it. You show it at 10:51 in the video.
It was always my favorite song off of this album. Totally rocks now and then.
It's hard to pick a favourite Beatles song but this one's near the top of my list
I must have listened to this song 40 times last year. YTM tells me I am in the top 1/10th of 1% of Beatles listeners. This sounds like a George solo to me. The Beatles are part of my family. I was 12 in '62 and 20 in '70, so they helped me grow into a man. Many times I got advice from their albums.
Have ALWAYS LOVED THIS SONG!!! KILLER GUITAR RIFFS, Paul's WICKED BASS LINES and JOHN'S ROCKING VOCALS and last but not least of all, Ringo's Driving INTENSE Drums, this Song is a ROCK-MONSTER!!! Anyways Thank you so much for posting this GEM, A VERY IMPORTANT and INFORMATIVE VIDEO......🎸💚
👍👍👍
Eternal me , I totally agree
Stelio Kontos George’s courageous fuzz lead was unique in all of his
Guitar solo work,
‘Drive My Car” solo also was
Very potent
Somehow, I think this Lana Del Rey song sounds similar to "Hey Bulldog": ua-cam.com/video/AlHa6yfdCSE/v-deo.html
Great song! I love seeing Paul & John singing together and having fun.
So glad it has refused to be forgotten... it's always been one of my favorite late-period Beatles tunes. (Along with "Old Brown Shoe") The groove especially is unforgettable. And the "Whaddya say? I say Woof! D'ya know any more?" interplay in the outro between John and Paul... priceless!
Love "Ol' Brown Shoe". I suspect; though a John's song, Paul guided George how to... It certainly is Paul's technique.
That solo has George Harrison written all over it, no?
I say no. Why do you think it has him written all over it? George is known for being methodical and cautious in his solos, structuring and perfecting them over time. George even had doubts over his improvisational skills. Though what he came up with was indeed perfection. John (and maybe Paul) were looser. John played rhythmically and off chords going back to his earliest days. This solo is exactly that..loose, wild and off the chords. It's one of the best rock solos of all time. I wish we could credit where it's due. Guess we'll never know.
Remember, Davidson, Paul played the Taxman solo that George couldn't quite cut.
It was GH. You can tell by the economy of notes. If it were Paul it would be fancier. If JL it would have more rhythm. I prefer GH's fills than the other two because he was not afraid to sound simple whereas the others tended to make fills too busy. Ringo was the same way, and the Beatles would honestly really sucked without GH and Ringo.
@J. Fred Muggs Check out the guitar dueling on Abby Road that PM brilliantly arranged on side 2 and you see the style differences among the 3. I just prefer GH's bits for some reason. He made so many of PM's songs sound better like And I love Her. Can you imagine the song without GH's signature bits on there? GH just had a way of hitting the spot, like the lead in Long Tall Sally. He and Ringo just made an average song so much better with tasty fills. Even PM's solo career is missing those concise GH's bits that cleaned up and glued Paul's diddies. Okay so they would not have sucked, but their songs would have just been good instead of eternal.
No.
I think I was eight years old listening to every record I had in my parents library. For some reason we had a copy of the yellow submarine And this was my favorite song not just because of the barking dogs but that driving piano sound was so catchy.
And that fantastic guitar driving sound was so clean, everything after that had to sound essentially like that or it wasn't rock to me!
One of my all-time favorites. The dynamics, energy and outright fun in this recording make it infectious.
Great video. It's worth mentioning that the "missing Hey Bulldog" scene was re-added to the Yellow Submarine movie when it got a re-release in 1999 along with a "Songtrack" that gave Hey Bulldog a bit more exposure.
Yep! Great point!
I have a version of the movie on video tape from 1968 that also has Hey Bulldog
I grew up watching a VHS that didn't have that scene, but I currently have a DVD that does include it.
And that version of Hey Bulldog on the 1999 YS Songtrack album as with the other songs is awesome. It sounds sooooo good. I don't know if it was remixed but it sounds like it may have been. When I first played the original Yellow Sub album (about 1974) this song stood out for me. I thought where has this song been? Why was it not a hit?
50 th anniversary 're release playing at select theatres now. Bull dog has been 're added . Cerberus bulldog vs the Beatles.
As Geoff Emrick said it was indeed George Harrison's solo. He was there.
Geoff Emerick has proven to not be the most authoritative voice on the Beatles, despite having been an engineer for them from 1966-68 and again briefly in 1969. He has been known to get basic facts incorrect and embellish stories a bit.
