Thank you, this is great. It still saddens me that there are people who just think Liszt was an empty virtuoso, with no musicality at all... these pieces are beautiful.
his melodies speak to me like no others. it shines a light into places of my heart and mind that I'd disregarded or forgotten, yet it peels away the emotional blockages and gives those pieces back to me. thank you for posting this beautiful collection, I am grateful for Liszt
Can only underscore comments made before me, what depth and intuitive, (and novel) cello writing. The dialogue between cello and piano compels the ear towards the cello entry and responding phrase. Very much as the ear tends towards a single vocal strand in an orchestral sea. Loved it.
1) Première Elégie, S. 130 0:00 2) Zweite Elégie, S. 131 (1877) 4:45 3) Romance oubliée, S. 132 9:12 4) La lugubre Gondola, S. 134 13:00 5) Die Zelle in Nonnenwerth, S. 382 21:05 6) Pensées poétiques/Consolations pour Piano, S. 172: No. 1 in C Major 27:12 7) Pensées poétiques/Consolations pour Piano, S. 172: No. 2 in A Major 31:26 8) Pensées poétiques/Consolations pour Piano, S. 172: No. 3 in E Major 34:02 9) Pensées poétiques/Consolations pour Piano, S. 172: No. 5 in G Major 38:17 10)Pensées poétiques/Consolations pour Piano, S. 172: No. 6 in C Major 40:55 11)Angelus! (Prière aux anges gardiens), S. 163: 3ème Année, Italie 44:07 12)Liebestraum No. 3 in G Major, S. 541 52:00
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Thank you, this is great. It still saddens me that there are people who just think Liszt was an empty virtuoso, with no musicality at all... these pieces are beautiful.
How could anyone say that about you??? You have more emotional music than most if not all other composers.
his melodies speak to me like no others. it shines a light into places of my heart and mind that I'd disregarded or forgotten, yet it peels away the emotional blockages and gives those pieces back to me. thank you for posting this beautiful collection, I am grateful for Liszt
Thank you Liszt! Everyday I discover something new about him. Today I discovered these precious works.
Can only underscore comments made before me, what depth and intuitive, (and novel) cello writing. The dialogue between cello and piano compels the ear towards the cello entry and responding phrase. Very much as the ear tends towards a single vocal strand in an orchestral sea. Loved it.
The diversity of Liszt is infinite, and unfathomable
This splendor is undisputed
@shin-i-chikozima -- Who knew? Or even Suspected?? BRAVI ad ENTRAMBI from Acapulco!
@@steveegallo3384
Thankyou
From
A corner of Tokyo, which is full of delicious foods of 🍱🍱🍜🍜🍣🍣🍥🥢🍢🍘🍚🍚🍙🍙🍡🥟🍤
1) Première Elégie, S. 130 0:00
2) Zweite Elégie, S. 131 (1877) 4:45
3) Romance oubliée, S. 132 9:12
4) La lugubre Gondola, S. 134 13:00
5) Die Zelle in Nonnenwerth, S. 382 21:05
6) Pensées poétiques/Consolations pour Piano, S. 172: No. 1 in C Major 27:12
7) Pensées poétiques/Consolations pour Piano, S. 172: No. 2 in A Major 31:26
8) Pensées poétiques/Consolations pour Piano, S. 172: No. 3 in E Major 34:02
9) Pensées poétiques/Consolations pour Piano, S. 172: No. 5 in G Major 38:17
10)Pensées poétiques/Consolations pour Piano, S. 172: No. 6 in C Major 40:55
11)Angelus! (Prière aux anges gardiens), S. 163: 3ème Année, Italie 44:07
12)Liebestraum No. 3 in G Major, S. 541 52:00
My favorites❤️
9:12, 31:26, 38:17, 52:00
LISZT!
A hidden gem, lovely pieces