I know I'm late by weeks but I enjoy the night shift band at the end the few people that were there enjoy them as well..that presonus is a good piece of work...another one down good job..Be safe..God bless you always
Hi S.L. Dudes!!!! Gotta love your "canned" filler music!!! It is well choosen and appropriately placed w/in the video!👏🏽👍🏽👏🏽👍🏽 ANYWAY, KEEP ON KEEPING ON BROTHER ENGINEERS!!!!!!! PEACE!!!!!!! 🤘🏼
How did you like mixing with the KW181? It's my subwoofer of choice, and I absolutely love it for mixing live bands, plus it works great for some of the school dances I provide sound and lighting for.
I would have liked to see those outlet boxes off the ground it's a good thing you weren't working with GFCI's and that generator was isolated. Little cavalier to the electrical safety, I know rain can sneak up but there was warming. I've done some wet events before. Thankfully nobody got hurt. Otherwise great setup. Oh and the Honda generators are very common on film sets because of quiet operation and power consistency.
The electric kit had a Left and Right output on it, which was connected into the snake in their own inputs. Some kits provide direct-outs for each drum, I'm not sure if this kit provided that.
Were the tops effective at that height for covering the whole audience zone? Were there any considerations for pairing the DZR with the QSC subs? I recently paired a DZR10 with a 181 and tops needed both polarity inversion plus several ms delay to couple with the QSC using a 100Hz crossover
Good questions. Yes. The tops were great at their height. This was something the band and I briefly talked about before deploying the top cabinets. What's hard to see in the video is the audience area is actually "down hill" (slightly) from the stage; the speaker height coverage did very well covering the entire area. If the stage and audience area were on the same level surface, the band would have raised the top speakers to get the horns higher over the listening area. There were no specific considerations for pairing the DZR with the subs... other than the great sound quality of the DZR cabinets. The band owns the entire PA, so they may have had additional reasons for the pairing. The crossover for the pairing was managed by the DZR cabinets (around 120hz??). There was no delay nor polarity changes. If you are having to switch polarity on FOH cabinets, there may be something else going on (or possibly not setup correctly) with the cabinets or something else upstream of the cabinets. What were you experiencing with the DZR cabinets that led to a reverse in polarity?
@@stageleftaudio ah. Yeah, when I paired the DZRs with the QSC 181s, the low end just wasn't sounding full. I measured the subs and mains in Smaart and in the crossover region they were consistently around 200 degrees out of phase. I believe I polarity reversed (either the 181s or the DZRs) to get them within 30 degrees, then added delay to the DZRs to get them right on top. After that, we had 6dB of summation.
Thank you for the follow up. Great information! That's an interesting issue you encountered with that pairing. Looks like you worked it out! There can be low frequency issues (similar to what you referenced) due to 1/4 wave cancellations from walls and floors, but this is mostly an issue with indoor setups (rarely outdoor). These issues can usually be corrected (or managed) just by moving the cabinets forward or backwards. The bass at this event was solid (though, the recorder didn't pick it up to its fullest).
@@stageleftaudio - The Yamaha DZR315 tops were crossed over at 120hz. Full range being sent to the QSC KW18s, which I believe have a fixed crossover at 100hz. The Yamaha's crossover setting at 120hz cleaned up a little of the mud in the bottom.
@traquena... I am not trying to be a D.H. or an A.H. I am just trying to help with the right phrasing... Soooooo, rather than a calling it a "schematic diagram," it would really be called a "mic layout," or a "mic positioning plot," many times as engineers we also simply call it a "mic plot." Generally a "schematic" is in direct reference to the layout of an electronic device, ie; an amplifier, an effects unit and the signal or electronic path as used by resistors, capacitors, toroidal and transformer positioning w/in that path. Of course there are certainly many other parts that make up the "schematic" of a device, those are just a few. **AGAIN, I AM NOT TRYING TO BE AN ASS, JUST TRYING TO BE HELPFUL!!** 😁 ANYWAY, KEEP ON KEEPING ON FUTURE ENGINEER!!!!! PEACE!!!!! 🤘🏼
@@TheRealBKSchyster no biggey not well verse with the terminology. Can you draw how you connect stage box, mic, console, monitors etc.. thanks for taking time reading my comment.
@@traquena061983No worries!!! like I said, just trying to be helpful!! I can absolutely do that for you!! Just give me the amount of "players" on stage, what they play, ie; /drummer, no. of pcs. / gtr player(s,) no. of amps/player, /Bs. gtr player, generally I like to use a D. I. And a mic /kybrd player, same as bass, I use D.I.'s and mics, /percussionist (if you have one and what they use,/ Then all the vocalists. Of course anything else you need to be in the P.A. @ F.O.H.(Front Of House- what the audience hears) & MON. WRLD- "Monitor World" (what the band hears) either in wedges (speakers)and or I.E.M.'s (In The Ear Monitors). It really is pretty straightforward, a bit confusing at first, but it definitely is not anything you can't handle!! 🤘🏼
The limit of speakers that can be connected (powered speakers) is based on the electrical current available to the speakers and how loud the system will be run. You may be able to connect only 3 speakers (of a certain type), or maybe 8 (of a different type).
