i like all the bugs on the city buildings, i think its supposed to be a reference to the phrase "fly on the wall" or a stalker/spy, essentially, which fits well with the whole "invasion of privacy" theme they got going.
1:00 just gets better when you realize the background vocals he put. Like, he's not singing the lines the same way but just in a different octave or something, he sings it in a different way. I'm no music expert so I don't know what you call it (harmonies maybe? idk) but he's singing it in a different way that makes the chorus all the more satisfying
I like it too, especially with the captions because it really helps capture the importance of the subject he is singing about, making it not only attractive, but, meaningful.
2:59 when they say "Lofi times!" It sounds different when you have a certain headphone in, with the left one, it sounds like "our LOFI TIMES!!" with a bunch of energy, and when just the right one is in it sounds like "out Lofi Times!" Like a burnt out collage student who doesn't think they're burnt out cause they live off of microwave burritos instead of ramen noodle packs
i love this song and cover, but i go several months between each listen, because i cannot hear him sing the chorus without my eyes watering. when he says "if i get bored, that's the end, so i hope that day may come slowly", i am aware of it again, how fragile one's amusement can be, how uncertain our existence will become once it's run out. when he asks, voice laced with irritation, "everyone should like it, so why do they say otherwise?" his anger reaches me as well, and i wonder the same. i find myself a little more cruel when he tells to me the deliciousness of unhappiness; i find myself a little more tremulous with each far-off farewell he bids. the tears are running down my face now. it's all too much for me, miyashita yuu.
@@itsfine_txt sorry I'm late but DONT WORRY! I dont think you're annoying at all!!! I'm a fellow Mi Yuu fan too. If anyone calls you annoying forget it, the internet IS toxic at times.
I always find his covers much better than the originals, it was hard to believe it's not his original work cuz his voice fits perfectly with the instruments, like really perfectly to the point that i felt it was made for his voice. Glad I get to descover him. 💛
Sometimes when I have my earphones in, casually listening to music but not really paying attention to it, I suddenly I hear the chorus for this song and feel lightheaded because _wow_
I am completely basing this off what they taught us in 6th grade, aka the one time school actually bothered to teach us about music, so correct me if I'm wrong. Because the song's time signature is ¼ (right?) there are four chords in one [insert whatever you call the thing]. So like since there are usually four lines every stanza, there's a line per chord. Starting from 1:00, around every two seconds, a guitar is strummed (or something) and a line accompanies it every time. However, at 1:05, instead there's one single line with a transition between the third and fourth chord. So pretty much the third and fourth chord share one line and there's this hella satisfying step-up transition done in between. Furthermore, miy_yuu emphasizes the "nante" which makes the transition so much more satisfying. This is just me looking for some sort of explanation before I go insane.
hahah i love u bro. i'm seeing your comments everywhere in this comment section and i just have to say, same- this entire song is so freaking intoxicating and addicting and makes me feel lightheaded by just the perfect melodies and voice. anyways, i'm fully enjoying reading your comments haha ///>~
@@uri_x-cm4fo lol at this point I was just ranting a lot in the comment section because I was (and still am tbh) obsessed with that part, so it's cool that you enjoy reading them. Thanks!
I like how he growls sometimes. It's emphasized very well Edit: saw the original. I prefer this one because it flows and experiments with the vocals better.
i heard this song on Spotify and added it to my playlist a long time ago, and I am only now realized that it was sung by Miyashita Yuu. My favorite utaite. How in the actual world did I not recognize his unmistakable voice earlier?! I am a terrible fan /j
I've recently (thanks to my kids) discovered Yuu Miyashita. I think this is great music and I've been listening to it via Apple Music. Is there an official web page somewhere? Does Yuu Miyashita tour worldwide?
