Respighi - Pines of Rome Karajan Berlin Philharmonic
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- Опубліковано 13 жов 2024
- Conductor : Herbert von Karajan
Berlin Philharmonic
1977 December 5, 6 1978 January 26,February 13,26 days
１ Part １ Borghese Zhuang pine 0:00
２ Part ２ Pine near Katakonba 2:54
３ Part ３ Pine Gianicolo 9:54
４ Part ４ Pine of the Appian Way 16:36
Absolutely Outstanding piece of 20 th century.
The first time I heard this was when I watched Fantasia 2000 in an Imax theater as a child. I vividly remember the whales and my awed state.
In highschool I performed Pines of Rome in the MN All-State orchestra as a hornist and I'll never forget the overwhelm of awe returned the first time we ran through it as a group.
The beginning of the final movement forming all around me was so powerful that I couldn't even play for a moment --a teacher sitting with us pointed out the measure we were on, thinking me lost when he saw me not playing, but when he saw the look in my eye he let me alone cuz he could tell what I was going through 😆
Great story!
Incredible strength for the victoriuos legion to Rome.
Listening to this takes me to another place
Well, as usual, all other recordings can step aside, the boss is here.
A technicolor orchestra. That third movement and that clarinet solo.... One of my favorite passages of any piece. Beautiful performance of this masterpiece!
It seems I am in a Via Appia and watching the glorious Roman Imperial Army marching majestically
I’m in high school band and we played part 4 for our spring concert and it was my favorite out of all the songs we played. I wish we would have played the other parts as well.
Que maravilloso regalo de Dios a la humanidad es el poder creador que emana de los músicos, directores y por supuesto, los compositores que han materializado estos sonidos celestiales
Il merito va ad Ottorino Respighi e solo a lui.
Continuare, per ogni cosa, a ringraziare un Dio che, nelle forme espresse dalla religione, dovrebbe essere chiaro che non esiste, lo trovo volgare ed ingiusto.
My god man, what a wonderful rediscovery. Still one of the biggest musical pieces I’ve heard ..and the Festivals of Rome!
I would pay to see a column of shiny armoured legionaries marching through the appian way as the ground thunders under the the unending steps of proudful romans as one great and majestic mass triumphantly parading under the watch of all the citizens. Then the buccinae start roar with fearsome bright tune and the Legatus presents himself wearing the ceramonial raiment and salutes the plebes on a golden chariot with the banners of the roman signifers and the veterans at the head of the centuries. That is the epic feeling this piece evokes.
Evokes.... to you maybe.
That brief piano solo at about 10:00 astonishes us with its rightness, somehow. This music is profoundly enticing; it leads us to an understanding of the value of great forests. I don't mean that in an political sense -- only in an aesthetic sense. Respighi wanted us to feel that sense of things. And he fully succeeds here.
Quelle merveilleuse musique. C'est d'une beauté et d'une plénitude divine!
I feel like I'm watching a movie when I listen to this.
Try watching Fantasia 2000
Grest soundtrack composers like Ennio Morricone or John Williams stated Respighi was one of their greatest inspiration.
Fantasia, to be specific
Yup.
@@taddarita75 . Williams was a ripoff artist
Spectacular!...von Karajan and his Berliners wrap themselves in glory...
Magnificent!
By 2 Masters: Respighi and Herbert von Karajan.
I suppose I can't knock this piece - bought - the album - in 1979 at the record store. Karajan did a fine job with this classic!
Clarinet beautiful solo, pp to infinity...
Children, in their exuberance, overdo virtually everything. Respighi knew that. So did Karajan.
Críticas negativas a esta grabación? Por qué la gente se enreda tanto la vida. Un buen director, una magnífica orquesta y una maravillosa música. Siéntate, escucha, disfruta y ya!!!
Yes, thumbs up is not enough, simply transformatively intriguing to listen to. Merci
big dub bro
18:45 onwards is incredible
0:18
1:08
2:45
Ottorino Respighi:Róma fenyői
1.A Villa Borghese fenyői (I pini di Villa Borghese): Allegretto vivace 00:00
2.Fenyőfák egy katakombánál (Pini presso una catacomba): Lento 02:54
3.A Gianicolo fenyői (I pini del Gianicolo): Lento 09:54
4.A Via Appia fenyői (I pini della Via Appia): Tempo di marcia 16:36
Berlini Filharmonikus Zenekar
Vezényel:Herbert von Karajan
Köszönöm az értékelést
Beautiful!
Flying whales brought me here
A man of culture
I see you watched Fantasia 2000.
@@shimmereyes8984 yes, yes I did
Same!
What's with the fucking ads? It's the last time I look for any music on UA-cam I swear to God.
adblock
Please don't give up on such a huge and inspiring resource. Try the Opera browser : it has a built-in ad blocker and works perfectly on UA-cam.
Why should you get this music for free?
@@johnny2303 Why should advertisers piggyback on it is the question. I usually buy what I want to listen to. So right, why expect it for free. However UA-cam has always been about a certain 'freedom'. Otherwise, it should be just another another pay per view.
@@cerberus6654 well yes but you tube likes revenue and many people make money from monetizing their content. I still can hear quite a bit without ads. Also you can get rid of them just like Pandora
Karajan rules.
uber alles
With an iron fist
Via Appia will watch various great affairs and immeasurable historical events.
