Try disabling stabilization completely and load the fotage in Catalyst Browse (free, from Sony) which can stabilize it as much as you need (allows much more fine-tuning regarding the crop vs stabilization than the active stabilization built in the camera) using gyro data from the zv-e10 - gyro data is where zv shines vs a6400. I also feel it improves rolling shutter ☺️
Catalyst Browse is a nice way to stabilize the footage after the fact, but it will crop in on the view, reduce the quality, and take forever to complete. Better to just get a gimbal which will retain all the quality, no crop in and use the footage straight out of the camera.
@@JronDon854 This would be a great way to go,(active stabilization + gimbal), but the stabilization offered by a good gimbal is such that you don’t need to use the digital in camera stabilization, which for some cameras comes at the expense of a crop in. For the ZV-E10 the crop is some 43%, (ouch!). A gimbal is the quickest way to go with no fiddling in post. The problem with a gimbal is it’s another piece of hardware that someone has to plan to bring with them, and it can be a pain getting the thing balanced. Since the time of this comment Sony has updated Catalyst Browse. While it isn’t any quicker it does the job with no loss in the original file’s video quality, which does make it attractive to use to get the most stable footage. If you don’t mind the processing time, and some crop, I think it is a great way to go if you have a recent (aft 2020), Sony camera.
this is my humble request to all content creators using latest sony mirrorless cameras to disable the EYE PRIORITY in autofocus feature of their cameras at least in video mode. the EYE DETECT feature undoubtedly gives perception of better looking video but because sony's EYE AUTOFOCUS is so powerful and that coupled with modern lenses at wider aperture results in a video that has a very small portion of the screen that is highly in focus. this obviously looks impressive f0r stlls but when it comes t0 vide0, and especially when the subject is m0vng, it bec0mes strainful on eyes of the viewer to watch.
You need a gimbal with this lens and camera for video. No two ways around it. Using Active stabilization has no meaning might as well use the OSS kit lens @ 16mm. And Catalyst Browse extra processing required plus crops in too.
1.8 vs 4 is huge, for situations where 4 is enough i dont really bother with dedicated cameras anyway. The exception would be shallow dof portrait type shots or wildlife but then we're talking 50/85mm or 200-600mm.
It depends what you shoot. For stationary subjects f/4 with IS is better but of there are moving people then you'll have to use 1/60 s or 1/125 s and IS is useless.
For landscape and interior photography, OSS is not critical compared to videography. So I think this is what this is made for. You dont need OSS for videos using gimbals.
HI thanks for the review of the 11mm. You know I actually prefer looking at the active punched in look. You look more engaging. The active off makes you face look way to small in relation the the size of the frame and what gets your attention is the large part of your forearm holding onto the camera.
I would say 16-50mm is still the king of vlogging for these apsc cams. It's so sad that sony doesn't want to give us a proper wide angle lens, just for this reason I may need to upgrade from my A6600, it's such a beautiful camera 🥹
@@fredriksvard2603 They are wide but not fit for vlogging (Very shaky). Nothing seems to work apart from the 16-50mm lens for vlogging. It seems to be a deliberately move from Sony as the a6600 is such a fab camera and if they introduce a stable ultrawide other camera sales would plummet for sure.
Sony's new 10-20mm PZ zoom for aps-c should fit your bill. Super wide and sharp. It's a beautiful lens. Nice to have that 11mm f1.8 for times when it is not so bright indoors or outdoors.
That active stabilization is indeed a joke. Crops a lot and it’s not even that stable. Sony really needs to take their things more seriously. At least they offer a post stabilization option though. Nice video!
Great video! Would the stabilisation/cropping issue be a factor if I buy it for my a6700? Also just wondering if this can be used to get close up shots for food (even though that's not the intended use case). Thanks!!
Yes, agreed about the stabilization. Gimbal or Active stab is necessary. Hopefully, a new Sony 7XXX APS-C will fill the void. Could be the perfect second angle lens for gamers that stream and like to cut to a wide shot. Thanks for the video.
