You're too kind, thank you! I'm trying to find parallels between traditional choral/vocal methods and what I do with subharmonics. By all means, feel free to share it and provide awesome feedback (as well as questions!) Thanks!
This Guy is so detailed in his explainations and really helps you develop regardless of whether you've been subharmonics for ever or whether you have just began
Glad to see you share some of your experience with traditional choral technique / teaching as many people don’t have access to such valuable information. Sadly I have no local choir so I rely on online sources.
Wow man I must say that I was a bit skeptical if this was going to be any helpful, but these voiced consonants truly seems to help activate the subs haha
Fantastic lesson so far! You've outlined and clarified several critical nuances I've discovered in my practice but didn't have the context or linguistics to translate effectively...the quiet breath, for one. The H sound and how the silent H is also the core support for subharmonics is spot on and very clarifying, thanks for that.
Subharmonics are fun and produce really low sounds. I seem to have a bit of an advantage for that since I can do D#1 and E1 in chest voice. Using subs gets me D1-C1-B0-A0-G0. Never thought I'd be able to go a full note below a piano but my tuner picks it up clearly and consistently. Fun and weird at the same time. Thanks Thou for your video instruction!
What is the trick of increasing vocal volume having a steady unchangeable base note..which shouldn't be change while increasing vocal volume...yes it will definately create two note first steady note second subharmonic note that is changeable and depend upon vocal volume intensity...
Hi, I learned how to do subharmonics several years ago, back then I tried to make my subs as smooth as I physically can and ignored proper techniques, projection and breathing. Now, I have lost my ability to do them, how can I recover from this?
Would you do a vocal warm up specifically for bass? I have never had a voice teacher or choral director do one for the bass section, and I do not know how to warm up if I am going out to s(w)ing low.
I'm not too familiar with videos but I really enjoy Tony Huerta's approach: medium.com/@TonyHuertaSound/shure-notes-and-tony-huertatake-6-production-manager-and-engineer-tony-huerta-e9d303073505 I try to edit bass vocals like I would a bass guitar. It also changes if it is a lead bass. No reverb on bass unless you are going for a choral feel. Delays are great and so are uses of sub-bass effects (but instead of down the octave, put it at the same octave). Lots of tricks.
Aren't you making so complex.. We already normally creating subharmonics...equalizer of a player is the evidence....from 2kHz to 10khz is a audable of human voice range while human voice falls into only almost 50hz to 250hz..
WOAH, THE LEGEND HIMSELF DROPPING A SUBHARMONICS COURSE?? AND IM EARLY??? SO EXCITED!!
You're too kind, thank you! I'm trying to find parallels between traditional choral/vocal methods and what I do with subharmonics. By all means, feel free to share it and provide awesome feedback (as well as questions!)
Thanks!
Are you ok?
This Guy is so detailed in his explainations and really helps you develop regardless of whether you've been subharmonics for ever or whether you have just began
Thanks! That's how I roll - it must be the teacher part of me.
@@bass2yang We appreciate the help and information you give about everything from Subharmonics to just general help on improving the Bass Voice
what a such great lessons. Thank you for sharing it
The tutorial we needed, but did not deserve. 👍
Thanks, man! I hope to roll out more to help out everyone.
Love the amount of detail you've gone into. Much more in depth than anything else I've came across on it. Looking forward to future lessons!
Glad to see you share some of your experience with traditional choral technique / teaching as many people don’t have access to such valuable information. Sadly I have no local choir so I rely on online sources.
Wow man I must say that I was a bit skeptical if this was going to be any helpful, but these voiced consonants truly seems to help activate the subs haha
so much effort and knowledge put into this video and you dont even have 3000 views. i hope you get more recognition, cause you really deserve it
Thank you! I appreciate it.
Thank you. Thank you for taking your time with us.
WOW! After a straw excercise I took 2 notes higher in subharmonics and it sounded normal YEAHHHHHHHHHHHH!!
Thank you A LOT!
Fantastic lesson so far! You've outlined and clarified several critical nuances I've discovered in my practice but didn't have the context or linguistics to translate effectively...the quiet breath, for one. The H sound and how the silent H is also the core support for subharmonics is spot on and very clarifying, thanks for that.
You are welcome, Ian! Glad to help!
Thank you @Bass2Yang!! These are really awesome exercises! Your channel is a treasure!
Subharmonics are fun and produce really low sounds. I seem to have a bit of an advantage for that since I can do D#1 and E1 in chest voice. Using subs gets me D1-C1-B0-A0-G0. Never thought I'd be able to go a full note below a piano but my tuner picks it up clearly and consistently. Fun and weird at the same time. Thanks Thou for your video instruction!
Thanks a lot for tutorial sir!
What is the trick of increasing vocal volume having a steady unchangeable base note..which shouldn't be change while increasing vocal volume...yes it will definately create two note first steady note second subharmonic note that is changeable and depend upon vocal volume intensity...
Well well!!
Nice tutorial
This is great, thank you so much!
You are welcome!
Great video as always. Also by any chance did any hear why oktavism.com is down?
Thanks! I believe it may just be a renewal error (since it is a new year) as the Oktavism Facebook and UA-cam pages are still active.
Ok. Thank you for everything.
Hi, I learned how to do subharmonics several years ago, back then I tried to make my subs as smooth as I physically can and ignored proper techniques, projection and breathing. Now, I have lost my ability to do them, how can I recover from this?
Not the family guy reference Lmao
Would you do a vocal warm up specifically for bass?
I have never had a voice teacher or choral director do one for the bass section, and I do not know how to warm up if I am going out to s(w)ing low.
I'll see what I can do. Even though most warm up are similar, understanding what occurs below the staff and being mindful of it is important.
Thanks!
I thought my voice was deep until I saw this guy, maybe it'll get deeper I am only 16 of course
Do you have a video or know any videos on EQing bass vocals? If not, do you have any tips?
I'm not too familiar with videos but I really enjoy Tony Huerta's approach:
medium.com/@TonyHuertaSound/shure-notes-and-tony-huertatake-6-production-manager-and-engineer-tony-huerta-e9d303073505
I try to edit bass vocals like I would a bass guitar. It also changes if it is a lead bass. No reverb on bass unless you are going for a choral feel. Delays are great and so are uses of sub-bass effects (but instead of down the octave, put it at the same octave). Lots of tricks.
Your voice is getting lower and lower...
Aren't you making so complex..
We already normally creating subharmonics...equalizer of a player is the evidence....from 2kHz to 10khz is a audable of human voice range while human voice falls into only almost 50hz to 250hz..