Yuu Miyashita formed a group ”Doctrine Doctrine” with this song composer(Seeeeecun). *Doctrine Doctrine Homepage(Japanese) www.doctrine-doctrine.com/ He also soloed two major albums. *2nd album"Aoni aruku" homepage(Japanese) yuu.extsm.com/ *1st album "Tsumugino ki"(Japanese) yuu.extsm.com/tsumugi/ He has not played live concert abroad yet. Only in Japan.
oh crap be careful bro your ear can really be damaged by that although i really really do understand how satisfying it is to blast this song. oh wait i assumed you were wearing earbuds for some reason ahah while maybe you're not... ahhh who cares this is a comment from 8 months ago lmao
@@uri_x-cm4fo haha, it's fine, dude. Though I wasn't wearing earbuds, I was wearing headphones. So yeah, blasting the music like that is definitely bad for my ears.
I see alot of comments about the chorus and yes, seeeeecun's chorus are always just so addicting mmph and its complimented with Miyashita's amazing voice hhhhhhh yess
Ever since I first heard this song, I'm always amazed with the tuning. It matches the vocal styles of most Japanese singers, and that makes it so much more realistic sounding. I honestly cannot put to words how impressive this song is to me.
![【MV】[A]ddiction / GigaReol×EVO+](/img/n.gif)
この人唯一無二の声だよ
"other people privacy is somehow appetizing,isn't it?" oh my
Goverment: 👀
*ARA ARA*
OH MY
FBI agents: 👀👀
*nobody ruin this 666 likes*
It's actually scary how I could've gone my entire life without listening to this absolute masterpiece.
it is scary my freind
この独特の雰囲気をどう言葉に表したら良いのか…
無理矢理薬を飲まされて意識朦朧の時に耳元で悪いやつに「寝たら楽になるよ」って囁かれてる感じ(語彙力)
真由子豊田
その表現本当すきです同感します、、
なんかすごい語彙力wめっちゃその気持ち分かる！
すごい…すごいわかりますそれ( ꒪⌓꒪)
豊田真由子氏良いこと言うじゃん‥‥‥
語彙力全開ですねわかります
i like all the bugs on the city buildings, i think its supposed to be a reference to the phrase "fly on the wall" or a stalker/spy, essentially, which fits well with the whole "invasion of privacy" theme they got going.
Brilliant deduction,my "Childe"
2:58 - 3:12 oh my goodness gracious his range is amazing
He enjoys using it to flex on us mortals.
*welcome to the miyashita fan club*
Ikr, he’s incredibly talented
3:01の私たちローファイタイムズ！のとこがすごい好き。
不倫.薬殺.殺ジーン(がなり)がマジで好き
1:40
I'm willing to learn music theory just to understand why the chorus is so addictive
EXACTLY
Me too- my school doesn’t have a corse for it tho :((
I love seeing you in like every one of miy yuu's comment sections lol
I see your comments everywhere
I love to see your comment everywhere in miy_yuu channel haha, your comments always interested me the most to read it, plus your eng is very good
Like how the song is the complete opposite of lo-fi
It's actually a pun on what lo-fi means! I really like it. It means low- fidelity, when in almost any context except for music it is not a quality
3:08の所からの盛り上がり本当に天才的なアレンジでいつ聴いても鳥肌立つ
ローファイ・タイムズのとこコーラス入ってて鳥肌立った
遊さんかっけぇ
"Other people's privacy is appetising, isn't it?" is probably one of my favourite music lines ever.
