How to Paint TURQUOISE BLUE OCEAN. Painting Techniques for Seascapes and Tips on Composition
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- Опубліковано 31 лип 2020
- In this video I will show you how paint turquoise blue ocean, painting techniques for seascapes, brush work and some important tips on composition.
When I was painting this art work I ran into some problems with the composition which in hindsight I could have avoided with some better planning. Regardless sometimes you can run into problems when painting an art work so I give you some tips on how to fix you painting if it is not working.
This painting is inspired by the Central Coast area of Australia. The beautiful coast line is characterised by turquoise blue ocean, sandy beaches and rocky shores.
I have painted this art work in oils but you can also use acrylics as well.
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Thank you so much for making this videos to teach. You're a fabulous artist and have a very pleasant way of relating to your audience. I'm learning from you. Thank you!!
Thank you so much 😊
Wow😲😮😍Turqoise ..Love it🌹
Thanks so much 😊
Great Video on Patreon...👍
Yay, thank you so much 😊
I'm a couple months late with this comment, but I love this video! I've been having GREAT fun with seascapes the past couple of months.
Glad you enjoyed it! Thanks 😊
Love your work. Learning so much.
Thank you 😊
Thanks Samuel!
My pleasure! 😊
Very good seascape demo!.Thanks!
Glad you liked it, many thanks 😊
Excellent video Sam!
Thank you very much 😊
fantastic tips, thanks Samuel
My pleasure! Thanks 😊
Most beautiful work
Thank you so much 😊
Thank you Sam I love binge watching you and Andrew Tischler... great work my friend
Awesome, thank you 😊
Wow your so talented great painting
Thank you so much 😀
I’m so glad you’re doing seascapes again you are so good at them and I learn so much. Thank you for telling me about the brushes you use I love them. Hope you are staying safe from the virus. Thank you Kathy
You are so welcome! I'll be painting more seascapes and I'll make more videos on how to paint them...stay tuned 😊
Nice painting! 😊
Thank you so much 😀
Beautiful!
Thank you! Cheers! 😊
I am fully amazed at how easy u develop the whole theme of colors in ur painting making it all so real like a shoot from a camera. So great man.
Thank you so much 😊
Fantastic video Thanks for sharing.
Thanks Susan 😊
I LOVE your seascapes. Still learning and hence your tutorials are a great help.
Awesome, thank you 😀
Real nice Sam!
Thanks Phil 😊
Thank you Kathy
Thank you ! Bravo
Thanks Francine 😊
I LOVE your seascapes! You are a fantastic artist!. I learn lots from your tutorials.THANK YOU!
Thank you so much! 😊
I must say that it is your seascapes that have inspired me to do some recently and it has been really enjoyable. Thanks for your comment last week Samuel, I didn't consider that the time zones in other countries made it sensible to upload videos late in New Zealand. Your seascapes are masterful. Thanks for sharing your skills.
You are so welcome David. I often work late into the night, partly due to the time zone and I also have a 2 year old son. It's much quieter to work at night so I can do things like voice recording for videos and stuff like that 😊
Nice work👍️👌
Thank you so much 😀
wow perfecty fantastic panting bro you have many talant 🇳🇵🇳🇵
Thanks you 😊
You wel come 😊
Love it.
Thanks Dianne 😊
Great explanation!! Beautiful painting!
Thank you so much 😀
Just noticed your DIY work table behind you... nice.
Thank you! It was here when I moved in, now it serves as my work station, desk and sketching space 😊
@@SamuelEarpArtist I do a fair bit of wood working, and I have built my own studio equipment. I though you might have made it for yourself...
Awesome 👌
Thanks 🤗
I love that you teach us the brushes also - I will buy the full length
Thank you so much. I'll do my best to provide as much useful information in my videos as I can 😊
I've found many compositional flaws in my paintings by flipping them upside down. Your work is spectacular , great video cheers👍
I am definitely going to try that. Thanks 😊
Yes, flipping the painting upside down helps to see if the ballance is right👍
You are such an awesome painter and an amazing instructer Sam!👍 thank you for sharing your talent and experience with us!👍also thanks for sharing valuable tips!👌 take care and stay blessed friend 💐
Thank you so much David 😊
Fantastic
Another brilliant/ educational video! You are such a good teacher. Thank you so much! 🥳❤️
You are so welcome, thank you so much Autum ☺
Again wonderful painting I started one of your painting when I will complete I will share with you..these looks so easy when you paint them but when I started I found it it's very difficult... Thanks you so much sharing your knowledge with us.. 😍😍😍
Thank you so much 😀
I love your seascape paintings ❤ Thank you so much for the videos
You are so welcome 😊
Nice one Sam ... :)
Thanks Terry 😀
beautiful as always Sam!! 😊👏❤️
Thank you!! 😊
Very nice, gonna have to try something similar, love the blue's/greens.
