Dude...there is no way i am watching a 2.5 hour video on a pedal i dont own or isnt going to buy. But...if i did own it, this would be a total lifesaver! Content like this is hugely appreciated by some of us. Even for the ones i am not going to watch myself, i am glad that they exist...pretty niche stuff at times, but extremely useful for the people who needs it. And even your shorter stuff gives a good impression of what a pedal actually can do, much better than many other more "fancy" or established channels. Anyway, just wanted to give a thumbs up for what you are doing, pretty awesome stuff man :)
This is freakn awesome! I just bought the LVX and Mercury X together and am so happily overwhelmed, lol. This is just what I need to start, you are a legend :)
Awesome, you'll love them both. I did a similar tutorial on the Mercury X, but I'd suggest going through this one first to learn the layout, the second one is easier once you get the interface down. The editor for the LVX will be released in a month or two, but still worth learning the interface.
Awesome video!!! For the tremolo effect, i think you dont even need to mess with the Volume pedal in the Amp section, the pre-level is always in the Modifiers destination list and thats simply the input level i believe
Thank you for this in depth video! After reading the manual you still wouldn't learn all the details you have provided in this video! The LVX is a multi effects pedal ! You can create great sounds without delay! Meris have just released an editor which will make creating new patches so much quicker. Cheers from Downunder 😂
Timestamps are in the description for hopping around. Sorry for the lack of chapters. Aparently I hit UA-cam's limit of how many you can have :) For anyone looking for good overview of the possibilities sound wise on this pedal, I did a Preset showcase you can check out. ua-cam.com/video/DB-oAD4yYEg/v-deo.html
@@banwavy I haven't. I may do additional content with the LVX though. If you have something specific you want covered more in depth feel free to mention it.
BTW does the "hold" modifier for delay feedback work like a "freeze" or infinite delay (e.g Eventide Rose)? As in, can you hit the footswitch and play over the hold signal without the live delay signal being at Max feedback? If so I must be doing something wrong.
Hold is more like an expression control, but with the footswitch instead of an expressin pedal. It doesn't Freeze the sound so you can play overtop of it specificly. You would assign hold to control whatever you want, then set the time it takes to reach the maximum value when you press it, and the time it takes to go back to the minimum setting when you release it. You might be able to accomplish something similar to freeze with the looper, just setting it to not overdub while you play overtop of whatever is looping. There might be other ways to do it, but I can't think of them off the to of my head. If I find a way to do it other than that I'll reply here with the method.
Amazing video - thank you! One area of confusion for me - in the lfo section - what do three steps or four steps up/down do? Are they using the first four steps of the sequencer and varying based on the lfo speed or something else entirely?
Is the sequencer only going to work with pitch shifting? I keep trying to get it to do anything, but i dont hear any changes? Your channel is the ONLY place i found anything regarding it.
Great video, really useful reference. Question - how can I adjust the EQ of either my dry signal or repeats? I’m thinking it’s the parametric eq but not sure how to get the most of it
Yes, parametric EQ would probably be the best. If you want it just on the delay stick it in the Pre location or the Feedback location. If you want it on the dry signal, stick it on the Pre+Dry location.
can you clock the granulize from an external source? So far I've only been able to scroll through strange m/s times that don't match whole bpm values. Thanks!
This tutorial is awesome! So deep & helpful! Thanks! One question: what is the difference between for example the LFO (or envelope,…) in the modifier section and the LFO (envelope…) in the expression pedal section? Is it the same?
Thank you. They are the same. You are just setting the "expression pedal" to be controlled by the LFO instead of hooking up an actual expression pedal and using that. That can be done with any modifier.
@@TriPedalReviews Ah, forgive me if you said this in your video, but this way it's possible to control multiple parameters with 1 LFO? That's pretty cool...
@@samtimmer3941 Yes it is, how you would do it is assign multiple parameters to the expression control, then assign the LFO to control the expression. You can do up to 7 parameters at once I believe.
How can you make a ducked delay? Whether on a new preset, or adding it to an existing one. I figured it would be attaching an envelope to the mix, but I can’t make it work. Any advice? Great video as always. Thanks!
I believe you'd just do envelope, but reverse the values. Minimum at a higher percentage of mix, maximum at a lower percentage of mix. Thus when you play harder the mix gets lower, and when you stop playing the mix goes higher. I think you'd also need to make sure your initial mix was at the high value. I don't have time to play with it for a bit, but when I do, if you haven't figured it out, I'll report back how I did it.
I am looking for a programmable delay,....the question is: buy a strymon timeline in 2023? Or buy the meris. What do you think about lvx's capability of recreating vintage delays? or do all the sounds have some kind of high fidelity touch? Thank you!