I was just going to make the same point, Dave. I don't know what his issue was but, as often as not, he seemed to have a different recollection of events from everyone else's.
Excellent video collage for a song that deserves that attention. Difficult to figure out why it was overlooked when it is such an obvious gem. First heard it over 40 years ago and it instantly resonated as classic Beatles material.
My guess is that George played the solo. It sounds more like him, especially that era. He said in an interview that it was a song he'd not thought of it in years until his son Dhani asked him to teach him how to play it. I'd say John used George's guitar to either lay down some overdubs or to show George the initial riff. It would make sense if he wanted to use George's guitar instead of the hollow bodied Casino as SG's tend to have that harder rock sound.
As for the film, the story I heard was that it was cut as censors at the time found it to be too scary for children.
john often used george's guitars. but george nor paul ever used john's. i've never seen john play paul's guitars or basses. John with his dominating personality and showing who's boss (in his own eyes.) when john's gibson j-160 was stolen, he just commandeered george's identical one.
@@timothysullysullivan2571 ~ An entertaining notion, and perhaps valid to some degree. Although I doubt Lennon refused hand the Gibson back to George upon request lol. For that matter, it 's unlikely John couldn't afford to buy another J-160 at that point.
Speaking of John not playing McCartney's bass, there's a scene in the movie Help, where the lads are in the Bahamas, shooting the sequence for the song Another Girl. They switch instruments, and John is briefly seen holding the Hofner bass, but just goofing around with it. Other than that, I think you're correct. I can recall no other visual evidence of him fingering any of Paul's guitars. On the other hand, there was lots of studio time that wasn't photographed over the years... so who knows. ;~}
@@slimshine953 Paul's guitars and basses would be Lefty....John got his own J 160. I heard they got switched by accident
most likely stored in some Beatles fans attic. who would know by then any film would be worth big bucks.
its got all the Arpeggio like shit he liked doing in solos.. such as the one in Im a Loser, Babies in Black.. and many others
i think it’s sad that there’s still so many people who haven’t realized ringo was the actual genius and that he wrote every song
He's got such a big heart to give the other guys songwriting credit just to temper their seething jealousy of his musical genius and placate their egos. He really just wants everyone to get along and be happy. Hence the song he wrote called, "All You Need Is Love". Fun fact: the lyrics "nothing you can do", and "nothing you can sing", in that song are direct references to the skills of John, Paul, and George.
Are you crazy Ringo didn’t write all the songs I know your just trying to cause drama
@@AlexRodriguez-hl1vu I-it's a joke dude. (unless your comment is also a joke)
😂
Some folks are more sensitive than others, give a break.
born 1965 in the GDR, EAST GERMANY :D, and beatles fan since 1979, there was a radio show, the Beatles oldie came every Friday around 9.50 p.m., the LPs song by song and I on the cassette recorder. that's how the LP Yellow Submarine was played and I thought Its All To Much and Hey Bulldog were fantastic back in the mid 80's.
Bad Boy too, by the way. (past masters or a collection of beatles oldies - strangely enough, the sample LP could be bought in the GDR.)
Just a couple of years after it's recording it was covered by band named Fanny. This band was all females line up and they rocked the song. Absolutely great. Always loved this song.
Yeah! I’d never heard of Fanny til folks mentioned this cover in the comments. That track is smokin’!
Fanny version is soo great!😂
I would’ve loved to have some focus on the incredible bass track that Paul laid down. That counter point was something special.
I enjoyed watching this so much! I have always thought Hey Bulldog was a great rock song. That opening riff is so catchy and reminds me a bit of the "Day Tripper" opening riff. I also love that it means nothing. Like many John Lennon songs, the words are chosen for the blending of the vowels and consonants come together to create colors, like a painter choosing colors to blend on a canvas. In other words, John uses words like a painter uses colors! Jon Anderson of the band YES does the same thing. That's why songs by Yes don't make any sense. The words aren't supposed to make sense. The words create a layer of timbre blending with the instruments and are simply a vehicle for a melody.
@Meridith Inserra .. A most interesting comment. Words chosen for aesthetic reasons, not only literal meaning. I would add John Lennon had a mystical dimension. I believe many of his words had meanings he was not even aware of .. that words came through him.
without question one of the best, hardest driving tunes of the era. rock and roll at its purest, most raw form delivered by the greatest innovators of the in the history of the genre.
Great editing!! I honestly can't agree enough this song is underrated
Thanks!