You are correct. I was talking about the line array speakers. In addition to electrical limits, most speaker manufactures will indicate how many line array speakers can safely be attached (or hung) together.
@@stageleftaudio thank you very much but please the last question please i need to know how i know electrical current to know how many speakers i can connect or link and i need to know how to calculate electrical current to know how many speaker i can connect
@@stageleftaudio - Band -#1 had a vocal stomp box between his mic and snake. Band -#2 Singer is stationary and used a Beta SM58A Band -#3 Wireless Sennheiser EW 300 G3 mic
Nothing more unprofessional on the face of the earth than a lead singer who can't memorize the lyrics and has to have an iPAD stuck in front of him. Totally podunk.
Actually, this is a very common practice at concerts (large and small). Nearly all professional singers have their OWN lyrics on a TV screen that sits on the front of the stage behind a "blind". The screen that holds the lyrics is called a tele-prompter. This tele-prompter looks like a monitor speaker, but is displaying a TV screen to the performer. There's a stage-hand that scrolls the performers lyrics through the tele-prompter as the performer is singing them (exactly like it's done for television news broadcasters). This is easily seen in a lot of professionally produced concert videos, especially video shots from the stage looking out over the crowd. There's a couple of other methods of displaying lyrics to performers, but the tele-prompter method is most common. The iPADs you see people using are their versions of the tele-prompter.
I know I'm late by weeks but I enjoy the night shift band at the end the few people that were there enjoy them as well..that presonus is a good piece of work...another one down good job..Be safe..God bless you always
I'd be terrified to use those homemade quad boxes outside, with rain especially
Hi S.L. Dudes!!!!
Gotta love your "canned" filler music!!! It is well choosen and appropriately placed w/in the video!👏🏽👍🏽👏🏽👍🏽
ANYWAY, KEEP ON KEEPING ON BROTHER ENGINEERS!!!!!!!
PEACE!!!!!!! 🤘🏼
Thank you for the great comment!
That rain 😱
Well done
How did you like mixing with the KW181? It's my subwoofer of choice, and I absolutely love it for mixing live bands, plus it works great for some of the school dances I provide sound and lighting for.
They are great subs. That band has been using there's for many years. Good solid bass.
The band with the e kit makes stage noise down which is nice and picked up more in the pa
21:00 the man dancing is the best
I think he was there the entire time.
Olá amigos, que conteúdo maravilhoso possui seus vídeos, também sou amante do áudio e músico. Saudades do Brasil. Forte abraço. 😎🙏
¡Gracias por el comentario!
I would have liked to see those outlet boxes off the ground it's a good thing you weren't working with GFCI's and that generator was isolated. Little cavalier to the electrical safety, I know rain can sneak up but there was warming. I've done some wet events before. Thankfully nobody got hurt. Otherwise great setup. Oh and the Honda generators are very common on film sets because of quiet operation and power consistency.
always watching your event videos sir
I appreciate that!
Oye, Been there.. with the rain.
How did you mix the electric kit? Did you come out of the left right or use the direct outs?
The electric kit had a Left and Right output on it, which was connected into the snake in their own inputs. Some kits provide direct-outs for each drum, I'm not sure if this kit provided that.
@@stageleftaudio oh ok awesome. Thank you sir!
👍👍👍
Hello stage left audio how can I contact you??
Please revert.
Thanks😊
Our contact information is in the "About" section of our UA-cam channel. Thanks.
no damage on the equipment because of the heavy rain?
No damages! Everything made it through.
Band change always a lot of work
Were the tops effective at that height for covering the whole audience zone? Were there any considerations for pairing the DZR with the QSC subs? I recently paired a DZR10 with a 181 and tops needed both polarity inversion plus several ms delay to couple with the QSC using a 100Hz crossover
Good questions. Yes. The tops were great at their height. This was something the band and I briefly talked about before deploying the top cabinets. What's hard to see in the video is the audience area is actually "down hill" (slightly) from the stage; the speaker height coverage did very well covering the entire area. If the stage and audience area were on the same level surface, the band would have raised the top speakers to get the horns higher over the listening area. There were no specific considerations for pairing the DZR with the subs... other than the great sound quality of the DZR cabinets. The band owns the entire PA, so they may have had additional reasons for the pairing. The crossover for the pairing was managed by the DZR cabinets (around 120hz??). There was no delay nor polarity changes. If you are having to switch polarity on FOH cabinets, there may be something else going on (or possibly not setup correctly) with the cabinets or something else upstream of the cabinets. What were you experiencing with the DZR cabinets that led to a reverse in polarity?
@@stageleftaudio ah. Yeah, when I paired the DZRs with the QSC 181s, the low end just wasn't sounding full. I measured the subs and mains in Smaart and in the crossover region they were consistently around 200 degrees out of phase. I believe I polarity reversed (either the 181s or the DZRs) to get them within 30 degrees, then added delay to the DZRs to get them right on top. After that, we had 6dB of summation.