何回聴いても新しい発見があるくらい作り込みが凄いし単純にカッコよすぎ
ひとつひとつ、一秒一秒にセンスを感じる
na o 激しく同意
右に同意
左に同意
下に同意
上に同意
2:59 ココかっこよすぎる
1:00 just gets better when you realize the background vocals he put. Like, he's not singing the lines the same way but just in a different octave or something, he sings it in a different way. I'm no music expert so I don't know what you call it (harmonies maybe? idk) but he's singing it in a different way that makes the chorus all the more satisfying
Its the chemicals miyashita yuu put in our brains while we were asleep
@@fuckbroly never seen a realer comment than this
最初聴いた時は ん？なんだこの曲ってなったけど、数日後にまた聴きたくなって気付いたら虜になってるっていう
定期的に聴きたくなって毎回圧倒される
this song goes hard
ろーふぁい・たいむず【登録タグ: v flower しーくん ろ 曲 】
作詞：しーくん
作曲：しーくん
編曲：しーくん
唄：v flower
曲紹介
シンギン シンギン
しーくん氏 の19作目。
イラストを みつきさなぎ氏 が、マスタリングを ため（叫べP）氏 が手掛ける。
歌詞
（ブロマガより転載）
スカーッとしてマネー
反騰 目指してマーケット
アンアン 鳴いてパレード
がっつり リーマン ハンギング
満員電車はダミー
アウトサイダー神
みんな興味津々
おんなじ フェイス マーダーズデイ
うんともすんともねえ
上司と飲むぜ
無礼講なんてねえ
まるで奴隷プレイ
クールジャパンね
結婚してプライベート
全部シャッターチャンス
地獄の果てまで追ってって
丸出し本名と顔面
丸出し学校と職業
丸出し人間関係と
趣味と性癖と
美味いのかい
そりゃ美味いのかい
あんな腐乱したフィロソフィー
訳ない理不尽でもシンギン
割れない唇でシンギン
他人のプライベートは
なんて美味いんでしょ
飽きたら終わり その日がどうか
どうか遅めに来ますように
出る杭ボッコボコにシンギン
残さず粗探しシンギン
他人のアンハッピーは
なんて美味いんでしょ
浮かばれない理想は蜃気楼
サラバ サラバ サラバ サラバ
ヤングマン離れ
なんで誰も見ねえ
社会を知らねえ
面接落とせ
もっと数字取れる
不倫、クスリ、殺人
近所のおばちゃん
あの人はどんな人？
切り取るスピーチをチョキチョキ
火のないところにモクモク
「あの発言には是非とも気を付けて欲しいね」
ヒドイよね？
こりゃヒドイよね？
ホラ見て見て？
なぜ見ない？
ああ いいの 潤うのなら
いくつの P.I.S ゴーイン 痛々しい
アイギブミー あゝ 良い子
スイングオン シングオン 愛 四苦 音
舞を少し明け
タップ タップ タップ タップ タップ
哀をスイスイ巻き返したり
楽をドクドク垂れ流したり
怒をニコニコひた隠したり
喜は？
啞 亜 阿 明 存 在 吾 飽
訳ない理不尽ならシンギン
私たちローファイ・タイムズ
国民 皆様のため
リアルを伝えましょう
それが本当の"リアル"かどうかは
実はどうでもいいことだけど
出る杭ボッコボコにシンギン
残さず粗探しシンギン
みんな好きなはずなのに
どうしてとやかく言うの？
文句あるなら見なけりゃいいじゃん
サラバ
「サラバ」
宮下遊さんもはじめましてでこの曲も初めて聴いたんですけど、正直、再生3秒で惚れました。
最後まで口開いたままでした。
ありがとうございます。
It’s been 7 years and this cover is still so good
え、最初で惚れた
WHY DO I LIKE THIS PART SO MUCH i keep on replaying it and i dont know why 1:52
Same
I like it too, especially with the captions because it really helps capture the importance of the subject he is singing about, making it not only attractive, but, meaningful.
I keep listening to 1:39
My sister says he's choking-
@@katze7627 ;-; oof
@@unus-annus447 indeed
低い声もカッコよすぎる
滑舌良すぎる
すらすらと歌詞をいててて凄い
流暢なのが聞いてて心地よくていいな
2:58ぐらいから死ぬほど好き、、
1:51 this part is so good i have chills
うぽーつ！
遊さんのだろい感じが好きです
3:01 he's absolutely INSANE for this one too. I can't help listening to it again and again.