When I was a kid I didn't appreciate Hey Bulldog, but I've grown to love it as an adult. When I was younger I was more pop oriented. My other favorite band was The Monkees. Since then I've been exposed to a lot more rock music, which I think is the reason why I appreciate it much more. It's definitely up there on my list of favorite Beatles songs.
I don't think the words are nonsense - they are about fear, emotion in general and communication.
As Emerik states - it was George, clearly on his SG with wailing humbuckers. John might have picked it up but he wasn't a patch on George as a guitarist and you have to play a high gain guitar like an SG very clean. Remember, when George was 15 he taught John how to play on 6 strings because John only knew banjo chords... in fact, John had taken the top two strings off his guitar when they met. As a guitarist, it clearly wasn't a Strat, Casino or Rickenbacker on the solo which Macca played and there is zero chance George gave his Gibson SG to Paul - they didn't get on, unlike Eric Clapton who he gave his Cherry Red Gibson Les Paul, Lucy... for While My Guitar Gently Weeps, much to Paul's chagrin. As George recounted (paraphrased) "It was my song and my choice of lead guitarist. I chose Eric".
I only came across this recently. A thoroughly engrossing analysis of the song. I particularly enjoyed it because it was the standout song for me on Yellow Submarine when the film was released in Britain. You've probably had this comment before, but a very early (1972) cover of the song was done by the fabulous Fanny with Alice De Buhr's Ringo-influenced drumming kicking it along. A live version is featured in a 30 minute segment from the German TV programme Beat Club which is available on UA-cam.
This is my favourite Beatle riff and still one of my favourite riffs to play.
There is something in “Hey bulldog” that takes me to the also great rocker “And your bird can sing”. What a tune!
Great one. Always did wonder why this song didn't get more respect.
Always loved this song, so glad it's getting more attention now. I first heard it on the "Rock 'n' Roll Music" compilation albums released in the late 70s
Yes! The 1976 Capitol Records compilation "Rock 'n' Roll Music" gave it some recognition!
@@RJSerp Capitol cop a bit of stick for how they butchered the Beatles' song collections early on BUT was a damn good idea that compilation.
My best mate had it and it was where I first heard Hey Bulldog too. Used to crank it when his parents weren't about. Pure Heaven!!!
Was going to post the same comment. That double album was also sold as two separate Vol 1 and Vol 2 albums at a discount price in the UK. It also included tracks like I'm Down and Revolution which could only be heard as b-sides on singles at that time, so it was a really good (and useful) selection.
@@dansmithwave That's how I had the albums, they were on EMI's "Music for Pleasure" budget label and really good value as a result!
One of my favorite Beatles tracks. I always included it over the years in my home-made compilations of the band.
Tony Bramwell wasn't the director for the Paperback Writer / Rain promos. It was Michael Lindsay-Hogg who would go on to film the Hey Jude / Revolution promos and the Let It Be movie. Also, you neglected to mention the first instance of when Hey Bulldog began to get pushed into the spotlight, which would be in 1999, when the Yellow Submarine movie was rereleased in theaters and on DVD (and the Yellow Submarine Songtrack album was issued). Hey Bulldog was promoted as a new "single", and was reinstated into the film worldwide for the first time. This is also when the promo video for the song first appeared. After 1999, the song has really taken on a life of its own, all thanks to the work done to promote it with the re-release of Yellow Submarine.
I didn’t say Bramwell directed those two, I said he *produced* them. MLH indeed directed them, and Bramwell did direct HB. :)
As for “neglecting” any detail, it was my story to tell and I chose to leave some bits out. If I’d included every. little. thing, I’d still be yammering on about it. :)
And now my turn for a suggestion: Ease up on the criticism. Whether you mean it or not, you’re coming across pretty harsh. Don’t forget real people are on the other end of these comments.
@@FabFourArchivist Are you kidding me? Instead of being grateful that someone cares enough to try and educate you on things you may have missed, and use it as an opportunity to learn more on a subject you seem interested in, you're gonna sit there and claim "hurt feelings"? Whatever, dude. Wallow in your ignorance, see if I care.
? every real beatles fan knows this great tune
r/gatekeeping
fr
Yeah, I loved it from the first day I heard it back in 1969
Thanks, Good material. Much appreciated. I'm a true fan and will give my age away by saying that I saw them on September 8th, 1964, evening show, as they played an earlier set at 16:00. Keep on rockin' in the free world :)
Thanks! Glad you enjoyed!