Thank you for the follow up. Great information! That's an interesting issue you encountered with that pairing. Looks like you worked it out! There can be low frequency issues (similar to what you referenced) due to 1/4 wave cancellations from walls and floors, but this is mostly an issue with indoor setups (rarely outdoor). These issues can usually be corrected (or managed) just by moving the cabinets forward or backwards. The bass at this event was solid (though, the recorder didn't pick it up to its fullest).
@@stageleftaudio - The Yamaha DZR315 tops were crossed over at 120hz. Full range being sent to the QSC KW18s, which I believe have a fixed crossover at 100hz. The Yamaha's crossover setting at 120hz cleaned up a little of the mud in the bottom.
Thank you for the clarification!
Hi sir sound material lena to kha ssyy apke jese
Can you give a schematic diagram for the connections? Well just a suggestion for the next content.
@traquena... I am not trying to be a D.H. or an A.H. I am just trying to help with the right phrasing... Soooooo, rather than a calling it a "schematic diagram," it would really be called a "mic layout," or a "mic positioning plot," many times as engineers we also simply call it a "mic plot." Generally a "schematic" is in direct reference to the layout of an electronic device, ie; an amplifier, an effects unit and the signal or electronic path as used by resistors, capacitors, toroidal and transformer positioning w/in that path. Of course there are certainly many other parts that make up the "schematic" of a device, those are just a few. **AGAIN, I AM NOT TRYING TO BE AN ASS, JUST TRYING TO BE HELPFUL!!** 😁
ANYWAY, KEEP ON KEEPING ON FUTURE ENGINEER!!!!!
PEACE!!!!! 🤘🏼
@@TheRealBKSchyster no biggey not well verse with the terminology. Can you draw how you connect stage box, mic, console, monitors etc.. thanks for taking time reading my comment.
@@traquena061983No worries!!! like I said, just trying to be helpful!! I can absolutely do that for you!! Just give me the amount of "players" on stage, what they play, ie; /drummer, no. of pcs. / gtr player(s,) no. of amps/player, /Bs. gtr player, generally I like to use a D. I. And a mic
/kybrd player, same as bass, I use D.I.'s and mics, /percussionist (if you
have one and what they use,/ Then all the vocalists. Of course anything
else you need to be in the P.A. @ F.O.H.(Front Of House- what the
audience hears) & MON. WRLD- "Monitor World" (what the band hears)
either in wedges (speakers)and or I.E.M.'s (In The Ear Monitors).
It really is pretty straightforward, a bit confusing at first, but it definitely is not anything you can't handle!! 🤘🏼
@@TheRealBKSchyster cool!
2 lead singer
1 guitar rythm
1 guitar lead
1 base
1 piano
1 drum
please i want to know how many speaker lina array system should i link them together or how how many sub can i link together ? any limit ?
The limit of speakers that can be connected (powered speakers) is based on the electrical current available to the speakers and how loud the system will be run. You may be able to connect only 3 speakers (of a certain type), or maybe 8 (of a different type).
@@stageleftaudio you mean the electrical current of the sub Rigth
@@stageleftaudio i am talking about the speaker lina array system
You are correct. I was talking about the line array speakers. In addition to electrical limits, most speaker manufactures will indicate how many line array speakers can safely be attached (or hung) together.
@@stageleftaudio thank you very much but please the last question please i need to know how i know electrical current to know how many speakers i can connect or link and i need to know how to calculate electrical current to know how many speaker i can connect
Why don't the band lead singer use a wireless microphone to sing
They decided not to. Wireless is great if you move around a lot on stage. The size of the stage for this show didn't allow much room to move around.
@@stageleftaudio - Band -#1 had a vocal stomp box between his mic and snake.
Band -#2 Singer is stationary and used a Beta SM58A
Band -#3 Wireless Sennheiser EW 300 G3 mic
16:08 !!!
In Msia we hv bands that can't even memorise their own songs, and hv this android stuck up their nose for lyrics guide.Zero audience interaction.
Nothing more unprofessional on the face of the earth than a lead singer who can't memorize the lyrics and has to have an iPAD stuck in front of him. Totally podunk.
Actually, this is a very common practice at concerts (large and small). Nearly all professional singers have their OWN lyrics on a TV screen that sits on the front of the stage behind a "blind". The screen that holds the lyrics is called a tele-prompter. This tele-prompter looks like a monitor speaker, but is displaying a TV screen to the performer. There's a stage-hand that scrolls the performers lyrics through the tele-prompter as the performer is singing them (exactly like it's done for television news broadcasters). This is easily seen in a lot of professionally produced concert videos, especially video shots from the stage looking out over the crowd. There's a couple of other methods of displaying lyrics to performers, but the tele-prompter method is most common. The iPADs you see people using are their versions of the tele-prompter.