However,
my life is a whim
Karajan’s conducting performance is unrivaled by any other performances
Karajan holds an unchallenged position as an interpreter of Respighi
I deeply love The pines of The Via Appia
Roman imperial army aregradually approaching us on the Via Appia
A brave and invincible Roman imperial army with pass infront of us
FromTokyo
I challenge that. :~)
I would title the Pines of via antica as Titus returning from the Judean war.
Going to see this @ Boettcher in Denver manana @ 1 MST. A+++
Bravo pour la pub au début du deuxième mouvement. Pas pu viser entre les deux, hein ?
Choo says she's crazy and loves Italian composers.
アッピア街道の松はアッピア街道での歴史を全てみていた。
小スキピオがカルタゴを滅亡させてアッピア街道での凱旋行進をした光り輝くローマ帝国軍の栄光の姿もみていた。
ネロ皇帝のキリスト教徒迫害を逃れてローマを脱出したパウロがアッピア街道で亡きイエスキリストの光り輝く姿をみて話したことも
Sembra di vedere l'esercito Romano attraversare le antiche strade, dirigersi verso la battaglia..
Best recordings are: Ozawa/ Boston/ DG and Maazel/ Cleveland/ Decca, Reiner/ CSO/ RCA. And maybe Muti/ Philadelphia/ EMI. These are unsurpassed....
Please try Celibedache here on yt and let us know where you place him.
Agreed, I'm including great performance & recording on the DECA label , Charles D. and the Montreal Symphonie Orchestra . The details can be heard, Tempo, Nuances, Acoustics , You'll be pleased & amazed, especially if you have a decent - good music system*
Definitely the Ozawa/ Boston for me. Beats anything else, but they are all great recordings.
@clark cimmerian Am sorry, too heavy handed and too ponderous....
Toscanini is the best pines of Rome!
Nobody can do like Maestro Toscanini!
Vivid and Energetic!
Gracias por compartirlo
Are the bird sounds at 16:00 really in the piece? If yes, what instrument would play it?
Sorry, I'm not very familiar with the piece
Yes, the score calls for recorded sounds of birds.
@@poirot3307 thank you
In the score Respighi calls for a specific gramophone record of a nightingale. .....you can cheat and use a random sound sample off the Internet or if you want to be acoustic you can use a Acme water filled nightingale whistle
@@KarlSheen thank you
Yes, from it's premier in 1925. Respighi had a gramaphone recording made of, specifically, a nightingale singing in the Janiculum park described in that third movement in the pre-dawn hours, and it was played in the symphony hall during it's debut.
Via Appia. I need to see this. I wonder if it might resolve some issues for me.
Me over here just now realizing that I am not familiar with concert E lol
Them Italians don’t know what key signatures are
I see shadows of Stravinsky first movement.
Respighi taught for the longest time in Russia
1st movement -> Petrushka
From 20'48, what a climax !!
4:59 🎺
Thx!😊
20:03 - 20:17 Jesus. Why is that horn so loud?
SMUS16475 Precisely why. My director loves this interpretation for that exact reason 😂😂
SMUS16475 FFF markings will do that to interpretations
Someone's excited to return home after years at war!
@Richard Williams No in the score it is supposed to be Buccinas but in this recording, they are using trumpets and horns to replace them. Horn 5 and 6 are the ones that are playing those extremely loud notes.
My understanding is that Karajan wanted that so as to simulate those long horns with the banners welcoming the troops. I can't hear any other way now.
Really, an advert in the middle...
Musical sacrilege when they do that.
Install adblock.
who was the principal cellist for this recording? does anyone know? i can't find it anywhere on the internet :/
Is the sound of Eberhard Finke
It could be Ottomar Borwitzky
Boy, it almost fell apart at 7:18, climax of 2nd movement
Yeah, it's a bit out of time around there!
More than there - for the next minute or so! I guess they couldn’t follow his swimming motions.
Clarice brought me here
Qual a Legiáo Romana que avança vitoriosa para Roma?
el ultimo movimiento
yeah why not flying whales
Part3
12:34
有點失控的感覺！
Not as exciting as his performance in Osaka. I still prefer Toscanini, Reiner, DeWaart and Lane.
Anne Sexton
Le final ne vaut absolument pas la furia de Toscanini en concert
El Duce'! El Duce'!
Horrible balance in the brass and a raher muddy mix....
it's a distaster the version of Georges Prêtre is better
Listen to it on quality equipment! The best recording EVER!!
Karl Leister on clarinet-there is NO equal.
@@bertrandrussel3680 Dutoit, MSO ftw!
ERROR
I don't like the dynamics throughout, not enough light and shade. The Appian Way was muddy. I've liked other performances better. Sorry Herbert.
Agreed. Karajan usually my favorite too
Well I enjoyed it.
Could you do better?
@@roberthine6127 Yes. I have 74 years of experience, and I know what I like as a professional.
Then I bow to your superior knowledge
Music is as subjective as it is plagiaristic. My interpretation would follow Dima Slobodeniouk with Sinfonica da Galicia.
رياض السنباطي يحب هذا العمل العظيم