In Liverpool?
The slow ramping up of the base line “you can talk to me” followed by John’s gritty voice suddenly crescendos when he screeches “if you’re lonely you can talk to me” - ugh! gives me goosebumps every time.
Ive loved hey bulldog since i first heard it when i was young
What a great song!!! Vocal is fabulous and you can see the fun that this family had being together doing what they knew and loved best. One of the greatest videos of all time.
Recorded by the group as an extra song for " Yellow Submarine, " they all seemed to be in a joyful and productive phase laying down the tracks. Overlooked by many, the song is enjoying a renaissance in recent years. I always liked it!
Perhaps might be the Beatles best lead guitar solo and my personal favorite. I like the James Bond like guitar progression in the back track. Really cool.
Katfish Jak The riff is not too dissimilar to Money.
True. But the moving "progression" is in the piano part.
'Magical Mystery Tour' has always been my favorite Beatles' album.
I simply can't understand how people say that MMT is NOT a classic. Two of my favorite Beatles songs ever, Your Mother Should Know and Fool On The Hill, were on that album and absolutely blew me away when I first heard them.
@@doesnotexist305 I am the Walrus.
.Hello Goodbye....i mean...SFF....PL...every song a monster...and then totally groundbreakung Blue Jay Way...and AYNIL...is there even a weaker point on the entire album?
DoesNotExist305 yeah i dont understand why people say its not great, most songs are classic and
imo as good as sgt pepper
I'm with ya man! I mean Magical mystery tour, fool on the hill, I'm the walrus, hello goodbye, penny lane, strawberry fields, and all you need is love! These are like the best beatles songs
I always loved "Hey Bulldog "..........and " It's Only A Northern Song "
"It's All Too Much" is also very good. I think it might be better than "Only A Northern Song"
A great track - it’s a hidden gem and has always been one of my favourite tracks.
me and my brothers all loved that tune. ---and heck---i'd pay album price for 4 new Beatle tunes any day!
Man, i really love the way you express enthusiasm without being silly or try to act like a funny teenager, like most of youtubers. God bless your heart.
clearly George´s solo, no doubt about it
One favorite Beatles song. It’s the wildest most funky thing. Perfect.
Funny how different we all are, I guess. Hey Bulldog and Glass Onion have always been my absolute favorite Beatles tunes.
Yellow Submarine was my first '45 single as a kid, but I never bought the album. I discovered Hey Bulldog in 1976 when the Beatles' Rock and Roll Music album was released. Wow, a unique and powerful Beatles song! I couldn't believe what a sleeper it was!
The greatness of Lennon´s music as I see it.
-The increasing tension. For example I Should Have Known Better. Before Lennon, all pop music structure was AABA, where the tension decreased in the middle part B. But with Lennon the tension from the verse continued in the middle part. Besides that, in this song it is not only a key change in the transition to the middle part, it is even a little key change in it. The increasing tension was what first characterized The Beatles. The first single where the verse lacked this increasing tension was Can´t Buy Me Love. (But the chorus is OK). I didn´t know then it was a McCartney composition. - Other ways of increase the tension by Lennon is to pack together several little songs. Happiness Is A Warm Gun consists of three or four songs, and Bring On The Lucie consists of three songs. -All You Need Is Love has another way: First talking, then repeating half singing, then singing, and finally the climax in chorus.
-The melody does not changes, but the background. For example in Strawberry Fields Forever and in Julia the singing melody uses the same notes, but instead the accompaniment changes! Listen to Puccini. He got tired of his sang melodies in Boheme and in Tosca he composed a lot where the sang melodies are often on the same notes, but the background changes instead. The effect can be stronger.
-Octave Leap. For example, in the middle part of Please Please Me, Lennon makes an octave run in “…it´s so hard to reason with YOU…”, the climax of the song. George Martin didn´t understand the quality in that. In his orchestration of it in Off The Beatle Track, Martin excludes the octave, the most important bit of the song!
-Verse and resolve. Typical for Lennon is a melody followed by a resolve, for example in No Reply “…I saw the light!”…and in Girl “girl! girl!…”. Lennon said that “a good song must have climax and resolve”.
-Only one chord. In Tomorrow Never Knows there is only one chord, or bass note, an innovation in pop music. In the Middle Ages it was common with that bordun note, an unchanged bass note. When Lennon played the song the first time for George Martin, Martin didn´t like it.