Thank you so much 😊
fantástico, parabéns!
Thanks Maria 😊
Sam...you have improved so much...love yr work...keep going
Thank you so much 😀
Waw .. spectacular.... Learn a lot from this ... Thank you so much for sharing 👍👍👍
My pleasure, thanks 😊
hi Sam, nice job with this one. When checking the composition on my paintings I like to take a photo of my work, download it to the computer and check it again. Somehow by doing this it gives me a new prospective of the painting.
That definitely sounds like a good idea. Thanks for watching 😊
Quite a challenge!
Thanks to your demonstration, I've learned to paint the clear water by the rocks as a reflection color, and not just a shadow color. Looking forward to exaggerating that by painting some clear water shapes ("holes" in the foam) that bridge both the shadow area, as well as the sunlit area.
Thats awesome Ralph, glad you are enjoying the videos, thanks for subscribing 😊
Hello my friend hope you are well and having a great day so far. This is awesome, your so talented bro. Simply stunning work. How many years have you been doing this. Very informative too bro. So pleased we found your channel. Stay safe and take care my friend catch up soon God bless you. 🙏❤️👍
Thank you so much. I have been drawing and painting ever since I was a child and I always loved landscape art. I took up painting seriously again 12 years ago 😊
Thanks again Sam. I really liked the final outcome of your painting and thanks also for sharing how you correct compositional errors. In my own work I finally had the courage to use phalo green to "punch up the green" as you say. It worked! I've had phalo green for awhile but considered it too difficult to work with. Just a touch did the trick. Thanks again.
Thanks. Yes phthalo green is a great colour for increasing the saturation of your greens. You only need a little amount but it goes a long way. You can use phthalo green in skies, water and ocean as well 😊
Belíssima obra que somente um mestre sabe fazer.
Muito obrigado 😀
Hi Sam, this is a timely demo for me. I’m trying to paint a seascape with smaller waves etc. I learned so much watching this, I just wish I had the talent to do it justice. Your attention to detail is awesome, a reflection of the amount of time you have spent being a pro artist and all. I also like the way you explain every brush stroke and colour mix. I paint acrylic, never been game enough to use oils, but I’m sure your methods would apply to acrylics in the main. So thanks Sam, I’m back to the drawing board. Dave M ( AUSTRALIA ) 😎🇦🇺
Hi David, just keep practicing and enjoy the process. If you get the chance you should try oil paints, personally I think they are easier to use than acrylics. Also the colours are so much more vibrant. If you buy oil paints make sure they are artists quality and just use one brand of paint. I can recommend Langridge oil paints, they are a Melbourne based company. Happy painting 😊
Totally agree, oils look better. My problem is the fumes from turpentine. My studio is well ventilated but it still affects me. I switched to linseed oil but I have problems cleaning my brushes . Colors get muddy. Any advice?
Jakethe Snake Thanks for your interest “ JS”. I think the fumes would be a killer for me as well as drying times etc. Water based oils may be a good middle ground for me. Over working with acrylics causes mud, something I do frequently. All the best, Dave M (AUSTRALIA ) 😎🇦🇺
Samuel Earp Artist Hi Sam, thanks for your fast reply. Your advice if valuable to me, I will take it under advisement. Might go half way and give water based oils a try if you agree with that. I’ll let you know how it goes, take care, Dave M ( AUSTRALIA )😎🇦🇺
Thank you for keeping an interesting channel with high quality educational videos. As Jakethe Snake mentions, I also turn my reference photo and painting upside down to correct the perspective, drawing and composition. I posted a video in my channel that shows one example; this of course cannot be done with plein-air! Loli
Thanks for watching! I'll definitely have to try turning my paintings upside down! 😊
Fantastic video again. Do you ever use acrylic primer or paint for your base color and then finish with oil?
Thanks Steve, I think this linen canvas was already primed with acrylics. Nowadays I prefer painting on oil primed linen 😊
great work this is oil?