Yes
2:59 when they say "Lofi times!" It sounds different when you have a certain headphone in, with the left one, it sounds like "our LOFI TIMES!!" with a bunch of energy,
and when just the right one is in it sounds like "out Lofi Times!" Like a burnt out collage student who doesn't think they're burnt out cause they live off of microwave burritos instead of ramen noodle packs
ラスサビのアレンジやばすぎる神
宮下さんの選曲が好きすぎてやばい
i love this song and cover, but i go several months between each listen, because i cannot hear him sing the chorus without my eyes watering. when he says "if i get bored, that's the end, so i hope that day may come slowly", i am aware of it again, how fragile one's amusement can be, how uncertain our existence will become once it's run out. when he asks, voice laced with irritation, "everyone should like it, so why do they say otherwise?" his anger reaches me as well, and i wonder the same. i find myself a little more cruel when he tells to me the deliciousness of unhappiness; i find myself a little more tremulous with each far-off farewell he bids.
the tears are running down my face now. it's all too much for me, miyashita yuu.
初っ端から「アァウト…」とか「フェ↑↑イス」ってアレンジ入れて殺しにかかってくるありがとうございます
3:10のどうかはー↑ってなるのすき。。
カッコイイのにだろい感じ本当に好きです…
I'm so annoying but the way he sings 1:05 "nante" is NOT allowed like wtf I've been listening to it so much it's so addicting
Hshsjj this is all I've been commenting since I got here but I just don't get why do I love it so much omg
Daaaamn you're right! Gosh it's way too good
@@itsfine_txt sorry I'm late but DONT WORRY! I dont think you're annoying at all!!! I'm a fellow Mi Yuu fan too. If anyone calls you annoying forget it, the internet IS toxic at times.
天才すぎる
色んな声がきこえるから短い物語を語りかけられてる気分。
最近、遊さんの投稿頻度高くて嬉しい
I always find his covers much better than the originals, it was hard to believe it's not his original work cuz his voice fits perfectly with the instruments, like really perfectly to the point that i felt it was made for his voice. Glad I get to descover him. 💛
Sometimes when I have my earphones in, casually listening to music but not really paying attention to it, I suddenly I hear the chorus for this song and feel lightheaded because _wow_
1:05 I am _so_ in love with this part of the chorus
これはリピ確定
遊さんにはまると抜け出せない。
めっちゃ今頃この曲知って何回もリピートしてる…最初から好きだけど最後のサビ以降ほんとにすごい
勝手に感想述べたくなったのでぽそぽそ書く。
書いてるうちに自分は誰なんだよと思ってきた。
特にすご〜〜な箇所たち(個人の見解)
「美味いのかい そりゃ美味いのかい」のところ、まだその味を知らずに問うてくる感じに聴こえてくる
サビの「なんて美味いんでしょ」で、本当に美味しさを噛み締めた風に聴こえる。「なんて」が特に話し言葉と変わらない「なんて美味しいんだろう！」って感動を含めた言葉に聴こえた
最後のサビ、「国民〜伝えましょう」が演説してる人みたいに歌い方変えてるのとてもすごい発想なのではと思った。
「それが〜どうでもいいことだけど」のところ、元々下降する音形のところを上げて歌うから、これまでのサビと違う感じが聴いてて楽しい。自由度が高い。
「出る杭〜粗探しシンギン」まで、音&リズムまで変わってる。でも全然違和感ない。同じ歌詞のサビがこの前にひとつあったから、それと比較ができるくらい変化あって楽しい。
「文句あるなら見なけりゃいいじゃん」の語尾？を少しあげてる…？ 歌詞には無いけど「いいじゃん？」って風に聴こえる。問い掛けみたいな。ちょっと前のサビが音上行させてたこともあって、音程の差もかなり変わるから違いがさらに楽しい感じ。
「サラバ」とずっと続いて、1番最後の「サラバ」は短めに終わってるの、潔くスッと去っていった感じがしてとても好き。
あとこれは完全に間違いなく個人の解釈でしか無いけど、1番最後のサビをあんなに沢山アレンジして、そのあとの「文句あるなら」のくだりになるのが狙ってやってるみたいにも感じてしまうくらい納得のいく歌い方だなって。宮下遊さんご自身のことでもあるのかもしれないし無いのかもしれない。
半年前くらいに宮下遊さんを知って最近の曲は聴いていってすごいな〜と思ってたけど、この曲でさらにすごいな〜レベルが高くなったので衝動のコメをぽちぽちしてしまった。おーわり！
1:04 I've listened to this part more than the song itself, and that's saying a LOT because this song is in my top 10 most listened to songs this year.