-Whole-tone scale. Most scales have both whole step and half steps between the notes in an octave. In the verse in Norwegian Wood, there is most whole steps, and that´s like the impressionists, for example Debussy. It sounds very clean.
-Church Modes. A Hard Day´s Night is written in the mixolydian mode, an ancient vocal scale, preserved in British, Irish and American folk song. -If you play the beginning of Please Please Me slowly, you can hear the similarities with the Westminster bells ringing. When Lennon was a little boy, he loved visiting the divine services. Afterwards he used to improvise anthem music. Westminster bells could unconsciously have inspired him to the beginning of Please Please Me. There is also anthem music in the beginning of All You Need Is Love: “love love love…”.
-The lamentation second. A little half step up in the scale. And that´s to indicate a pain. In All You Need Is Love Lennon sings the refrain twice unchanged and then suddenly the third time, rises a little, a very expressive and important step up. That step up started in the baroque epoch, and was called The lamentation second. When Lennon played it the first time to George Martin, Martin didn´t like it. He leaned towards McCartney and muttered: “It´s certainly repetitive”.
-From darkness to light. Happiness Is a Warm Gun starts with a little melancholy, and ends with enthusiasm.-In the middle part of I Am The Walrus the darkness switches over to light: “sitting in an English garden…”. And the transition from the chaos and darkness in Revolution 9 to the light in Good Night. That is very typical in Wagner´s music. I think that temperamentally the two were similar. And I think Wagner would have loved the arrangement in Glass Onion.
-Suggestive and hypnotic music. With small intervals between the notes in combination with some dissonance chord, Lennon can create a suggestive and hypnotic feeling in for example Across The Universe. It is more like Wagner than pop music.
-Few notes. With few, but effective notes, Lennon can create more feeling than McCartney with all his notes, for example in If I Fell and Love.
-A melody sang three times, in succession, with just a little change every time. When you hear it you can get frustrated or desperate not getting out from the melody. That we have in the middle part in I Call Your Name and in the middle part in And Your Bird Can Sing. And at the same time the melodies are stick together with a countermelody at the guitar. Rather hypnotic -Melodies without joint. Innovation. When repeating the verse melody in Any Time At All, the first note is the same note as the last note in the first verse: “…there is nothing I won´t DO if need a shoulder to cry on…”
-The accompaniment doesn´t follow the vocal line. In the middle part of Hey Bulldog, the piano doesn´t follow the singer. An innovation in pop music. The first one was Schumann in his songs.
-The first rap songs. The talking in the end of Hey Bulldog, and the talking in Give Peace a Chance.
-The most excellent and lovely melodies: The middle part of Bad to Me, the middle part of This Boy, the middle part of Yes it Is and the middle part of Nobody Loves You.
Johan - You've done your homework with this comment! Thanks for sharing.
Considering your background, I think you'd appreciate what my friend Aaron Krerowicz is up to with his Beatles work: www.aaronkrerowicz.com/
FabFourArchivist. Thank you for your words!
JL definitely nailed the climax technique. PM was universal and more technical. JL needed Paul to refine his work. PM needed John to add excitement to his work. Just one example, check out John's rhythm lick to Things We Said Today. And see how Paul finished out Day on the Life and Strawberry Fields.
All You Need is Love was a musical breakthough due to JL incorporation of a repeating meditation like mantra. Of course it's very difficult to create a mantra that your mind loves to repeat without getting sick of it. I believe that you would not have the Hey Jude ending without All You Need is Love. Paul learned this from John.
@@Johan93888 Could I echo that comment. That's some very solid and insightful analysis you've applied yourself to there, Johann. You focus on the 'way we respond to the music emotionally'. Good choice as this was indeed Lennon's genius. He's rarely regarded as technician but he knew his own bag of composing techniques very well, most probably intuitively.
I enjoyed your post immensely. Thanks.
Back in college in the mid-Eighties played this tune along with a couple other "off the beaten track" Beatles songs (She Said, She Said and I'm Only Sleeping) in a covers + originals band. It was one of the funnest songs we'd perform. Thanks for all the background info.
My favorite line: "Do you know anymore?" Ahhhhhh...
This song blows my mind - sonic perfection!
Late to the party (as always) but ever since I first heard 'Hey Bulldog' on a Beatles compilation cassette Rock N Roll Music Vol II I was hooked and this is without a doubt my favourite Beatles track! Thanks for making this insightful video. There's a version that Dave Grohl and Jeff Lynne play which is simply amazing.
Thanks for chiming in, Richard. That Grohl/Lynne cover is on fire.