Which these ultra wide angle lenses do you suggest for indoor real estate videography in a low light noisy situation with the Sony ZV-E10 camera ? 👇 1. Sony 11mm f.1/8 2. Samyang 12mm 3. Rokinon 12mm 4. Tamron 11-20mm 5. Viltrox 13mm F1.4
I just subscribed. I have the ZV-E10 and I am using the Crane M3 gimble and just bought this lens a few hours ago excited to get this setup going. I will keep watching your content. Amazing scenes in his video ... I appreciate the time you took to make this video. I know it takes time to edit all of this to make a good video like this. --chris
We need a Sony 16-or-18mm F1.4 GM lens that can accept front filters. 20G is not GM & 24GM is long in the tooth on the A1 & it won’t be replaced till F1.2 24mm GM in 2024. The only thing exciting would be a wicked fast Prime with glass on par or better than the 24mm GM that can take front screw on filters & offers a wider perspective. 14GM is too compromised by being too wide and not being able to accept front screw on filters
Thanks man for the review. Unless sony sort their stabilisation game out, these lenses are wasted, all that barrel roll and micro jitter. Dont think sony can progress without resolving it.
Great videos and such a wonderful personality. I always enjoy your material! As for the 11mm f1.8, it’s so wide that there really isn’t any DOF blur. I currently have the 10-18mm f4 with OSS, and it’s a handy lens. Also, you can zoom in to 12mm and use it on a full frame Sony. I think if that 11mm was something crazy like f.95 it would be unique enough to purchase. Just a thought.
Thanks for that! Yea maybe if ut was .95f it would be way more unique haha. But yes the 10-18 is one of my all time fav and the fact that it works well on the FF is just fantastic
I only want to shoot in adverse conditions (mainly rain), is this lens weather sealed? I don't want to put any waterproofing in front of the glass, especially on a wide angle lens.
I have a Canon M50 aps-c with the Laowa 9mm f2.8 = 13mm full frame equivalent. Which has proven to be very capable shooting real estate for about 8 months now. I had a Sigma 16mm f1.4 which is the sharpest and best lens I ever had shooting in very low light situations. But certainly not wide enough for real estate. This Sony 11mm f1.8 looks like it will do well shooting real estate but not as wide as the Laowa 9mm. My only gripe about this Laowa is it's not as sharp at the corners as I would like. Is this Sony 11mm sharp at the corners?
Hi Brother - I just used 20mm f/1.8 Nikon Z series lens on my Z50 to shoot portrait in balcony (behind bright shining day) but found lot of grains and pixelate while zoom the DNG pic on Lightroom! Any suggestion - how we can I make use of this expensive lens (Im new to photography) to capture Portrait and Landscape. It was captured under manual mode - ISO100 f/1.8 1/800s
So question. It's been 1 year or roughly. Did you get any shots with northern lights? Any astro? I'm going to be in Iceland in Nov for Iceland airwaves and hoping I can get the lights in as well
called it in your camera switch video 😃 also curious about your opinion, about the other two lately released apsc lenses from Sony. Curious to see a future Sony apsc camera with ibis in a ZV E20 (?) or an active steady shot with almost no crop. Would be great ^^
If you need stabilization while walking and talking with a wide angle lens why not get the latest DJI Hero 4 action camera? I'm assuming that 11mm lens cost you something...put that money on the thing that's perfectly designed to do what you are trying to do.
Canon will have to stop their strategy of only releasing slow aps-c lenses if they want to remain in the game, thats for sure.. take into consideration Fujis huge lens lineup and it makes them look even worse. I'm sure Sony will release a new aps-c camera with ibis in the not so distant future as a response to the R7 and R10 as well. Interesting times.
yesss I really think that sony will need to step up their APSC game now, or just ditch the system. But if they do I think it could generate lots of hype bc all of us are super excited about an upgraded APSC from sony
Still waiting for a 10-18mm image/size quality upgrade (even prime is fine), we have small bodies without IBIS for a reason, give us a wider native optical stabilisation to the quality of the 35 1.8, please Sony. It's been a decade that everybody has been asking for this.