I wouldn't buy this one for vintage sounds. You'd be much happier with a Timeline in that regard. I suggest the LVX for anyone going for experimental sounds, soundscape type stuff, and it also has the best stereo spread of any pedal I've ever heard. It has little focus on nailing old vintage stuff though.
Hello. Can the stutter mode of ottobit jr be recreated with lvx and if yes will ii give access to wet/ dry mix, which is not available in ottobit jr? Oh and can i reduce the sample rate in any patch i create, just on the wet signal and/ or the dry signals? Thank you
Stutter is called Granular in this pedal and is in the Modulation section. Bit Crushing and Sample Rate Reduction is in the Preamp section (in one module). You have the ability to place these elements anywhere in the signal chain that you want. So if you only want them on the delay signal, you can do that, if you want them both on the dry signal, you can do that. If you want to separate them so one is on dry the other on the delay, you can do that. You can control the mix of the delay and dry signal. So if you want that control, you'd need to place the elements on the delay line. You can hear a bit of this in the preset showcase video I did. ua-cam.com/video/DB-oAD4yYEg/v-deo.html
@TriPedalReviews Thank you. There are tons of stutter types in various forms...I was just wondering if the specific stutter of the ottobit jr can be achieved with the lvx. Thank you for the great reviews as well.
This is incredible work. Thank you thank you. Appreciate you.
Dude...there is no way i am watching a 2.5 hour video on a pedal i dont own or isnt going to buy. But...if i did own it, this would be a total lifesaver! Content like this is hugely appreciated by some of us. Even for the ones i am not going to watch myself, i am glad that they exist...pretty niche stuff at times, but extremely useful for the people who needs it. And even your shorter stuff gives a good impression of what a pedal actually can do, much better than many other more "fancy" or established channels. Anyway, just wanted to give a thumbs up for what you are doing, pretty awesome stuff man :)
YESSSSS! I've been waiting for this. I would love to see you do a walk through of the Enzo!
This is freakn awesome! I just bought the LVX and Mercury X together and am so happily overwhelmed, lol. This is just what I need to start, you are a legend :)
Awesome, you'll love them both. I did a similar tutorial on the Mercury X, but I'd suggest going through this one first to learn the layout, the second one is easier once you get the interface down. The editor for the LVX will be released in a month or two, but still worth learning the interface.
Scratched the surface of this video and made first usable preset from scratch, many thanks for the hard work making this video
Awesome video!!! For the tremolo effect, i think you dont even need to mess with the Volume pedal in the Amp section, the pre-level is always in the Modifiers destination list and thats simply the input level i believe
Nice, there are usually multiple ways to get effects. Primary goal is just to get people thinking about how they can achieve them.
My 2 Nuetron’s sound amazing through the LVX. Thank you for this in depth tutorial 👍🏻
Meris sent me your link and this is exactly what I need to get my money's worth. Thanks for this
Awesome, thank you so much. Will be coming back to this a lot I think, much appreciated 👍
Thank you for this in depth video! After reading the manual you still wouldn't learn all the details you have provided in this video! The LVX is a multi effects pedal !
You can create great sounds without delay!
Meris have just released an editor which will make creating new patches so much quicker.
Cheers from Downunder 😂
thank you so much for this! This is such a deep instrument. It takes time and commitment to learn it and this is a very helpful learning tool.
Timestamps are in the description for hopping around. Sorry for the lack of chapters. Aparently I hit UA-cam's limit of how many you can have :)
For anyone looking for good overview of the possibilities sound wise on this pedal, I did a Preset showcase you can check out. ua-cam.com/video/DB-oAD4yYEg/v-deo.html
FYI: Time stamp for state variable filter is mislabeled. Nice work!
@@dancehallc Thanks for looking out! I've corrected this.
Did you ever dive any deeper into the sequencer?
@@banwavy I haven't. I may do additional content with the LVX though. If you have something specific you want covered more in depth feel free to mention it.
Dude you are maniac and I love it.
Thank you so much for putting in the time to make this
Thanks, this is extremely helpful!
Awesome job!!!
Great work. I got mine thanks to you.
How's it been? I just ordered one but it's not here yet
@@MrKadidle51it’s amazing! Be sure to watch this video! And download the manual in pdf to know the terms. You will love it!
Thanks!
BTW does the "hold" modifier for delay feedback work like a "freeze" or infinite delay (e.g Eventide Rose)? As in, can you hit the footswitch and play over the hold signal without the live delay signal being at Max feedback? If so I must be doing something wrong.
