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How to Color Grade Canon C LOG Footage (Convert to REC 709) in Davinci Resolve 17 - LUTS Available!
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- Опубліковано 16 сер 2024
- Canon LOG LUTS: payhip.com/b/GWVI
0:00 - Download Davinci Resolve
0:23 - Adding Serial Nodes + Color Space Transform
3:41 - Balancing RGB
6:09 - Applying LUTS properly
7:25 - Skin tones
11:30 - Global Adjustments
14:46 - LUTS Preview
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Great job. This completely changed my color grading quality I'm getting from my camera. Insanely well done.
This so far has been so helpful. I'm 100% subscribing
Nice. Thanks!
Close, but this is wrong; the C100's color space is actually Rec709 already. Only the gamma is canon log; color space is not cinema gamut. Your results will look much more natural if you make this adjustment in your first node (rec709 + clog instead of Canon Cinema Gamut + clog)
This convinced me to try out DaVinci. Idk why I haven't branched out of Premiere Pro probably out of comfort. Thanks! Nice vid dude
Nice. I use to edit on Vegas Pro and After Effects - Davinci Resolve is the perfect mix of industry editing, VFX & Color Grading in my experience. Def worth trying out. Thanks!
output color space arri alexa is gone now, what do you use instead
bro, very informative and useful. keep making videos.
thank you fro your effort
Thanks a lot sir, this was helpful to me as a beginner and it was a 100% massive accurate to the coloring I was looking for
Hey Man, This is super helpful. I'm subscribed, following on instagram, and buying your LUT as a result! Thank You!
I'm glad it helped you. Thanks!
I'm a little confused by the purpose of this process as well. I did a side by side comparison of the c-log converted to rec 709 and c-log to ari - rec 709 and they are exactly the same. It doesnt seem like you gain any dynamic range or anything by converting to ari first, its just an extra step?
There's one huge thing I immediately notice with this camera. I don't know if its the fact that it's a very old sensor or if its the bitrate but colors don't seem to have many levels of shades. It's like the greens have a few shades as do the reds and the orange. This is a problem all camera's from 2012 - 2016 suffered from unless they had 10bit
Thanks for video , it was helpful. I created a LOG footage in my EOS RP , am trying to get a cinematic look , any advise or suggestions
How amazing content! Thankyou
Thanks. No problem!
@@terryvideo Does this method reduce the dynamic range of your clips? I noticed sometimes when applying canon default luts it clips my highlights on my c70, which is dumb bc i bought the camera specifically for its DR lol.
@@wcsdiaries this method should showcase your dynamic range - it could be possible that your original raw clip is over expose? also, try adjusting the highlights on the curve - bring it down a bit.. if it's still clipping, your raw footage is over exposed. The canon cinema line has one of the best DR and color science in my opinion - so it's probably a color grading or exposure issue
lol, i use davinci about a year and i had no idea about "color space transform". thanks !
It's a really neat and valuable tool in Davinci Resolve. Saves a lot of time on manual tweaking/transforming. No problem!
@@terryvideo I use c100 for a some time now and I have a problem with fixing colors after using ND filters. Could you explain (maybe in another video) how to do this properly?
@@stogniew361 ND Filters from the C100 Mark II shouldn't alter the colors - are you exposing your shot correctly? Opening up the aperture?
I wish i can download practice footage
I do have a question about color space transform. Isn't output color space and gamma based on the monitor and not the look you are trying to achieve? For instance I have C70 and shot log2 so my input color space would be Canon cinema and my input gamma Log2 with my output color space being rec709 as most screens are in this color space.
Yea - that's how i understand color space. It's not a color grade rather transforming the colors to a fixed range of colors and luminance value before grading/applying a LUT. Rec709 being the standard color space.. so it's safe to build a grade in that space.
which color management do you use in this case YRGB or what?
Hello, great, great colors for your video, but I have a question I have two options to buy a Sony A7III or a Canon C100 IIat the same price, I ask about sharpness, dynamic range and colors, and is the quality of Canon FHD really comparable to 4K
yea c100 mk ii has a 4k sensor downsampled to 1080p.. so what you're seeing is a 4k image but not raw dimensions.. if you want a cinema camera, def c100.. if you want videos and photos, then sony a7iii
I just bought the Canon EOS R6 and started shooting with Log 3. Unfortunately, it doesn't work in DaVinci Resolve 17 or 18. As soon as I drag it into DaVinci Resolve, I can only see the audio and not the video from the clip. I haven't found a way to solve this problem, but maybe someone knows what I'm doing wrong.
this happened to me. i’m assuming you may be using the free version of davinci? the codec you’ve shot in is too high for the free version of davinci. try using proxies but if that doesn’t work then i used adobe media encoder to lower the bit rate and then it worked fine
thank you very much for sharing such knowledge God Bless you, Let me Subscribe
Great video thanks! I was wondering why you are converting to arri Alexa color space and then converting arri alexa to rec 709. Is there a reason for this?
it's not a necessary but arri alexa has a nice flat/log profile to color in and it's used by many professionals - i also see it as taking advantage of davinci's color space tool
@@terryvideo I was wondering about the second color space transformation on node 3. Why the color space transformation instead of applying the Arri to REC 709 Lut that comes with Davinci on node 3?
Your tutorial is cool, but dR has this flaw of not including the most popular color profiles like Canon's C-log. A lot of people still have a 60d or 70d and use the program, so an appropriate profile for the C-log or CineStyle is crucial for the evolution of the program. It took you a long time to transform the C-log into Rec 709, which is totally wrong. This process should be almost automatic, as it happens with other modern cameras.
Interesting. What are your project settings when you bring in your footage? Are you in DaVinci YRGB or DaVinci YRGB Color manage? What is your Timeline Color space?
Can't seem to bring in my Canon Log shoot footage without DaVinci wanting to raise the levels in my original Log footage? I want my import to look just like the original Log.
I can see this if I toggle the Bypass. Can't seem to get the original footage on the timeline without DaVinci applying something.
Davinci Resolve YRGB, Rec 709 Gamma 2.4, hmmm - maybe try updating your Resolve or check if your monitor is calibrated for color grading.
Hi, good video, but I have a question: I recorded some test C-log videos with my new Cano R6, and when I move them to the timelime in DaVinci, I cannot see the video; it only shows the audio green graphics....so, I'm rather new in Davinci + this new C-log = I'm getting a bit crazy....well, I hope you can help me and give me some easy steps or guidelines on how to appropriately import Canon C-log videos and see them in the timeline. Thnks indeed....Bye
Hi, thanks. Try updating or it might be your computer's gpu or cpu.
Hello how are you doing? I have a question regarding quality of footage if you punch into footage to make like close-up is it usable ?
11:11
r u youtube partner?
I was before they changed the rules. Need more watch hours