Try disabling stabilization completely and load the fotage in Catalyst Browse (free, from Sony) which can stabilize it as much as you need (allows much more fine-tuning regarding the crop vs stabilization than the active stabilization built in the camera) using gyro data from the zv-e10 - gyro data is where zv shines vs a6400. I also feel it improves rolling shutter ☺️
Cool will have to test that! Thank you for the tip 😊🤘🏻
Read the user agreement for Catalyst Browse, it steals and sells all your data. Really, read it. There is a reason why things are free.
Catalyst Browse is a nice way to stabilize the footage after the fact, but it will crop in on the view, reduce the quality, and take forever to complete. Better to just get a gimbal which will retain all the quality, no crop in and use the footage straight out of the camera.
@@Cthames123 Gimbal with active stabilisation?
@@JronDon854 This would be a great way to go,(active stabilization + gimbal), but the stabilization offered by a good gimbal is such that you don’t need to use the digital in camera stabilization, which for some cameras comes at the expense of a crop in. For the ZV-E10 the crop is some 43%, (ouch!).
A gimbal is the quickest way to go with no fiddling in post. The problem with a gimbal is it’s another piece of hardware that someone has to plan to bring with them, and it can be a pain getting the thing balanced. Since the time of this comment Sony has updated Catalyst Browse. While it isn’t any quicker it does the job with no loss in the original file’s video quality, which does make it attractive to use to get the most stable footage. If you don’t mind the processing time, and some crop, I think it is a great way to go if you have a recent (aft 2020), Sony camera.
Some of the shots there were shot on a gimbal, and the lens was epic for that. Super smooth, didn't really have to do any warp stabilization
I'm really liking this lens tbh
this is my humble request to all content creators using latest sony mirrorless cameras to disable the EYE PRIORITY in autofocus feature of their cameras at least in video mode. the EYE DETECT feature undoubtedly gives perception of better looking video but because sony's EYE AUTOFOCUS is so powerful and that coupled with modern lenses at wider aperture results in a video that has a very small portion of the screen that is highly in focus. this obviously looks impressive f0r stlls but when it comes t0 vide0, and especially when the subject is m0vng, it bec0mes strainful on eyes of the viewer to watch.
Good Lord, that’s the color straight out of camera? Looks amazing.
love the ultrawide but a little shaky, most viewers will say it's unwatchable.
nice review man loved it
You need a gimbal with this lens and camera for video. No two ways around it.
Using Active stabilization has no meaning might as well use the OSS kit lens @ 16mm. And Catalyst Browse extra processing required plus crops in too.
I still think the 10-18mm oss is better. Image stabilised, constant f4 is fast enough, just as wide, bit more "multi-function" for me.
1.8 vs 4 is huge, for situations where 4 is enough i dont really bother with dedicated cameras anyway. The exception would be shallow dof portrait type shots or wildlife but then we're talking 50/85mm or 200-600mm.
It depends what you shoot. For stationary subjects f/4 with IS is better but of there are moving people then you'll have to use 1/60 s or 1/125 s and IS is useless.
For landscape and interior photography, OSS is not critical compared to videography. So I think this is what this is made for. You dont need OSS for videos using gimbals.
HI thanks for the review of the 11mm. You know I actually prefer looking at the active punched in look. You look more engaging. The active off makes you face look way to small in relation the the size of the frame and what gets your attention is the large part of your forearm holding onto the camera.
I would say 16-50mm is still the king of vlogging for these apsc cams. It's so sad that sony doesn't want to give us a proper wide angle lens, just for this reason I may need to upgrade from my A6600, it's such a beautiful camera 🥹
11mm or 10-20mm isnt proper wide?
@@fredriksvard2603 They are wide but not fit for vlogging (Very shaky). Nothing seems to work apart from the 16-50mm lens for vlogging. It seems to be a deliberately move from Sony as the a6600 is such a fab camera and if they introduce a stable ultrawide other camera sales would plummet for sure.