YOURE LIKE THE SOME GUY WITHOUT A MUSTACHE YUU MIYASHITA VERSION
@@amnamuneeb1539 LMAO THANKS??
かっこよすぎませんか…！！✨
遊さんの低音ボイスも好きです！
I am completely basing this off what they taught us in 6th grade, aka the one time school actually bothered to teach us about music, so correct me if I'm wrong.
Because the song's time signature is ¼ (right?) there are four chords in one [insert whatever you call the thing]. So like since there are usually four lines every stanza, there's a line per chord.
Starting from 1:00, around every two seconds, a guitar is strummed (or something) and a line accompanies it every time. However, at 1:05, instead there's one single line with a transition between the third and fourth chord. So pretty much the third and fourth chord share one line and there's this hella satisfying step-up transition done in between. Furthermore, miy_yuu emphasizes the "nante" which makes the transition so much more satisfying.
This is just me looking for some sort of explanation before I go insane.
hahah i love u bro. i'm seeing your comments everywhere in this comment section and i just have to say, same- this entire song is so freaking intoxicating and addicting and makes me feel lightheaded by just the perfect melodies and voice. anyways, i'm fully enjoying reading your comments haha ///>~
@@uri_x-cm4fo lol at this point I was just ranting a lot in the comment section because I was (and still am tbh) obsessed with that part, so it's cool that you enjoy reading them. Thanks!
do you mean to say the song's time signature is 4/4 because there are 4 quarter beats per measure
@@deiji_hime I honestly have no idea what I'm talking about but thank you anyway
今回の曲もまた遊さんの世界があってかっこいいなぁ…。
I like how he growls sometimes. It's emphasized very well
Edit: saw the original. I prefer this one because it flows and experiments with the vocals better.
ほんと遊さん沼だわ、、深すぎる沼だ、、
初っ端から最高すぎて……
I can't watch this video without repeating 1:00 atleast ten times
いつも新しい神曲を教えくれるから最高
3:07 ive been sent to heaven hail miyashita yuu
1:04 this is the definition of eargasm
アレンジが天才的すぎる
every time i hear 0:40 my brain instantly dissolves. his voice is just Like That
proof that miyuu is the best utaite
2:41 からすっごい好き
何だかんだこの1ヶ月くらい飽きんかった..もっとのびてほしいー
気だるい感じなのに聞きたくなる中毒性を出せるの凄いと思う
この声ほしいｲｲｲｲｲｲｲｲｲｲ
歌い方がすごく曲に合ってて素敵です...!!