Hold is more like an expression control, but with the footswitch instead of an expressin pedal. It doesn't Freeze the sound so you can play overtop of it specificly. You would assign hold to control whatever you want, then set the time it takes to reach the maximum value when you press it, and the time it takes to go back to the minimum setting when you release it. You might be able to accomplish something similar to freeze with the looper, just setting it to not overdub while you play overtop of whatever is looping. There might be other ways to do it, but I can't think of them off the to of my head. If I find a way to do it other than that I'll reply here with the method.
@@TriPedalReviews cool, thanks again for providing your expertise.
thanks for this. Amazing work . I subscribe.
Amazing video - thank you! One area of confusion for me - in the lfo section - what do three steps or four steps up/down do? Are they using the first four steps of the sequencer and varying based on the lfo speed or something else entirely?
These are wave shapes. For example, 3 Steps Up and 4 Steps Up are stepped variations of Ramp Up.
Is the sequencer only going to work with pitch shifting? I keep trying to get it to do anything, but i dont hear any changes? Your channel is the ONLY place i found anything regarding it.
The sequencer can control any parameter
Great video, really useful reference. Question - how can I adjust the EQ of either my dry signal or repeats? I’m thinking it’s the parametric eq but not sure how to get the most of it
Yes, parametric EQ would probably be the best. If you want it just on the delay stick it in the Pre location or the Feedback location. If you want it on the dry signal, stick it on the Pre+Dry location.
Why does the poly chroma have latency in it? You can't really use it as an octave pedal huh?
can you clock the granulize from an external source?
So far I've only been able to scroll through strange m/s times that don't match whole bpm values. Thanks!
Does Pitch L and R still work in mono?
This tutorial is awesome! So deep & helpful! Thanks!
One question: what is the difference between for example the LFO (or envelope,…) in the modifier section and the LFO (envelope…) in the expression pedal section? Is it the same?
Thank you. They are the same. You are just setting the "expression pedal" to be controlled by the LFO instead of hooking up an actual expression pedal and using that. That can be done with any modifier.
@@TriPedalReviews Ah, forgive me if you said this in your video, but this way it's possible to control multiple parameters with 1 LFO? That's pretty cool...
@@samtimmer3941 Yes it is, how you would do it is assign multiple parameters to the expression control, then assign the LFO to control the expression. You can do up to 7 parameters at once I believe.
How can you make a ducked delay? Whether on a new preset, or adding it to an existing one. I figured it would be attaching an envelope to the mix, but I can’t make it work. Any advice? Great video as always. Thanks!
I believe you'd just do envelope, but reverse the values. Minimum at a higher percentage of mix, maximum at a lower percentage of mix. Thus when you play harder the mix gets lower, and when you stop playing the mix goes higher. I think you'd also need to make sure your initial mix was at the high value. I don't have time to play with it for a bit, but when I do, if you haven't figured it out, I'll report back how I did it.
silly question: how do u bypass the pedal?
You tap the same footswitch that is lit up. So if you have footswitch 2 on, you'd tap it again to bypass the pedal.
I am looking for a programmable delay,....the question is: buy a strymon timeline in 2023? Or buy the meris. What do you think about lvx's capability of recreating vintage delays? or do all the sounds have some kind of high fidelity touch?
Thank you!
I wouldn't buy this one for vintage sounds. You'd be much happier with a Timeline in that regard. I suggest the LVX for anyone going for experimental sounds, soundscape type stuff, and it also has the best stereo spread of any pedal I've ever heard. It has little focus on nailing old vintage stuff though.
Hello. Can the stutter mode of ottobit jr be recreated with lvx and if yes will ii give access to wet/ dry mix, which is not available in ottobit jr? Oh and can i reduce the sample rate in any patch i create, just on the wet signal and/ or the dry signals? Thank you
Stutter is called Granular in this pedal and is in the Modulation section. Bit Crushing and Sample Rate Reduction is in the Preamp section (in one module). You have the ability to place these elements anywhere in the signal chain that you want. So if you only want them on the delay signal, you can do that, if you want them both on the dry signal, you can do that. If you want to separate them so one is on dry the other on the delay, you can do that. You can control the mix of the delay and dry signal. So if you want that control, you'd need to place the elements on the delay line.
You can hear a bit of this in the preset showcase video I did.
ua-cam.com/video/DB-oAD4yYEg/v-deo.html
@TriPedalReviews Thank you. There are tons of stutter types in various forms...I was just wondering if the specific stutter of the ottobit jr can be achieved with the lvx. Thank you for the great reviews as well.
Here they come to snuff the rooster 🐔 ah yeah
Martinez Maria Miller Margaret Lopez Susan