@@IndianPolish Ok, i see. Isn't vlogging pretty irrelevant though, does it really drive sales and lens designs?
Sony's new 10-20mm PZ zoom for aps-c should fit your bill. Super wide and sharp. It's a beautiful lens. Nice to have that 11mm f1.8 for times when it is not so bright indoors or outdoors.
That place looks so peaceful 😄
You're really underrated by the way. Keep up the great effort 😃👍
Thank you so much random guy!
Yeah imma pair it with a tripod / selfie stick to get some of the distance back with the active stabilization
Great job on the video Guy! Thanks for making it.
what lens you are using now for your talking head video in general. and for same video should i go with this sony11mm or sigma 16mm
That active stabilization is indeed a joke. Crops a lot and it’s not even that stable. Sony really needs to take their things more seriously. At least they offer a post stabilization option though. Nice video!
Great video! Would the stabilisation/cropping issue be a factor if I buy it for my a6700? Also just wondering if this can be used to get close up shots for food (even though that's not the intended use case). Thanks!!
You can always find a half way compromise and stabilise in Catalyst Browse 😚
Yes, agreed about the stabilization. Gimbal or Active stab is necessary. Hopefully, a new Sony 7XXX APS-C will fill the void. Could be the perfect second angle lens for gamers that stream and like to cut to a wide shot. Thanks for the video.
yea totally agree, I used it on the gimbal for a few shots and it was fantastic there
@@thaticelandicguy Awesome to hear.
I think it's time to use again the Sony Aps-c cameras! Loved this video mate, cheers!
been waiting for sony to drop this lens for a long time! Thank you btw :)
Which these ultra wide angle lenses do you suggest for indoor real estate videography in a low light noisy situation with the Sony ZV-E10 camera ?
👇
1. Sony 11mm f.1/8
2. Samyang 12mm
3. Rokinon 12mm
4. Tamron 11-20mm
5. Viltrox 13mm F1.4
Which picture profile and settings you use, the footage look excellent.
I just subscribed. I have the ZV-E10 and I am using the Crane M3 gimble and just bought this lens a few hours ago excited to get this setup going. I will keep watching your content. Amazing scenes in his video ... I appreciate the time you took to make this video. I know it takes time to edit all of this to make a good video like this. --chris
We need a Sony 16-or-18mm F1.4 GM lens that can accept front filters. 20G is not GM & 24GM is long in the tooth on the A1 & it won’t be replaced till F1.2 24mm GM in 2024. The only thing exciting would be a wicked fast Prime with glass on par or better than the 24mm GM that can take front screw on filters & offers a wider perspective. 14GM is too compromised by being too wide and not being able to accept front screw on filters
Thanks man for the review.
Unless sony sort their stabilisation game out, these lenses are wasted, all that barrel roll and micro jitter. Dont think sony can progress without resolving it.
is there one for a full frame
Great videos and such a wonderful personality. I always enjoy your material!
As for the 11mm f1.8, it’s so wide that there really isn’t any DOF blur. I currently have the 10-18mm f4 with OSS, and it’s a handy lens. Also, you can zoom in to 12mm and use it on a full frame Sony. I think if that 11mm was something crazy like f.95 it would be unique enough to purchase. Just a thought.
Thanks for that! Yea maybe if ut was .95f it would be way more unique haha. But yes the 10-18 is one of my all time fav and the fact that it works well on the FF is just fantastic
Try using Catalyst Browse for stabilization
This footage looks so good, I think I will have to buy it after watching this!
What gimbal you used?
Great review! Love u man 🤎🤎
Thank you 😊
I only want to shoot in adverse conditions (mainly rain), is this lens weather sealed? I don't want to put any waterproofing in front of the glass, especially on a wide angle lens.
The lens itself is fully weather sealed
I like colors on your video , using some
LUT?
I have a Canon M50 aps-c with the Laowa 9mm f2.8 = 13mm full frame equivalent. Which has proven to be very capable shooting real estate for about 8 months now. I had a Sigma 16mm f1.4 which is the sharpest and best lens I ever had shooting in very low light situations. But certainly not wide enough for real estate.
