Franz Liszt: Sonetto 104 del Petrarca (from Années de Pèlerinage)
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- Опубліковано 11 вер 2024
- This is an excerpt from:
Bernhard Ruchti: LISZT A TEMPO II
Franz Liszt: Années de Pèlerinage. Deuxième Année: Italie
Recorded at Schloss Belvedere, Weimar.
In collaboration with Klassik Stiftung Weimar.
Bernhard Ruchti: THE A TEMPO PROJECT. A unique rendering of tempo in classical masterpieces. www.bernhardru...
Watch the "Années de Pèlerinage: Italie": • Franz Liszt: Années de...
English Introduction to the Années de Pèlerinage: • Introduction to Franz ...
Deutsche Einführung zu den Années de Pèlerinage: • Einführung in Franz Li...
The entire A TEMPO PROJECT: • First Things First: MU...
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VOL VIII: SCHUBERT A TEMPO: Piano Sonata in C minor D958.
• Franz Schubert: Piano ...
VOL VII: BEETHOVEN A TEMPO III: Three Piano Sonatas.
• Beethoven: Three Piano...
VOL VI: BEETHOVEN A TEMPO II: Hammerklavier-Sonata Opus 106. • Ludwig van Beethoven: ...
VOL V: LISZT A TEMPO II: • Franz Liszt: Années de...
VOL. IV: CHOPIN A TEMPO: • Chopin - Etudes Opus 10
VOL. III: SCHUMANN A TEMPO: • Bernhard Ruchti - Schu...
VOL. II: LISZT A TEMPO I: • Franz Liszt - The A Te...
VOL. I: BEETHOVEN A TEMPO I: • Beethoven A Tempo
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I love this piece too.......Beautiful, Benrhard plays very beautiful and profound ❤
Thank you so much - I appreciate it!
Outstanding poetic performance! I love it! Thank you so much Bernhard for sharing this beauty! All the best,.
Thank you so much, and all the best for you too!
After Hearing your playing I am keen to learn this beautiful sonata now. Thank you for such passionate playing and sensitivity where required. Beautiful.
Thank you so much, I really appreciate it!
My reflection: A distinguished setting, acoustics, playing -- all highly professional and very well done. I hope that very soon there will again be an audiance for you in a live concert. The warmth of people listening... even when they create a little background noise, may add an element beyond perfection, I hope...)
Thank you! The communication between the music, the performer and the audience - that's where the magic happens indeed... Let us hope that live concerts will start again soon.
So profound and beautiful. Thank you.
Thank you so much!
That was very very beautiful Bernhard. I think the Petrarch sonnets contain some of Liszt’s most profound writing. For me, this tempo is just right. For 47, it was too slow - but you know I’ve played it at the same tempo for decades ! I tried playing it slower but I really struggle to keep the melodic line together and it becomes a bit left hand then right hand! I was listening to Pavarotti sing 47, such a powerful performance. Really quite slow also but I think it works for the vocal arrangement with the way the notes are distributed (4/4 Also). Liszt so cleverly reworked it in 6/4 and I just can’t do it that slowly! Anyway back to 104 - great to hear the rarely performed ossia (Leslie Howard opines that Liszt was known in general to play the Ossias). I’ve just started work on this piece - it’s outside of my natural technique so I’m not sure I can do it, but I’m going to try 🙄 I think I can manage 123 but we will see. I recorded (just at home with my phone!) 47 the other day and was overall happy (couple of annoying slips towards the end) with it. Anyway I’m enjoying your project and performances even if the tempo choices don’t always work for me. Good to be made to rethink
Thank you very much for your comment! It is true that tempo is always a very personal choice. It depends on taste but also on listening habits. And sometimes it is even just a mood thing... That's what keeps the music alive!
J'adore ce Liszt avec une récitation sublime de poème.
Merci beaucoup!
The melodies at 2:36 and 3:01 don't make sense any faster. One of the most beautiful moments in the whole set!
Yes those passages are quite exquisite...!
thank you for your performance, it's wonderful
Thank you so much, I appreciate it!
this iece
ve mit fiel in lIch
Don't take it what I say personally, but it is funny to see that the few adopters of double beat on youtube always record their presentation with a ton a decorum. I kind of understand why, the music becomes so boring in that tempo, that you need artificial tricks of the nature to enhance the presentation and make it look ( not sound ;) more solemn .
My duration for Sonetto 104: [06:53]
Claudio Arrau’s duration for Sonetto 104: [07:04]
Well, I guess I don’t have to worry too much about that comment 😀
I suggest you get your facts straight!
@@bernhardruchti Well, firstly 7:04 is the duration of the youtube video , not the duration of the actual recording, secondly in the final section when there are significant multo retardendo , the contrast is much much more striking in Arrau's version than in your interpretation which creates the intended contrast. Total duration of a piece is one element which doesn't tell you the variations that could happen between bar 1 end the end of the piece. I suggest you get your facts straight too ;)