Free after Hendrix. It's not easy after Tebaldi, and it was quite tolerable, at least he sang it, his voice is a bit deep, but it was still good. If there is no conductor, it's better. The problem is that this Manon is either not yet 12 years old or mentally disabled. That's why there are long sequences of sounds in the original work, followed by explosions. The situation would be different if the boy had found water, or if they had taken a few more sips, getting lost in a "desert" is not difficult. it's quite general, so the mourning start is shorter at the end.
Great singing of one of the best dramatic sopranos after Nilsson. Bravissima
Una de mis sopranos dramaticas preferidas en un aria magistral
Diva absoluta
Casi no la puedo escuchar me hace brotar lagrimas😥
Bellissimo!👍Grande cantante del mondo!!Grazie mille per il che bello video!🙏♥️
Autorevole, sicura, ferma nella sua drammaticità, voce calda e pastosa dai timbri corruschi, drammaturgici. Una bella personalità
Ottima prova signora Marton
J'aime beaucoup Eva Marton! Elle chante avec son coeur! Elle interprète tellement bien cet air d'opéra. Elle est vraiment spéciale! Bravo!
I agreed 100 %.
Beautiful. 💐
Thank you.
Fabulous Eva Marton. I also like Elizabeth Vaughan in the live non commercial recording of this - you can hear it on you tube.
Marton at her best! Brava!!
Well acted, beautifully sung, fully realized. Ms. Marton looked and sounded fabulous!
Great performance. Thanks for posting.
brava great voice for this aria!
WOW !! that was amazing ! Why doesn't this have more views ?
I love u CYNDI.. 😄🇵🇪💯💙
Bravissima 👏👏👏
Mesmerizing greatly divine one in a billion
Dramatica Aria , de Manon Lescaut.
Magnifica Eva Marton.
rich voice!
Takes your breath away ;)
Brawi ! Wunderschon !
Очень мощный голос! Браво!
She was also a great Isolde
Hard to pull this aria without some chest negotiation...
Bravissima.. molto meglio della Tebaldi con i suoi acuti calanti
Free after Hendrix. It's not easy after Tebaldi, and it was quite tolerable, at least he sang it, his voice is a bit deep, but it was still good. If there is no conductor, it's better.
The problem is that this Manon is either not yet 12 years old or mentally disabled. That's why there are long sequences of sounds in the original work, followed by explosions. The situation would be different if the boy had found water, or if they had taken a few more sips, getting lost in a "desert" is not difficult. it's quite general, so the mourning start is shorter at the end.
ouch. sounds painful.
The natural color of her hair is actually black.
Meow
Whats the point of that comment? Jajjaa
I prefer Callas' wobble over anyone else's.
Fantastica, but Renata Scoto remains my favourite Manon.
I know!!!!
Absolutely. No one approaches her power, desperation and pathos, not even Callas, surprisingly.
The brunette look really doesn't work for her, does it?
Più verdiana che pucciniana
Razoável, prefiro Callas ou Freni!!!!!!
Hay que tomar en cuenta la edad de la señora
Caballé
This is HORRID! For this aria tale Clara Petrella, Tenaldi and even Callas as reference. This is horrible! Weak, wobbly voice!
She always seems to struggle as if the power and pitch were slightly outside of her reach. I find her difficult to listen to.
@@Twisterjoe EXTREMELY HORRID!