I can't believe how I'm not sick of the chorus yet considering how much I repeat it
1:00 is probably my favorite Japanese chorus
i love how he messes with his voice :00 it makes the songs sound like their his songs.. which is amazing that he can do that
The album Darlington was simply awesome
im so in love
全ての発音が好き！！！！！！！！！
溜めて溜めて、サビで吐き出してる感じ。（語彙力）
This needs so many more views! Everyone please share this so more people get to know this amazing artist ;-;
ほんとそれ
Everything he makes needs more viewsssss, he's a friggin god!!! (/´༎ຶ ༎ຶ) /
i heard this song on Spotify and added it to my playlist a long time ago, and I am only now realized that it was sung by Miyashita Yuu. My favorite utaite. How in the actual world did I not recognize his unmistakable voice earlier?! I am a terrible fan /j
If you're not sick of me yet, do any of you know why 1:04 sounds so amazing
i sure wish i did, as it’s addictive lmao
It's just that Yuu's voice is the perfect blend of hair raising gruff, feathery lightness and creamy ass smoothnes :')
しーくん×宮下遊
毎回最高すぎる。
ローファイタイムズ
のところが脳内怪物って聞こえてそれはそれで好き…
歌声に一目惚れ
遊さん以外の歌聴けなくなる程の中毒性
I've recently (thanks to my kids) discovered Yuu Miyashita. I think this is great music and I've been listening to it via Apple Music. Is there an official web page somewhere? Does Yuu Miyashita tour worldwide?
Yuu Miyashita formed a group ”Doctrine Doctrine” with this song composer(Seeeeecun).
*Doctrine Doctrine Homepage(Japanese)
www.doctrine-doctrine.com/
He also soloed two major albums.
*2nd album"Aoni aruku" homepage(Japanese)
yuu.extsm.com/
*1st album "Tsumugino ki"(Japanese)
yuu.extsm.com/tsumugi/
He has not played live concert abroad yet.
Only in Japan.
Let's make him more famous!😭😭😭 This August is his twelfth year of singing!
i think you can use the app nico box
sorry, his eleventh year of singing😅🤔
I think it's amazing that parents look into the kind of music their kids like, tbh!
歌う芸術
最近宮下さんを知ったのですが、初めてこれを聞いた時は衝撃が走りましたね。
1:00 it isn't healthy to listen to the chorus at full volume for long periods of time but I can't help it
oh crap be careful bro your ear can really be damaged by that although i really really do understand how satisfying it is to blast this song. oh wait i assumed you were wearing earbuds for some reason ahah while maybe you're not... ahhh who cares this is a comment from 8 months ago lmao
@@uri_x-cm4fo haha, it's fine, dude. Though I wasn't wearing earbuds, I was wearing headphones. So yeah, blasting the music like that is definitely bad for my ears.
俺もこれで知った
ほんとイントロかっこいいな
I see alot of comments about the chorus and yes, seeeeecun's chorus are always just so addicting mmph and its complimented with Miyashita's amazing voice hhhhhhh yess
I can't stop listening to this song!
Doctrine doctrine is absolutely incredible in every way
This is one of the best songs I've ever heard. Fantastic Work!!
イヤホンやべえ
もっと好きになった
100万回再生おめでとうございます！🥳
しーくんと宮下遊さん両方の大ファンです！
これからもがんばってください！😁
Ever since I first heard this song, I'm always amazed with the tuning. It matches the vocal styles of most Japanese singers, and that makes it so much more realistic sounding. I honestly cannot put to words how impressive this song is to me.
I'm sorry to say this but this is a human cover. Flower was used for the original.
I don't understand this song, but I love it!
Bubbles ! The song has English captions
There are actually subtitles 😁
かっこいい
私もこんな声だったらどうだろうて思う
いい声だな~
私たち、
\ローファイ・タイムズ！/
ってとこが好き。 3:00
アッ......嗚呼嗚呼嗚呼ヤバイ、低音の遊さん好きすぎるから好きで好きだ。(語彙力〜)
まじかっこいい
Is there some sort of music science to explain why the chorus is so intoxicating, especially 1:04, or is it just me
bruh all ur comments represent me lmao
@@MIKABL99D hsjjsjshsj it's just that the chorus is so delicious (???) for some reason and it's driving me crazy
@cypresstrees woahh, I didn't know this stuff. Thanks for explaining!
I love the growl at "nante"
最初英語かとおもったw
Kono Kuro
ほんまそれなw
╭☞•́⍛•̀)╭☞
/kuro骸 インドかと思った
そうなんだ
あ、英語じゃなかった((今