This Sony 11mm f1.8 looks like it will do well shooting real estate but not as wide as the Laowa 9mm. My only gripe about this Laowa is it's not as sharp at the corners as I would like. Is this Sony 11mm sharp at the corners?
Were you using an ND while shooting this video?
hi i love your video! i'm married to an icelander btw. What were your settings or mode for your shots? thanks for making
Hello! What main camera in this video? A7iv? What leans use in studio ?))
Up close and personal 😄👍
Haha yess 😂
No joke, if the ZVE10 and this lens we’re available a year ago I would’ve gone that route instead of the A7C.
It's a pretty epic combo and tiny
Hey, what variable nd filter to use with this lens? 55mm or some 82mm with some step-up ring's?
Did you find out?
55mm my friends
What picture profile have you used for this video?
I want one, handsome Icelandic man!!!
Yeah,I'm going to buy it when it comes out!
it is fantastic tbh, super wide, sharp and with low aperture
Hi Brother - I just used 20mm f/1.8 Nikon Z series lens on my Z50 to shoot portrait in balcony (behind bright shining day) but found lot of grains and pixelate while zoom the DNG pic on Lightroom! Any suggestion - how we can I make use of this expensive lens (Im new to photography) to capture Portrait and Landscape. It was captured under manual mode - ISO100 f/1.8 1/800s
So question. It's been 1 year or roughly. Did you get any shots with northern lights? Any astro? I'm going to be in Iceland in Nov for Iceland airwaves and hoping I can get the lights in as well
so its 11mm in apsc?
The lack of oss hurts my brain.
what mic are you vlogging with !
called it in your camera switch video 😃
also curious about your opinion, about the other two lately released apsc lenses from Sony. Curious to see a future Sony apsc camera with ibis in a ZV E20 (?) or an active steady shot with almost no crop. Would be great ^^
If it had Stabilization I would run to the store!!!! Thnx for vid👑✌👊🏾😍
Haha yes then it would be the sickest lens out there 😂☺️
Good luck man 👏🏻❤✌🏻
Thank you my man!
Can you do a vid on the Sony 15mm ty!!
does the lens have oss?
Hejsan Arnúlfur, great video. Do you think this lens would be suitable for astrophotography with the Sony α6000 range cameras? Thank you!
If you need stabilization while walking and talking with a wide angle lens why not get the latest DJI Hero 4 action camera? I'm assuming that 11mm lens cost you something...put that money on the thing that's perfectly designed to do what you are trying to do.
That's a good point
Intressant objektiv! :)
Verkar vara en fin vän att ha på en a6xxx kamera hus och fota omgivningen med en fast och snabb ultra wide!
Ha en fin vecka!
100% tack det samma!
it could work on a7iii/a7c/a7iv with apsc mode and have ibis, maybe
yubb 100% in apsc mode it would work great for that
“You see this long hand” 😂
😂😂
My guy said do i look like a viking. Lmao
is this lens for good BRoll shorts as Close.. Good Video Love From India
its way better than the sigma 16mm and using tthe stabilization on that. half your forehead would be cut off.
It would be cool vlog if you always put your face directly in the front of the camera :)
haha yess and 0.15m away from the lens 😂
@@thaticelandicguy yes exactly ... hello this is new vlog from a submarine filmed on periscope :)
Canon will have to stop their strategy of only releasing slow aps-c lenses if they want to remain in the game, thats for sure.. take into consideration Fujis huge lens lineup and it makes them look even worse. I'm sure Sony will release a new aps-c camera with ibis in the not so distant future as a response to the R7 and R10 as well. Interesting times.
yesss I really think that sony will need to step up their APSC game now, or just ditch the system. But if they do I think it could generate lots of hype bc all of us are super excited about an upgraded APSC from sony
Still waiting for a 10-18mm image/size quality upgrade (even prime is fine), we have small bodies without IBIS for a reason, give us a wider native optical stabilisation to the quality of the 35 1.8, please Sony. It's been a decade that everybody has been asking for this.
❤❤
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