Thanks. Yes, it is 😊
👍👍👍👏🌊
Can you explain how to use Liquin impasto and Liquin small detail? Best Situations where you should use either or? Thx
I have never used Liquin fine detail but I’ll have to dry it. I use Liquin Impasto usually for finer details, it gives the paint thicker body to it if that makes sense. It’s great when you want to add final highlights at the end of your painting 😊
Loved this demo Sam. Very interesting and instructional as always, Cheers. Is that a hint pf pommy accent? Im from London living in Tas.
Thanks Graham, yes, I am British, I was born on the Island of Guernsey and grew up in Exeter in Devon. I move to New Zealand 11 years ago. I travelled here on a working holiday visa and ended up staying! 😊
I’m in love with your work!!! When you tint the canvas with burnt sienna, do you wait for it to dry before you do anything? Do you thin burnt sienna with anything?
Thanks Lana. Yes I wait for the burnt sienna to dry first, it must be completely dry. I mix one part burnt sienna, one part liquin original and two parts pure gum turpentine. The burnt sienna underpainting is really nice to work on. Burnt umber is nice too 😊
@@SamuelEarpArtist thanks you made my day by replying!!
Super!!!! I see You from Kazakhstan.What are the main paint colors You use? Thanks!!
Hello Svetlana, greetings from New Zealand. The colours I mainly use include:
Titanium white
Burnt sienna
Yellow oxide
Cadmium yellow
Cadmium orange
Quinacridone magenta
Ultramarine blue
Cobalt Blue
Cobalt Teal
Phthalo green 😊
Hi, Samuel awesome well explained painting as always. You say you leave your painting to dry in between layers, i wonder if in a future video you could explain at the points you leave it to dry and benefits of doing so. Also what's your view of blocking in with acrylics then using oils. Have you, would you ever do it that way. Cheers
Thanks. Yes I will definitely be more mindful to explain when I let my paintings dry in between layer. I'm not sure about blocking it in with acrylics, I personally stick to using one medium. I paint with oils as I find them the easiest paints to use 😊
Looks great Sam, BUT, what about that smoke coming out of the 'chimney' on the rocks?
Another aberration?
Also the same white 'smoke' area looks like and inverted copy of the shape to the left. Time to stop looking so hard maybe....lol.
Hey! Do you think you could do a lesson for beginners on brushstrokes? I see you and some of the other guys on YT able to get these really nice fluffy clouds or trees using a flat or a dagger and I have no idea how to do it without them looking sharp and pointy
Hi Dylan, yes I will keep this in mind for sure. I do think it’s about using the right brush for the job however I don’t think it’s essential to use dagger brushes even though they are useful. Flats and filberts are my most used brushes. Also make sure to keep your brushes clean and no paint collecting in the ferrule, this will also help with your brush work. Stay tuned, I’ll talk more about brush marks in future videos 😊
Samuel Earp Artist that’s great thanks!
Late... but now i understand why you cancelled the burnt umber. Its the Siena and the ultramarine. Its limit the palette and moved unnecessary colors. Although i think the burnt umber us a powerful and useful...it cant be variant to the orange side the Siena does. I know you addicted to cobalt teal but wonder if you can limit the palette more and use phtalo green. I think the yellow oxide is amazing substitute to ochre and found he have more pure brightness and have very accurate complementary to the ultramarine. Sam....i just addicted to your painting way.
Thanks you. I haven't stopped using burnt umber but I haven't felt the need to use it lately. Burnt umber is a dark yellow, whereas burnt sienna is a dark orange, so I feel burnt sienna combines with blue better. Whilst burnt umber is a nice colour from a teaching perspective I have not been using it as much as if used incorrectly it can quickly create muddy colour.
With regards to cobalt teal, I only recently started using it again in the last few months as it is such a useful colour...but yes you are right you can use phthalo green as well. I love yellow oxide too, again very versatile and it's also cheaper than yellow ochre 😊
Do we have to buy all these colors or can we make it? I mean burnt sienna is really important so is it better to buy it ? Love your work ♥️
I would definitely buy burnt sienna, I use it in every one of my paintings. All the colours I used in this video you can paint any landscape or seascape with 😊
@@SamuelEarpArtist thanks !
Are you and Andrew Tichler childhood friends ? 🤔
No, we met a few years ago and have been friends ever since. We also both live in New Zealand 😊