FabFourArchivist and you can hear it in his voice that he adores The Beatles; wonderful stuff!
I am lucky enough to remember the 60s. I loved this sing when it was first released and love it today.
Clearly, you just didn’t take enuff drugs
It's on my top 10 list. And John couldn't play that solo. Had to be George.
@Traynor Band coulda been John. Revolution quite soon after.
@Yer Blues the one recorded in Twickenham studio's 4th Sept 1968. The videos on you tube.
He played the Get Back solo and 1/3 of The End. Of course he could. And listen to the triplets and chord changes in All my loving.
I only recently discovered this vid and what a gem it is. I think it is the best footage of the beatles in the studio. The let it be sessions were always a bit strained, not just between themselves but because there was obviously a formal film crew in their faces all day. This seems totally spontaneous and fun. It's also just so beatles, Paul is playing ever such a bit second fiddle to John, so showing the beatles as a gang. Also with Paul and John both at the Mike is like they are doing a sing song of a Beatles song, like millions of people have and do. The editing is superb and the musicianship well enough said. Thanks for reviewing and posting, it's precious.
I love this song! One of my Beatle favorites. Great guitar solo,kick ass bass line, fun lyrics in the end. In my opinion, on the top ten list of Beatles best recordings. Certainly top 5 of Paul's best sounding bass lines.
Yeah! That bass line is killer!
I rank this as Paul's best bass line in any Beatles song. It was already a great song, but his performance on the bass made it perfect.
The bass work is in the top 3, with Rain and Something. Come Together at #4.
Douglas Gorney I saw a video of Paul and George Martin at the recording console, and Paul says he'll add the bass track later. I think to work out ideas for the bass lines.
Ramiro Garcia Cool! My understanding is that was standard procedure with Paul, staying after the other Beatles had left (or on days when they weren't coming in to the studio) to lay down the final bass tracks we know so well.
I would tend to believe Geoff Emerick as John was usually stoned or tripping by this time, whereas Emerick, being a proper EMI employee. had to come in straight & sober.
This is one of my favourite Beatle songs of all and I regard it as an absolute masterpiece. I contains everything a highly skilled song should contain. Plus, it's pretty bloody exciting, too!
Yoko, thank you for all this emotion! Fantastic interpretation and production. Thanks again for "Imagine Ultimate Collection". A lot of love for you and John! - Michel Haas, founder of the Swiss Beatles Fan Club.
To fully appreciate this exceptional composition by John Lennon, I recommend the remixed version available on Yellow Submarine Songtrack. The recording has become perhaps the best sounding Beatles cut, with Paul's imaginative bass playing put to the fore, Ringo's solid drumming, and the vocals at last centered. Truly one on the very best Beatles songs ever, my personal favorite for sure! As it now stands, the glorious recording has a reference hi-fi testing quality written all over it.
Why this version wasn't chosen for the recently issued video is a mystery... and a shame. Definitive mix.
Completely agree. It’s like a whole different song.
harrison's lead guitar is infinitely more important to this song than the weak bass line. but of course it is more trendy to always comment about paul this and paul that.
+nonrepublicrat
So True!
What happened to Paul's bass lines when he formed Wings? In fact what happened to his phenomenal song writing?
There's some pretty solid bass lines in Wings songs. "Silly Love Songs" and "Goodnight Tonight" off the top of my head.
Hey Bulldog is a pure masterpiece.
My favorite Beatles song.. and I love almost every song they every did.
Fantastic work on this fantastic song, FabFourArchivist! I've always loved the instantly catchy riff, Paul's creative bass, the cutting lead, John's unique and at times, raspy vocals, and the terrific and playful harmonies between John and Paul. Ringo's drumming was perfectly played to match the driving and forceful rhythm of the song.
Not a day goes by that I do not listen to The Beatles, my favorite group of all time. I've wondered over the years why this song seemed to be under-appreciated, but glad to see it get the acclaim it deserves.
Great research on the recording details. My guess is that it was in fact George who did play lead. Even though Paul and John could do lead, it would have been a bit odd maybe for him not to have a part. Like many others, I also was familiar with it being used as the video for Lady Madonna. I wonder if other actual footage of this session still exists. If you know of any online, it would be awesome to see it.
Again, great work on putting this all together! Very interesting and entertaining, thank you for your effort!
Thanks! Yeah, I'm still surprised it didn't get more attention upon release - deep track FM stations, etc. But happy it's finally getting its due!
Didn't you forget someone?